The Love Machine & Other Contraptions (5 page)

BOOK: The Love Machine & Other Contraptions
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“Yes. Until you realize that you’re one, not three, and stop getting out of control.”

“Of course I’m one,” I said. “I never thought otherwise. And I’m not out of control.”

“A hundred and two victims would testify otherwise.”

“Will you stop it with that?” I said. “There are no victims. Dewey and Louie are practicing art, and I’m helping them. That’s all.”

“Yeah?” said the demon. “What sort of art, exactly? Mass murder?”

“The aesthetics of burning,” I said.

“Murder,” said the demon.

“There’s no connection,” I said.

“Murder. Don’t have any illusions.”

“Say,” I said, “Who are you, anyway?”

“I,” said the demon, “am the only element in this story who isn’t you yourself.”

“Seriously,” I said. “Why are you banging on about murder?”

“Because you, apparently, don’t perceive those you kill as human beings.”

“I don’t understand why you keep insisting I killed people.”

“Mr. Kalmanson, for example,” said the demon. “What happened to him?”

“I have had enough,” I said, “of this conversation.”

And I went. And was brought back.

“As I said, you’re not going anywhere. We were talking about Mr. Kalmanson.”

“He wasn’t a human being,” I said. “He was an asshole bourgeoisie, that’s what he was.”

“And the children in the park?”

“A symbol of the moral decrepitude taking over our youth.”

“A symbol?”

“Of course,” I said. “Remind me, who are you?”

“I am your artificial conscience,” said the demon. “It looks like you can’t be stopped any other way.”

“The establishment has never looked favorably on alternative art,” I said.

“The establishment has never looked favorably on genocide,” the demon said. “Now you tell me—who are
you
?”

“I’m Huey,” I said.

“You made up Huey, Dewey and Louie. You are the three of them together, or, to be exact, each one of them at any given moment.”

“That is complete nonsense,” I said. “It’s even stupider than you going on and on about murder, murder, murder.”

“Really? Do you remember how long you’ve been Huey?”

“Louie,” I said.

The demon sighed. “We won’t get far this way. Tell me, can you call Huey and Dewey? Ask them to come here?”

“Sure,” I said, and they came.

“Say,” said Huey through a mouthful, “Doesn’t it seem odd to you...”

“What?” said Dewey.

“That he, like, disappeared?”

“Who?”

“Enough of that!” said the demon, and glared at me. “You’re only helping them, right?”

“Yes,” I said. “I’m the technical guy.”

“Very well,” said the demon, and pulled out a gun, and shot Louie and Dewey to death.

~

Smoke, without fire. Silence. Cinders.

~

“What have you done?”

“Now you don’t have anyone to help.”

“But we have a lot more things... many more items for... our exhibition. There is still so much to do. Doing is every—”

“There is no exhibition!” shouted the demon. “Forget it! It’s finished! Gone! Enough!”

“Remind me—who are you?”

“I am your viral, artificial conscience,” said the demon. “You can’t get rid of me. I’m a piece of software running on your brain’s wetware, and based on your personality. Just like Huey and Dewey and Louie, R.I.P. But them you made up, and me you haven’t.”

“I didn’t make anyone up.”

“Of course you did,” said the demon. “The two—or three—of them are just aspects of your personality. I don’t know what drug or technology you used to create them, but they are definitely you. The loop you’re stuck in is probably some kind of side-effect. Maybe you’re afraid of something and don’t want to move on.”

“I don’t know what you’re talking about and I’m not afraid of anything,” I said. “And besides, you said you’re also based on my personality.”

“But I come from outside,” said the demon.

“Outside?”

“Several of those who tried to stop you, in the real world outside of your sick brain, are now in intensive care. The rest have already been buried. Not that there was much left to bury. And that’s why they created me.”

“Who are you?”

“I... in one way I am you. They scattered viral spores, encoded and tuned to your brain. You breathed in one of them, and it caused—or created—me.”

“You came to kill me?”

“No,” said the demon. “To rehabilitate you. To heal you.”

“I’m not sick.”

“Not really,” said the demon. “You’re split. That is, you
were
split, until I killed Huey and Dewey. Now I hope you can stop. Return to reality. Exit the loop. Stop the burning.”

“Burn.”

“Yes.”

“Burn.”

~

Sparks and cinders. Smoke.

~

“Burn!” I said. “Oh, God! What have they done!”

“What
you
did.”


I
... did. I! Me!”

“Huey and Louie are fiction. They never were. You are the artist who was afraid to be an artist. Maybe that’s why there’s a loop.”

The exhibition that would never come. Just more and more...

“I am... I am the artist.”

“Who was afraid to be an artist.”

“I am... the artist.”

Doing is
everything
...

“Forget that. Welcome to reality.”


Reality
,” I said. “What have you got to do with reality?”

“I could ask you the same question,” said the demon. “But it would lead us nowhere. Tell me—what do you see? Where are we?”

~

Spark and cinder, cinder and spark. Smoke. Darkness.

~

Light. A white room.

“A white room,” I said.

“A
tabula rasa
,” said the demon. “A blank slate. A good place to start. Now, all that remains for us to do is help you find the way back out.”

“I am the artist,” I said.

“You were,” said the demon. “
Were
.”

“Still am,” I said. “Always have been and always will be.”

Because doing is everything.

“Not anymore,” said the demon. “I’m curing you. You are not an artist and have never been an artist. You were possessed of an artificial split-personality with a growing superiority complex, but now everything should be all right. The white walls are a good sign. Now you just need to create an opening in them.”

“There’s something to your twisted logic,” I said, “but I don’t think we’re going to do anything about it.”

“What?” said the demon.

“He’s not right,” said Dewey, and pointed at him.

“Don’t exaggerate,” said Huey. “He did a very nice job with you here. Doing is everything.”

The rest is nothing.

“No—yes—I mean... sure,” said Dewey. “But that’s not what I meant.”

“But I killed them!” said the demon.

“You must understand,” I said, “That a man cannot die, but in fire. Fire is the life, and the death.”

“That doesn’t make sense!” said the demon. “And you said you didn’t kill anyone! No human being!”

“And you are, by your own admission, no human being.”

“But...”

“Don’t be a pain,” I said. “Instead, finish here.”

And the white walls calcinated.

Beautiful. Terribly beautiful. No longer cinders, the heat growing, sparks whispering, surfaces burning...

“Hey!” shouted the demon. “You can’t do this!”

He blazed and burned and melted and shrinked and disappeared.

I went away.

~

They say you should always start small. Burn a tree, perhaps; a parked car, road signs, a traffic light. Not us. We, for starters, burned Mr. Liberson’s flat—including two fine leather chairs, forks and knives (one dozen pairs), a life-sized (ugly) china horse, and Liberson himself.

Of course.

Contraption: Id Machine

These small, microscopic constructs can enter your bloodstream at any time. They will stay there, dormant, until the time comes when a rational decision needs to be made. At which time, they’ll suddenly expand, right there in the middle of your brain and lungs and heart and kidneys, and do their function, which is this: they will make you decide to do what you want to do.

You will find excellent excuses for doing what you wanted to do anyway. You will be sure, without any shred of doubt, that you’re doing the right, logical thing. You will be able to draw impressive flowcharts and construct flawless arguments that will convince anyone. You, of course, won’t need any amount of convincing. Your own Ego will take care of that for you.

There is no Id machine in existence, but we work that way anyway.

Benjamin Schneider’s Little Greys

When Benjamin Schneider came to my clinic and complained of mysterious coils on his left wrist, I wasn’t overly surprised. The term “hypochondriac” may have become a bit outdated, but Benjamin nevertheless lived as its perfect archetype.

He had been that way ever since he was a child. I remember the first time he came to me, when I was still a minor family GP at the National Health clinic in town. He was about fourteen, short for his age, thin, curly-haired and bespectacled, and a thorn was stuck, mortifyingly, in his behind. His mother, Mrs. Romina Schneider, did not spare him her wrath—“Every time, something strange has to happen to you!” she said—and the embarrassed child gritted his teeth and gave me a pleading look.

His mother, too, gave me a look—the kind an older woman gives a younger woman she doesn’t trust, doesn’t
want
to trust, but is forced to, if only by the vagaries of the National Health Service. I don’t remember how I got her out of the room—one of the nurses helped me, perhaps—but five minutes later the thorn was removed to the relief of everyone concerned. Benjamin’s grateful gaze was something I could never forget—if only because, for years afterwards, I received it from him, on average, about once a week.

The week after the thorn incident, for instance, he grazed the back of his neck on barbed wire—I had no idea how—and came to me to clean up the wound. I asked him if they didn’t have iodine at home, and he shrugged and didn’t reply. In fact, he never talked about himself, beyond—more or less—the medical reasons for his current visit. Every week he visited me, with one reason or another, as he grew up from a boy to a teen and then a man, still thin, still curly-haired and bespectacled. When I opened my own clinic, twelve years later, Benjamin was my first client.

His medical problems were always a little odd. He came to me bruised in unlikely places—his right ear, for example—or suffering from bizarre diseases—like an arthritis that had the same symptoms as gum disease, didn’t respond to medication and disappeared after a week—but always healed miraculously and returned to me to verify the fact, and perhaps discover some new ailments in the process. It’s possible that other doctors would have ridiculed him and his various ills—and certainly my cooperation with it and with him—but I couldn’t bring myself to be so cruel to him.

The coils, however, were something completely new. I had sent him for an X-ray several days before, at his insistence. He brought the films back to my clinic, in the brown paper folder of the National Health, searched through them for a minute or two and then found what he was looking for. I clipped the film to the illuminator and examined it, not expecting to find anything out of the ordinary—or at least the ordinary in terms of Benjamin Schneider.

But, to my surprise, something
was
there. Two grayish coils, semi-transparent, meaning that whatever they were made of was not solid enough to completely block the X-rays. And there was something else odd about the picture, though at first I couldn’t figure out what it was.

“Does it hurt?” I asked. He shook his head. I examined the wrist myself, but externally it was not possible to discern anything out of the ordinary. I told him that I had to think about it, and that he should come back to see me in a few days. I looked at him, worried he might be upset by that, but he just nodded and left, to all appearances satisfied that his fate was in good hands. How little did you know, Benjamin. How little did we know.

I had quite a lot of work to do in the office that day, so I took the film home with me afterwards. I didn’t have an illuminator at home, so I hung the film before a desk-lamp. I stared at it all through dinner, mesmerized, and for a change didn’t sit waiting in vain for the phone to ring.

The coils were odd, but there was also something familiar about them, and these were two separate things, the strangeness and the familiarity. After a while I lost my concentration and watched a little TV. One of the channels was showing a horror B-movie and I watched it disinterestedly as my mind floated here and there on its own, without my being fully conscious of it. It’s a way as good as any of dealing with problems, but this time the solution came not from that but, rather, from the tiny part of me that was actually watching the television.

In the movie, one of the monsters there was sawing through the arm of another monster, and I noticed immediately the cheap special-effect: the saw and the hand about to be cut were two separate images filmed at different times and joined artificially. It was easy to see that the saw didn’t really touch the arm. And it was the same phenomenon that I could see in Benjamin’s X-ray: the coils looked like an artificial addition to the picture.

There was something reassuring about this. Incidents like this are not common but sometimes, despite all precautionary measures, they happen. A foreign object finds its way between the camera and the subject, the result being the mysterious thing illuminated in all its glory before my reading lamp. If Benjamin still needed it, I would send him for a repeat scan, and if not—all the better.

Still, the coils
did
seem familiar.

At his next visit, I explained all of this to Benjamin—apart from the strange feeling I had about the coils—and he seemed fairly happy with my explanation. Another problem was occupying him by now. He had something in his eyes. That’s how he put it, and I couldn’t get a better explanation out of him. I examined his eyes and could see nothing out of the ordinary, apart from a redness that could have been caused by a thousand and one things, most of them not worthy of attention. But when I examined his right eye through an ophthalmoscope I saw it: a tiny grey circle, barely visible against the redness of the retina.

There was one in his left eye, too.

They both seemed familiar, just like the coils on his wrist. They also seemed, as hard as it was for me to believe when looking at something that was real and not an image, unconnected to the flesh. If the coils in his arm seemed like foreign bodies that had entered by mistake into the field of vision of the X-ray camera, then the circles in his eyes seemed like foreign bodies that had entered by mistake into the field of vision of reality.

I think I managed to hide the shock I felt. I gave Benjamin eye-drops, closed the clinic early and went home to rest. And watch TV. And think.

And in the morning I arrived at the clinic two hours before opening time and dismantled the ophthalmoscope. I examined all of the parts through a magnifying-glass, but found nothing to explain those little grey circles that looked like the little grey coils, that looked like nothing I knew—even though my brain insisted otherwise.

I didn’t know how to reassemble the device, and so decided to just buy another. I had money, after all, and besides it was tax-deductible. I spent the rest of the time before the arrival of my first patient in thoughts of this nature, that were relaxing in their simplicity and mundanity but which led me nevertheless, in one way or another, to the mystery of Benjamin’s grey parts, thoughts that were only halted with the appearance of the man himself.

“Benjamin,” I said, surprised. He had never come to me two days in a row. “Is everything all right?”

Usually, on his visits, he would merely point at the source of pain or discomfort, speaking as little as possible, and let me complete the diagnosis on my own. Not today.

“I have a crop circle,” he said.

“Excuse me?”

“A crop circle. You know. Like the ones aliens make.”

“Benjamin...” I said, but he had already launched into an explanation that was exceptional both in its length and its content. Crop circles are giant circles, and sometimes more complex shapes, that are formed in wheat or corn fields by the pressing down of the stalks. All kinds of attributes are ascribed to them, and stories are told of strange things that have happened within the circles. There are people who believe that they are proof of the existence of aliens. The rest of the world, of course, knows that it was all merely a practical joke.

“Fine,” I said. “I don’t really believe in aliens, but let’s get back to
you
, Benjamin.”

He looked at me. “I have a crop circle,” he said again. “On my tummy.”

I stared at him, thinking of whether I needed to send him to see a psychiatrist. Then I laid him down on the examination table, turned on the overhead lamp, and opened his shirt. I asked him to point to the place where the circle was, and he did.

Despite everything, I needed all my will power not to laugh.

“Benjamin,” I said, “That’s your navel. Your belly button.”

“It’s a crop circle. Look at the hairs there, see what happened to them.”

“It’s only natural that the hairs around...” I said, and then I saw.

They were bent. Or stood erect, at unnatural angles. Circles within circles, around the navel. But more than that—they were grey.

I passed my hand over his stomach, touching them. I wasn’t sure I was touching them all. It seemed to me that some passed through my palm, as if they were air. As if I was air. It was not a pleasant feeling. Under my hand, Benjamin shuddered. I felt a kind of electric current, something passing between us through my spread fingers, touching-not-touching his crop circle. Many things were suddenly clear. Many things. Little clues, grazed necks, odd bruises, strange illnesses, illogical pains. Aliens.

“What do you think?” he said. “Am I going to be all right?”

I looked at him, straight into his eyes. They were grey. There were strange geometries behind his eyes, and I thought I understood them. I didn’t say anything. His eyes grew large. After a moment I realized that he was afraid. And only a little after that I realized that he was afraid of me.

“You too, Dr. Katz,” he said. “You too!” —and he passed out.

I climbed onto the chair and from there onto the table, and stood there, looking down at the thin silent man who had spent the majority of his life suffering from imaginary diseases that were, at the end, quite real. Maybe he was in love with his diseases. Maybe he was in love with me. It didn’t matter. Not now, with the aliens controlling him, and me. I gritted my teeth and dove, head first, into the crop circle, into his navel.

~

He still comes to visit me every week. Right after they released him from the hospital he came to see me. How nice of him. Maybe he’s still in love with me, even after I jumped into his belly. They told me the doctors managed to reconstruct his digestive system. My head, however...

He comes to visit me every week, and the little greys are in his eyes, on his hands, forming and growing, growing and spreading all over his body. I have no mirror here, and I can’t look at my body, but I think it’s the same with me. I think I hope it is so. It’s hard to be sure, with a head like mine.

I think I see the world in black and white, or grey. Apart from Benjamin no one would understand. I know exactly what the medical thinking is. I know exactly what the people who surround me would think of anything I would say. I know what I would have thought. I’m well-behaved, but that doesn’t help.

Only Benjamin, only Benjamin can help me. He and the little greys, the growing greys, the great big greys. Now, when I see the look in his grey eyes, when I imagine the touch of his hands, the coils on his wrists, beyond the reinforced glass window separating us, beyond the jacket enfolding me, I know that he loves me.

I love him too.

But most of all I love the greys.

BOOK: The Love Machine & Other Contraptions
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