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Authors: Margaret Atwood

The MaddAddam Trilogy (43 page)

BOOK: The MaddAddam Trilogy
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You could watch
TV
or old movies, play your music, talk on the phone. Or you could visit the other rooms in Scales on the intercom videoscreens. Sometimes when we were doing plank work we’d wink at the cameras in mid-moan for the benefit of whoever was stuck in the Sticky Zone. We knew where the cameras were hidden, in the snakeskin or featherwork on the ceilings. It was one big family, at Scales, so even when you were in the Sticky Zone, Mordis liked you to pretend you were still participating.

Mordis made me feel so secure. I knew if I was in big trouble I could go to him. There were only a few people in my life like that. Amanda, most of the time. Zeb, sometimes. And Toby. You wouldn’t think it would be Toby – she was so tough and hard – but if you’re drowning, a soft squashy thing is no good to hold on to. You need something more solid.

CREATION DAY
CREATION DAY

YEAR FIVE

OF THE CREATION, AND OF THE NAMING OF THE ANIMALS. SPOKEN BY ADAM ONE.

Dear Friends, dear Fellow Creatures, dear Fellow Mammals:

On Creation Day five years ago, this Edencliff Rooftop Garden of ours was a sizzling wasteland, hemmed in by festering city slums and dens of wickedness; but now it has blossomed as the rose.

By covering such barren rooftops with greenery we are doing our small part in the redemption of God’s Creation from the decay and sterility that lies all around us, and feeding ourselves with unpolluted food into the bargain. Some would term our efforts futile, but if all were to follow our example, what a change would be wrought on our beloved Planet! Much hard work still lies before us, but fear not, my Friends: for we shall move forward undaunted.

I am glad we have all remembered our sunhats.

Now let us turn our minds to our annual Creation Day Devotion.

The Human Words of God speak of the Creation in terms that could be understood by the men of old. There is no talk of galaxies or genes, for such terms would have confused them greatly! But must we therefore take as scientific fact the story that the world was created in six days, thus making a nonsense of observable data? God cannot be held to the narrowness of literal and materialistic interpretations, nor measured by Human measurements, for His days are eons, and a thousand ages of our time are like an evening to Him. Unlike some other religions, we have never felt it served a higher purpose to lie to children about geology.

Remember the first sentences of those Human Words of God: the Earth is without form, and void, and then God speaks Light into being.
This is the moment that Science terms “The Big Bang,” as if it were a sex orgy. Yet both accounts concur in their essence: Darkness; then, in an instant, Light. But surely the Creation is ongoing, for are not new stars being formed at every moment? God’s Days are not consecutive, my Friends; they run concurrently, the first with the third, the fourth with the sixth. As we are told, “Thou sendeth forth thy Spirit, they are created: and Thou renewest the face of the Earth.”

We are told that, on the fifth day of God’s Creating activities, the waters brought forth Creatures, and on the sixth day the dry land was populated with Animals, and with Plants and Trees; and all were blessed, and told to multiply; and finally Adam – that is to say, Mankind – was created. According to Science, this is the same order in which the species did in fact appear on the Planet, Man last of all. Or more or less the same order. Or close enough.

What happens next? God brings the Animals before Man, “to see what he would call them.” But why didn’t God already know what names Adam would choose? The answer can only be that God has given Adam free will, and therefore Adam may do things that God Himself cannot anticipate in advance. Think of that the next time you are tempted by meat-eating or material wealth! Even God may not always know what you are going to do next!

God must have caused the Animals to assemble by speaking to them directly, but what language did He use? It was not Hebrew, my Friends. It was not Latin or Greek, or English, or French, or Spanish, or Arabic, or Chinese. No: He called the Animals in their own languages. To the Reindeer He spoke Reindeer, to the Spider, Spider; to the Elephant He spoke Elephant, to the Flea He spoke Flea, to the Centipede He spoke Centipede, and to the Ant, Ant. So must it have been.

And for Adam himself, the Names of the Animals were the first words he spoke – the first moment of Human language. In this cosmic instant, Adam claims his Human soul. To Name is – we hope – to greet; to draw another towards one’s self. Let us imagine Adam calling out the Names of the Animals in fondness and joy, as if to say,
There you are, my dearest! Welcome!
Adam’s first act towards the Animals was thus one
of loving-kindness and kinship, for Man in his unfallen state was not yet a carnivore. The Animals knew this, and did not run away. So it must have been on that unrepeatable Day – a peaceful gathering at which every living entity on the Earth was embraced by Man.

How much have we lost, dear Fellow Mammals and Fellow Mortals! How much have we wilfully destroyed! How much do we need to restore, within ourselves!

The time of the Naming is not over, my Friends. In His sight, we may still be living in the sixth day. As your Meditation, imagine yourself rocked in that sheltering moment. Stretch out your hand towards those gentle eyes that regard you with such trust – a trust that has not yet been violated by bloodshed and gluttony and pride and disdain.

Say their Names.

Let us sing.

WHEN ADAM FIRST

When Adam first had breath of life
All in that golden place,
He dwelt in peace with Bird and Beast,
And knew God face to face.

Man’s Spirit first went forth in speech
To Name each Creature dear;
God called to all in Fellowship,
They came without a fear.

They romped in play, and sang, and flew—
Each motion was a praise
For God’s great Creativity
That filled those early days.

How shrunk, how dwindled, in our times
Creation’s mighty seed—
For Man has broke the Fellowship
With murder, lust, and greed.

Oh Creatures dear, that suffer here,
How may we Love restore?
We’ll Name you in our inner Hearts,
And call you Friend once more.

From
The God’s Gardeners Oral Hymnbook

3
TOBY. PODOCARP DAY
YEAR TWENTY-FIVE

It’s daybreak. The break of day. Toby turns this word over: break, broke, broken. What breaks in daybreak? Is it the night? Is it the sun, cracked in two by the horizon like an egg, spilling out light?

She lifts her binoculars. The trees look as innocent as ever; yet she has the feeling that someone’s watching her – as if even the most inert stone or stump can sense her, and doesn’t wish her well.

Isolation produces such effects. She’d trained for them during the God’s Gardeners Vigils and Retreats. The floating orange triangle, the talking crickets, the writhing columns of vegetation, the eyes in the leaves. Still, how to distinguish between such illusions and the real thing?

The sun’s fully up now – smaller, hotter. Toby makes her way down from the rooftop, covers herself in her pink top-to-toe, sprays with SuperD for the bugs, and adjusts her broad pink sunhat. Then she unlocks the front door and goes out to tend the garden. This is where they used to grow the ladies’ organic salads for the Spa Café – their garnishes, their exotic spliced vegetables, their herbal teas. There’s overhead netting to thwart the birds, and a chain-link fence because of the green rabbits and the bobkittens and the rakunks that might wander in from the Park. These weren’t numerous before the Flood, but it’s astonishing how quickly they’ve been multiplying.

She’s counting on this garden: her supplies in the storeroom are getting low. Over the years she’d stashed what she thought would be
enough for an emergency like this, but she’d underestimated, and now she’s running out of soybits and soydines. Luckily, everything in the garden is doing well: the chickenpeas have begun to pod, the beananas are in flower, the polyberry bushes are covered with small brown nubbins of different shapes and sizes. She picks some spinach, flicks off the iridescent green beetles on it, steps on them. Then, feeling remorseful, she makes a thumbprint grave for them and says the words for the freeing of the soul and the asking of pardon. Even though no one’s watching her, it’s hard to break such ingrained habits.

She relocates several slugs and snails and pulls out some weeds, leaving the purslane: she can steam that later. On the delicate carrot fronds she finds two bright-blue kudzu-moth caterpillars. Though developed as a biological control for invasive kudzu, they seem to prefer garden vegetables. In one of those jokey moves so common in the first years of gene-splicing, their designer gave them a baby face at the front end, with big eyes and a happy smile, which makes them remarkably difficult to kill. She pulls them off the carrots, their mandibles chewing ravenously beneath their cutie-pie masks, lifts the edge of the netting, and tosses them outside the fence. No doubt they’ll be back.

On the way back to the building, she finds the tail of a dog beside the path – an Irish setter, it looks like – its long fur matted with burrs and twigs. A vulture’s dropped it there, most likely: they’re always dropping things. She tries not to think of the other things they dropped in the first weeks after the Flood. Fingers were the worst.

Her own hands are getting thicker – stiff and brown, like roots. She’s been digging in the earth too much.

4
TOBY. SAINT BASHIR ALOUSE DAY
YEAR TWENTY-FIVE

She takes her baths in the early mornings, before the sun’s too hot. She keeps a number of pails and bowls up on the rooftop, for collecting the afternoon-storm rainwater: the Spa has its own well, but the solar system’s broken so the pumps are useless. She does her laundry on the rooftop too, spreading it out on the benches to dry. She uses the grey-water to flush her toilet.

She rubs herself with soap – there’s still a lot of soap, all of it pink – and sponges off. My body is shrinking, she thinks. I’m puckering, I’m dwindling. Soon I’ll be nothing but a hangnail. Though she’s always been on the skinny side –
Oh Tobiatha
, the ladies used to say,
if only I had your figure!

She dries herself off, slips on a pink smock. This one says,
Melody
. There’s no need to label herself now that nobody’s left to read the labels, so she’s begun wearing the smocks of the others:
Anita, Quintana, Ren, Carmel, Symphony
. Those girls had been so cheerful, so hopeful. Not Ren, though: Ren had been sad. But Ren had left earlier.

Then all of them had left, once the trouble hit. They’d gone home to be with their families, believing love could save them. “You go ahead, I’ll lock up,” Toby had told them. And she had locked up, but with herself inside.

She scrubs her long dark hair, twists it into a wet bun. She really must cut it. It’s thick and too hot. Also it smells of mutton.

As she’s drying her hair she hears an odd sound. She goes cautiously to the rooftop railing. Three huge pigs are nosing around the swimming pool – two sows and a boar. The morning light shines on their plump pinky-grey forms; they glisten like wrestlers. They seem too large and bulbous to be normal. She’s spotted pigs like this before, in the meadow, but they’ve never come this close. Escapees, they must be, from some experimental farm or other.

BOOK: The MaddAddam Trilogy
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