The Magic Wagon (8 page)

"That Jack is a corker," Riley went on, suddenly talking as if the man were his brother. "I know all about him and I've heard tell more. He grew up around here before he went off and got famous, became an Injun fighter and buddy to John Wesley Hardin. Not that he wasn't known around here when he was your age. But it wasn't nothing special like later, he just shot a couple of nigger farm hands over some peach wine. Seems like maybe he shot his uncle too, but it's been a while since I heard that, and it could have been a cousin or something.

"Anyway, he went off and was wrote about in them dime novels. Then, about five years ago, a winter colder than the far side of a widow's bed, I was in here polishing the fly tracks off the glasses, when in walks this sombreroed greaser, big as you please. Strolled up to the bar like he was a white man, sitted himself on a stool, about where you're sitting I think, and called to me for a whisky.

"Well, you can bet I didn't hop to it, that's what I'm trying to tell you. I don't cotton to niggers and greasers and I sure don't cotton to them in my place trying to order me around like common help. I told him we didn't serve niggers, even if they was Mexican niggers.

"He got uppity on me and argued, then he jumped off the stool and pulled a pistol out from under his coat. And I'll tell you, for a Mex he was fast. I was standing here tonguing my teeth, waiting to hit hell's hot water, when a loud voice from the rear of the place yelled, 'Hey, Peppergut!'

"That Mex turned, bringing his gun around, and there was Jack, though we didn't know it was him at the time. He'd come in and nobody had recognized him. It was winter, you see, and he was bundled up coats and shirts and had on this derby. And it had been some years.

"Well, I was thinking that this fella
—Jack, but I didn't know it then—was going to get his big mouth shot off, and to be honest, that was all right by me, cause that meant I wasn't going to get bucked off my ride, you see. But before I could hit the floor and crawl off, Jack drew.

"Let me tell you, sonny, that was the prettiest draw I've ever seen, especially with it coming out from under all them coats. Ever seen a rattler strike, boy? It's something if you're not on the biting end of it. A rattler can coil, come off the ground and throw its head back, pop them fangs and hit
you faster than you can blink. Well, this was even faster, I
swear."

"Before that Mex could level his pistol. Jack fired. His shot hit the Mex solid between the eyes, and that peppergut folded up like a pair of fresh-washed long Johns and hit the floor. Wasn't nothing left for him but to be hauled off to the trash ditch on the other side of town. I kept the Mex's pistol."

Riley reached under the bar and came up with it. It was a big, old, heavy ,44.

"Ever since that night, Jack's had free drinks on me and run of the place. And that kid in the blue hat is Noel Reasoner. He was working for me at the time, sweeping up in the back there. He saw the whole thing. He was always reading them dime novels, you know, and had just read one with Jack in it. And lo and behold, the top dog his ownself shows up and blows a spick's brains out right in front of him. Kid loved it. He's been following Jack around ever since, learning to shoot from him, and I hear he ain't even half bad."

"That's why Jack can tote a gun in here? He saved your life?"

"Jack could tote an elephant in here if he wanted," Riley said. "I ain't no fool. I just let him be. Homer, that's the sheriff, he don't bother him none neither, and we don't fault Homer none for it. He was something in his time, best sheriff in these parts. He tracked down and arrested Wild Bill Longley single-handed once. But now he's seventy and he and Jack get along good. And the town, they don't care that Jack totes a gun when they can't. He's sort of a living legend. He's in them dime novels and all. I reckon he's deserving of some special privileges."

From what I'd seen, he was deserving of about six feet of dirt on a box with him in it, but I wasn't the one who was going to say anything about it. I didn't reckon I was ready for my six feet of dirt, and if I wanted to stay out from under it, I reckoned the best thing for me to do was not run my mouth. Besides, I might not even get the six feet of dirt. They might treat me like they did that Mexican fella. Toss me in the garbage ditch outside of town.

I put a couple of posters and smiled my way out of there, and when I came out I saw the idiot sitting on the boardwalk drinking from the bottle Riley had throwed at him. He looked pretty lonely sitting there. Even his flies had flown off. He glanced up at me and grinned. I grinned back and got four bits out of my pocket. It was a lot of money, but I felt like him getting slapped and kicked was sort of my fault.

"Here," I said, "take this and go buy yourself some peppermints."

He took the money, looked at it in the palm of his hand, then smiled at me. He got up and walked off.

I watched him go down the boardwalk toward the general store, apron flapping around him, the whisky bottle dangling from one hand like a big, fat finger. It struck me then what he reminded me of. The crazy Onin fella I had found in the ditch that winter.

I went the other way, put up some more posters, then went back to the Magic Wagon. Billy Bob was still sleeping.

CHAPTER 4

The preacher got there first, which is often the case, and we told him he could make a little talk when the crowd was big enough, but we'd appreciate it if he didn't try to get folks into a round of gospel singing.

We had everything set up. The mules had been pulled off the wagon, fed and watered, and were tied out next to the woods. We had the clearing fixed up for Billy Bob's shooting show, and we had the ring built for Rot Toe to wrestle in. The ring was six tall poles buried deep in the ground and a wide-hole netting pulled around it and over the top. This way, Rot Toe couldn't get out and scare folks, and the fellas he wrestled with couldn't get away. It kept Rot Toe from doing another thing which wasn't popular with the crowd, and that was throwing his wrestling partners at them. Albert said that back when they first got Rot Toe and come up
^:
with the wrestling bit, they used a common roped-in ring, but Rot Toe threw his partners out pretty regularlike. This kept Albert busy picking up folks and brushing them off, and when men who had planned to wrestle the ape saw two-hundred-pound men, and sometimes bigger, flying through the air and smashing against the ground right smart, it made them look off in other directions and push their two-bits wrestling fee deeper into their pockets.

We had the side of the wagon facing the woods unhinged at the top and pulled down with supports under it to make a stage. Where the wall had been we pulled a blanket curtain across to keep Billy Bob and the stuff in the wagon hid. That way he could make his entrance out from behind the blanket. He just loved that kind of thing, and I have to admit, when he was duded up and ready to give a show, there was something almost magic about him, and even more so since we'd gotten that body in the box. He'd have probably done good in something like Buffalo Bill's Wild West Show, and I wished from time to time that he'd run off and join it.

Finally enough crowd got there for the preacher to preach to, and by the time he finished others had showed up and it looked as if we were going to have quite a gathering. The thing now was to entertain them good, then come on with the Cure-All and hope to sell a couple cases at the worst.

I looked out at the crowd to see if Texas Jack was out there, but didn't see him, which gave me some relief. I figured if Jack showed and saw Billy Bob's shooting, he'd want to shoot too, and in the end Billy Bob would find out he was the fella out of some of his dime novels, the one who was supposed to have backed down his hero, Wild Bill Hickok, and that could mean a killing. Billy Bob was just looking for an excuse to use those guns of his, and defending the honor of Wild Bill would be just the thing.

When the crowd was good-sized, Albert gave me the high sign and I climbed up on the stage. I had on my city-slicker suit with the derby and I felt about as natural as a pig in boots, but it comforted people to see a boy dressed up.

"Ladies and gentlemen," I said, "tonight, we got a special treat for you. We're going to show you some shooting the likes of which you've never seen. We're going to show you some magic. We're going to let any man who thinks he's man enough wrestle with Rot Toe, the chimpanzee from Africa. And there's even more. But to introduce the events and demonstrate the manly art of six guns and bullets, I give you our star, the one, and the only, Billy Bob Daniels."

Nobody clapped. They were waiting to see if there was anything to clap about.

A moment later Billy Bob stepped out from behind the curtain and the clapping began.

I'll tell you, he did look good. He had something about him, and it was stronger and richer than ever before. He was wearing a wide-brimmed, tan hat with a band of rattlesnake hide around it, and his shirt and pants were fringed buckskins the color of butternut, and the buttons on his shirt were ivory-colored bone. Around his waist was a blood-red sash and there was a big Bowie knife stuck in the left side of it, and stuffed more to the front were his revolvers, butts out.

His revolvers were just like the ones Hickok's corpse had. Cartridge converted Colt 60's. They were sightless, so as not to snag on the draw, and the gun metal was almost blue. The grips were magnolia white.

On his feet were moccasin-styled boots with heels, which put another two inches on his height. The boots were the
same color as his hat and they had fancy bead and quill work that started at the top and ran down to the toe point.

Billy Bob held up his hand and the clapping stopped. He walked out to the edge of the stage, took a moment to look over the crowd and smile. It was the smile he used when he was winning over the gals.

"My name is Billy Bob Daniels," he said. "I am the son of Wild Bill Hickok."

He let that soak in before he went on.

"Yes, I know what you're thinking. You're thinking I'm
saying that for effect, that it's part of the act. But the truth is I am James Butler Hickok's illegitimate son. My mother was a fallen woman of Deadwood, and that is where I was conceived, shortly before that coward Jack McCall snuck up behind Wild Bill and shot him through the back of the head. Even so, my father's hand, out of pure reflex alone, had half drawn his pistol before he fell forward on his cards. Aces and eights, ladies and gentlemen. The cards that from that day forth have been known as the dead man's hand.

"Well, my mother didn't want me. That's the sad truth. I was given up to a family named Daniels and raised by them, and it wasn't until I was a grown man that I knew the truth, knew that I was actually a Hickok."

Billy Bob had a way of getting a little trill in his throat when he talked about Hickok, and I'll tell you, it was darn near enough to make you believe that Hickok was his papa, even if like me, you knew it wasn't so. Or reckoned it wasn't so. Albert told me it wasn't true, and that was enough for me.

"When we were in Deadwood some time ago," Billy Bob said, "I met a kindly old medicine man, and he told me a secret. He told me this because he recognized me as the son of Wild Bill. He said he knew it instantly. He came forward, and you know what he told me? He told me the body of Wild Bill was not in its grave. That's correct, ladies and gentlemen, not in his grave. This old Indian, whose life my father had saved on countless occasions, had stolen it, out of respect, mind you, and with herbs and spices known only to Indians, he had petrified the body and kept it in a cave where he bowed down before it twice a day to give thanks to Wild Bill for having saved his life.

"But you know what he did? He took me to that body, and because I'm Wild Bill's son, he gave it to me. And, ladies and gentlemen, that body is here today for you to see."

Albert had slipped into the back of the wagon, and now he came out from behind the curtain rolling the box on a hand truck, and when he stopped dead center of the stage, Billy Bob stepped over, grabbed the lid, and swung it back.

Hickok's body had been set up so that his arms were lifted and the revolver barrels were resting on what was left of his shoulders, and when the lid came off, the arms fell forward, locked on the hinges Billy Bob had built into the elbows, and two wires attached to the back of the box and the revolver hammers, grew taut and the hammers cocked. That sudden movement of the arms, those hammers cocking loudly, always made the crowd jump back and there was usually at least one woman in the crowd that would squeal. This time darn near everybody jumped and squealed. I just loved that part.

When the crowd settled down, Billy Bob said, "Ladies and gentlemen, I present to you Wild Bill Hickok, preserved and holding the very revolvers that sent many a man to hell on his shadow."

Billy Bob used his finger to point out the hole in Hickok's head where McCall's bullet had come out, then backtracked into a story about how Hickok had saved the medicine man's life, and how when the Indian preserved the body he blessed it. Well, it was a good story and all, but it wasn't the truth. I remembered how we came by that box clear as if it were yesterday, and the only thing about Billy Bob's story that was right was that there had been an Indian medicine man, and it happened in Deadwood. Or at least it got started there.