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Authors: David G. Hartwell

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The Mammoth Book of 20th Century SF II (102 page)

BOOK: The Mammoth Book of 20th Century SF II
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“The football players aren’t evildoers,” said Duray. “Sir Galahad, Charlemagne, Samson, Richard the Lion-hearted . . .”

“Exactly true,” said Alan Robertson, “and I made this point to Bob. He asserted that all were brawlers and bullyboys, with the possible exception of Sir Galahad; that
Charlemagne, for example, had conquered much territory to no particular achievement; that Achilles, a national hero to the Greeks, was a cruel enemy to the Trojans; and so forth. His justifications
are somewhat specious perhaps . . . Still, these young men are better employed making touchdowns than breaking heads.”

After a pause Duray asked: “How are these matters arranged?”

“I’m not entirely sure. I believe that by one means or another, the desired babies are exchanged with others of similar appearance. The child so obtained is reared in appropriate
circumstances.”

“The jokes seem elaborate and rather tedious.”

“Precisely!” Alan Robertson declared. “Can you think of a better method to keep someone like Bob out of mischief?”

“Certainly,” said Duray. “Fear of the consequences.” He scowled across the terrace. Bob had stopped to speak to Elizabeth. She and the three girls rose to their feet.

Duray strode across the terrace. “What’s going on?”

“Nothing of consequence,” said Bob. “Elizabeth and the girls are going to help serve the guests.” He glanced toward the serving table, then turned back to Duray.
“Would you help with the carving?”

Duray’s arm moved of its own volition. His fist caught Bob on the angle of the jaw and sent him reeling back into one of the white-coated Orientals, who carried a tray of food. The two
fell into an untidy heap. The Rumfuddlers were shocked and amused and watched with attention.

Bob rose to his feet gracefully enough and gave a hand to the Oriental. Looking toward Duray, Bob shook his head ruefully. Meeting his glance, Duray noted a pale blue glint; then Bob once more
became bland and debonair.

Elizabeth spoke in a low despairing voice: “Why couldn’t you have done as he asked? It would have all been so simple.”

“Elizabeth may well be right,” said Alan Robertson.

“Why should she be right?” demanded Duray. “We are his victims! You’ve allowed him a taste of mischief, and now you can’t control him!”

“Not true!” declared Alan Robertson. “I intend to impose rigorous curbs upon the Rumfuddlers, and I will be obeyed.”

“The damage is done, so far as I am concerned,” said Duray bitterly. “Come along, Elizabeth, we’re going Home.”

“We can’t go Home. Bob has the passway.”

Alan Robertson drew a deep sigh and came to a decision. He crossed to where Bob stood with a goblet of wine in one hand, massaging his jaw with the other. Alan Robertson spoke to Bob politely
but with authority. Bob was slow in making a reply. Alan Robertson spoke again, sharply. Bob only shrugged. Alan Robertson waited a moment, then returned to Duray, Elizabeth, and the three
children.

“The passway is at his San Francisco apartment,” said Alan Robertson in a measured voice. “He will give it back to you after the party. He doesn’t choose to go for it
now.”

Bob once more commanded the attention of the Rumfuddlers. “By popular request we replay the record of our last but one Rumfuddle, contrived by one of our most distinguished, diligent, and
ingenious Rumfuddlers, Manfred Funk. The locale is the Red Barn, a roadhouse twelve miles west of Urbana, Illinois; the time is the late summer of 1926; the occasion is a Charleston dancing
contest. The music is provided by the legendary Wolverines, and you will hear the fabulous cornet of Leon Bismarck Beiderbecke.” Bob gave a wry smile, as if the music were not to his personal
taste. “This was one of our most rewarding occasions, and here it is again.”

The screen showed the interior of a dance-hall, crowded with excited young men and women. At the back of the stage sat the Wolverines, wearing tuxedos; to the front stood the contestants: eight
dapper young men and eight pretty girls in short skirts. An announcer stepped forward and spoke to the crowd through a megaphone: “Contestants are numbered one through eight! Please, no
encouragement from the audience. The prize is this magnificent trophy and fifty dollars cash; the presentation will be made by last year’s winner, Boozy Horman. Remember, on the first number
we eliminate four contestants, on the second number, two; and after the third number we select our winter. So then: Bix and the Wolverines and ‘Sensation Rag’!”

From the band came music; from the contestants, agitated motion.

Duray asked, “Who are these people?”

Alan Robertson replied in an even voice: “The young men are locals and not important. But notice the girls: No doubt you find them attractive. You are not alone. They are Helen of Troy,
Deirdre, Marie Antoinette, Cleopatra, Salome, Lady Godiva, Nefertiti, and Mata Hari.”

Duray gave a dour grunt. The music halted; judging applause from the audience, the announcer eliminated Marie Antoinette, Cleopatra, Deirdre, Mata Hari, and their respective partners. The
Wolverines played “Fidgety Feet”; the four remaining contestants danced with verve and dedication, but Helen and Nefertiti were eliminated. The Wolverines played “Tiger
Rag.” Salome and Lady Godiva and their young men performed with amazing zeal. After carefully appraising the volume of applause, the announcer gave his judgment to Lady Godiva and her
partner. Large on the screen appeared a close-up view of the two happy faces; in an excess of triumphant joy they hugged and kissed each other. The screen went dim; after the vivacity of the Red
Barn the terrace above the Don seemed drab and insipid.

The Rumfuddlers shifted in their seats. Some uttered exclamations to assert their gaiety; others stared out across the vast empty face of the river.

Duray glanced toward Elizabeth; she was gone. Now he saw her circulating among the guests with three other young women, pouring wine from Scythian decanters.

“It makes a pretty picture, does it not?” said a calm voice. Duray turned to find Bob standing behind him; his mouth twisted in an easy half-smile, but his eye glinted pale blue.

Duray turned away. Alan Robertson said, “This is not at all a pleasant situation, Bob, and in fact completely lacks charm.”

“Perhaps at future Rumfuddles, when my face feels better, the charm will emerge . . . Excuse me; I see that I must enliven the meeting.” He stepped forward. “We have a final
pastiche: oddments and improvisations, vignettes and glimpses, each in its own way entertaining and instructive. Roger, start the mechanism, if you please.”

Roger Waille hesitated and glanced sidelong toward Alan Robertson.

“The item number is sixty-two, Roger,” said Bob in a calm voice. Roger Waille delayed another instant, then shrugged and went to the projection machine.

“The material is new,” said Bob, “hence I will supply a commentary. First we have an episode in the life of Richard Wagner, the dogmatic and occasionally irascible composer.
This year is 1843; the place is Dresden. Wagner sets forth on a summer night to attend a new opera,
Der Sanger Krieg
, by an unknown composer. He alights from his carriage before the ball; he
enters; he seats himself in his loge. Notice the dignity of his posture, the authority of his gestures! The music begins. Listen!” From the projector came the sound of music. “It is the
overture,” stated Bob. “But notice Wagner: Why is he stupefied? Why is he overcome with wonder? He listens to the music as if he has never heard it before. And in fact he hasn’t;
he has only just yesterday set down a few preliminary notes for this particular opus, which he planned to call
Tannhäuser
; today, magically, he hears it in its final form. Wagner will
walk home slowly tonight, and perhaps in his abstraction he will kick the dog Schmutzi. . . Now to a different scene: St. Petersburg in the year 1880 and the stables in back of the Winter Palace.
The ivory and gilt carriage rolls forth to convey the czar and the czarina to a reception at the British Embassy. Notice the drivers: stern, well-groomed, intent at their business. Marx’s
beard is well-trimmed; Lenin’s goatee is not so pronounced. A groom comes to watch the carriage roll away. He has a kindly twinkle in his eye, does Stalin.” The screen went dim once
more, then brightened to show a city street lined with automobile showrooms and used-car lots. “This is one of Shawn Henderson’s projects. The four used-car lots are operated by men who
in other circumstances were religious notables: prophets and so forth. That alert, keen-featured man in front of Quality Motors, for instance, is Mohammed. Shawn is conducting a careful survey, and
at our next Rumfuddle he will report upon his dealings with these four famous figures.”

Alan Robertson stepped forward, somewhat diffidentlv. He cleared his throat. “I don’t like to play the part of spoilsport, but I’m afraid I have no choice. There will be no
further Rumfuddles. Our original goals have been neglected, and I note far too many episodes of purposeless frivolity and even cruelty. You may wonder at what seems a sudden decision, but I have
been considering the matter for several days. The Rumfuddles have taken a turn in an unwholesome direction and conceivably might become a grotesque new vice, which, of course, is far from our
original ideal. I’m sure that every sensible person, after a few moments’ reflection, will agree that now is the time to stop. Next week you may return to me all passways except those
to worlds where you maintain residence.”

The Rumfuddlers sat murmuring together. Some turned resentful glances toward Alan Robertson; others served themselves more bread and meat. Bob came over to join Alan and Duray. He spoke in an
easy manner. “I must say that your admonitions arrive with all the delicacy of a lightning bolt. I can picture Jehovah smiting the fallen angels in a similar style.”

Alan Robertson smiled. “Now, then, Bob, you’re talking nonsense. The situations aren’t at all similar. Jehovah struck out in fury; I impose my restriction in all goodwill in
order that we can once again turn our energies to constructive ends.”

Bob threw back his head and laughed. “But the Rumfuddlers have lost the habit of work. We only want to amuse ourselves, and after all, what is so noxious in our activities?”

“The trend is menacing, Bob.” Alan Robertson’s voice was reasonable. “Unpleasant elements are creeping into your fun, so stealthily that you yourself are unaware of them.
For instance, why torment poor Wagner? Surely there was gratuitous cruelty, and only to provide you a few instants of amusement. And since the subject is in the air, I heartily deplore your
treatment of Gilbert and Elizabeth. You have brought them both an extraordinary inconvenience, and in Elizabeth’s case, actual suffering. Gilbert got something of his own back, and the
balance is about even.”

“Gilbert is far too impulsive,” said Bob. “Self-willed and egocentric, as he always has been.”

Alan held up his hand. “There is no need to go further into the subject, Bob. I suggest that you say no more.”

“Just as you like, though the matter, considered as practical rehabilitation, isn’t irrelevant. We can amply justify the work of the Rumfuddlers.”

Duray asked quietly, “Just how do you mean, Bob?”

Alan Robertson made a peremptory sound, but Duray said, “Let him say what he likes and make an end to it. He plans to do so anyway.”

There was a moment of silence. Bob looked across the terrace to where the three Orientals were transferring the remains of the beef to a service cart.

“Well?” Alan Robertson asked softly. “Have you made your choice?”

Bob held out his hands in ostensible bewilderment. “I don’t understand you! I want only to vindicate myself and the Rumfuddlers. I think we have done splendidly. Today we have
allowed Torquemada to roast a dead ox instead of a living heretic; Marquis de Sade has fulfilled his obscure urges by caressing seared flesh with a basting brush, and did you notice the zest with
which Ivan the Terrible hacked up the carcass? Nero, who has real talent, played his violin. Attila, Genghis Khan, and Mao Tse-tung efficiently served the guests. Wine was poured by Messalina,
Lucrezia Borgia, Delilah, and Gilbert’s charming wife, Elizabeth. Only Gilbert failed to demonstrate his rehabilitation, but at least he provided us a touching and memorable picture: Gilles
de Rais, Elizabeth Báthory, and their three virgin daughters. It was sufficient. In every case we have shown that rehabilitation is not an empty word.”

“Not in every case,” said Alan Robertson, “specifically that of your own.”

Bob looked at him askance. “I don’t follow you.”

“No less than Gilbert are you ignorant of your background. I will now reveal the circumstances so that you may understand something of yourself and try to curb the tendencies which have
made your cognate an exemplar of cruelty, stealth, and treachery.”

Bob laughed: a brittle sound like cracking ice. “I admit to a horrified interest.”

“I took you from a forest a thousand miles north of this very spot while I traced the phylogeny of the Norse gods. Your name was Loki. For reasons which are not now important I brought you
back to San Francisco, and there you grew to maturity.”

“So I am Loki.”

“No. You are Bob Robertson, just as this is Gilbert Duray, and here is his wife, Elizabeth. Loki, Gilles de Rais, Elizabeth Báthory: These names applied to human material which has
not functioned quite as well. Gilles de Rais, judging from all evidence, suffered from a brain tumor; he fell into his peculiar vices after a long and honorable career. The case of Princess
Elizabeth Báthory is less clear, but one might suspect syphilis and consequent cerebral lesions.”

“And what of poor Loki?” inquired Bob with exaggerated pathos.

“Loki seemed to suffer from nothing except a case of old-fashioned meanness.

Bob seemed concerned. “So that these qualities apply to me?”

“You are not necessarily identical to your cognate. Still, I advise you to take careful stock of yourself, and so far as I am concerned, you had best regard yourself as on
probation.”

“Just as you say.” Bob looked over Alan Robertson’s shoulder. “Excuse me; you’ve spoiled the party, and everybody is leaving. I want a word with Roger.”

BOOK: The Mammoth Book of 20th Century SF II
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