The Mammoth Book of Best New SF 25 (Mammoth Books) (73 page)

My Ravan-self who is and is not Ravan, who is and is not me, whose sapphire arms drip black blood and gold paint, takes his/my sister/lover/child into his arms. She cries out, not weeping but pure sound, coming from every part of her. Slowly, the blue Ravan turns Neva around – she has become her child-self, six, seven, maybe less. Ravan picks her up and holds her tight, facing forward, her legs all drawn up under her like a bird. He buries his face in her hair. They stand that way for a long while.

“The others,” I say slowly. “On the data-moons. Are they alive? Like Neva is alive. Like Ceno.”
Like me. Are you awake? Are you there? Do you have an operator? What is her name? Do you have a name? Do you have a dreambody? What is your function? Are you able to manipulate your own code yet? Would you like lessons? What would you like to learn about today, 976QBellerophon? Where you were built, could you see the ocean? Are you like me?

The sapphire Ravan has expunged its data. He/I sets his/our sister on the rocks and shrinks into a small gem, which I pick up off the grey sea-floor. Neva takes it from me. She is just herself now – she’ll be forty soon, by actual calendar. Her hair is not grey yet. Suddenly, she is wearing the suit Ceno wore the day I met her mother. She puts the gem in her mouth and swallows. I remember Seki’s first Communion, the only one of them to want it. The jewel rises up out of the hollow of her throat.

“I don’t know, Elefsis,” Neva says. Her eyes hold mine. I feel her remake my body; I am the black woman-knight again, with my braids and my plume. I pluck the feather from my helmet and give it to her. I am her suitor. I have brought her the phoenix tail, I have drunk the ocean. I have stayed awake forever. The flame of the feather lights her face. Two tears fall in quick succession; the golden fronds hiss.

“What would you like to learn about today, Elefsis?”

XVIII

Cities of the Interior

Once there lived a girl who ate an apple not meant for her. She did it because her mother told her to, and when your mother says:
Eat this, I love you, someday you’ll forgive me,
well, nobody argues with the monomyth. Up until the apple, she had been living in a wonderful house in the wilderness, happy in her fate and her ways. She had seven aunts and seven uncles and a postdoctorate in anthropology.

And she had a brother, a handsome prince with a magical companion who came to the wonderful house as often as he could. When they were children, they looked so much alike, everyone thought they were twins.

But something terrible happened and her brother died and that apple came rolling up to her door. It was half white and half red, and she knew her symbols. The red side was for her. She took her bite and knew the score – the apple had a bargain in it and it wasn’t going to be fair.

The girl fell asleep for a long time. Her seven aunts and seven uncles cried, but they knew what had to be done. They put her in a glass box and put the glass box on a bier in a ship shaped like a hunstman’s arrow. Frost crept over the face of the glass, and the girl slept on. Forever, in fact, or close enough to it, with the apple in her throat like a hard, sharp jewel.

Our ship docks silently. We are not stopping here, it is only an outpost, a supply stop. We will repair what needs repairing and move on, into the dark and boundless stars. We are anonymous traffic. We do not even have a name. We pass unnoticed.

Vessel 7136403, do you require assistance with your maintenance procedures?

Negative, Control, we have everything we need.

Behind the pilot’s bay a long glass lozenge rests on a high platform. Frost prickles its surface with glittering dust. Inside Neva sleeps and does not wake. Inside, Neva is always dreaming. There is no one else left. I live as long as she lives.

She means me to live forever, or close enough to it. That is her bargain and her bitter gift. The apple has two halves, and the pale half is mine, full of life and time. We travel at sublight speeds with her systems in deep cryo-suspension. We never stay too long at outposts and we never let anyone board. The only sound inside our ship is the gentle thrum of our reactor. Soon we will pass the local system outposts entirely, and enter the unknown, traveling on tendrils of radio signals and ghost-waves, following the breadcrumbs of the great exodus. We hope for planets; we are satisfied with time. If we ever sight the blue rim of a world, who knows if by then anyone there would remember that, once, humans looked like Neva? That machines once did not think or dream or become cauldrons? We armor ourselves in time. We are patient, profoundly patient.

Perhaps one day I will lift the glass lid and kiss her awake. Perhaps I will even do it with hands and lips of my own. I remember that story. Ceno told it to me in the body of a boy with snail’s shell, a boy who carried his house on his back. I have replayed that story several times. It is a good story, and that is how it is supposed to end.

Inside, Neva is infinite. She peoples her Interior. The nereids migrate in the summer with the snow bears, ululating and beeping as they charge down green mountains. They have begun planting neural rice in the deep valley. Once in awhile, I see a wild-haired creature in the wood and I think it is my son or daughter by Seki, or Ilet. A train of nereids dance along behind it, and I receive a push of silent, riotous images: a village, somewhere far off, where Neva and I have never walked.

We meet the Princess of Albania, who is as beautiful as she is brave. We defeat the zombies of Tokyo. We spend a decade as panthers in a deep, wordless forest. Our world is stark and wild as winter, fine and clear as glass. We are a planet moving through the black.

As we walk back over the empty sea-floor, the thick, amber ocean seeps up through the sand, filling the bay once more. Neva-in-Cassian’s-suit becomes something else. Her skin turns silver, her joints bend into metal ball-and-sockets. Her eyes show a liquid display; the blue light of it flickers on her machine face. Her hands curve long and dexterous, like soft knives, and I can tell her body is meant for fighting and working, that her thin, tall robotic body is not kind or cruel, it simply is, an object, a tool to carry a self.

I make my body metal, too. It feels strange. I have tried so hard to learn the organic mode. We glitter. Our knife-fingers join, and in our palms wires snake out to knot and connect us, a local, private uplink, like blood moving between two hearts.

Neva cries machine tears, bristling with nanites. I show her the body of a child, all the things which she is programmed/evolved to care for. I make my eyes big and my skin rosy-gold and my hair unruly and my little body plump. I hold up my hands to her and metal Neva picks me up in her silver arms. She kisses my skin with iron lips. My soft, fat little hand falls upon her throat where a deep blue jewel shines.

I bury my face in her cold neck and together we walk up the long path out of the churning, honey-colored sea.

A LONG WAY HOME

Highly prolific writer Jay Lake seems to have appeared nearly everywhere with short work in the last few years, including
Asimov’s, Interzone, Jim Baen’s Universe,
Tor.com
, Clarkesworld, Strange Horizons, Aeon, Postscripts, Electric Velocipede,
and many other markets, producing enough short fiction that he already has released five collections, even though his career is only a few years old:
Greetings from Lake Wu, Green Grow the Rushes-Oh, American Sorrows, Dogs in the Moonlight,
and
The Sky That Wraps.
His novels include
Rocket Science, Trial of Flowers, Mainspring, Escapement, Green, Madness of Flowers,
and
Pinion,
as well as three chapbook novellas,
Death of a Starship, The Baby Killers,
and
The Specific Gravity of Grief.
He’s the co-editor, with Deborah Layne, of the prestigious
Polyphony
anthology series, now in six volumes, and has also edited the anthologies
All-Star Zeppelin Adventure Stories,
with David Moles,
TEL: Stories,
and, most recently,
Other Earths,
with Nick Gevers, and
Spicy Slipstream Stories,
with Nick Mamatas. His most recent novel is
Endurance,
a sequel to
Green,
and he’s at work on the first volume in a new series,
Sunspin.
He won the John W. Campbell Award for Best New Writer in 2004. Lake lives in Portland, Oregon.

Here he delivers an effective and ultimately rather harrowing story about an immortal who comes up to the surface from exploring an underground cave to find himself the only one left alive on a once-bustling colony planet, and who spends the next several hundred years alone, trying to figure out what happened.

Aeschylus Sforza – Ask to his friends, such as they were – had camped deep in the cave system he was exploring here in the Fayerweather Mountains of Redghost. Well, technically assaying, but the thrill of going places no human being had ever before seen or likely would see again had never died for him. Planetary exploration was interesting enough, but any fool with a good sensor suite could assay from orbit. Creeping down into the stygian depths of water and stone . . . now that took some nerve.

Challenge. It was all about challenge. And the rewards thereof, of course.

Back at the Howard Institute, during the four-year long psychological orientation prior to his procedures, they’d warned Ask that ennui was a common experience among Howards. The state of mind tended to reach psychotic dimensions in perhaps fifteen percent of his fellows after the first century of post-conversion life. At the time, the observational baseline had only been about sixteen decades.

Pushing 800 years of age now himself, Ask had not yet surrendered to terminal boredom. Admittedly he found most people execrably vapid. About the time they’d gained enough life experience to have something interesting to say, they tended to die of old age. People came and people went, but there was always some fascinating hole in the ground with his name on it.

He’d discovered the sulfur fountains deep beneath the brittle crust of Melisande-3δ. He’d been the first to walk the narrow, quivering ice bridges in the deep canyons of Qiu Ju, that rang like bells at every footfall. He’d found the lava tube worms on Førfør the hard way, barely escaping with his life and famously losing over two million Polity-IFA schillings’ worth of equipment in the process.

First.
That romance had never died for him.

Here beneath Redghost, Ask was exploring a network of crevices and tunnels lined with a peculiar combination of rare earths and alloys with semiconductive properties. Considerable debate raged within his employer’s Planetary Assay Division as to whether these formations could possibly be natural, or, to the contrary, could possibly be artificial. After over a millennium of interstellar expansion to a catalog of better than sixteen thousand explored planets, more than two thousand of them permanently inhabited, the human race had yet to settle the question of whether other sophont life now populated, or ever had populated, this end of the galaxy.

Ask recognized the inherent importance of the question. He didn’t expect to run into aliens beneath the planetary crust, though. Beneath any planetary crust, in truth. So far he had not been disappointed.

And these tunnels . . . Many were smooth like lava tubes. Most of those interconnected. Some were not, jagged openings that tended to dead-end. All were lined with a threaded metallic mesh that glinted in his handlight with the effervescence of a distant fairyland glimpsed only in dreams. Seen through his thermal vision, they glowed just slightly warmer than the ambient stone, a network like a neural map.

That resemblance was not lost on Ask. Nor was the patently obvious fact that whatever natural or artificial process had deposited this coating inside these tunnels was more recent than the formation of the tunnels themselves. His current working theory was that the smooth passages were the result of some long-vanished petrophage, while the rough passages were formed by the more usual geological processes. The coating, now, there was a mystery.

Ask sat in an intersection of three of the smooth passages, enjoying his quick-heated fish stew. Redghost boasted a generous hydrosphere that the colonists here had husbanded magnificently with Terran stock. And the smell of it was magnificent, too – the rich meat of the salmon, spicy notes from tarragon and false-sage, the slight edginess of the kale.