The Mammoth Book of Terror (38 page)

BOOK: The Mammoth Book of Terror
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“I am going straight home now, but you must visit us tomorrow. I will tell Mummy and Daddy to expect you, which I am sure will cheer them up a great deal. They don’t have many
visitors.”

“How far away is your house?” I enquired.

“Not far. Just cross the drive and follow the path through the woods. You’ll find our cottage in a clearing.”

She descended the steps, then walked slowly across the drive while my bemused brain tried to determine why I should be suddenly attacked by a fit of violent trembling. There was something wrong
about that graceful, receding figure, but I could not at that time decide what it could be. Then she entered the shadow cast by the first tree and after turning and giving me a parting wave,
disappeared from my sight.

I closed the door and went back to my room, there to lie sleepless on that vast bed, racked by both fear and excitement. I was somewhat relieved to discover that the eerie silence had been
dispelled by any number of normal sounds; the distant hoot of an owl, the murmur of breeze-teased leaves, the occasional creak of contracting floorboards.

Presently a black cloud bank obliterated the revealing moonlight and the ensuing darkness did little to comfort, but in the space which separates one thought from the next, I slipped into the
pit of oblivion and knew no more until Jenkins roused me. He placed a silver tray on the bedside cabinet and inclined his head.

“Good morning, sir. I trust you slept well. I have taken the liberty of bringing a light breakfast to your room. I remember from the old days that gentlemen appreciate these little
attentions.”

I sat up and sensed the day was already well advanced.

“There was really no need for you to go to all this trouble.”

“No trouble at all, sir. On the contrary. It is a positive pleasure to have a guest in the old place again. It is a beautiful day and I am delighted to say her ladyship is more like her
old self. I do think this is going to be one of her good days. She’s quite lively.”

I found this hard to believe but could do no less than crease my face into an inane grin and express counterfeit delight.

“That’s marvellous! Absolutely marvellous! When will it be convenient for me to see her?”

Jenkins hesitated before replying. “I was wondering, sir, if you would be so kind as to sit with her later on this morning. When it’s one of her good days I don’t like leaving
her alone and it is necessary for me to go down to the village. This will be an excellent opportunity for you to have a little chat – hold an interview, I believe you call it.”

Hope raised a tiny head and I said: “She really can talk then?”

“Did I not say so, sir? How remiss of me. When you have finished breakfast you’ll find the bathroom down the corridor. Razors, toothbrushes and such like are in the wall cabinet. I
will await your pleasure, sir.”

The bathroom was lined with teak, the bath tub encased in rosewood; but hot water came from a comparatively new wall heater that looked very much out of place. In a cabinet I found several
bone-handled toothbrushes, ajar of pink tooth powder and a leather case that contained seven cut-throat razors, each one embossed with a day of the week on its ebony handle. A shaving mug, brush
and cylinder of soap completed this collection of Victorian toiletry. Having shaved (with difficulty) and bathed I returned to the bedroom and found my suit had been sponged and pressed, my shirt
washed and my shoes cleaned.

When I entered Jenkins’ room I found him sitting in an armchair, wearing a black overcoat and bowler hat, nursing a voluminous shopping bag on his lap. He rose and smiled bleakly.

“Ah, there you are, sir. Now you are here I’ll pop down to the village. Look in on her ladyship whenever it’s convenient. She is expecting you.”

“Right. Will you be long?”

“Not more than an hour, sir. But there’s no need for you to be concerned: her ladyship has been attended to.”

I quickly decided not to think about that statement, then – just as he reached the doorway – asked the question that demanded a satisfactory answer.

“Jenkins, are you aware that a young girl roams this house at night?”

He became as a man who has been robbed of all movement by a certain combination of words. I heard his voice; low – tremulous.

“Indeed, sir! Would she have been a young person in a white dress?”

“Yes. A very beautiful girl. Apparently she lives in a cottage in the woods. With her parents.”

He turned his head and spoke slowly, seemingly jerking each word out with great difficulty.

“I know of . . . this . . . young person, sir. It might be well . . . if you . . . did not encourage her. Make no contact . . . whatsoever. Above all . . . I beg of you . . . do not touch
her. Never . . . never touch her.”

I tried to laugh, but the effort all but choked me. Instead I managed to ask:

“Why not? Who is she?”

“Please don’t ask questions, sir. Don’t make me regret allowing you to enter this house. Just ignore . . . forget and never touch. Do what I do . . . turn your back and walk
away.” His voice rose to a near scream. “Shut your eyes, block up your ears and try hard to understand.”

He went into the hall, shoulders squared, bag gripped firmly in his right hand, frozen fear expressed in every line of his upright figure. I waited for the sound of the front door closing,
before making my way to Caroline Fortescue’s bedroom.

I steeled myself to endure that awful stench, but found it less pungent than the day before. The creature on the chaise longue looked much the same; motionless, eyes partly
open and betraying no sign of life. So much for Jenkins’ assertion that she was awake and expecting me. After watching her for a few minutes, I went over to the book shelves and began to
examine the bound manuscripts.

Without doubt they were priceless. Written in a clear, round hand, with a space between each line so as to leave room for corrections, here were the original manuscripts of the literary
masterpieces that had enthralled three generations. I turned over the pages of
Moorland Master
and marvelled at the concentration and sheer energy that writing something like a quarter of a
million words with a pen and ink, must have involved. But of one thing I was certain. Every book had been a labour of love. The faultless penmanship, the neatly ruled out words of lines, with the
substituted prose written above, testified to the masochistic pleasure that is the reward for arduous work well done. A sheet of faded blue notepaper had been pinned on page one and on this was
written in the same clear style:

Life is what you make it

A simple philosophy and one easy to follow for a rich young lady in the nineteenth century. I closed
Moorland Master
and was reaching for the next manuscript when a low, almost masculine
voice made me jerk round in sudden alarm.

“Young man, come here.”

It took courage to approach the chaise longue, then look down at Caroline Fortescue. She had not moved, the eyes were still half closed, but the mouth was wide open, as though the lower jaw had
dropped. I managed to say:

“I’m Brian Radcliffe . . . a . . . a guest in your house.”

The rasping voice spoke again, but I could detect no movement either of the mouth or tongue. I could only suppose she had taught herself to speak with the stomach muscles, but each word was
pronounced with precision.

“Of course, I had forgotten. I am inclined to be absent-minded these days. Time has become fluid, it ebbs and flows so that today often merges with yesterday. More, it sometimes recedes
beyond yesterday. I daresay you are confused.”

I shook my head. “No . . . that is to say I am trying to understand.”

“That is fortunate. Poor Jenkins only thinks he understands. But our time is short for I shall soon drift away and next time we meet . . .” She paused and I heard a ghost of a
chuckle. “I’ll not be entirely myself. There is a question you wish to ask me.”

I swallowed and tried to select one question from an entire army. “Yes, why did you stop writing after 1911?”

“Because there no longer existed the need to write books. I was able to live them. If that is an unsatisfactory reply, I can only add – think on what you have already seen and heard.
Then you will . . . There is I believe a feeding cup nearby.”

I looked around and saw the china vessel with a long spout standing on the mantel shelf and on taking it down found it contained a small amount of the white liquid.

“Yes, I have it here.”

“Then be so kind as to pour liquid nourishment into my mouth. I am conscious of a drying up, purely illusory no doubt, but no less real.”

With an unsteady hand I poured enriched milk into that gaping hole, then withdrew the cup when the mouth filled. Little riverlets of white moisture spilled over and ran down the chin, but the
remainder gradually disappeared, although I could not detect any sign of swallowing. The stuff seemed to be merely sinking down her throat. The harsh voice spoke again.

“Thank you. But I fear the result is not satisfactory. I am slipping away again . . . slipping away. Remember not to . . . to . . . or all will be . . . lost . . . lost . . .”

I waited for a long time, hoping (but dreading) she might speak again, but although the mouth remained open, no further sound came from it. Presently the door opened and Jenkins came tip-toeing
across the room, his face lit by a gentle smile.

“Did you have a chat with her ladyship, sir?”

I nodded. “Yes, we had a brief but interesting conversation. But, Jenkins, how does she talk? Her mouth . . .”

“No questions if you please, sir. Now I see her ladyship has gone back to sleep. Splendid. I’ve prepared a light lunch, so if you would care to come downstairs, we’ll leave her
to rest.”

I did not encourage the old man to speak during lunch for there was a distinct feeling that if I pressed him too hard, he would tell me something I did not want to hear. In this I was aided by
his built-in compulsion not to speak when a
superior
displayed signs of wishing to remain silent, and this I did by frowning when he so much as cleared his throat. At last the meal ended and
I volunteered to help him wash up, a suggestion he dismissed with something akin to horror.

“I’ll take a little walk,” I said quietly, almost daring him to make any objection. “Just a stroll round the grounds.”

His head was averted when he answered. “An excellent idea, sir. But it might be well if you kept to the drive. The woods are dangerous at this time of year. The undergrowth conceals boggy
patches that can trap the unwary. I entreat you, sir. Keep out in the open.”

“I will not take any unnecessary risks,” I promised.

As I walked across the drive I knew he was watching, darting from window to window and possibly sighing with relief when I turned right and skirted the woods, wading through knee high grass
until I came to an overgrown hedge that was breached by an old stile. This I climbed, then after making certain that I could not be seen from the house, entered the woods.

Dense undergrowth impeded progress, whippy twigs stung my groping hands as though some rustic deity were trying to protect its gloomy retreat from invasion. I veered left looking for the path my
nocturnal visitor had taken the night before. Eventually I stumbled on to it; a barely perceptible parting that ran through stunted ferns and crumbling leaf mould; a ghost path which had died long,
long ago.

To this day I am not certain how long I followed that narrow, almost non-existent trail, but suddenly I found myself facing a large clearing in which stood a snug, red-bricked cottage. It was
familiar, yet more than a little disturbing. I tried to remember where I had seen such a cottage before, but could only conjure up mental pictures torn from brightly illustrated books, last seen
before cosy nursery fires. Woodland cottage, elderly loving parents, a beautiful daughter who held intimate conversations with loquacious rabbits and other members of the animal kingdom.

A sloping red-tiled roof, two windows up and two down, a green door in the centre; a crazy paved path that divided a flower-rich garden; all protected by a white picket fence broken by a green
gate. Dazzling white curtains masked the windows, flaming red geraniums enhanced the lower window sills, while blue smoke drifted up from two squat chimney pots.

Fear – apprehension – flowed back before a feeling of supreme contentment, creating the ridiculous impression that I – a wanderer on the vast plains of time – had at last
come home. But below the surface, under the crust of self-deception, unwelcome knowledge seethed and threatened to manifest as indisputable fact. But I also knew with an unquestionable certainty,
that in this place fantasy and reality were but two meaningless words man had created for his convenience. The truth was much more complicated.

I opened the gate, closed it carefully behind me, then walked slowly up the path and mounted the single, hearth-stoned step. I tapped on the green door and waited with keen expectancy for
someone to welcome me. The door drifted open and I looked upon the model parents; those that we, when young and misunderstood, always wished for but rarely, if ever had. The woman could have been a
youthful fifty or a mature forty; auburn hair, gentle dark eyes and a smiling mouth – the eternal mother for a perpetual child. The man! Those who can, think of Ronald Colman –
handsome, grey-haired, urbane, neither young or old; a man of the world who had the ability to dismiss fear with a single word, banish doubt with a charming smile.

It was he who stretched out a long-fingered hand and said:

“Why, it must be the young man who is staying at the big house! Cathy has been on tenderhooks all day. Come in, my dear fellow. I am so pleased to see your ankle is better.”

Mother blushed and appeared quite willing to kiss me if given the least encouragement; and both made me feel like the prodigal son arriving home for his share of the fatted calf.

I was drawn into a narrow passage, then ushered into a comfortable parlour (that definition came most easily to mind) that smelt faintly of warm damp and the cloying aroma of decay. But there
the bright red wallpaper looked as if it had been recently put up, the furniture newly purchased from a Victorian store, the patterned carpet delivered that morning from the factory.

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