The Mask of Night

The Mask of Night

Tracy Grant

Copyright © 2011 by Tracy Grant

For Lauren Willig,

Fabulous writer, wonderful friend, and the perfect confidante about the perils and delights of writing about Napoleonic spies.

Thou know'st the mask of night is on my face,

Else would a maiden blush bepaint my cheek

For that which thou hast heard me speak tonight

Fain would I dwell on form, fain, fain deny

What I have spoke: but farewell compliment!

Dost thou love me? I know thou wilt say 'Ay,'

And I will take thy word: yet if thou swear'st,

Thou mayst prove false;

Shakespeare,
Romeo and Juliet
, Act II, scene ii

Acknowledgments

My heartfelt thanks to everyone who has taken Charles and Mélanie and their friends and family to their hearts, including my wonderful agent Nancy Yost and an amazing group of friends and writers—Isobel Carr, Deborah Crombie, Catherine Duthie, Dean James, Monica McCarty, Penelope Williamson, and Lauren Willig. And everyone who’s posted on my website or written to me asking for more.

Thanks to Jami Alden, Bella Andre, Carol Culver, Barbara Freethy, Anne Mallory, and Veronica Wolff for brainstorming over lunches and email and the constant reminder than being a writer doesn’t have to be as solitary a profession as it might seem.

Thanks to Natanya Wheeler for a fabulous cover that captures the mood and tone of the book to perfection and for shepherding the manuscript through the e-book publication process.

And as always, thanks to Greg Paris and Jim Saliba for creating and maintaining my wonderful website, and for being amazing friends.

Prologue

Rue St. Jacques, Paris

October, 1809

Mélanie Lescaut slid out from the weight of the sleeping man's arm. The air sliced into her bare flesh, but she sat stock still while she counted out three minutes. The fire in the grate had burned down to acrid embers. The sheets—fine linen from Provence—lay tangled about her legs, damp with sweat and the other raw remnants of the acts she and the man in the bed had engaged in.

A half-full glass of cognac stood on the night-table. A single candle (he'd insisted on leaving one lit) guttered in its chased silver candlestick. The clean beeswax light flickered over the man's wide cheekbones, his sleep-slackened lips, the puckered scar on his collarbone. He'd blackened his lashes to match his dyed hair. Traces of the blacking had smeared in the purple-shadowed creases round his eyes, but only someone trained to look would notice.

Julien St. Juste, the man lying in the bed beside her, was a legend among spies. Deadly with any weapon from poison to a blade, a master of disguise, so skilled at deception even his fellow spies couldn’t see through him. And she, an untried agent on her first mission, was going to try to outwit him.

Just the thought sent her heart hammering in her throat. She drew a breath. One step at a time. That was the only way she would get through this.

Three minutes and the even rise and fall of his chest hadn't altered. She pushed herself up so she had a better view of the room. The sheet slid over her skin, bringing the memory of trailing fingers. She suppressed a shiver and shifted her gaze round the room. Where might he have hidden a paper that was so valuable? The calfskin binding of the books on the low shelf against the wall? The frame of the oil (Fragonard or a good imitation) that hung over the writing desk? A secret drawer in the desk itself? Or somewhere at once more obvious and less obtrusive…

She looked back at the bed. Had he moved? Cold terror washed over her. But his hand was still curled the same fraction of an inch away from the water spot on the damask coverlet. She watched him a moment longer, willing her heartbeat to slow, then forced herself to look for more hiding places. The fluted walnut bedposts, still looped round with crimson silk cords. (She rubbed her wrist where the cord had bitten into her skin. No, she couldn’t afford to think about that). The thick goose feather mattress (not that please, how the devil would she manage to slit it open without waking him?).

Below the bed, a Turkey rug in indigo and blood red covered the floorboards. Surely a secret compartment beneath the floorboards was too unimaginative for a man of Julien St. Juste’s talents. And yet he had taken care to cover the floor with their tangle of discarded clothes. She remembered him tossing them about, while his fingers drifted over her skin, stirring feelings she had had no intention of letting herself indulge in.

The second glass of cognac lay tipped on its side amid the garments. The candlelight made hills and valleys of light and shadow out of the peacock blue silk of her gown, the white linen of his shirt and her chemise, the gleaming black cassimere of his coat and the silk of his pantaloons. Her satin-ribboned slippers had somehow landed halfway across the carpet, but his silver-buckled shoes stood neatly beside the bed, along with his walking stick. Her gaze moved on to the crumpled velvet of her opera cloak, littered with a jumble of jeweled hairpins that he’d removed one by one. She looked back at the walking stick. It had an elaborate handle of carved ivory. She'd assumed it was a swordstick. But—

Her gaze darted back to St. Juste. His blackened lashes still rested against his pale skin. His hand still lay, slack-fingered, beside the water spot on the coverlet. His chest still moved in the same even rhythm. She watched him a moment longer, putting off the inevitable. If he woke now, she could explain it away. Once she reached for the walking stick—

She squeezed her eyes shut, calling on reserves she hadn’t known she possessed. After one last glance at the sleeping St Juste, she reached down and grasped the cool wood of the stick. She twisted the ivory handle. It moved with the ease of frequent use. She gave another twist. If it was this easy—

Fingers closed on her arm. She spun round, still gripping the walking stick, and felt the press of cold steel at her throat. A glass-sharp blue gaze pinned her where she sat.

"Just what do you think you're doing?" he said in a voice that would have turned raw spirits to ice.

Malmaison

Later the same night

Mélanie followed the powdered head and liveried back of the footman down the labyrinth of passageways. The candle the footman carried made an island of golden warmth. Occasionally the light would flash against the gilt of a table leg or a sofa arm, the gleaming white of a piece of statuary, the glistening oils of a painting. Fragments of painted images shot past her gaze. Classical robes, Neptune's trident, lovers in a rose-strewn bower. She could not see enough to put a name to any of the painters but the richness of color took her back to visits she had made with her father to the Louvre and the Prado. The old days when her world had been safe. Not so very long ago if measured by the calendar, yet the gulf between then and now was so wide that she could scarcely remember the girl she had been.

The footman stopped before a pair of doors topped by two carved bees picked out in gilt. He rapped and flung the polished mahogany open.

Mélanie drew a breath that had the scrape of sandpaper. A few hours ago, she had had a knife pressed to her throat, but it was now that her blood chilled and her limbs shook as though she were a foolish, frightened child. Focused on the risks of her mission, she had quite failed to consider that having to admit she had failed in that mission might be an even more perilous task. She stepped over the threshold, feeling as though the blade of the guillotine hung over her head.

The room beyond was lit only by tapers on the mantle and two enamel lamps. She had a brief impression of jewel-toned carpets, a snowy-white mantle, a dark-haired woman seated on a deep-cushioned sofa of gold velvet.

The doors closed with a discreet click and the footman's steps retreated down the corridor. The woman got to her feet. She wore a white gown and a heavy shawl of purple cashmere. Her face was half in shadow, but even so it was instantly recognizable. The softly rounded features, the chestnut hair clustered in curls over the high forehead, the wide deep blue eyes fringed by dark lashes made darker with blacking. The face Mélanie had studied in prints and drawings throughout her girlhood. The face immortalized in the David painting of the ceremony in Notre Dame. Marie-Josèphe-Rose de Tascher de la Pagerie. The Vicomtesse de Beauharnais. Josephine Bonaparte.

The Empress of France.

Mélanie reminded herself that this was a role like any other and sank into a curtsy. Her muscles trembled as though she had been pummeled black and blue. "Your—" The title stuck in her throat. She forced it out. "Your majesty."

The Empress's mouth curved. "A republican like your employer, I see."

Mélanie straightened her shoulders. She was prepared for anger. She was prepared to be struck or ordered from the room or hauled off by armed men. But whatever she faced, she would face it with her head held high. "M. O'Roarke has served the Empire well."

"Raoul O'Roarke is a pragmatist. I saw that when I first met him in Les Carmes prison during the Terror. In his view, better an Emperor with some belief in the rights of man than a return of the monarchy.” Josephine surveyed her for a moment. "I know Raoul is unorthodox in his choice of agents, but I hadn't expected you to be quite so young. You can't be a day over seventeen."

She was in fact barely sixteen, but it seemed best not to enlighten the Empress. "M. O'Roarke said he needed someone for this mission who could get under Julien St. Juste's guard."

"No easy task. What is your name?"

"Lescaut. Mélanie Lescaut."

"Mlle. Lescaut.” The Empress had a warm, lilting voice. Mélanie, trained to recognize accents, could hear an echo of Josephine's native Martinique. But beneath the languor lay an unmistakable undertone of fear. As terrified as she was herself, Mélanie realized, this powerful woman was frightened too.

Josephine fingered the border of her shawl. “Where did Raoul find you?"

"In a brothel."

Josephine inclined her head. "Raoul has always had a knack for seeing beyond the obvious. Your talents would have been sadly wasted had you remained there." She swallowed, as though she could not quite bring herself to ask her next question. "I believe you have something for me, mademoiselle?"

Bitter ashes welled up on Mélanie’s tongue. The urge to run back to Raoul O'Roarke rather than keep this meeting with the Empress had been almost overmastering. But she had not let herself give way to it, and she would not run now. She looked straight into the Empress's eyes. "I have failed, madame. I wasn’t able to recover the paper from M. St. Juste."

All the blood drained from the Empress's face. Josephine swayed on her feet and would have fallen had Mélanie not caught her arm. For a moment, the Empress was a dead weight against her shoulder. Mélanie half-carried her to the sofa.

She cast a quick glance about the room. A demi-lune table held a Venetian glass decanter and a set of glasses. She poured a glass of wine and pressed it into the Empress's hand. When it nearly tumbled from the woman's nerveless fingers, she put her hand over Josephine's own and guided the glass to her lips. Josephine gulped down a swallow. A little color returned to her cheeks beneath the bright splotches of rouge.

"I failed to recover the paper," Mélanie said. "But it may not be as bad as you fear."

Josephine's blue eyes fastened on her face, wracked by ghosts Mélanie could not begin to guess at. "You can't know, child. Holy Mother—"

"No. I can't know.” Mélanie sank back on her heels on the soft pile of the Aubusson carpet. "You'll have to judge for yourself."

Josephine raked Mélanie's face with a fever-bright gaze. "Tell me."

Mélanie folded her hands in her lap. She was sitting before the most powerful woman in all France. She had been asked to recover a paper that contained information the Empress feared could destroy her. A paper in the possession of Julien St. Juste, a spy with deadly talents. A man who had once been Josephine’s lover. She had dangerous knowledge, and she had completely failed in her mission. From the Empress’s perspective, there were any number of reasons to simply get rid of her.