The Midwife Trilogy (43 page)

We visited three times a day every day for six weeks, then twice a day for a further six weeks. Domiciliary care was good in those days. At four months he weighed six and a half pounds and was responding with smiles, and turning his head. He reached out a tiny hand to grasp a finger. He gurgled and chuckled to himself. I was told he hardly ever cried.

Several times in those post-natal months I thought of that dreadful night when he was born, and remembered Sister Julienne’s words to me as I left. “God be with you, my dear. I will pray for Conchita Warren and her unborn baby.” She had not just said that she would pray for Conchita. Nor had she assumed that the foetus would be born dead. She had said, with equal emphasis, that she would pray for them both. In fact, she prayed for us all.

One happy day in midsummer I made a routine call to check the weight of the baby. Laughter was coming from the downstairs kitchen as I descended the stairs. The baby was lying in a cot with his brothers and sisters around him. They were all laughing. A delicious smell wafted towards me. Conchita, smiling and in full command, was standing over the steaming copper boiler making plum jam. The copper boiled ferociously as she stirred with a huge wooden spoon. Thank God she had had the wisdom and the strength not to let the baby go, I thought. Had she done so, I felt sure that she would have died, and all the happiness of the household would have died with her.

OLD, OLD AGE

Whilst I was fascinated and captivated by Sister Monica Joan, I could not for the life of me decide if she really was verging on senility or not. I could not avoid the suspicion that she might craftily be manipulating us all, in order to get her own way - an old lady’s prerogative down the ages! Without doubt she was highly intelligent, well informed, and in some ways deeply learned, though it was often hard to disentangle the muddled strands of her discourse. In view of her history, fifty years professed nun, nurse and midwife in the East End of London, there could be no doubt of her Christian vocation. Yet her behaviour was often far from Christian. She was often selfish and inconsiderate. Flashes of brilliance and flashes of senility crossed and recrossed each other in lightning streaks; goodness and cruelty rubbed shoulders; memory and forgetfulness were intertwined. The old are deeply interesting and I watched her often. Which was the real Sister Monica Joan? I could not tell.

No doubt she had always been eccentric. Even the manner in which she went to church was singular. She would leave Nonnatus House, walk swiftly down Leyland Street, round the corner and straight across the East India Dock Road, without so much as glancing to right or left. Lorry drivers would slam on their brakes, tyres would scream, lorries would come to a shuddering halt, whilst this elderly nun, gown and veil billowing out behind her, crossed the busiest road in London.

One day a mounted policeman on a jet black horse was proceeding sedately down the centre of the road. He wore a magnificent white helmet and long white gauntlets, which gave him a kind of Ruritarian, operatic appearance. He saw Sister Monica Joan and, anticipating what would happen, turned his horse sideways in the road, raised his gloved hands to halt the traffic in both directions and indicated that she could cross. As she passed, Sister turned, looked up at the horse and rider, and said, quite clearly and loudly, “Thank you, young man, that is very kind. But you need not trouble yourself. I am perfectly safe. The angels will take care of me.” She tossed her head and walked swiftly on.

That incident occurred years before I knew her, so clearly her idiosyncrasies had always been there although perhaps they had become more accentuated as she grew older. Sometimes I wondered, though, if her celebrated eccentricity was not an affectation, assumed for the childish delight of drawing attention to herself. Like the incident with the cellist. Poor fellow, it must have shattered him, and I tremble to think what it did must have done to the pianist.

All Saints, East India Dock Road, was and still is a prestigious church, commanding a favoured position in the diocese. Built in classical Regency style, and beautifully proportioned, the interior is a gem and the acoustics beyond reproach, making it an excellent place for concerts.

The Rector had managed to persuade a world famous cellist to perform. Cynthia and I were given the evening off in order to attend the concert. At the last minute we thought how nice it would be to take Sister Monica Joan. Never again!

To begin with, she insisted on taking her knitting. Neither Cynthia nor I remonstrated as we should have done, but that was only with the wisdom of hindsight. We entered the church, which was full, and Sister Monica Joan wanted to sit in the front row. Like a dowager duchess she sailed down the central aisle, with Cynthia and me trotting after her like a couple of lady’s maids. She sat down middle centre, directly opposite the chair placed in readiness for the cellist, and we sat on either side. Everyone knew Sister Monica Joan, and from the outset I felt conspicuous and uncomfortable.

The chairs were too hard. Sister Monica Joan fidgeted and grumbled, trying to adjust her bony bottom to the wooden chair. We offered her a kneeling pad, but that was no good. Cushions had to be found. Curates ran hither and thither poking into sacristy cupboards, but with no luck. Church paraphernalia contains everything but soft cushions. The nearest thing was a length of velvet curtaining. This was folded up, and placed under her bony prominences. She sighed at the young curate, who was new and eager to please.

“If that’s the best you can do, I suppose it will have to do.” Her sharp tone erased the smile from his face.

The Rector stepped forward to welcome the audience, and said that coffee would be served in the interval.

“And now it is my great pleasure to welcome—”

He was cut short.

“Do you have decaffeinated for those who do not drink coffee?”

The Rector stopped. The cellist, one foot on stage, paused.

“Decaffeinated? I really don’t know, Sister.”

“Perhaps you would be good enough to find out?”

“Yes, of course Sister.”

He signalled to a curate to go and find out. I had not seen the Rector look uncertain before; it was a new experience.

“May I continue, Sister?”

“Yes, of course.” Very graciously she inclined her head.

“ ... my pleasure to welcome to All Saints the renowned cellist and pianist ... ”

They bowed to the audience. The pianist seated herself at the piano. The cellist adjusted his stool. Silence fell on the audience.

“She’s wearing brocade, my dear.”

Sister Monica Joan’s articulation was faultless, and, as I have said, the acoustics at All Saints are superb. Her stage whisper, which at its best could penetrate a railway station at rush hour, reached every corner of the church.

“We used to do that in the 1890s; cut down some old curtains, and make a second best dress out of them. I wonder whose curtains she got hold of?”

The pianist glared, but the cellist, being a man, had noticed no insult, and started tuning up. Sister Monica Joan was fidgeting beside me, trying to get comfortable.

Satisfied, the cellist smiled confidently at his audience and raised his bow.

“It’s no good. I can’t sit like this. I shall have to have a cushion at my back.”

The cellist let his arm fall. The Rector gazed helplessly at his curates. A lady from the back came forward. She had providently brought a cushion for herself, and Sister Monica Joan was welcome to use it.

“How very kind. It is greatly appreciated. So kind.”

Her regal graciousness could have out-queened the Queen Mother. She felt the cushion, and decided she would sit on the cushion and have the cloth at her back. Cynthia and the Rector adjusted all this, whilst the cellist and pianist sat quietly looking at their instruments. I was squirming, trying in vain not to be noticed.

The recital started and Sister Monica Joan, comfortable at last, took out her knitting.

Knitting during a recital is not common. In fact I have never seen anyone do it. But Sister Monica Joan was not concerned with what other people did or did not do. She always did exactly as she chose. Nor is knitting generally considered to be a noisy occupation. I had frequently seen Sister Monica Joan knitting in absolute serenity and silence. But not on this occasion. The knitting was of a lacy pattern, requiring three needles, and this produced absolute mayhem.

She dropped the needles repeatedly. They were steel knitting needles, and each time they fell they clattered on to the wooden floor. Cynthia or I had to retrieve them, depending on which side the needle had dropped. The ball of wool fell and rolled under several chairs. Someone about four chairs down kicked it back towards her, but the trailing piece of wool caught around the leg of a chair and pulled tight, thus pulling several stitches off the work in Sister Monica Joan’s hands. “Be careful,” she hissed at us as the cellist approached a particularly difficult cadenza, his eyes closed in rapture. He opened his eyes sharply, and an unexpected bum note sounded from the strings. Seeing Sister Monica Joan fumbling after the wool, the cellist, with true professionalism, launched into his cadenza. He finished the movement in masterly fashion.

The slow movement started very quietly and peacefully, but the ball of wool was not so easily dealt with. The person four chairs down tried to retrieve it and push it back the way it had come, without success. The ball rolled backwards, and got tangled around the feet of someone sitting behind, who picked it up, causing the trailing end to pull tight again, pulling several more stitches off Sister Monica Joan’s needle.

“You are ruining it,” she spat out to the man behind.

The pianist was playing a hauntingly tender passage. She turned from the piano and looked daggers at the first row.

As the final cadence approached another needle dropped to the floor with a resounding clatter, destroying the plaintive cry of the cello in the dying fall of the movement.

The Rector, with a desperate look on his face, came forward and whispered to Sister Monica Joan to be quiet. “What did you say, Rector?” she said loudly, as though she were deaf - which she wasn’t. He backed off in alarm, fearing that he might make things worse.

The third movement was an
allegro con fuoco
, and the duo played it faster and with more fire than I have ever heard.

Cynthia and I, who were just about dying with mortification, were counting the minutes until the interval when we could take Sister home. I was grinding my teeth in fury, and plotting murder in my heart. Cynthia, who has a sweeter nature than mine, was patient and understanding. But worse was to come.

The musicians brought the third movement to a triumphant close. With a magnificent gesture the cellist swept the bow upwards, and raised his arm aloft, smiling confidently at the audience.

Only a few seconds were to elapse before the applause began, but it was time enough for Sister Monica Joan to make her exit. She stood up abruptly.

“This is too painful. I cannot put up with this a moment longer. I must go.”

With knitting needles dropping all around her she passed the musicians and, in full view of the entire audience, swept down the central aisle towards the door.

Tumultuous applause broke out from the Poplar audience. Stamping, cheering, whistling - no musicians could have asked for a greater ovation. But they knew, and we knew, and they knew that we knew, that the applause was not for them or their music. They bowed stiffly, faces set in a grim smile, and left the platform.

Black fury took possession of me. I greatly respect musicians, knowing their years of intensive training, and I could not excuse this last gratuitous insult, which I saw as deliberate. I could have hit Sister Monica Joan, hard, in front of a couple of hundred people. I must have been shaking with rage, because Cynthia looked at me in alarm.

“I’ll take her home. You stay and find a chair at the back somewhere, and enjoy the second half.”

“I can’t enjoy anything after that,” I hissed through clenched teeth; my voice must have sounded strange.

She laughed her soft, warm laugh. “Of course you can. Get yourself a cup of coffee. They are playing the Brahms Cello Sonata next.”

She gathered up the knitting needles, extricated the wool from around the chair legs, put it all into the knitting bag, blew a kiss with a whispered “cheerio”, and ran off after Sister Monica Joan.

For many days, or perhaps it was weeks, I could not bring myself to speak to Sister Monica Joan. I was convinced that she had deliberately set out to wreck the recital, and to humiliate the musicians. I remembered her petulance when she did not get her own way, her sulks when she was thwarted, and above all her relentless torment of Sister Evangelina. I made up my mind that the apparent senility was no more than an elaborate game she was playing for her own amusement. I decided that I wanted nothing more to do with her. I could be as haughty as Sister Monica Joan if I chose to be, and whenever we met, I turned my head away and said not one word.

But later an incident occurred that left me in no doubt at all about the reality of her mental condition.

It was about 8.30 in the morning. The Sisters and other staff had all left for their morning visits. Chummy and I were the last to leave, and were just stepping out when the telephone rang.

“Is that Nonnatus ’ouse? Sid ve Fish ’ere. I thought you ought’a know Sister Monica Joan has jus’ gone past me shop in ’er nightie. I’ve sent ve lad after ’er, so she won’t come to no ’arm.”

I gasped in horror, and quickly told Chummy. We dropped our midwifery bags, grabbed a Sister’s cloak from the hall-stand, and sprinted down towards Sid’s fish shop. Sure enough, weaving a zig-zag line down the East India Dock Road, the fish boy a couple of paces behind, was Sister Monica Joan. She was wearing only a long white nightie with long sleeves. Her bony shoulders and elbows stuck out under the thin cloth. You could have counted every vertebra in her spine. She wore no dressing gown, no slippers, no veil, and the wind blew thin white strands of hair upwards from a head that was nearly bald. It was a cold morning, and her feet and ankles were blue-black with cold and bleeding. From behind I saw these sad old feet, like skeleton’s bones, clad only in mottled blue skin, doggedly, determinedly trudging on to a destination known only to her clouded mind.