Read The Mistletoe Bride and Other Haunting Tales Online
Authors: Kate Mosse
Tags: #Anthology, #Short Story, #Ghost
Susan doesn’t respond.
MARION | It’s not about Phoebe really, is it? It’s about you. |
SUSAN | (Snapping) |
The two women stare at one another. Action freezes.
SCENE 5
SARAH | I told Phoebe. I had to tell someone. |
The funny thing was, Phoebe wasn’t surprised. She told me she’d seen him outside the music room one day. I didn’t know he was there, listening. Phoebe said when I finished, Matt closed his eyes. Like it was too much to bear. She thought it was sweet. Romantic. | |
So, Phoebe knew. She knew before I knew. Phoebe’s brilliant! We met at her house, sometimes, when her mum was out. | |
We were doing OK, Matt and I, until that night. November. I’d arranged to go round to Phoebe’s. Matt was doing a gig and it was over-21s so I couldn’t go, and Susan was at a party. Me and Phoebe hadn’t had a girls’ night in for ages and there was stuff |
SCENE 6
There’s another knock at the door.
JULIE | Sorry, am I interrupting? |
A thin, anxious-looking woman walks on stage.
MARION | Julie, come in, come in. It’s lovely you could make it. |
The woman walks towards Marion, then stops when she sees Susan. Julie and Susan stare at each other, neither able to believe the other is there. For a moment, it looks as if Julie will make a bolt for the door. But Marion puts an arm around her and steers her to the centre of the room.
SUSAN | Julie, I had no idea you’d be here. I— |
MARION | (Still with her arm around Julie’s waist) |
JULIE | (Her voice is brittle) |
MARION | We have orange juice, if you’d prefer a soft drink. |
JULIE | (Looking towards the door) |
The intercom goes. Marion answers.
MARION | Sorry? Okay, I’m coming. |
I’m sorry, it seems I’m indispensable. I won’t be more than a couple of minutes. | |
JULIE | I don’t want— |
MARION | (Interrupting) |
SUSAN | Marion, I don’t think it’s— |
But Marion has gone. The sound of a flautist warming up – playing scales – slips through the door, then the door shuts.
SCENE 7
There is a long, hard silence. Julie stands with her hand clutching the strap of her shoulder bag. Susan, caught halfway between the door and the table, doesn’t know what to do. She’s pleased to see Julie and obviously very nervous. A minute passes, neither woman speaking or catching each other’s eye. Julie pointedly looks at the glass, but says nothing. Susan puts her glass down on the desk.
SUSAN | It’s good to see you. |
JULIE | (Polite) |
SUSAN | And the family? Paul and the boys? They’re well? |
JULIE | They are all fine. |
SUSAN | Mark’s working full-time at the marina, I think someone told me? |
JULIE | Yes. |
SUSAN | Hard to get a permanent job there, I’d have thought. You must be very proud of him. |
JULIE | I am. |
SUSAN | And Stephen? |
JULIE | He’s getting a prize this evening. |
SUSAN | (Confused by the non sequitur) |
JULIE | (Accusingly) |
SUSAN | (Flustered) |
JULIE | If you had known I’d be here, would you have stayed away? |
SUSAN | No. I mean, yes. That is, I meant Marion hadn’t told me you’d be coming. Here, first, I mean. |
JULIE | So you’re saying you wouldn’t have come? |
SUSAN | I, I don’t know. That is, Emily’s up for a prize too. |
JULIE | It’s for music. |
SUSAN | (Even more bothered) |
JULIE | As well as Sarah, were you going to say? |
SUSAN | Yes, Emily says Stephen’s in every team going. But, music. That’s great. Well done him. |
She grinds to a halt, realising she’s making things worse.
JULIE | How’s Phoebe? |
SUSAN | (Giving up the pretence of polite conversation) |
JULIE | Do what? You ask after my family. I ask after yours. That’s what we do in awkward social situations, isn’t it, make small talk? |
SUSAN | (Seeing no way out) |
JULIE | And she’s recovered? No more problems. |
Susan glances at the door, then at Julie. She is clearly trying to come to a decision of some kind. Susan decides she’s got nothing to lose.
SUSAN | Julie, look. |
Susan reaches out for Julie’s arm. Julie shrugs her off.
SUSAN | But can’t we at least talk? Can’t we see if . . . |
JULIE | (Spins round to face her) |
SCENE 8
The door opens and Marion reappears. Feeling the tension between them, she hesitates a moment, worried her plan to at least get the two old friends together in the same room was a mistake.
MARION | They’re ready for us. Shall we? |
Both women glare at her. Caught by the need to put a brave face on it for their children’s sakes, at first neither woman moves. Then Julie walks briskly past Susan, and exits.
SUSAN | Why didn’t you tell me you’d invited Julie too? |
MARION | I tried to, but— |
SUSAN | It’s just making everything worse. |
Susan exits. Marion hesitates, a worried look on her face, then goes to the desk, picks up her speech. She puts on her official face and follows them out. Offstage, the sound of chairs scraping back. The orchestra strikes up and the choir begins to sing.
SCENE 9
SARAH | They all feel guilty, responsible. But for stuff they didn’t do. |
If only. Such pointless words. | |
Me and Mum argued that night. Again. It wasn’t like her to lose it, not really. I guess I just flipped out too. Why couldn’t she see I was happy? Why couldn’t she be happy for me? She started up about homework and college and church! She didn’t understand I wasn’t a kid any more. | |
We never got the chance to make up. We never got the chance to say sorry for all the stuff we said that night. And, | |
But it was an accident. It had started to rain, so I rang Matt and he left the gig and came and got me. But it wasn’t your fault. |
Offstage, we hear the announcement of the next item, a round of applause, then the sound of a single flautist playing the beginning of Debussy’s ‘Syrinx’. As the sound of the flute filters into the office. Sarah smiles, as Julie comes back onto stage, looking anguished.
SCENE 10
The same location. Later the same evening.
Julie is sitting alone in the dark. Marion comes in, leaving the door ajar. She turns on the light on the desk and doesn’t notice Julie is there.
JULIE | No. Please leave it. |
MARION | Julie. You gave me a shock. |
She dims the light.
MARION | I saw you go out. |
JULIE | I intended to, but then. |
MARION | I can go if you’d rather be alone? |
JULIE | No. No, it’s all right. Stay. |
MARION | Yes. |
JULIE | Where are the others? |
MARION | There are drinks in the hall. |
JULIE | (Interrupting) |
MARION | I think so, with Emily. |
Marion puts her speech back down on her desk.
JULIE | (In a low voice) |
MARION | I give you my word that nothing— |
JULIE | (Waves her hand) |
MARION | You can’t blame yourself. She was eighteen. Not a child. She was happy. |
JULIE | (Gives a bitter laugh) |
MARION | You could see it. Everything about Sarah changed. She was doing so well, in her music, her lessons, everything. She had a kind of lightness to her that transformed the world around her. |
JULIE | Happy! And what good did it do her? |