Read The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle Online
Authors: Marcel Proust
And without wasting time by stopping to take off our things we would dash upstairs to my aunt Léonie’s room to reassure her, to prove to her by our bodily presence that all her gloomy imaginings were false, that nothing had happened to us, but that we had gone the
“Guermantes way,” and when one took that walk, why, my aunt knew well enough that one could never be sure what time one would be home.
“There, Françoise,” my aunt would say, “didn’t I tell you that they must have gone the Guermantes way? Good gracious, they must be hungry! And your nice leg of mutton will be quite dried up now after all the hours it’s been waiting. What a time to come in! Well, and so you went the Guermantes way?”
“But, Léonie, I supposed you knew,” Mamma would answer. “I thought Françoise had seen us go out by the little gate through the kitchen-garden.”
For there were, in the environs of Combray, two “ways” which we used to take for our walks, and they were so diametrically opposed that we would actually leave the house by a different door according to the way we had chosen: the way towards Méséglise-la-Vineuse, which we called also “Swann’s way” because to get there one had to pass along the boundary of M. Swann’s estate, and the “Guermantes way.” Of Méséglise-la-Vineuse, to tell the truth, I never knew anything more than the “way,” and some strangers who used to come over on Sundays to take the air in Combray, people whom, this time, neither my aunt herself nor any of us “knew from Adam,” and whom we therefore assumed to be “people who must have come over from Méséglise.” As for Guermantes, I was to know it well enough one day, but that day had still to come; and, during the whole of my boyhood, if Méséglise was to me something as inaccessible as the horizon, which remained hidden from sight, however far one went, by the folds of a landscape which no longer bore the least resemblance to the country round Combray,
Guermantes, on the other hand, meant no more than the ultimate goal, ideal rather than real, of the “Guermantes way,” a sort of abstract geographical term like the North Pole or the Equator or the Orient. And so to “take the Guermantes way” in order to get to Méséglise, or vice versa, would have seemed to me as nonsensical a proceeding as to turn to the east in order to reach the west. Since my father used always to speak of the “Méséglise way” as comprising the finest view of a plain that he knew anywhere, and of the “Guermantes way” as typical of river scenery, I had invested each of them, by conceiving them in this way as two distinct entities, with that cohesion, that unity which belong only to the figments of the mind; the smallest detail of either of them seemed to me a precious thing exemplifying the special excellence of the whole, while beside them, before one had reached the sacred soil of one or the other, the purely material paths amid which they were set down as the ideal view over a plain and the ideal river landscape, were no more worth the trouble of looking at than, to a keen playgoer and lover of dramatic art, are the little streets that run past the walls of a theatre. But above all I set between them, far more than the mere distance in miles that separated one from the other, the distance that there was between the two parts of my brain in which I used to think of them, one of those distances of the mind which not only keep things apart, but cut them off from one another and put them on different planes. And this distinction was rendered still more absolute because the habit we had of never going both ways on the same day, or in the course of the same walk, but the “Méséglise way” one time and the “Guermantes way” another, shut them off, so to
speak, far apart from one another and unaware of each other’s existence, in the airtight compartments of separate afternoons.
When we had decided to go the Méséglise way we would start (without undue haste, and even if the sky were clouded over, since the walk was not very long and did not take us too far from home), as though we were not going anywhere in particular, from the front-door of my aunt’s house, which opened on to the Rue du Saint-Esprit. We would be greeted by the gunsmith, we would drop our letters into the box, we would tell Théodore, from Françoise, as we passed that she had run out of oil or coffee, and we would leave the town by the road which ran along the white fence of M. Swann’s park. Before reaching it we would be met on our way by the scent of his lilac-trees, come out to welcome strangers. From amid the fresh little green hearts of their foliage they raised inquisitively over the fence of the park their plumes of white or mauve blossom, which glowed, even in the shade, with the sunlight in which they had bathed. Some of them, half-concealed by the little tiled house known as the Archers’ Lodge in which Swann’s keeper lived, overtopped its Gothic gable with their pink minaret. The nymphs of spring would have seemed coarse and vulgar in comparison with these young houris, who retained in this French garden the pure and vivid colouring of a Persian miniature. Despite my desire to throw my arms about their pliant forms and to draw down towards me the starry locks that crowned their fragrant heads, we would pass them by without stopping, for my parents had ceased to visit Tansonville since Swann’s marriage, and, so as not to appear to be looking into his park, instead of
taking the path which skirted his property and then climbed straight up to the open fields, we took another path which led in the same direction, but circuitously, and brought us out beyond it.
One day my grandfather said to my father: “Don’t you remember Swann’s telling us yesterday that his wife and daughter had gone off to Rheims
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and that he was taking the opportunity of spending a day or two in Paris? We might go along by the park, since the ladies are not at home; that will make it a little shorter.”
We stopped for a moment by the fence. Lilac-time was nearly over; some of the trees still thrust aloft, in tall mauve chandeliers, their delicate sprays of blossom, but in many parts of the foliage which only a week before had been drenched in their fragrant foam, there remained only a dry, hollow, scentless froth, shrivelled and discoloured. My grandfather pointed out to my father in what respects the appearance of the place was still the same, and how far it had altered since the walk that he had taken with old M. Swann on the day of his wife’s death; and he seized the opportunity to tell us once again the story of that walk.
In front of us a path bordered with nasturtiums ascended in the full glare of the sun towards the house. But to our right the park stretched across level ground. Overshadowed by the tall trees which stood close around it, an ornamental pond had been dug by Swann’s parents; but, even in his most artificial creations, nature is the material upon which man has to work; certain places persist in remaining surrounded by the vassals of their own especial sovereignty, and will flaunt their immemorial insignia in the middle of a park, just as they would have done far
from any human interference, in a solitude which must everywhere return to engulf them, springing up out of the necessities of their exposed position and superimposed on the work of man’s hands. And so it was that, at the foot of the path which led down to the artificial lake, there might be seen, in its two tiers woven of forget-me-nots and periwinkle flowers, a natural, delicate, blue garland encircling the water’s luminous and shadowy brow, while the iris, flourishing its sword-blades in regal profusion, stretched out over agrimony and water-growing crowfoot the tattered fleurs-de-lis, violet and yellow, of its lacustrine sceptre.
The absence of Mlle Swann, which—since it preserved me from the terrible risk of seeing her appear on one of the paths, and of being identified and scorned by this privileged little girl who had Bergotte for a friend and used to go with him to visit cathedrals—made the exploration of Tansonville, now for the first time permissible, a matter of indifference to myself, seemed on the contrary to invest the property, in my grandfather’s and my father’s eyes, with an added attraction, a transient charm, and (like an entirely cloudless sky when one is going mountaineering) to make the day exceptionally propitious for a walk round it; I should have liked to see their reckoning proved false, to see, by a miracle, Mlle Swann appear with her father, so close to us that we should not have time to avoid her, and should therefore be obliged to make her acquaintance. And so, when I suddenly noticed a straw basket lying forgotten on the grass by the side of a fishing line whose float was bobbing in the water, I made every effort to keep my father and grandfather looking in another direction, away from this sign that she
might, after all, be in residence. However, as Swann had told us that it was bad of him to go away just then as he had some people staying in the house, the line might equally belong to one of these guests. Not a footstep was to be heard on any of the paths. Quartering the topmost branches of one of the tall trees, an invisible bird was striving to make the day seem shorter, exploring with a long-drawn note the solitude that pressed it on every side, but it received at once so unanimous an answer, so powerful a repercussion of silence and of immobility, that one felt it had arrested for all eternity the moment which it had been trying to make pass more quickly. The sunlight fell so implacably from a motionless sky that one longed to escape its attentions, and even the slumbering water, whose repose was perpetually disturbed by the insects that swarmed above its surface, dreaming no doubt of some imaginary maelstrom, intensified the uneasiness which the sight of that floating cork had wrought in me by appearing to draw it at full speed across the silent reaches of the reflected sky; now almost vertical, it seemed on the point of plunging down out of sight, and I had begun to wonder whether, setting aside the longing and the terror that I had of making her acquaintance, it was not actually my duty to warn Mlle Swann that the fish was biting—when I was obliged to run after my father and grandfather who were calling me, surprised that I had not followed them along the little path leading up to the open fields into which they had already turned. I found the whole path throbbing with the fragrance of hawthorn-blossom. The hedge resembled a series of chapels, whose walls were no longer visible under the mountains of flowers that were heaped upon their altars;
while beneath them the sun cast a chequered light upon the ground, as though it had just passed through a stained-glass window; and their scent swept over me, as unctuous, as circumscribed in its range, as though I had been standing before the Lady-altar, and the flowers, themselves adorned also, held out each its little bunch of glittering stamens with an absent-minded air, delicate radiating veins in the flamboyant style like those which, in the church, framed the stairway to the rood-loft or the mullions of the windows and blossomed out into the fleshy whiteness of strawberry-flowers. How simple and rustic by comparison would seem the dog-roses which in a few weeks’ time would be climbing the same path in the heat of the sun, dressed in the smooth silk of their blushing pink bodices that dissolve in the first breath of wind.
But it was in vain that I lingered beside the hawthorns—breathing in their invisible and unchanging odour, trying to fix it in my mind (which did not know what to do with it), losing it, recapturing it, absorbing myself in the rhythm which disposed the flowers here and there with a youthful light-heartedness and at intervals as unexpected as certain intervals in music—they went on offering me the same charm in inexhaustible profusion, but without letting me delve any more deeply, like those melodies which one can play a hundred times in succession without coming any nearer to their secret. I turned away from them for a moment so as to be able to return to them afresh. My eyes travelled up the bank which rose steeply to the fields beyond the hedge, alighting on a stray poppy or a few laggard cornflowers which decorated the slope here and there like the border of a tapestry whereon may be glimpsed sporadically the rustic theme
which will emerge triumphant in the panel itself; infrequent still, spaced out like the scattered houses which herald the approach of a village, they betokened to me the vast expanse of waving corn beneath the fleecy clouds, and the sight of a single poppy hoisting upon its slender rigging and holding against the breeze its scarlet ensign, over the buoy of rich black earth from which it sprang, made my heart beat like that of a traveller who glimpses on some low-lying ground a stranded boat which is being caulked and made sea-worthy, and cries out, although he has not yet caught sight of it, “The Sea!”
And then I returned to the hawthorns, and stood before them as one stands before those masterpieces which, one imagines, one will be better able to “take in” when one has looked away for a moment at something else; but in vain did I make a screen with my hands, the better to concentrate upon the flowers, the feeling they aroused in me remained obscure and vague, struggling and failing to free itself, to float across and become one with them. They themselves offered me no enlightenment, and I could not call upon any other flowers to satisfy this mysterious longing. And then, inspiring me with that rapture which we feel on seeing a work by our favourite painter quite different from those we already know, or, better still, when we are shown a painting of which we have hitherto seen no more than a pencilled sketch, or when a piece of music which we have heard only on the piano appears to us later clothed in all the colours of the orchestra, my grandfather called me to him, and, pointing to the Tansonville hedge, said to me: “You’re fond of hawthorns; just look at this pink one—isn’t it lovely?”
And it was indeed a hawthorn, but one whose
blossom was pink, and lovelier even than the white. It, too, was in holiday attire—for one of those days which are the only true holidays, the holy days of religion, because they are not assigned by some arbitrary caprice, as secular holidays are, to days which are not specially ordained for them, which have nothing about them that is essentially festal—but it was attired even more richly than the rest, for the flowers which clung to its branches, one above another, so thickly as to leave no part of the tree undecorated, like the tassels wreathed about the crook of a rococo shepherdess, were every one of them “in colour,” and consequently of a superior quality, by the aesthetic standards of Combray, if one was to judge by the scale of prices at the “stores” in the Square, or at Camus’s, where the most expensive biscuits were those whose sugar was pink. For my own part, I set a higher value on cream cheese when it was pink, when I had been allowed to tinge it with crushed strawberries. And these flowers had chosen precisely one of those colours of some edible and delicious thing, or of some fond embellishment of a costume for a major feast, which, inasmuch as they make plain the reason for their superiority, are those whose beauty is most evident to the eyes of children, and for that reason must always seem more vivid and more natural than any other tints, even after the child’s mind has realised that they offer no gratification to the appetite and have not been selected by the dressmaker. And indeed I had felt at once, as I had felt with the white blossom, but with even greater wonderment, that it was in no artificial manner, by no device of human fabrication, that the festal intention of these flowers was revealed, but that it was Nature herself who had spontaneously expressed it, with
the simplicity of a woman from a village shop labouring at the decoration of a street altar for some procession, by overloading the bush with these little rosettes, almost too ravishing in colour, this rustic pompadour. High up on the branches, like so many of those tiny rose-trees, their pots concealed in jackets of paper lace, whose slender shafts rose in a forest from the altar on major feast-days, a thousand buds were swelling and opening, paler in colour, but each disclosing as it burst, as at the bottom of a bowl of pink marble, its blood-red stain, and suggesting even more strongly than the full-blown flowers the special, irresistible quality of the thorn-bush which, wherever it budded, wherever it was about to blossom, could do so in pink alone. Embedded in the hedge, but as different from it as a young girl in festal attire among a crowd of dowdy women in everyday clothes who are staying at home, all ready for the “Month of Mary” of which it seemed already to form a part, it glowed there, smiling in its fresh pink garments, deliciously demure and Catholic.