The Montmartre Investigation (5 page)

‘What wolves?'

‘That's all she told me. Please, Monsieur Legris, my godfather must not find out about this. He would be terribly angry.'

‘Is this the first time you have covered for her?'

‘The second; she promised she'd be back on Saturday.'

‘Saturday – that's tomorrow. I will be discreet, but if your friend doesn't return tomorrow…Do your parents live abroad?'

Before Iris could reply, there was a knock at the door and Mademoiselle Bontemps bustled in carrying a tea tray.

‘It is time for your piano lesson, Iris. Mademoiselle Pluchard is waiting for you. Monsieur Legris, I thought that with this damp weather you might enjoy a cup of Earl Grey tea. Monsieur Mori orders it for us from London.'

As Iris took her leave she filled the teacups with the steaming brew and stacked a second saucer with biscuits. To his horror, Victor found himself, hands laden and mouth full, sitting next to the mistress of the house, who had planted herself demurely on the ottoman.

‘Are you acquainted with Élisa's background? Monsieur Mori wonders whether it is appropriate for his goddaughter to keep her company,' he managed to ask through a mouthful of biscuit.

‘The little Fourchon girl!' exclaimed Mademoiselle Bontemps. ‘I do not see why not. She's a charming girl, and well-liked. Yes, I grant the mother sings, but…'

Victor recalled one of Kenji's proverbs: ‘When the monkey is ignorant he feigns understanding and soon knows everything', and nodded knowingly as he made an effort to swallow a last mouthful.

‘Yes, the singer.'

Mademoiselle Bontemps chortled.

‘A singer? Don't make me laugh! L'Eldorado is hardly an opera house, Monsieur Legris; you might as well compare chalk with cheese! She sings those Andalusian popular songs.'

‘What songs are they?'

‘You know, those rather soppy love songs filled with blue skies and dark-haired beauties with flashing eyes, with lovers called Pedro and heroines Paquita.'

‘Does she use the name Fourchon when she performs?'

‘Of course she doesn't. She uses a stage name, which I have promised not to reveal. It's a professional secret,' whispered Mademoiselle Bontemps, who having closed the gap with a surreptitious sideways shuffle was now pressing up against Victor. ‘Would you care for an almond biscuit? Here, try these delicious mint-flavoured wafers. I do love sugar! I can't resist sweet things. I need tying up! There I go again, giving in!' she said, and gobbled down three wafers in quick succession. ‘I can't tell you Madame Fourchon's stage name, but I might let you guess at my own first name. Aren't you curious to know what the ‘C' on my brass plate stands for, Monsieur Legris? What is the mystery contained therein? Camille? Charlotte? Celestine? Do you give up? Corymbe! Do you like it?'

‘Oh indeed!' said Victor, shifting imperceptibly away from her. ‘It is worthy of a tragic actor. I'll wager Madame Fourchon's is far more commonplace.'

‘It cannot hope to compete with mine. Though it is certainly flowery and eye-catching,' she added, with a beguiling smile. ‘It is curious that we should be discussing this lady and her daughter! I am about to lose a boarder; Élisa is leaving us. Her mother has decided to take her away. I received a letter announcing the bad news this morning. Ah, life does not spare us women on our own, Monsieur Legris. We must struggle to make ends meet!'

She puffed up like a balloon and let out a deep sigh. This was too much for Victor, who rose to his feet. Mademoiselle Bontemps, saddened by the abrupt nature of his departure, followed him outside. He had already reached the railings around the garden when she came waddling after him.

‘Monsieur Mori's cane! You were about to leave without it!'

Hampered by the two canes, Victor made his way in the direction of the town hall, feeling a mixture of relief and disappointment. If Élisa were at her mother's, Joseph's theory about the dead woman found at Killer's Crossing didn't hold up. He chuckled at the boy's penchant for fiction, and paused for a moment in the middle of the road: the woman with the disfigured face had been wearing no shoes, yet the paper said nothing about her age. Élisa had lost one of her shoes. It could be a simple coincidence…Iris had mentioned this fellow Gaston. But could he trust her after she had confessed to lying? Above all else, what intrigued Victor the most was Kenji's behaviour. Why was he keeping his supposed goddaughter locked away in Saint-Mandé?

 

Back at the bookshop, Victor rearranged the chairs left out by the Friends of Old Paris, who had gone with Kenji to whet their whistles at the Temps Perdu. He was obliged to wait until Joseph had concluded the sale of ten duodecimo volumes of Boccace's
Fables
, published in London in 1779, before he could satisfy his curiosity.

‘What were the exact words of the man who came here yesterday to return the famous shoe?'

‘Do you mean that strange fellow? Well, you're in luck, Boss, because after he'd gone I jotted down a few things in my notebook. Here we are: his dog had stolen a hunk of meat from some lions – in my opinion lions mean a circus. I asked where he lived and he said Ruelle des Culettes, round the corner from Rue Croule-something.'

‘Brilliant! Clear as day! Total gibberish!'

‘Well, it's not my fault if Monsieur Mori interrupted me to get him a cab and I lost the thread! As for the man's identity, I am certain his name is Grégoire Mercier and he was well known around Rue Croule-something.'

‘The dog had stolen a hunk of meat from some lions…' echoed Victor, recalling Iris's words: ‘You can hear the wolves howling from his bedroom.' Could the two things be connected?

‘Did you discover anything about the shoe, Boss?'

‘Nothing of any importance,' Victor called down from the stairs.

‘That's right, don't be grateful. Just squeeze the facts out of me so you can play the sleuth! Fine then, you asked for it, from now on my lips are sealed!' muttered Jojo, and then broke his word the moment Victor called out to him.

‘You haven't by any chance seen the Paris street directory?'

‘It's upstairs on Monsieur Mori's desk!'

Victor easily found Rue Croulebarbe, Ruelle des Reculettes, in the Bièvre district, the 13th arrondissement, and came back down, whistling jauntily. He ignored the sullen look on Joseph's face and enquired kindly how he was getting along with his book,
Love and Blood.

‘I already told you, but I guess I'll have to say it again because you clearly weren't listening: I have abandoned the project.'

‘That seems a shame. You should have seen it through.'

‘That's right, tell me I'm lazy! Well, I chose to give it up and I have my reasons, and I don't see why I should share them with you since you're not in the habit of sharing!'

Victor was about to ask whether his lack of inspiration was related to Valentine de Salignac's marriage when Kenji walked into the bookshop. He nodded briefly at Victor, reminded Joseph he had a delivery to make and went to sit at his desk, which was stacked with index cards ready for making up a new catalogue. Victor lit a cigar and exhaled a puff of bluish smoke. What was in Joseph's notes? he asked himself Ah, yes! A dog that stole meat from some lions; lions and howling wolves…

‘Where might one find lions and wolves in Paris?'

‘In the Botanical Gardens,' replied Kenji, burying his nose in his handkerchief. ‘You aren't considering breeding them, are you? If you show the same enthusiasm as you do for running a bookshop, the enterprise is doomed to failure. Would you mind smoking that outside?'

‘What have I done to make you and Joseph gripe at me so? Well, if that's the way you want it, I shall leave you in peace.'

 

Victor buttoned up his frock coat to protect his
Photo-Secret
from the spitting rain. He had brought it with him to give the impression of self-assurance. He passed Hôtel de la Reine-Blanche and went down a flight of dilapidated steps. At the beginning of Rue Gobelins he paused, overcome by ammoniacal fumes. He held his breath until he reached a narrow quay where he leant on a parapet wall overlooking the River Bièvre, realm of the tanners and dyers. Shades of yellow, green and red mingled in its waters, producing a brownish-looking soup that formed here and there into a muddy froth. The water glistened with golden-brown flecks like the fish oil floating on the surface of the murky broth served up at Maubert's cheap eateries. Victor, feeling nauseous, turned round to face a building whose ill-repaired façade was covered in inscriptions scored by knives. A heart with an arrow through it appeared to be telling him to go left.

He obeyed without demur, turning down Passage Moret, where an incongruent cluster of rickety dwellings with wooden balconies faintly evoked Spain. People were busy at work under the hangars where the flayed hides of animals hung on ropes to dry. Scrawny-looking dogs and cats prowled the wet cobblestones observing the arrival of carts and groups of curriers.

All along the winding river bank, washerwomen had set down their tubs by the water's edge and were singing as they pounded their shirts. Children played at skimming stones, and one held a stick with a piece of string attached to the end, as though fishing. Victor wondered what a fish that had managed to survive in that foul water might look like. Instinctively he took out his camera to photograph the children, but he felt awkward, and so instead turned his attention to the young fisherman. He was filthy and ragged and looked no older than six. The baggy clothes he wore made him appear even scrawnier.

‘Are the fish biting today?'

‘Not a whole lot. But I did catch this,' said the child, holding up a smoked herring.

‘Are you sure you caught it?' Victor asked, amused.

‘Shh! I pinched it from old Mère Guédon while she was stuffing her mattress. I climbed through her kitchen window. She won't miss it.'

A one-eyed tomcat meowed as it came over to beg.

‘Get lost, Gambetta; this ain't for no cats – it's for Gustin.'

‘Is that your name? Tell me, Gustin, how would you like to earn a franc?'

‘Wouldn't I half!' cried the boy, stealing a glance at the washerwomen.

‘Do you know of a goatherd who lives around here?'

‘I certainly do. Old Père Mercier! He dosses round the corner from here.'

‘Show me the way.'

They left a trail of footprints in the reddish dust as they walked through warehouses where the hide and leather goods were stored, past steaming vats and piles of acrid-smelling tanbark. Here and there, a weeping willow formed a shady corner, allowing Victor a moment's respite from the dismal surroundings. They arrived at Rue Reculettes, where he was relieved to discover what looked almost like country cottages alongside the workers' hovels.

‘That's it, over there where it says “cobbler”. I've got to look sharp. If I'm late helping my brothers tan that hide I'll be the one getting the tanning from my dad – he's on the booze today.'

‘Take this.' Victor handed him a coin, which the boy snatched greedily.

‘Blimey! A whole franc!'

He wanted to ask the man if he had made a mistake, but Victor had already disappeared inside.

 

Each new smell eclipses the next, thought Victor as he lowered himself on to the stool Grégoire Mercier had offered him. The man looked distinctly un-Parisian in a smock, trousers tucked into leather leggings and clogs. As he watched the goats standing meekly in a row while they were being mucked out, Victor felt as though he'd been magically transported to the heart of the Beauce region to the south of Paris.

‘I'll be with you in a minute, Monsieur. There we are. It's a rotten job. I toil like a slave all the livelong day. Thanks to these little goats and their milk, I earn my crust. Lie down, Berlaud! So you're the owner of the bookshop? I thought you'd come about the reward. I can't tell you any more than I told your assistant.'

‘There's just one thing I wanted to clarify. Did your dog find the shoe in the Botanical Gardens?'

Grégoire Mercier frowned, his honest brow creasing into furrows.

‘I don't like to admit it, as dogs aren't allowed,' he murmured, stroking Berlaud's head roughly.

‘Don't worry, I shan't tell a soul.'

‘Well, all right. My rounds take me there. It's my cousin Basile from back home, Basile Popêche; he's got kidney stones. I give him Pulchérie's milk. She's that one over there, second from the right, the white one with a black goatee. She's all blown up like a balloon because she's expecting. I mix the sapwood of a lime tree with her hay to make her milk into a diuretic.'

‘Oh! So your animals are a sort of walking pharmacy. Are these remedies effective?' Victor enquired sceptically.

‘Ask around and you'll find out. In any case no one must know about Basile being poorly or he'll lose his job, which only pays a pittance anyway. He looks after the wild animals. People don't appreciate what hard work it is, Monsieur. My goats are a piece of cake in comparison. Poor Popêche and his partner have to muck out sixty-five pens containing a hundred carnivores, plus the three bear pits. Holy Virgin, the racket is deafening! It's back-breaking work to scrub down those floors every day. And it breaks my heart to see those poor animals caged up like that until the end of their days. At least my nanny goats go into town, and when the cold weather comes I wrap a blanket around…'

‘What time were you at the Botanical Gardens?'

‘That was yesterday, on my way from Quai de la Tournelle, so it must have been about ten or eleven o'clock. Oh, I work all hours, Monsieur! It beats being in the army, but I've got to keep moving if I'm to keep my customers happy. Money doesn't grow on trees, does it? Berlaud must have found the shoe near the Botanical Gardens. That dog's so good with my goats I put up with his fancies. When he has a yearning to run off, he won't come to heel, no matter how much I yawl.'