The Mortal Instruments - Complete Collection (101 page)
Read The Mortal Instruments - Complete Collection Online
Authors: Cassandra Clare
Tags: #Young Adult, #Fantasy, #Vampires, #Romance
The woman—Madeleine—hesitated. “I knew your mother, Jocelyn,” she said. “We were friends in Idris.”
“You can’t see her,” Clary said. “No visitors but family until she gets better.”
“But she won’t get better.”
Clary felt as if she’d been slapped in the face.
“What?”
“I’m sorry,” Madeleine said. “I didn’t mean to upset you. It’s just that I know what’s wrong with Jocelyn, and there’s nothing a mundane hospital can do for her now. What happened to her—she did it to herself, Clarissa.”
“No. You don’t understand. Valentine—”
“She did it before Valentine got to her. So he couldn’t get any information out of her. She planned it that way. It was a secret, a secret she shared with only one other person, and she told only one other person how the spell could be reversed. That person was me.”
“You mean—”
“Yes,” Madeleine said. “I mean I can show you how to wake your mother up.”
T
HE WRITING OF THIS BOOK WOULD NOT HAVE BEEN
possible without the support and encouragement of my writing group: Holly Black, Kelly Link, Ellen Kushner, Delia Sherman, Gavin Grant, and Sarah Smith. I also couldn’t do without the NB Team: Justine Larbalestier, Maureen Johnson, Margaret Crocker, Libba Bray, Cecil Castellucci, Jaida Jones, Diana Peterfreund, and Marissa Edelman. Thanks also go to Eve Sinaiko and Emily Lauer for their help (and snarky commentary), and to Sarah Rees Brennan, for loving Simon more than anyone else on earth. My gratitude goes out to everyone at Simon & Schuster and Walker Books for believing in these books. Special thanks to my editor, Karen Wojtyla, for all the purple pencil marks, Sarah Payne for making changes way past the deadline, Bara MacNeill for keeping track of Jace’s weaponry stash, and my agent, Barry Goldblatt, for telling me I’m being an idiot when I’m being an idiot. To my family as well: My mother, my father, Kate Conner, Jim Hill, my aunt Naomi, and my cousin Joyce for their encouragement. And for Josh, who is less than three.
PRAISE FOR
THE MORTAL INSTRUMENTS
“The Mortal Instruments series is a story world I love to live in. Beautiful.”
Stephenie Meyer, author of
Twilight
“Cassie’s writing makes my toes curl with envy. She is the rare writer who can write fast-paced dramatic fantasy with gorgeous language and memorable characters that you grow to love and worry about, as well as really funny bits that will make you honestly laugh… It is rare to find someone who can do any one of those things well; to find someone who can do them all is just dangerous.”
Holly Black, author of
Tithe
“Hold on tight for a smart, sexy thrill ride.”
Libba Bray, author of
A Great and Terrible Beauty
“Dagger-sharp, funky, and cool.”
Christopher Golden, author of
The Myth Hunters
“Clare’s atmospheric setting is spot-on, informed equally by neo-gothic horror films and the modern fantasy leanings of Neil Gaiman. Werewolves, vampires, angels and fairies all fit in this ambitious milieu. At the core, though, this is a compelling story about family secrets and coming-of-age identity crises. Fans of the smart/chic horror typified by
Buffy the Vampire Slayer
will instantly fall for this series.”
Publishers Weekly
“The story’s sensual flavor comes from the wealth of detail: demons with facial piercings, diners serving locusts and honey, pretty gay warlocks, and cameo appearances from other urban fantasies’ characters… Lush and fun.”
Kirkus Reviews
C
ASSANDRA CLARE WAS BORN IN TEHRAN AND SPENT MUCH
of her childhood traveling the world with her family; on one trek through the Himalayas as a toddler, she spent a month living in her father’s backpack. She now lives in Manhattan, New York, whose urban landscapes inspired
City of Bones
, her début novel. She says, “In fairy tales, it was the dark and mysterious forest outside the town that held the magic and danger. I wanted to create a world where the city has become the forest—where these urban spaces hold their own enchantments, danger, mysteries and strange beauty.”
City of Ashes
is the second in The Mortal Instruments sequence. Cassandra is currently working on a prequel trilogy. Before becoming a full-time novelist, she worked as an entertainment journalist in Hollywood; her ambition is to never have to write about Paris Hilton again. She has her own website, at:
www.cassandraclare.com
For my father,
who is not evil.
Well, maybe a little bit
This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or, if real, used fictitiously. All statements, activities, stunts, descriptions, information and material of any other kind contained herein are included for entertainment purposes only and should not be relied on for accuracy or replicated as they may result in injury.
First published in Great Britain 2008 by Walker Books Ltd
87 Vauxhall Walk, London SE11 5HJ
Text © 2008 Cassandra Claire LLC
Cover illustration © 2008 Cliff Nielsen
The right of Cassandra Claire to be identified as author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988
All rights reserved. No part of this book may be reproduced, transmitted or stored in an information retrieval system in any form or by any means, graphic, electronic or mechanical, including photocopying, taping and recording, without prior written permission from the publisher.
British Library Cataloguing in Publication Data:
a catalogue record for this book
is available from the British Library
ISBN 978-1-4063-3143-1 (ePub)
ISBN 978-1-4063-3142-4 (e-PDF)
THE MORTAL INSTRUMENTS
CITY
OF
GLASS
CASSANDRA CLARE
WALKER
BOOKS
Long is the way
And hard, that out of Hell leads up to Light …
—John Milton,
Paradise Lost
SPARKS FLY UPWARD
Man is born to trouble
as the sparks fly upward.
—Job 5:7
THE PORTAL
T
HE COLD SNAP OF THE PREVIOUS WEEK WAS OVER; THE SUN
was shining brightly as Clary hurried across Luke’s dusty front yard, the hood of her jacket up to keep her hair from blowing across her face. The weather might have warmed up, but the wind off the East River could still be brutal. It carried with it a faint chemical smell, mixed with the Brooklyn smell of asphalt, gasoline, and burned sugar from the abandoned factory down the street.
Simon was waiting for her on the front porch, sprawled in a broken-springed armchair. He had his DS balanced on his blue-jeaned knees and was poking away at it industriously with the stylus. “Score,” he said as she came up the steps. “I’m kicking butt at Mario Kart.”
Clary pushed her hood back, shaking hair out of her eyes, and rummaged in her pocket for her keys. “Where have you been? I’ve been calling you all morning.”
Simon got to his feet, shoving the blinking rectangle into his messenger bag. “I was at Eric’s. Band practice.”
Clary stopped jiggling the key in the lock—it always stuck—long enough to frown at him. “
Band
practice? You mean you’re still—”
“In the band? Why wouldn’t I be?” He reached around her. “Here, let me do it.”
Clary stood still while Simon expertly twisted the key with just the right amount of pressure, making the stubborn old lock spring open. His hand brushed hers; his skin was cool, the temperature of the air outside. She shivered a little. They’d only called off their attempt at a romantic relationship last week, and she still felt confused whenever she saw him.
“Thanks.” She took the key back without looking at him.
It was hot in the living room. Clary hung her jacket up on the peg inside the front hall and headed to the spare bedroom, Simon trailing in her wake. She frowned. Her suitcase was open like a clamshell on the bed, her clothes and sketchbooks strewn everywhere.
“I thought you were just going to be in Idris a couple of days,” Simon said, taking in the mess with a look of faint dismay.
“I am, but I can’t figure out what to pack. I hardly own any dresses or skirts, but what if I can’t wear pants there?”
“Why wouldn’t you be able to wear pants there? It’s another country, not another century.”
“But the Shadowhunters are so old-fashioned, and Isabelle always wears dresses—” Clary broke off and sighed. “It’s nothing. I’m just projecting all my anxiety about my mom onto my wardrobe. Let’s talk about something else. How was practice? Still no band name?”
“It was fine.” Simon hopped onto the desk, legs dangling over the side. “We’re considering a new motto. Something ironic, like ‘We’ve seen a million faces and rocked about eighty percent of them.’”
“Have you told Eric and the rest of them that—”
“That I’m a vampire? No. It isn’t the sort of thing you just drop into casual conversation.”
“Maybe not, but they’re your
friends
. They should know. And besides, they’ll just think it makes you more of a rock god, like that vampire Lester.”
“Lestat,” Simon said. “That would be the vampire Lestat. And he’s fictional. Anyway, I don’t see you running to tell all your friends that you’re a Shadowhunter.”
“What friends? You’re my friend.” She threw herself down onto the bed and looked up at Simon. “And I told you, didn’t I?”
“Because you had no choice.” Simon put his head to the side, studying her; the bedside light reflected off his eyes, turning them silver. “I’ll miss you while you’re gone.”
“I’ll miss you, too,” Clary said, although her skin was prickling all over with a nervous anticipation that made it hard to concentrate.
I’m going to Idris!
her mind sang.
I’ll see the Shadowhunter home country, the City of Glass. I’ll save my mother.
And I’ll be with Jace.
Simon’s eyes flashed as if he could hear her thoughts, but his voice was soft. “Tell me again—why do
you
have to go to Idris? Why can’t Madeleine and Luke take care of this without you?”
“My mom got the spell that put her in this state from a warlock—Ragnor Fell. Madeleine says we need to track him down if we want to know how to reverse the spell. But he doesn’t know Madeleine. He knew my mom, and Madeleine thinks he’ll trust me because I look so much like her. And Luke can’t come with me. He could come to Idris, but apparently he can’t get into Alicante without permission from the Clave, and they won’t give it. And don’t say anything about it to him,
please
—he’s really not happy about not going with me. If he hadn’t known Madeleine before, I don’t think he’d let me go at all.”
“But the Lightwoods will be there too. And Jace. They’ll be helping you. I mean, Jace did say he’d help you, didn’t he? He doesn’t mind you coming along?”
“Sure, he’ll help me,” Clary said. “And of course he doesn’t mind. He’s fine with it.”
But that, she knew, was a lie.
Clary had gone straight to the Institute after she’d talked to Madeleine at the hospital. Jace had been the first one she’d told her mother’s secret to, before even Luke. And he’d stood there and stared at her, getting paler and paler as she spoke, as if she weren’t so much telling him how she could save her mother as draining the blood out of him with cruel slowness.
“You’re not going,” he said as soon as she’d finished. “If I have to tie you up and sit on you until this insane whim of yours passes, you are not going to Idris.”
Clary felt as if he’d slapped her. She had thought he’d be
pleased
. She’d run all the way from the hospital to the Institute to tell him, and here he was standing in the entryway glaring at her with a look of grim death. “But you’re going.”
