The Mortal Instruments - Complete Collection (160 page)

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Authors: Cassandra Clare

Tags: #Young Adult, #Fantasy, #Vampires, #Romance

BOOK: The Mortal Instruments - Complete Collection
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No.
She felt her hands tighten at her sides. The Queen’s poison was a subtle one, but powerful. Was there anyone in the world who could truly say they knew every secret about themselves? And weren’t some secrets better left alone?

She shook her head. “What you did in the Court,” she said. “Perhaps you didn’t lie. But you were unkind.” She started to turn away. “And I have had enough unkindness.”

“Would you truly refuse a favor from the Queen of the Seelie Court?” the Queen demanded. “Not every mortal is granted such a chance.”

“I don’t need a favor from you,” Clary said. “I have everything I want.”

She turned her back on the Queen and walked away.

When she returned to the group she had left, she discovered that they had been joined by Robert and Maryse Lightwood, who were—she saw with surprise—shaking hands with Magnus Bane, who had put the sparkly headband away and was being the model of decorum. Maryse had her arm around Alec’s shoulder. The rest of her friends were sitting in a group along the wall; Clary was about to move to join them, when she felt a tap on her shoulder.

“Clary!” It was her mother, smiling at her—and Luke stood beside her, his hand in hers. Jocelyn wasn’t dressed up at all; she wore jeans, and a loose shirt that at least wasn’t stained with paint. You couldn’t have told from the way Luke was looking at her, though, that she looked anything less than perfect. “I’m glad we finally found you.”

Clary grinned at Luke. “So you’re
not
moving to Idris, I take it?”

“Nah,” he said. He looked as happy as she’d ever seen him. “The pizza here is terrible.”

Jocelyn laughed and moved off to talk to Amatis, who was admiring a floating glass bubble filled with smoke that kept changing colors. Clary looked at Luke. “Were you ever
actually
going to leave New York, or were you just saying that to get her to finally make a move?”

“Clary,” said Luke, “I am shocked that you would suggest such a thing.” He grinned, then abruptly sobered. “You’re all right with it, aren’t you? I know this means a big change in your life—I was going to see if you and your mother might want to move in with me, since your apartment’s unlivable right now—”

Clary snorted. “A big change? My life has
already
changed totally. Several times.”

Luke glanced over toward Jace, who was watching them from his seat on the wall. Jace nodded at them, his mouth curling up at the corner in an amused smile. “I guess it has,” Luke said.

“Change is good,” said Clary.

Luke held his hand up; the Alliance rune had faded, as it had for everyone, but his skin still bore the white telltale trace of it, the scar that would never entirely disappear. He looked thoughtfully at the Mark. “So it is.”

“Clary!” Isabelle called from the wall. “Fireworks!”

Clary hit Luke lightly on the shoulder and went to join her friends. They were seated along the wall in a line: Jace, Isabelle, Simon, Maia, and Aline. She stopped beside Jace. “I don’t see any fireworks,” she said, mock-scowling at Isabelle.

“Patience, grasshopper,” said Maia. “Good things come to those who wait.”

“I always thought that was ‘Good things come to those who do the wave,’” said Simon. “No wonder I’ve been so confused all my life.”

“‘Confused’ is a nice word for it,” said Jace, but he was clearly only somewhat paying attention; he reached out and pulled Clary toward him, almost absently, as if it were a reflex. She leaned back against his shoulder, looking up at the sky. Nothing lit the heavens but the demon towers, glowing a soft silver-white against the darkness.

“Where did you go?” he asked, quietly enough that only she could hear the question.

“The Seelie Queen wanted me to do her a favor,” said Clary. “And she wanted to do me a favor in return.” She felt Jace tense. “Relax. I told her no.”

“Not many people would turn down a favor from the Seelie Queen,” said Jace.

“I told her I didn’t need a favor,” said Clary. “I told her I had everything I wanted.”

Jace laughed at that, softly, and slid his hand up her arm to her shoulder; his fingers played idly with the chain around her neck, and Clary glanced down at the glint of silver against her dress. She had worn the Morgenstern ring since Jace had left it for her, and sometimes she wondered why. Did she really want to be reminded of Valentine? And yet, at the same time, was it ever right to forget?

You couldn’t erase everything that caused you pain with its recollection. She didn’t want to forget Max or Madeleine, or Hodge, or the Inquisitor, or even Sebastian. Every memory was valuable; even the bad ones. Valentine had wanted to forget: to forget that the world had to change, and Shadowhunters had to change with it—to forget that Downworlders had souls, and all souls mattered to the fabric of the world. He had wanted to think only of what made Shadowhunters different from Downworlders. But what had been his undoing had been the way in which they were all the same.

“Clary,” Jace said, breaking her out of her reverie. He tightened his arms around her, and she raised her head; the crowd was cheering as the first of the rockets went up. “Look.”

She looked as the fireworks exploded in a shower of sparks—sparks that painted the clouds overhead as they fell, one by one, in streaking lines of golden fire, like angels falling from the sky.

ACKNOWLEDGMENTS

W
HEN YOU LOOK BACK ON WRITING A BOOK, YOU CAN’T HELP
but realize what a group effort it all is, and how quickly the whole thing would sink like the
Titanic
if you didn’t have the help of your friends. With that in mind: Thanks to the NB Team and the Massachusetts All-Stars; thanks to Elka, Emily and Eve Sinaiko for hours of plotting help, and to Holly Black for hours of patiently reading the same scenes over and over. To Libba Bray for providing bagels and a couch to write on, Robin Wasserman for distracting me with clips from
Gossip Girl
, Maureen Johnson for staring at me in a frightening way while I was trying to work, and Justine Larbalestier and Scott Westerfeld for forcing me to get off the couch and go somewhere to write. Thanks also to Ioana for helping me with my (nonexistent) Romanian. Thanks as always to my agent, Barry Goldblatt; my editor, Karen Wojtyla; the teams at Simon & Schuster and Walker Books for getting behind this series; and Sarah Payne for making changes long past deadline. And of course to my family—my mother, my father, Jim and Kate, the Esons clan, and of course Josh, who still thinks Simon is based on him (and he may be right).

PRAISE FOR
THE MORTAL INSTRUMENTS

“The Mortal Instruments series is a story world I love to live in. Beautiful.”

Stephenie Meyer, author of
Twilight

“Cassie’s writing makes my toes curl with envy. She is the rare writer who can write fast-paced dramatic fantasy with gorgeous language and memorable characters that you grow to love and worry about, as well as really funny bits that will make you honestly laugh… It is rare to find someone who can do any one of those things well; to find someone who can do them all is just dangerous.”

Holly Black, author of
Tithe

“Hold on tight for a smart, sexy thrill ride.”

Libba Bray, author of
A Great and Terrible Beauty

“Dagger-sharp, funky, and cool.”

Christopher Golden, author of
The Myth Hunters

“Clare’s atmospheric setting is spot-on, informed equally by neo-gothic horror films and the modern fantasy leanings of Neil Gaiman. Werewolves, vampires, angels and fairies all fit in this ambitious milieu. At the core, though, this is a compelling story about family secrets and coming-of-age identity crises. Fans of the smart/chic horror typified by
Buffy the Vampire Slayer
will instantly fall for this series.”

Publishers Weekly

“The story’s sensual flavor comes from the wealth of detail: demons with facial piercings, diners serving locusts and honey, pretty gay warlocks, and cameo appearances from other urban fantasies’ characters… Lush and fun.”

Kirkus Reviews

C
ASSANDRA CLARE WAS BORN IN
T
EHRAN AND SPENT MUCH
of her childhood traveling the world with her family; on one trek through the Himalayas as a toddler, she spent a month living in her father’s backpack. She now lives in Manhattan, New York, whose urban landscapes inspired
City of Bones
, her début novel. She says, “In fairy tales, it was the dark and mysterious forest outside the town that held the magic and danger. I wanted to create a world where the city has become the forest—where these urban spaces hold their own enchantments, danger, mysteries and strange beauty.”
City of Glass
is the third and last in The Mortal Instruments sequence. Cassandra is currently working on a prequel trilogy. Before becoming a full-time novelist, she worked as an entertainment journalist in Hollywood; her ambition is to never have to write about Paris Hilton again. She has her own website, at:
www.cassandraclare.com

For my mother
“I only count the hours that shine.”

This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or, if real, used fictitiously. All statements, activities, stunts, descriptions, information and material of any other kind contained herein are included for entertainment purposes only and should not be relied on for accuracy or replicated as they may result in injury.

First published in Great Britain 2009 by Walker Books Ltd
87 Vauxhall Walk, London SE11 5HJ

Text © 2009 Cassandra Claire LLC
Cover illustration © 2009 Cliff Nielsen

The right of Cassandra Claire to be identified as author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988

All rights reserved. No part of this book may be reproduced, transmitted or stored in an information retrieval system in any form or by any means, graphic, electronic or mechanical, including photocopying, taping and recording, without prior written permission from the publisher.

British Library Cataloguing in Publication Data:
a catalogue record for this book
is available from the British Library

ISBN 978-1-4063-3144-8 (ePub)
ISBN 978-1-4063-3145-5 (e-PDF)

www.walker.co.uk

Part One
Exterminating Angels

There are sicknesses that walk in darkness; and there are exterminating angels, that fly wrapt up in the curtains of immateriality and an uncommunicating nature; whom we cannot see, but we feel their force, and sink under their sword.
—Jeremy Taylor, “A Funeral Sermon”

1
T
HE
M
ASTER

“Just coffee, please.”

The waitress raised her penciled eyebrows. “You don’t want anything to eat?” she asked. Her accent was thick, her attitude disappointed.

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