The Mysteries of Udolpho (85 page)

————winds

His small but sullen horn,

As oft he rises 'midst the twilight path,

Against the pilgrim borne in heedless hum.'
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The travellers crossed the Arno by moon-light, at a ferry, and, learning, that Pisa was distant only a few miles down the river, they wished to have proceeded thither in a boat, but, as none could be procured, they set out on their wearied horses for that city. As they approached it, the vale expanded into a plain, variegated with vineyards, corn, olives and mulberry groves; but it was late, before they reached its gates, where Emily was surprised to hear the busy sound of footsteps and the tones of musical instruments, as well as to see the lively groups, that filled the streets, and she almost fancied herself again at Venice; but here was no moon-light sea – no gay gondolas, dashing the waves, – no
Palladian
palaces, to throw enchantment over the fancy and lead it into the wilds of fairy story. The Arno rolled through the town, but no
music trembled from balconies over its waters; it gave only the busy voices of sailors on board vessels just arrived from the Mediterranean; the melancholy heaving of the anchor, and the shrill boatswain's whistle; – sounds, which, since that period, have there sunk almost into silence. They then served to remind Du Pont, that it was probable he might hear of a vessel, sailing soon to France from this port, and thus be spared the trouble of going to Leghorn. As soon as Emily had reached the inn, he went therefore to the quay, to make his enquiries; but, after all the endeavours of himself and Ludovico, they could hear of no bark, destined immediately for France, and the travellers returned to their resting-place. Here also, Du Pont endeavoured to learn where his regiment then lay, but could acquire no information concerning it. The travellers retired early to rest, after the fatigues of this day; and, on the following, rose early, and, without pausing to view the celebrated antiquities of the place, or the wonders of its hanging tower, pursued their journey in the cooler hours, through a charming country, rich with wine, and corn and oil. The Apennines, no longer awful, or even grand, here softened into the beauty of sylvan and pastoral landscape; and Emily, as she descended them, looked down delighted on Leghorn, and its spacious bay, filled with vessels, and crowned with these beautiful hills.

She was no less surprised and amused, on entering this town, to find it crowded with persons in the dresses of all nations; a scene, which reminded her of a Venetian masquerade, such as she had witnessed at the time of the Carnival; but here, was bustle, without gaiety, and noise instead of music, while elegance was to be looked for only in the waving outlines of the surrounding hills.

Monsieur Du Pont, immediately on their arrival, went down to the quay, where he heard of several French vessels, and of one, that was to sail, in a few days, for Marseilles, from whence another vessel could be procured, without difficulty, to take them across the gulf of Lyons
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towards Narbonne, on the coast not many leagues from which city he understood the convent was seated, to which Emily wished to retire. He, therefore, immediately engaged with the captain to take them to Marseilles, and Emily was delighted to hear, that her passage to France was secured. Her mind was now relieved from the terror of pursuit, and the pleasing hope of soon seeing her native country – that country which held Valancourt, restored to her spirits a degree of cheerfulness, such as she had scarcely known, since the death of her father. At Leghorn also, Du Pont heard of his regiment, and that it had embarked for France; a circumstance, which gave him great satisfaction, for he could now accompany Emily thither, without reproach to his conscience, or apprehension of displeasure from his commander. During these days, he scrupulously forbore to distress
her by a mention of his passion, and she was compelled to esteem and pity, though she could not love, him. He endeavoured to amuse her by shewing the environs of the town, and they often walked together on the sea-shore, and on the busy quays, where Emily was frequently interested by the arrival and departure of vessels, participating in the joy of meeting friends, and, sometimes, shedding a sympathetic tear to the sorrow of those, that were separating. It was after having witnessed a scene of the latter kind, that she arranged the following stanzas:

THE MARINER

Soft came the breath of spring; smooth flow'd the tide;

And blue the heaven in its mirror smil'd;

The white sail trembled, swell'd, expanded wide,

The busy sailors at the anchor toil'd.

With anxious friends, that shed the parting tear,

The deck was throng'd – how swift the moments fly!

The vessel heaves, the farewel signs appear;

Mute is each tongue, and eloquent each eye!

The last dread moment comes! – The sailor-youth

Hides the big drop, and smiles amid his pain,

Sooths his sad bride, and vows eternal truth,

‘Farewel, my love – we shall – shall meet again!'

Long on the stern, with waving hand, he stood;

The crowded shore sinks, lessening, from his view,

As gradual glides the bark along the flood;

His bride is seen no more – ‘Adieu! – adieu!'

The breeze of Eve moans low, her smile is o'er,

Dim steals her twilight down the crimson'd west,

He climbs the top-most mast, to seek once more

The far-seen coast, where all his wishes rest.

He views its dark line on the distant sky,

And Fancy leads him to his little home,

He sees his weeping love, he hears her sigh,

He sooths her griefs, and tells of joys to come.

Eve yields to night, the breeze to wintry gales,

In one vast shade the seas and shores repose;

He turns his aching eyes, – his spirit fails,

The chill tear falls; – sad to the deck he goes!

The storm of midnight swells, the sails are furl'd,

Deep sounds the lead, but finds no friendly shore,

Fast o'er the waves the wretched bark is hurl'd,

‘O Ellen, Ellen! we must meet no more!'

Lightnings, that shew the vast and foamy deep,

The rending thunders, as they onward roll,

The loud, loud winds, that o'er the billows sweep –

Shake the firm nerve, appall the bravest soul!

Ah! what avails the seamen's toiling care!

The straining cordage bursts, the mast is riv'n;

The sounds of terror groan along the air,

Then sink afar; – the bark on rocks is driv'n!

Fierce o'er the wreck the whelming waters pass'd,

The helpless crew sunk in the roaring main!

Henry's faint accents trembled in the blast –

‘Farewel, my love! – we ne'er shall meet again!'

Oft, at the calm and silent evening hour,

When summer-breezes linger on the wave,

A melancholy voice is heard to pour

Its lonely sweetness o'er poor Henry's grave!

And oft, at midnight, airy strains are heard

Around the grove, where Ellen's form is laid;

Nor is the dirge by village-maidens fear'd,

For lovers' spirits guard the holy shade!

___________‘Oh! the joy

Of young ideas, painted on the mind

In the warm glowing colours fancy spreads

On objects not yet known, when all is new,

And all is lovely!'

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Sacred Dramas
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We now return to Languedoc and to the mention of Count de Villefort, the nobleman, who succeeded to an estate of the Marquis de Villeroi, situated near the monastery of St Clair. It may be recollected, that this chateau was uninhabited, when St Aubert and his daughter were in the neighbourhood, and that the former was much affected on discovering himself to be so near Chateau-le-Blanc, a place, concerning which the good old La Voisin afterwards dropped some hints, that had alarmed Emily's curiosity.

It was in the year 1584, the beginning of that, in which St Aubert died, that Francis Beauveau, Count de Villefort, came into possession of the mansion and extensive domain called Chateau-le-Blanc, situated in the province of Languedoc, on the shore of the Mediterranean. This estate, which, during some centuries, had belonged to his family, now descended to him, on the decease of his relative, the Marquis de Villeroi, who had been latterly a man of reserved manners and austere character; circumstances, which, together with the duties of his profession, that often called him into the field, had prevented any degree of intimacy with his cousin, the Count de Villefort. For many years, they had known little of each other, and the Count received the first intelligence of his death, which happened in a distant part of France, together with the instruments, that gave him possession of the domain Chateaule-Blanc; but it was not till the following year, that he determined to visit that estate, when he designed to pass the autumn there. The scenes of Chateau-le-Blanc often came to his remembrance, heightened by the touches, which a warm imagination gives to the recollection of early pleasures; for, many years before, in the life-time of the Marchioness, and at that age when the mind is particularly sensible to impressions of gaiety and delight, he had once visited this spot, and, though he had passed a long intervening period amidst the vexations and tumults of public affairs, which too frequently corrode the heart, and vitiate the taste, the shades of Languedoc and the grandeur of its distant scenery had never been remembered by him with indifference.

During many years, the chateau had been abandoned by the late Marquis, and, being inhabited only by an old steward and his wife, had been suffered to fall much into decay. To superintend the repairs, that would be requisite to make it a comfortable residence, had been a principal motive with the Count for passing the autumnal months in Languedoc; and neither the remonstrances, or the tears of the Countess, for, on urgent occasions, she could weep, were powerful enough to overcome his determination. She prepared, therefore, to obey the command, which she could not conquer, and to resign the gay assemblies of Paris, – where her beauty was generally unrivalled and won the applause, to which her wit had but feeble claim – for the twilight canopy of woods, the lonely grandeur of mountains and the solemnity of gothic halls and of long, long galleries, which echoed only the solitary step of a domestic, or the measured clink, that ascended from the great clock – the ancient monitor of the hall below. From these melancholy expectations she endeavoured to relieve her spirits by recollecting all that she had ever heard, concerning the joyous vintage of the plains of Languedoc; but there, alas! no airy forms would bound to the gay melody of Parisian dances, and a view of the rustic festivities of peasants could afford little pleasure to a heart, in which even the feelings of ordinary benevolence had long since decayed under the corruptions of luxury.

The Count had a son and a daughter, the children of a former marriage, who, he designed, should accompany him to the south of France; Henri, who was in his twentieth year, was in the French service; and Blanche, who was not yet eighteen, had been hitherto confined to the convent, where she had been placed immediately on her father's second marriage. The present Countess, who had neither sufficient ability, or inclination, to superintend the education of her daughter-in-law,
²
had advised this step, and the dread of superior beauty had since urged her to employ every art, that might prevail on the Count to prolong the period of Blanche's seclusion; it was, therefore, with extreme mortification, that she now understood he would no longer submit on this subject, yet it afforded her some consolation to consider, that, though the Lady Blanche would emerge from her convent, the shades of the country would, for some time, veil her beauty from the public eye.

On the morning, which commenced the journey, the postillions stopped at the convent, by the Count's order, to take up Blanche, whose heart beat with delight, at the prospect of novelty and freedom now before her. As the time of her departure drew nigh, her impatience had increased, and the last night, during which she counted every note of every hour, had appeared the most tedious of any she had ever known. The morning light, at length, dawned; the matin-bell rang; she heard the nuns descending from their chambers, and
she started from a sleepless pillow to welcome the day, which was to emancipate her from the severities of a cloister, and introduce her to a world, where pleasure was ever smiling, and goodness ever blessed – where, in short, nothing but pleasure and goodness reigned! When the bell of the great gate rang, and the sound was followed by that of carriage wheels, she ran, with a palpitating heart, to her lattice, and, perceiving her father's carriage in the court below, danced, with airy steps, along the gallery, where she was met by a nun with a summons from the abbess. In the next moment, she was in the parlour, and in the presence of the Countess, who now appeared to her as an angel, that was to lead her into happiness. But the emotions of the Countess, on beholding her, were not in unison with those of Blanche, who had never appeared so lovely as at this moment, when her countenance, animated by the lightning smile of joy, glowed with the beauty of happy innocence.

After conversing for a few minutes with the abbess, the Countess rose to go. This was the moment, which Blanche had anticipated with such eager expectation, the summit from which she looked down upon the fairy-land of happiness, and surveyed all its enchantment; was it a moment, then, for tears of regret? Yet it was so. She turned, with an altered and dejected countenance, to her young companions, who were come to bid her farewell, and wept! Even my lady abbess, so stately and so solemn, she saluted with a degree of sorrow, which, an hour before, she would have believed it impossible to feel, and which may be accounted for by considering how reluctantly we all part, even with unpleasing objects, when the separation is consciously for ever. Again, she kissed the poor nuns and then followed the Countess from that spot with tears, which she expected to leave only with smiles.