from Havelock Ellis to Stephen Jay Gould, who, like Montagu, convincingly argue that neoteny has been strongly selected over the course of human evolution. The Victorian influence can also be felt in Montagu's often essentializing visions of womanhood, some of which are worthy of the Victorian "angel of the hearth" portrait tradition. He writes,
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| | Because women are unselfish, forbearing, self-sacrificing, and maternal, they possess a deeper understanding than men of what it means to be human . . . It is the function of women to teach men how to be human . . . it is in this that women can realize their power for good in the world and make their greatest gains.
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While not entirely different from some modern essentialism within women's studies (i.e., Carol Gilligan's assertion that girls and boys develop fundamentally different perspectives on issues of moral responsibility),
83 it is at odds with much of late twentiethcentury feminism, which has separated itself from these fixed images of gender. Women, when given the opportunity, seem to do a pretty good job of being "men"; that is, competitive and assertive in the postindustrial workplace. Montagu's attachment to this philosophy of maternalism leads him to his one scathing criticism of the modern women's movement.
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| | The Women's Liberation Movement has done magnificent work, but as in all movements there are some extremists in it who argue that those who plead the need of motherhood, who emphasize the importance of mothering in the first few years of the child, are nothing but male chauvinist pigs who are engaged in a conspiracy to perpetuate the servitude of the female.
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Here, I think, he sets up a straw woman: few feminists of my acquaintance have ever suggested that the "need of motherhood" should be trashed. On the contrary, it is modern feminist activists who have most consistently fought for the rights of mothers in a society in which too much lip service and too little actual economic support honors this reification of abstract versus real mothers or their children. It is fascinating that, in his dialogue with feminists Greer, Heilbrun, Gimbutas, and others, Montagu stretches to bridge these earlier visions and late twentiethcentury feminism.
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