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Authors: Michael Pearce

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“Who’s giving it him?”

“A Jew.”

“A Jew? Odd, that.”

“He’s obviously just an intermediary.”

“He gets the money from someone else and passes it on to Osman?”

“That’s right. That’s my guess, anyway.”

“Have you talked to the Jew?”

“Not yet.”

“Will he talk?”

“He might.”

“It would be interesting to know who he gets it from.”

“Want me to ask?”

“Might be better to wait. Have you got a man on him?”

“Yes.”

“Leave it like that for a day or two.”

Nikos had been busy too, and he summoned them to show them the result of his labours.

On the wall in his room was a large map of Cairo. Pinned to it were a lot of little paper flags. Each flag stood for an “incident,” green for Moslem-inspired ones, red for those initiated by Copts.

“Notice anything?”

The geographical pattern was clear. Four-fifths of the flags were within half a mile of the Bab es Zuweyla, the Old Gate, near which was both the Blue Mosque of the dervishes and the old church of the Copts, the Mar Girgis. Nikos had marked the church in white, the mosque in blue.

“Osman territory,” said Owen.

“And Andrus territory?” asked Georgiades.

Owen looked at Nikos.

“Mar Girgis territory, at any rate,” said Nikos. “A church is the centre of any Coptic network, and all the incidents fall in the territory that the Mar Girgis covers.”

“Someone at the church, then. Not the priests—”

Uncomfortable memories of what had happened on his last visit to the Mar Girgis flooded into Owen’s mind.

“No, no, no. They don’t go in for this sort of thing. Someone else. Someone in the congregation. They’re in the congregation so they naturally think of using the network. It’s the sort of thing a Copt would think of, the sort of way they think.”

“Zoser was in the congregation,” said Owen.

“Yes,” said Nikos, “that’s one of the things I had in mind.”

“And Andrus.”

“That too.”

“The Zikr,” said Georgiades, “was in Osman’s congregation. In a manner of speaking.”

“Is that it, then?” asked Owen. “Is that what’s happening? Andrus and Osman are slugging it out?”

CHAPTER 10

It’s hotting up again,” said Garvin.

“Yes,” said Owen, “I know.”

“Pity. I was hoping you’d got it under control.”

“It was just a lull.”

“It didn’t take long for him to bounce back.”

“Someone’s feeding him money.”

“Any idea who?”

“Not yet. We think we know how but we don’t know who.”

“Only a question of time, then. The trouble is,” said Garvin, “that time is exactly what you haven’t got.”

“It’s still two weeks to the Moulid.”

Garvin brushed it away.

“Not that. The Consul-General’s been on to me. He would like things to quieten down.”

“Well…”

“Yes, I know,” said Garvin. “Wouldn’t we all? Only I gather he’s got a special reason for wanting it just now.”

“Are we allowed to know what it is?”

Owen waited while Garvin thought it over.

“No,” said Garvin finally. “I don’t think so. Political. At the top.”

“These things have a way of working down.”

“And then a way of leaking out.”

“The effect, I meant. Not the information.”

“The information won’t help you. Still,” said Garvin, relenting, “I could tell you something, I suppose.”

He liked to remind Owen that, out on a privileged limb though the Mamur Zapt might be, he, Garvin, had access to levels that Owen could only aspire to.

“It’s to do with the succession,” Garvin said. “The Consul-General wants the Khedive to reshuffle his Cabinet. And he has a particular person he would like to see become Prime Minister.”

“Patros?”

Garvin looked at him in surprise.

“You know?”

“I had an inkling.”

“Well,” said Garvin, recovering, “I suppose it’s the sort of thing you ought to have an inkling of. Though it’s meant to be secret. Well, then, you’ll know why just at the moment the Consul-General doesn’t want trouble between Moslems and Copts.”

“There’s always trouble between Moslems and Copts. It’s a fact of life.”

“Yes, I know. But at some times it’s apparent and at other times it’s not. I want this one to be one of the times when it’s not.”

“You can’t just damp these things down.”

“Can’t you? I thought you just had.”

“I was lucky. And it earned us a lull, that was all.”

“Earn us another one, then,” said Garvin, “only a bit longer this time.”

Owen wanted to say it couldn’t be done. Wisely, he didn’t.

“OK?”

“How much longer?”

“It’s hard to say. A month?”

“The Moulid’s in two weeks’ time.”

“Ah yes,” said Garvin. “I was forgetting.” He frowned and fidgeted with his pencil. “I’ll talk to the CG,” he said. “Mind you. I’m not promising anything. There’s a complete log-jam at the moment.”

“The levy business?”

“Yes. The Khedive won’t agree to anything until he’s got that.”

“Why is he insisting on that?”

“Because he wants the money.”

“Yes, but why does it have to be raised by means of a levy?”

“Because otherwise it would have to be financed through a general increase in taxation. That would increase the Khedive’s unpopularity, and he’s unpopular enough already. Whereas if he raised it through a levy on Copts that would be wildly popular with everyone else. His ministers are telling him it’s a masterstroke. They’re Moslem, of course.”

“So he’s not going to give way?‘’

“No. And nor is Patros.”

“So it could take some time?”

“That’s right.”

“And the Moulid is in a fortnight’s time.”

“I’ll do my best.”

“If the Khedive got his money in some other way,” said Owen, as he turned to go, “would that help?”

“If I were you,” said Garvin, “I’d stick to the Curbash Compensation Fund.”

 

Mahmoud rang, puzzled.

“What’s going on?” he said. “They’ve put me back on the Zikr case.”

“I’m still on it,” said Owen.

“I thought that one had been settled. Didn’t Zoser—?”

“Yes.”

“Then why—?”

“It might be part of a bigger picture.”

“Connected with what’s going on at the moment?”

“Possibly.”

“Have you found a connection?”

“No.”

“Then I don’t suppose I shall. Still, if that’s what they want, I’ll go through it all over again.

Afterwards Owen wondered why Mahmoud was back on the case. Could it be that someone had an interest in keeping it alive? Probably not in the Parquet itself. Higher up, almost certainly. The Minister? Anxious that no opportunity for keeping relations between Copts and Moslems on the boil should be lost?

 

“Don’t you have a guilty feeling?” asked Paul.

“No,” said Owen. “What should I have a guilty feeling about?”

“Jane Postlethwaite. You’ve been neglecting her.”

“No, I haven’t. I’m always seeing her.”

“You haven’t seen her this week.”

“I’ve had one or two things on this week. Like the whole of Cairo up in arms.”

“Keep these things in perspective. Remember what I told you. Jane Postlethwaite is important.”

“Her uncle is important, I see that. Our jobs at stake, etc.”

“More than that. Your whole life, for instance. Aren’t you missing a chance?”

“What chance am I missing?”

“Jane Postlethwaite.”

“Look, she’s a nice girl, but—”

“She’s a nice girl and. And her parents are dead, and her uncle is rich and influential, and for some strange reason he is quite attached to you, and Jane Postlethwaite is quite attached herself, and it’s time you got maried—”

“Oh, come on.”

“It is. You’re quite old—”

“Oh really.”

“You are.”

“I’m just over thirty.”

“You see? That’s quite aged. Especially in this climate. Maturity becomes senility very quickly here. It’s the heat and the sex and the drink. I’ve noticed it in a lot of my friends. Besides—”

“For goodness’ sake!”

“—you need to get married if you’re going to go any higher. At the top a single man is suspect. You wonder what he does with his time. Is he quite sound? And who will look after the entertaining?”

“Some brainless aide-de-camp. There are lots of those around.”

“Do not try to deflect me. We were talking about your career, in which I am taking a fatherly interest. Besides, I want you to take Jane Postlethwaite to the opera tomorrow night.”

“I can’t. I’m taking Zeinab.”

“Take them both. Jane Postlethwaite hasn’t met many Egyptian women. She certainly hasn’t met anyone like Zeinab.”

“Can’t you get someone else?”

“No. I’ve tried. None of the army officers will do because they’re all tone deaf. Besides, opera isn’t British.”

“How do you know Jane Postlethwaite will like it?”

“She sings, doesn’t she? I thought all Nonconformists did. You hear them on a Sunday morning.”

“Yes, but that’s different. It’s a different sort of singing.”

“There you are! A Welshman knows that sort of thing by instinct. Just the chap. Pick her up from the hotel at nine tomorrow.”

 

Jane Postlethwaite was not sure about opera. She had not, she confided in Owen, actually been to one before and the glamour and glitter plainly made her uneasy. Since the plot had the usual operatic complication he had advised her to read the programme notes beforehand, and she perused them with a certain grim incredulity. When the audience broke into applause on first beholding the characteristically extravagant set she at first appeared dumbfounded and then sat back in her seat rather stiffly. However, as the evening progressed she seemed to relax and even to be enjoying the music.

Zeinab, on the other hand, entered into the opera totally. Dramatic herself, she enjoyed drama in art; and the music swept in over emotional defences that were already down. Owen could hardly bear to look at her, so much was she at the mercy of the music, plunging with it into pits of despair, rising with it to heights of exaltation that were almost unbearable. By the time they reached the interval she was already emotionally shattered.

Intervals were always protracted in Cairo. The whole performance, which started late anyway because of the heat, sometimes went on till four in the morning. So there was plenty of time to leave the box and promenade around.

Owen saw several people he knew. Hadrill, for instance, the Adviser to the Ministry of Justice. Should he ask him what was going on at the top of the ministry and why they were resurrecting the Zoser case? But Hadrill was carrying a huge score and looked as if he took opera seriously. Then there was an aide-de-camp, slightly bored, piloting a bemused, middle-aged group to a table which had already been set out with refreshments. Important visitors, clearly. Owen started taking Jane and Zeinab across to join them but on the way they ran into a group of journalists whom Zeinab knew and got into conversation with them. They were all a-bubble with the opera and the state of the arts in Cairo generally and Jane Postlethwaite was a bit out of it. Fortunately he saw a nice couple from the Ministry of Education and was able to guide her over to them. They were talking to a Coptic family, parents and two children.

“Hello,” said Ramses, turning round, “how’s the Curbash Compensation Fund?”

“What?” said the man from the Ministry of Education, whose name was Lampeter.

“Captain Owen is deep in the toils of the accountants just at the moment.”

“Same here,” said Lampeter. “It’s the end of the year.”

“I’m deep in the toil of accounts too,” said Molly Lampeter. “It’s the end of the month. Do you like opera?” she asked Jane Postlethwaite.

“I’m new to it.”

“I was new to it when I came out here. Now I like it quite a lot.”

Back among the journalists Zeinab caught Owen’s eye and pulled a face.

“Is your friend Sesostris here?”

“Sesostris isn’t here,” said Ramses, “and he’s not my friend.”

“Where does he stand in the War of the Succession?”

“Out on a limb in my view. He’s completely opposed to any Coptic participation in the Government.”

“Even at the personal level?”

“You mean Patros? Yes. Especially.”

“Is that going to happen soon?”

“Is it going to happen? A lot of people are keen to stop it. Including Sesostris.”

“The Khedive will have to make up his mind soon.”

“Or have his mind made up for him.”

“Is that likely to happen?”

Ramses smiled and turned away.

They resumed their seats and Owen slipped away into a tide of music and colour.

When the opera ended Zeinab sat on, emotionally drained. Owen waited as usual for her to recover, talking quietly meanwhile with Jane Postlethwaite, who stole a glance at her from time to time, sympathetic and concerned but also slightly at a loss.

Zeinab caught one of her glances.

“I’m sorry,” she said, smiling. She was beginning to recover. “It’s always like this.”

“Are you all right?”

“Oh yes. It’s just the music.”

“You feel it very deeply.”

“Yes. Don’t you?”

Jane Postlethwaite considered.

“No,” she said. “I love the music, of course, the arias especially. But I don’t feel—I don’t get bowled over by it, in the way you do.”

“The terribleness of it,” said Zeinab, astonished and slightly losing her English, “you don’t feel?”

Jane Postlethwaite looked uncomfortable.

“No,” she said. “Very English of me, I’m afraid.”

Zeinab laughed.

“And very Arab of me, too, I expect,” she said.

“Not just Arab,” said Jane Postlethwaite. “Italians are like it too. Especially about opera.”

“You have been to Italy? And seen the opera?”

“I have been to Italy. I went last year with my uncle. But I’m afraid I did not go to the opera.”

“No?” Zeinab was astounded.

“Perhaps I should have gone. But really I was there to look at the pictures.”

“There are no pictures in Cairo,” said Zeinab.

“But there are beautiful buildings. Some of the mosques are so lovely.”

“I have never been to Italy,” said Zeinab.

“It’s not unlike here in some ways. There was a beautiful avenue of mimosas I saw at the Gezira when we were walking round. It reminded me so much of Italy, as I told Captain Owen.”

“Ah.”

Zeinab had not heard about this.

“I took Miss Postlethwaite to see the polo,” he explained.

“Indeed?” said Zeinab distantly. She removed her hand from Owen’s arm, where she had placed it.

“Against the deep blue of the sky just when it was getting dark,” said Jane Postlethwaite enthusiastically. “So like Italy. And so romantic.”

“Romantic,” said Zeinab, as if she was taking the word down to be used in evidence.

“The desert makes a difference of course,” said Owen.

“For better or worse?” inquired Zeinab.

“It’s the contrast,” said Jane Postlethwaite. “It shows up the differences.”

“You think so?” Zeinab was inclined to take this personally. Jane Postlethwaite caught the tone and stopped, startled. Zeinab rose to her feet and swept out of the box.

At the hotel Jane Postlethwaite made it worse by inviting them to tea on the following afternoon.

“I know you’re busy in the morning,” she said to Owen.

 

“Her or me,” said Zeinab.

“What?”

“Either her or me. Not both.”

“Don’t be silly.”

“I don’t care if you have an affair with her but—”

“I’m not having an affair with her.”

“Then how does she know you’re busy in the morning?”

“Everyone knows I’m busy in the morning. I work.”

“You took her to the polo.”

“I had to take her to the polo. Paul made me.”

“You shouldn’t have taken her like that.”

“Like what? Christ, there’s no other way of taking her.”

“Without telling me.”

“Look. I don’t tell you everything I do.”

“No,” said Zeinab, “you don’t.”

“I tell you the things I think will interest you.”

“If you go out with another woman that interests me.”

“I’m not going out with another woman. Not like that.”

“Not like what?”

“Not like you’re supposing.”

“What am I supposing?”

“For Christ’s sake!”

BOOK: The Night of the Dog
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