The Picture Of Dorian Gray (8 page)

Dorian Gray listened, open-eyed and wondering. The spray of lilac fell from his hand upon the gravel. A furry bee came and buzzed round it for a moment. Then it began to scramble all over the oval stellated globe of the tiny blossoms. He watched it with that strange interest in trivial things that we try to develop when things of high import make us afraid, or when we are stirred by some new emotion for which we cannot find expression, or when some thought that terrifies us lays sudden siege to the brain and calls on us to yield. After a time the bee flew away. He saw it creeping into the stained trumpet of a Tyrian convolvulus. The flower seemed to quiver, and then swayed gently to and fro.

Suddenly the painter appeared at the door of the studio, and made staccato signs for them to come in. They turned to each other, and smiled.

‘I am waiting,’ he cried. ‘Do come in. The light is quite perfect, and you can bring your drinks.’

They rose up, and sauntered down the walk together. Two green-and-white butterflies fluttered past them, and in the pear-tree at the corner of the garden a thrush began to sing.

‘You are glad you have met me, Mr Gray,’ said Lord Henry, looking at him.

‘Yes, I am glad now. I wonder shall I always be glad?’

‘Always! That is a dreadful word. It makes me shudder when I hear it. Women are so fond of using it. They spoil every romance by trying to make it last for ever. It is a meaningless word, too. The only difference between a caprice and a life-long passion is that the caprice lasts a little longer.’

As they entered the studio, Dorian Gray put his hand upon Lord Henry’s arm. ‘In that case, let our friendship be a caprice,’ he murmured, flushing at his own boldness, then stepped up on the platform and resumed his pose.

Lord Henry flung himself into a large wicker arm-chair, and watched him. The sweep and dash of the brush on the canvas made the only sound that broke the stillness, except when, now and then, Hallward stepped back to look at his work from a distance. In the slanting beams that streamed through the open doorway the dust danced and was golden. The heavy scent of the roses seemed to brood over everything.

After about a quarter of an hour Hallward stopped painting, looked for a long time at Dorian Gray, and then for a long time at the picture, biting the end of one of his huge brushes, and frowning. ‘It is quite finished,’ he cried at last, and stooping down he wrote his name in long vermilion letters on the left-hand corner of the canvas.

Lord Henry came over and examined the picture. It was certainly a wonderful work of art, and a wonderful likeness as well.

‘My dear fellow, I congratulate you most warmly,’ he said. ‘It is the finest portrait of modern times. Mr Gray, come over and look at yourself.’

The lad started, as if awakened from some dream. ‘Is it really finished?’ he murmured, stepping down from the platform.

‘Quite finished,’ said the painter. ‘And you have sat splendidly to-day. I am awfully obliged to you.’

‘That is entirely due to me,’ broke in Lord Henry. ‘Isn’t it, Mr Gray?’

Dorian made no answer, but passed listlessly in front of his picture and turned towards it. When he saw it he drew back, and his cheeks flushed for a moment with pleasure. A look of joy came into his eyes, as if he had recognized himself for the first time. He stood there motionless and in wonder, dimly conscious that Hallward was speaking to him, but not catching the meaning of his words. The sense of his own beauty came on him like a revelation. He had never felt it before. Basil Hallward’s compliments had seemed to him to be merely the charming exaggerations of friendship. He had listened to them, laughed at them, forgotten them. They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him. Yes, there would be a day when his face would be wrinkled and wizen, his eyes dim and colourless, the grace of his figure broken and deformed. The scarlet would pass away from his lips, and the gold steal from his hair. The life that was to make his soul would mar his body. He would become dreadful, hideous, and uncouth.

As he thought of it, a sharp pang of pain struck through him like a knife, and made each delicate fibre of his nature quiver. His eyes deepened into amethyst, and across them came a mist of tears. He felt as if a hand of ice had been laid upon his heart.

‘Don’t you like it?’ cried Hallward at last, stung a little by the lad’s silence, not understanding what it meant.

‘Of course he likes it,’ said Lord Henry. ‘Who wouldn’t like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it.’

‘It is not my property, Harry.’

‘Whose property is it?’

‘Dorian’s, of course,’ answered the painter.

‘He is a very lucky fellow.’

‘How sad it is!’ murmured Dorian Gray, with his eyes still fixed upon his own portrait. ‘How sad it is! I shall grow old, and horrible,
and dreadful. It will never be older than this particular day of June…. If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that – for that – I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!’

‘You would hardly care for such an arrangement, Basil,’ cried Lord Henry, laughing. ‘It would be rather hard lines on your work.’

‘I should object very strongly, Harry,’ said Hallward.

Dorian Gray turned and looked at him. ‘I believe you would, Basil. You like your art better than your friends. I am no more to you than a green bronze figure. Hardly as much, I dare say.’

The painter stared in amazement. It was so unlike Dorian to speak like that. What had happened? He seemed quite angry. His face was flushed and his cheeks burning.

‘Yes,’ he continued, ‘I am less to you than your ivory Hermes or your silver Faun.
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You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one losses one’s good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself.’

Hallward turned pale, and caught his hand. ‘Dorian! Dorian!’ he cried, ‘don’t talk like that. I have never had such a friend as you, and I shall never have such another. You are not jealous of material things, are you? – you who are finer than any of them!’

‘I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I must lose? Every moment that passes takes something from me, and gives something to it. Oh, if it were only the other way! If the picture could change, and I could be always what I am now! Why did you paint it? It will mock me some day – mock me horribly!’
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The hot tears welled into his eyes; he tore his hand away, and, flinging himself on the divan, he buried his face in the cushions, as though he was praying.

‘This is your doing, Harry,’ said the painter, bitterly.

Lord Henry shrugged his shoulders. ‘It is the real Dorian Gray – that is all.’

‘It is not.’

‘If it is not, what have I to do with it?’

‘You should have gone away when I asked you,’ he muttered.

‘I stayed when you asked me,’ was Lord Henry’s answer.

‘Harry, I can’t quarrel with my two best friends at once, but between you both you have made me hate the finest piece of work I have ever done, and I will destroy it. What is it but canvas and colour? I will not let it come across our three lives and mar them.’

Dorian Gray lifted his golden head from the pillow, and with pallid face and tear-stained eyes looked at him, as he walked over to the deal painting-table that was set beneath the high curtained window. What was he doing there? His fingers were straying about among the litter of tin tubes and dry brushes, seeking for something. Yes, it was for the long palette-knife, with its thin blade of lithe steel. He had found it at last. He was going to rip up the canvas.

With a stifled sob the lad leaped from the couch, and, rushing over to Hallward, tore the knife out of his hand, and flung it to the end of the studio. ‘Don’t, Basil, don’t!’ he cried. ‘It would be murder!’

‘I am glad you appreciate my work at last, Dorian,’ said the painter, coldly, when he had recovered from his surprise. ‘I never thought you would.’

‘Appreciate it? I am in love with it, Basil. It is part of myself. I feel that.’

‘Well, as soon as you are dry, you shall be varnished, and framed, and sent home. Then you can do what you like with yourself.’ And he walked across the room and rang the bell for tea. ‘You will have tea, of course, Dorian? And so will you, Harry? Or do you object to such simple pleasures?’

‘I adore simple pleasures,’ said Lord Henry. ‘They are the last refuge of the complex. But I don’t like scenes, except on the stage. What absurd fellows you are, both of you! I wonder who it was defined man as a rational animal. It was the most premature definition ever given. Man is many things, but he is not rational. I am glad he is not, after all: though I wish you chaps would not squabble over the picture. You had much better let me have it, Basil. This silly boy doesn’t really want it, and I really do.’

‘If you let any one have it but me, Basil, I shall never forgive you!’ cried Dorian Gray; ‘and I don’t allow people to call me a silly boy.’

‘You know the picture is yours, Dorian. I gave it to you before it existed.’

‘And you know you have been a little silly, Mr Gray, and that you don’t really object to being reminded that you are extremely young.’

‘I should have objected very strongly this morning, Lord Henry.’

‘Ah! this morning! You have lived since then.’

There came a knock at the door, and the butler entered with a laden tea-tray and set it down upon a small Japanese table. There was a rattle of cups and saucers and the hissing of a fluted Georgian urn. Two globe-shaped china dishes were brought in by a page. Dorian Gray went over and poured out the tea. The two men sauntered languidly to the table, and examined what was under the covers.

‘Let us go to the theatre to-night,’ said Lord Henry. ‘There is sure to be something on, somewhere. I have promised to dine at White’s,
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but it is only with an old friend, so I can send him a wire to say that I am ill, or that I am prevented from coming in consequence of a subsequent engagement. I think that would be a rather nice excuse; it would have all the surprise of candour.’

‘It is such a bore putting on one’s dress-clothes,’ muttered Hallward. ‘And, when one has them on, they are so horrid.’

‘Yes,’ answered Lord Henry, dreamily, ‘the costume of the nineteenth century is detestable. It is so sombre, so depressing. Sin is the only real colour-element left in modern life.’

‘You really must not say things like that before Dorian, Harry.’

‘Before which Dorian? The one who is pouring out tea for us, or the one in the picture?’

‘Before either.’

‘I should like to come to the theatre with you, Lord Henry,’ said the lad.

‘Then you shall come; and you will come too, Basil, won’t you?’

‘I can’t, really. I would sooner not. I have a lot of work to do.’

‘Well, then, you and I will go alone, Mr Gray.’

‘I should like that awfully.’

The painter bit his lip and walked over, cup in hand, to the picture. ‘I shall stay with the real Dorian,’ he said, sadly.
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‘Is it the real Dorian?’ cried the original of the portrait, strolling across to him. ‘Am I really like that?’

‘Yes; you are just like that.’

‘How wonderful, Basil!’

‘At least you are like it in appearance. But it will never alter,’ sighed Hallward. ‘That is something.’

‘What a fuss people make about fidelity!’ exclaimed Lord Henry. ‘Why, even in love it is purely a question for physiology.
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It has nothing to do with our own will. Young men want to be faithful, and are not; old men want to be faithless, and cannot: that is all one can say.’

‘Don’t go to the theatre to-night, Dorian,’ said Hallward. ‘Stop and dine with me.’

‘I can’t, Basil.’

‘Why?’

‘Because I have promised Lord Henry Wotton to go with him.’

‘He won’t like you the better for keeping your promises. He always breaks his own. I beg you not to go.’

Dorian Gray laughed and shook his head.

‘I entreat you.’

The lad hesitated, and looked over at Lord Henry, who was watching them from the tea-table with an amused smile.

‘I must go, Basil,’ he answered.

‘Very well,’ said Hallward; and he went over and laid down his cup on the tray. ‘It is rather late, and, as you have to dress, you had better lose no time. Good-bye, Harry. Good-bye, Dorian. Come and see me soon. Come to-morrow.’

‘Certainly.’

‘You won’t forget?’

‘No, of course not,’ cried Dorian.

‘And… Harry!’

‘Yes, Basil?’

‘Remember what I asked you, when we were in the garden this morning.’

‘I have forgotten it.’

‘I trust you.’

‘I wish I could trust myself,’ said Lord Henry, laughing. ‘Come, Mr Gray, my hansom is outside, and I can drop you at your own place. Good-bye Basil. It has been a most interesting afternoon.’

As the door closed behind them, the painter flung himself down on a sofa, and a look of pain came into his face.

At half-past twelve next day Lord Henry Wotton strolled from Curzon Street over to the Albany
¹
to call on his uncle, Lord Fermor, a genial if somewhat rough-mannered old bachelor, whom the outside world called selfish because it derived no particular benefit from him, but who was considered generous by Society as he fed the people who amused him. His father had been our ambassador at Madrid when Isabella was young, and Prim unthought of,
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but had retired from the Diplomatic Service in a capricious moment of annoyance on not being offered the Embassy at Paris, a post to which he considered that he was fully entitled by reason of his birth, his indolence, the good English of his despatches, and his inordinate passion for pleasure. The son, who had been his father’s secretary, had resigned along with his chief, somewhat foolishly as was thought at the time, and on succeeding some months later to the title, had set himself to the serious study of the great aristocratic art of doing absolutely nothing. He had two large town houses, but preferred to live in chambers as it was less trouble, and took most of his meals at his club. He paid some attention to the management of his collieries in the Midland counties, excusing himself for this taint of industry on the ground that the one advantage of having coal was that it enabled a gentleman to afford the decency of burning wood on his own hearth. In politics he was a Tory, except when the Tories were in office, during which period he roundly abused them for being a pack of Radicals. He was a hero to his valet,
³
who bullied him, and a terror to most of his relations, whom he bullied in turn. Only England could have produced him, and he always said that the country was going to the dogs. His principles were
out of date, but there was a good deal to be said for his prejudices.

When Lord Henry entered the room, he found his uncle sitting in a rough shooting coat, smoking a cheroot and grumbling over
The Times
. ‘Well, Harry,’ said the old gentleman, ‘what brings you out so early? I thought you dandies never got up till two, and were not visible till five.’

‘Pure family affection, I assure you, Uncle George. I want to get something out of you.’

‘Money, I suppose,’ said Lord Fermor, making a wry face. ‘Well, sit down and tell me all about it. Young people, nowadays, imagine that money is everything.’

‘Yes,’ murmured Lord Henry, settling his buttonhole in his coat; ‘and when they grow older they know it. But I don’t want money. It is only people who pay their bills who want that, Uncle George, and I never pay mine. Credit is the capital of a younger son, and one lives charmingly upon it. Besides, I always deal with Dartmoor’s tradesmen, and consequently they never bother me. What I want is information: not useful information, of course; useless information.’

‘Well, I can tell you anything that is in an English Blue-book,
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Harry, although those fellows nowadays write a lot of nonsense. When I was in the Diplomatic, things were much better. But I hear they let them in now by examination. What can you expect? Examinations, sir, are pure humbug from beginning to end. If a man is a gentleman, he knows quite enough, and if he is not a gentleman, whatever he knows is bad for him.’

‘Mr Dorian Gray does not belong to Blue-books, Uncle George,’ said Lord Henry, languidly.

‘Mr Dorian Gray? Who is he?’ asked Lord Fermor, knitting his bushy white eyebrows.

‘That is what I have come to learn, Uncle George. Or rather, I know who he is. He is the last Lord Kelso’s grandson. His mother was a Devereux, Lady Margaret Devereux. I want you to tell me about his mother. What was she like? Whom did she marry? You have known nearly everybody in your time, so you might have known her. I am very much interested in Mr Gray at present. I have only just met him.’

‘Kelso’s grandson!’ echoed the old gentleman – ‘Kelso’s grandson!… Of course…. I knew his mother intimately. I believe I was at her christening. She was an extraordinarily beautiful girl, Margaret Devereux, and made all the men frantic by running away with a penniless young fellow, a mere nobody, sir, a subaltern in a foot regiment, or something of that kind. Certainly. I remember the whole thing as if it happened yesterday. The poor chap was killed in a duel at Spa a few months after the marriage. There was an ugly story about it. They said Kelso got some rascally adventurer, some Belgian brute, to insult his son-in-law in public, paid him, sir, to do it, paid him, and that the fellow spitted his man as if he had been a pigeon. The thing was hushed up, but, egad, Kelso ate his chop alone at the club for some time afterwards. He brought his daughter back with him, I was told, and she never spoke to him again. Oh, yes; it was a bad business. The girl died too, died within a year. So she left a son, did she? I had forgotten that. What sort of boy is he? If he is like his mother he must be a good-looking chap.’

‘He is very good-looking,’ assented Lord Henry.

‘I hope he will fall into proper hands,’ continued the old man. ‘He should have a pot of money waiting for him if Kelso did the right thing by him. His mother had money too. All the Selby property came to her, through her grandfather. Her grandfather hated Kelso, thought him a mean dog. He was, too. Came to Madrid once when I was there. Egad, I was ashamed of him. The Queen used to ask me about the English noble who was always quarrelling with the cabmen about their fares. They made quite a story of it. I didn’t dare show my face at Court for a month. I hope he treated his grandson better than he did the jarvies.’
⁵

‘I don’t know,’ answered Lord Henry. ‘I fancy that the boy will be well off. He is not of age yet. He has Selby, I know. He told me so. And… his mother was very beautiful?’

‘Margaret Devereux was one of the loveliest creatures I ever saw, Harry. What on earth induced her to behave as she did, I never could understand. She could have married anybody she chose. Carlington was mad after her. She was romantic, though. All the women of that family were. The men were a poor lot, but, egad! the women were
wonderful. Carlington went on his knees to her. Told me so himself. She laughed at him, and there wasn’t a girl in London at the time who wasn’t after him. And by the way, Harry, talking about silly marriages, what is this humbug your father tells me about Dartmoor wanting to marry an American? Ain’t English girls good enough for him?’

‘It is rather fashionable to marry Americans just now, Uncle George.’

‘I’ll back English women against the world, Harry,’ said Lord Fermor, striking the table with his fist.

‘The betting is on the Americans.’

‘They don’t last, I am told,’ muttered his uncle.

‘A long engagement exhausts them, but they are capital at a steeplechase. They take things flying. I don’t think Dartmoor has a chance.’

‘Who are her people?’ grumbled the old gentleman. ‘Has she got any?’

Lord Henry shook his head. ‘American girls are as clever at concealing their parents, as English women are at concealing their past,’ he said, rising to go.

‘They are pork-packers, I suppose?’

‘I hope so, Uncle George, for Dartmoor’s sake. I am told that pork-packing is the most lucrative profession in America, after politics.’

‘Is she pretty?’

‘She behaves as if she was beautiful. Most American women do. It is the secret of their charm.’

‘Why can’t these American women stay in their own country? They are always telling us that it is the Paradise for women.’

‘It is. That is the reason why, like Eve, they are so excessively anxious to get out of it,’ said Lord Henry. ‘Good-bye, Uncle George. I shall be late for lunch, if I stop any longer. Thanks for giving me the information I wanted. I always like to know everything about my new friends, and nothing about my old ones.’

‘Where are you lunching, Harry?’

‘At Aunt Agatha’s. I have asked myself and Mr Gray. He is her latest
protégé.
’

‘Humph! tell your Aunt Agatha, Harry, not to bother me any
more with her charity appeals. I am sick of them. Why, the good woman thinks that I have nothing to do but to write cheques for her silly fads.’

‘All right, Uncle George, I’ll tell her, but it won’t have any effect. Philanthropic people lose all sense of humanity. It is their distinguishing characteristic.’

The old gentleman growled approvingly, and rang the bell for his servant. Lord Henry passed up the low arcade into Burlington Street, and turned his steps in the direction of Berkeley Square.

So that was the story of Dorian Gray’s parentage. Crudely as it had been told to him, it had yet stirred him by its suggestion of a strange, almost modern romance. A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes; it was an interesting background. It posed the lad, made him more perfect as it were. Behind every exquisite thing that existed, there was something tragic. Worlds had to be in travail, that the meanest flower might blow…. And how charming he had been at dinner the night before, as with startled eyes and lips parted in frightened pleasure he had sat opposite to him at the club, the red candleshades staining to a richer rose the wakening wonder of his face. Talking to him was like playing upon an exquisite violin. He answered to every touch and thrill of the bow…. There was something terribly enthralling in the exercise of influence.
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No other activity was like it. To project one’s soul into some gracious form, and let it tarry there for a moment; to hear one’s own intellectual views echoed back to one with all the added music of passion and youth; to convey one’s temperament into another as though it were a subtle fluid or a strange perfume: there was a real joy in that – perhaps the most satisfying joy left to us in an age so limited and vulgar as our own, an age grossly carnal in its pleasures, and grossly common in its aims…. He was a marvellous type, too, this lad, whom by so curious a chance he had met in Basil’s studio, or could be fashioned into a marvellous type, at any rate. Grace was his, and the white purity of boyhood, and beauty such as old Greek marbles kept for us. There
was nothing that one could not do with him. He could be made a Titan or a toy. What a pity it was that such beauty was destined to fade!… And Basil? From a psychological point of view, how interesting he was! The new manner in art, the fresh mode of looking at life, suggested so strangely by the merely visible presence of one who was unconscious of it all; the silent spirit that dwelt in dim woodland, and walked unseen in open field, suddenly showing herself, Dryad-like and not afraid, because in his soul who sought for her there had been wakened that wonderful vision to which alone are wonderful things revealed; the mere shapes and patterns of things becoming, as it were, refined, and gaining a kind of symbolical value, as though they were themselves patterns of some other and more perfect form whose shadow they made real: how strange it all was! He remembered something like it in history. Was it not Plato, that artist in thought, who had first analysed it? Was it not Buonarotti who had carved it in the coloured marbles of a sonnet-sequence?
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But in our own century it was strange…. Yes; he would try to be to Dorian Gray what, without knowing it, the lad was to the painter who had fashioned the wonderful portrait. He would seek to dominate him – had already, indeed, half done so. He would make that wonderful spirit his own. There was something fascinating in this son of Love and Death.

Suddenly he stopped, and glanced up at the houses. He found that he had passed his aunt’s some distance, and, smiling to himself, turned back. When he entered the somewhat sombre hall, the butler told him that they had gone in to lunch. He gave one of the footmen his hat and stick, and passed into the dining-room.

‘Late as usual, Harry,’ cried his aunt, shaking her head at him.

He invented a facile excuse, and having taken the vacant seat next to her, looked round to see who was there. Dorian bowed to him shyly from the end of the table, a flush of pleasure stealing into his cheek. Opposite was the Duchess of Harley, a lady of admirable good-nature and good temper, much liked by every one who knew her, and of those ample architectural proportions that in women who are not Duchesses are described by contemporary historians as stoutness. Next to her sat, on her right, Sir Thomas Burdon, a Radical member of Parliament, who followed his leader in public life, and in private life
followed the best cooks, dining with the Tories, and thinking with the Liberals, in accordance with a wise and well-known rule. The post on her left was occupied by Mr Erskine of Treadley, an old gentleman of considerable charm and culture, who had fallen, however, into bad habits of silence, having, as he explained once to Lady Agatha, said everything that he had to say before he was thirty. His own neighbour was Mrs Vandeleur, one of his aunt’s oldest friends, a perfect saint amongst women, but so dreadfully dowdy that she reminded one of a badly bound hymn-book. Fortunately for him she had on the other side Lord Faudel, a most intelligent middle-aged mediocrity, as bald as a Ministerial statement in the House of Commons, with whom she was conversing in that intensely earnest manner which is the one unpardonable error, as he remarked once himself, that all really good people fall into, and from which none of them ever quite escape.

‘We are talking about poor Dartmoor, Lord Henry,’ cried the Duchess, nodding pleasantly to him across the table. ‘Do you think he will really marry this fascinating young person?’

‘I believe she has made up her mind to propose to him, Duchess.’

‘How dreadful!’ exclaimed Lady Agatha. ‘Really, some one should interfere.’

‘I am told, on excellent authority, that her father keeps an American dry-goods store,’ said Sir Thomas Burdon, looking supercilious.

‘My uncle has already suggested pork-packing, Sir Thomas.’

‘Dry-goods! What are American dry-goods?’ asked the Duchess, raising her large hands in wonder, and accentuating the verb.