The Plague of Doves (7 page)

My arms felt heavy, weak. I dropped from the trapeze and went to lean against the brick wall of the school building. My heart thumped in my ears. I saw what I would do when I grew up. Declare my vocation, enter the convent. Sister Mary Anita and I would live over in the nuns' house together, side by side. We would eat, work, eat, cook. Sometimes we'd have to pray. To relax, Sister Mary Anita would hit pop flies and I would catch them.

Someday, one day, the two of us would be walking, our hands in our sleeves, our long habits flowing behind.

“Dear Sister,” I would say, “remember that old nickname you had the year you taught the sixth grade?”

“Why no,” Sister Mary Anita would say, smiling at me. “Why, no.”

And I would know that I had protected her.

 

IT GOT WORSE.
I wrote letters, tore them up. My hand shook when Sister passed me in the aisle and my eyes closed. I breathed in. Soap. A harsh soap. Faint carbolic acid. Marigolds, for sure. That's what she smelled like. Dizzying. My fists clenched. I pressed my knuckles to my eyes and loudly excused myself. I went to the girls' bathroom and stood in a stall. My life was terrible. The thing is, I didn't want to be a nun.

“There must be another way!” I whispered, desperate. The whitewashed tin shuddered when I slammed my hand on the cubicle wall. I decided that I would have to persuade Mary Anita to forsake her vows, to come and live with me and my family in our BIA house. Someone was standing outside. I opened the door a bit and stared into the great, craggy face.

“Are you feeling all right? Do you need to go home?” Sister Mary Anita was concerned.

Fire shot through my limbs. The girls' bathroom, its light mute and brilliant, a place of secrets, of frosted glass, paralyzed me. I gathered myself. Here was my chance, as if God had given it.

“Please,” I whispered to her. “Let's run away together!”

Sister paused. “Are you having troubles at home?” she asked.

“No.”

Sister's milk-white hand came through the doorway and covered my forehead. My anxious thoughts throbbed against her lean, cool palm. Staring into the eyes of the one I loved, I gripped the small metal knob on the inside of the door, pushed, and then I felt myself falling forward, slowly turning like a leaf in wind, upheld and buoyant in the peaceful roar. It was as though I'd never reach Sister's arms, but when I did, I came back with a jolt.

“You
are
ill,” said Sister. “Come to the office and we'll call your mother.”

 

AS I HAD
known it would, perhaps from that moment in the girls' bathroom, the day came. The day of reckoning.

Outside, in the morning school yard, after Mass and before first bell, everyone crowded around Corwin Peace. In his arms, he held a windup tin Godzilla, a big toy, almost knee-high, a green and gold replica painted with a fierce eye to detail. The scales were perfect overlapping crescents and the eyes were large and manic, pitch-black, oddly human. Corwin had pinned a sort of cloak upon the thing, a black scarf. My arms thrust through the packed shoulders, but the bell rang and Corwin stowed the thing under his coat. His eyes picked me from the rest.

“I had to send for this!” he cried. The punch hadn't turned him against me; it had made him crazy with love. He turned and vanished through the heavy wine-red doors of the school. I stared at the ground and thought of leaving home. I could do it. I'd hitch a boxcar. The world went stark, the colors harsh. The small brown pebbles of the school yard leapt off the play-sealed earth. I took a step. The stones seemed to crack and whistle under my feet.

“Last bell!” called Sister Mary Anita. “You'll be late!”

 

MORNING PRAYER. THE PLEDGE.
Corwin drew out the suspense of his audience, enjoying the glances and whispers. The toy was in his
desk. Every so often, he lifted the lid, then looked around to see how many of us watched him duck inside to make adjustments. By the time Sister started the daily reading lesson, there was such tension in the room that even Corwin could bear it no longer.

Our classroom was large, with a high ceiling, floored with slats of polished wood. Round lights hung on thick chains and the great, rectangular windows let through enormous sheaves of radiance. Our class had occupied this room for the past two years. I had spent every day in the room. I knew its creaks, the muted clunk of desks rocking out of floor bolts, the mad thumping in its radiators like a thousand imprisoned elves, and so I heard and registered the click. Then the dry grind of Corwin's windup key. Sister Mary Anita did not. She turned to the chalkboard, her book open on the desk, and began to write instructions for us to copy.

She was absorbed, calling out the instructions as she wrote. Her arm swept up and down, it seemed to me, in a kind of furious joy. She was inventing some kind of lesson, some new way of doing things, not a word of which was taken in. All eyes were on the third row, where Corwin Peace sat. All eyes were on his hand as he wound the toy up to its limit and bent over and set it on the floor. Then the eyes were on the toy itself as Corwin lifted his hand away, and the thing moved forward on its own.

The scarf it wore, the veil, did not hamper the beast. The legs thrashed forward, making earnest progress. The tiny claw hands beat like pistons and the hollow tin tail whipped from side to side as it moved down the center of the aisle, toward the front of the room, toward Sister Mary Anita, who stood, back turned, still absorbed in her work at the board.

I had got myself placed in row one, to be closer to the one I loved, and so I saw the creature close up just before it headed into the polished space of floor at the front of the room. Its powerful jaws thrust from the black neck piece. The great teeth were frozen, exhibited in a terrible smile. The painted eyes had an eager and purposeful look.

Its movement faltered as it neared Mary Anita. The whole class caught its breath, but the thing inched along, made slow and fascinating
progress, directly toward the hem of Mary Anita's garment. She did not seem to notice. She continued to write, to talk, circling numbers and emphasizing certain words with careful underlines. And as she did so, as the moment neared, my brain finally rang all of its alarm bells. I vaulted from my desk. Two steps brought me across that gleaming space of wood at the front of the room. But just as I bent down to scoop the toy to my chest, a neat black boot slashed down inches from my nose. Sister Mary Anita had whirled, the chalk fixed in her hand. Daintily, casually, she lifted her habit and kicked the toy dinosaur into the air. The thing ascended, pedaling its clawed feet, the cape blown back like a sprung umbrella. The trajectory was straight and true. It knocked headfirst into the ceiling and came back down, in pieces. The class ducked beneath the rain of scattered tin. Only Sister Mary Anita and I stood poised, unmoved, absorbed in the moment between us.

There was no place for me to look but at my teacher. But when I lifted my eyes, this time, Sister Mary Anita was not looking at me. She had turned her face away, her rough cheek blotched as if it bore a slap, her gaze hooded and set low. Sister walked to the window, back turned against me, against the class, and as the laughter started, uncomfortable and groaning at first, then shriller, fuller, becoming its own animal, I felt an unrecoverable tenderness boil up and rise around my ears. Inwardly, I begged Mary Anita to turn and stop the noise. But Sister did not. She let it wash across us both without mercy. I lost sight of her unspeakable profile as she looked out into the yard. Bathed in brilliant light, her face went blank as a sheet of paper, as the sky, featureless as all things which enter heaven.

ALTHOUGH SHE TREATED
me with neutral interest from then on and did not punish me, I was grieved by Sister Mary Anita's disregard. I wrote letters, tore them up, and at last, as there was no other course of action, I collected facts, and I studied Sister Mary Anita. In a fit of longing, I retrieved papers she had written on and thrown away. Her sloping hand was absolutely uniform. You could put her capital letters one on the other, hold the pages up to the light, and see no variation in the size or ornamentation. Yet her handwriting wasn't strictly Palmer script, but very much her own invention.

One startling day I learned that she was allergic to chocolate and broke out in hives. The red welts across her face gave her a warrior's intensity. She never scratched, but they must have tormented her. Even so, sometimes she could not resist chocolate and was known to take a piece of candy or cake at a wedding, saying, “Darn the consequences!” even though for a nun “darn” was considered a swear.

Unlike the other nuns who taught at the school, and came from a mother house in Kentucky, Sister Mary Anita had grown up near the reservation, on a farm between Hoopdance and Pluto. She told this to us in the middle of our history class. None of the other children thought that unusual, but I perceived it as some sign. At home, I spoke of her constantly, and one day my mother gave me a long look.

“Sister Mary Anita this, Sister Mary Anita that. You sure talk about Sister Mary Anita a lot. What's her full name anyway?”

I turned aside but muttered, “Sister Mary Anita Buckendorf.” I stole a look back at my mother, but she raised her eyebrows and glanced at my father. He gave no sign that he found the name of significance, but continued to paste stamps into his stamp album. He had inherited these polished leather albums and was adding slowly to some arcane arrangement which had originally been assembled by Uncle Octave, the one who had died tragically, for love. When attending to his albums, my father's absorption was so complete that he was unreachable. Mooshum was sitting at the table playing rummy with Joseph. He caught the name though, and said, “Buckendorf!” He tried to keep on playing, but Joseph jogged his arm to make him quit. My mother went outside to hang the wet laundry on the line, in spite of the storm brewing. I'd caught the same note in Mooshum's voice as my brother had, and checked again on my father, who was examining through a magnifying glass some stamp he held up with a tweezers. Our father drew a rapt breath and smiled as though the frail scrap of paper held a mystic secret. I moved to the end of the table and asked, “What about the name?”

“What name?” Mooshum knew that he had us hooked.

“You know, my teacher, Sister Mary Anita Buckendorf.”

“Oh yai! The Buckendorfs!” His mouth twisted as he said it.

“She's a nun!”

Mooshum packed his jaw and nodded at his spittoon. Joseph made a retching noise but went outside carrying the snoose can—a red Sanborn coffee can with the man in a yellow robe walking across it sipping coffee. We always emptied the can onto the roots of Mama's struggling blue Colorado spruce—eventually, it surrendered to the killing juice, turned black, and dried up.

“You know why she's a nun, after all, my girl,” said Mooshum, while Joseph was outside. “Not too many people have the privilege of seeing right before their eyes there is no justice here on eart.” He said “eart,” he hardly ever used a
th
.

Mooshum put his hands down before him and pushed the air
twice. He pushed the air like he was stuffing it into a box. “She saw it. No justice.”

“Yeah?”

Joseph came back in and we waited, but Mooshum suddenly turned his back on us and rummaged in his shirt pocket. We could not see what he was doing. He turned back to us and spat into the empty coffee can with such a loud ping that my father glanced up, but his eyes didn't even focus on us before the stamps reclaimed his attention. Mooshum shifted the wad a little and kept squinting at us. Measuring us. We sat still and stared at him, trying to contain ourselves. The television had succumbed to some disturbance in the atmosphere and no delicate adjustment of its long wire antennae had cleared the snow from the picture. We were very bored, but there was more—perhaps I could add to my facts about Sister Mary Anita. It seemed that Mooshum had knowledge of something new about her, or her family at least, and I suspected that it might be something that no one else would tell me.

Mooshum straightened with a creaky groan and rocked himself forward. He found his balance, launched himself. We followed as he walked out the screen door, down the wooden steps, onto the tortured lawn. He lowered himself into the peeling yellow kitchen chair that he brought out in spring and took back inside after frost. It was late September, but the day was very warm. He liked to sit outside on the dead grass of the yard and inspect people as they walked the road to the agency offices. We grabbed a pair of camp stools and sat watching him think. His mouth fell slack and then his face seized up; he scratched his jaw and glared at us. Mooshum's strange reluctance to tell this story was compelling. The less he wanted to tell, the more we wanted to hear. He turned away from us again, bent his head and with a furtive squint reached into his shirt. He took a snort of something that we couldn't see. Whirling quickly, he focused on our mother. She put a wooden clothespin between her teeth and picked up two others. Then she bent down, grabbed a pillowcase, and snapped it once, briskly, before she pinned it with the two pins she had in one hand. The pin in her teeth always was an extra, or she used it for securing her underwear beneath thin top sheets, she was that modest.

Mooshum spat, ringing the can again, and waited to see if our mother would turn around. She didn't, so he began to talk to us in a low voice, returning to that time when he had been young, though not as young as when the doves filled the sky. They were gone when this next thing happened, he said, and Joseph asked if the prayers had worked to drive them off. Mooshum said that everything had dwindled away by then, even the buffalo, which he'd been told were once limitless. Killed off, he said, shrugging and spitting at the same time, a gesture we tried to imitate later, with stolen snuff. Mooshum told us that we should not tell our mother or father the things he was about to tell us. This of course squeezed our breathing tight, and we huddled closer.

The Boots

MOOSHUM SPAT THOUGHTFULLY
and repacked his lip. He repeated the name Holy Track several times, his voice trailing. Then he suddenly roused, as the old do, and told us in a rain of words how, when he and Junesse rode Mustache Maude's good horses back onto the reservation, they were accused of stealing those horses. For a time, they had had trouble fending off the newly appointed tribal police, who coveted good blood stock. They kept the horses only through the intervention of Father Severine. Scolded by the priest, the authorities quit. The young mare Junesse rode had long legs, a great keg of a barrel, and a fighting heart, and so raced very well. Mooshum made enough on bets to buy a cow and to outfit the farm with a windmill. He traded the stud services of his horse for help building a cabin of hewn oak. But having fallen in with the sort who raced horses—not a good sort, said Mooshum—he began, for the first time, to drink whiskey.

“I could always take or leave it,” he paused, crumpling his face with an odd wince, and added, low, that sometimes the whiskey would not just take or leave him. The whiskey had its own mind. Or spirit, he said. A cunning spirit. Sometimes it fooled him. Sometimes it set him free.

A boy and his mother, who was a cousin to Junesse, lived on the
edge of Mooshum's land, and it was pitiful. The mother's lungs had rotted. Mooshum spread his hands across his own chest. She was so weak that she could hardly stir out of her bed to care for the boy. He was thirteen years old and getting rangy, but he was an innocent boy. Until his mother weakened, he walked her to church every day. She remained after, sunk in prayer, while her son memorized the Latin Mass and learned exactly how to help Father Severine change bread and wine into the body and blood of the Son of God. Sometimes Junesse came with her and the three walked back together, Junesse and the boy holding the sick woman between them. From time to time she stopped and coughed blood carefully into the dust of the road, bending way over so that it would not stain her dress.

This went on all autumn until the weather got too cold. Through the winter, the mother wasted. By the time the snow was entirely gone and the bitter new leaves had darkened, she was nearly dead. Junesse sent Mooshum by the house every day to see if her cousin had survived the night. One spring morning, he brought along the hammer and fine nails she had requested. The boy was there as well as an aunt who worked in Canada at a sanatorium for tubercular patients. That place did not as a rule take Indians, but because of the aunt's piety the nuns had agreed to make an exception and had prepared a bed.

The boy's mother had a small cross in each hand, prizes given to her son for memorizing the long prayers. She nodded at her boy's crude, thick-soled boots and gestured that he should remove them and give them to Mooshum. She then told Mooshum to fix a cross to each sole. He nailed carefully through the inside of the boot, and covered the tops of the nails with pieces of her blanket that she'd cut away for this purpose. When Mooshum was finished, she staggered toward her sister, who helped her into the bed of a small cart, hitched to a tough old pony.

“Wear them,” she whispered to her son. “The sickness will not follow you. Evil will not cross your tracks. You will live.”

The boy put his feet in the boots and stood miserably beside Mooshum as his aunt led the horse and cart off down the grass trail,
then turned onto the broader road leading north. Mooshum brought the boy to an old man called Asiginak, who was named for a great chief, Blackbird, and lived alone farther back in the bush. The old man was the boy's great-uncle.

 

At first the boots must have cut, said Mooshum. But by the time he saw the boy again, he had bound his feet in strips of leather and had gradually gotten used to their weight. People came to believe that his mother was right about the boots, for her son did not begin to cough. After some time, because he left tracks printed with a cross, the people began to call him Holy Track.

The Clothesline

MOOSHUM LOOKED UP,
brightened his eyes, and nodded. Mama had finished pinning up everything in the basket. Dad's blue teacher's shirts, all of our denim pants, white bedsheets, and the brown dress I hated flapped there, lightly soaking in the sun. Through the box elder leaves, we could see clouds massing to the west, building radiant pink towers against a blue-gray backdrop of distant rain. Mama watched us. She had a talent for looking at a person with no expression—you filled in whatever you felt guiltiest about. Mooshum stopped talking. She set down the empty basket under the wire lines and stepped across the dry grass. Dust puffed up behind her firm steps.

“They don't need to hear it,” she said.

“Hear what?” asked Mooshum.

“You know.”

“Ah, that, tawpway, my girl!”

Mama would usually have made sure that Mooshum left off, or given us each some task to ensure that her directions were followed, but she seemed distracted that day and simply walked up the back steps. The moment she passed into the house, we leaned close to Mooshum.

The Basket Makers

BIG STANDS OF
willow grew around their cabin, so Asiginak taught Holy Track the art of making baskets. That spring, they cut willow and bundled it away in a cool place, then split the ash to make the framework of the baskets—some with carved handles, tikinaganan for babies, wide and flat baskets, even heart-shaped baskets for the farm women. Every day, they wove pliable willow into ash frameworks until their fingers were tough as sticks. When they had thirty or forty, as many as they could carry, they went out selling.

People readily bought baskets from Holy Track. The boy's big childish teeth were white and crooked; his smile was shy and his eyelashes were so long they shadowed his cheeks. Asiginak had tried to give him a whiteman's haircut and it got clipped so short in places that the hair stood out like brushy quills.

One day in early summer, when the little strawberries ripen along the edges of the field and the ducklings whisk across the sloughs, the two set off walking to the towns and farms off the reservation. They sold a basket or two everyplace they went. Only ten baskets were left when they met Mooshum and Cuthbert Peace coming down the road.

“Us two rowdies,” said Mooshum, winking at us, “were unhappily sober. We fell in with Asiginak and Holy Track hoping that we could persuade the old man to spare enough of his basket money to get his old friends drunk.”

“Gewehn!” Mooshum swiped his hand in the air, remembering. “Go home!” the old man told us.

“Ah, no, brother, I replied, let us carry these things for you!”

Mooshum put his hands out as if to help carry the baskets, but told us how Holy Track held tight to his baskets and tramped steadily beside his uncle.

Mooshum's friend Cuthbert was dark as a bear, round, and his nose was like his nickname, Opin, a potato. Something had gone wrong with it after a fight and it had kept growing out of control on one side. It took up most of his face now and was an odd, lumpy shape. He spat tobacco and tugged at Holy Track's arm.

“Leave him alone,” said Asiginak. “Your nose will sprout.”

Cuthbert took offense, dropped his hands away, and kicked his feet like a dog scratching dirt on its shit. Holy Track was still studying catechism with Father Severine, but he couldn't help laugh at Cuthbert. The rascal pranced down the road, then stopped, jiggled his dodooshag and preened like a pretty girl. Mooshum showed us, doing a little dance in his chair. Then he sat back, laughing, and mimicked Cuthbert: “You'd be surprised what this nose gets me, and this belly, but it's down here the women love the best!”