The Polish Officer (9 page)

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Authors: Alan Furst

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BOOK: The Polish Officer
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A Gestapo car, a black Grosser Mercedes with headlights taped down to slits because of the blackout, honked at them to get out of the way. They stood with their backs against the wall, faces averted, as it bumped past, the red taillights disappearing into the swirling snow.

“You see?” Chomak said, when they were walking again. “I could have flagged them down. But I didn’t, did I?”

At an arched railroad bridge, where the street dipped below the track, de Milja signaled to stop, and the three men stood by the curved wall and stamped their feet to keep warm. It was dark under the bridge and the snow was blowing right through it.

“Hell of a night for a meeting,” Chomak said, a good-natured laugh in his voice.

De Milja heard the sound of a train approaching in the distance. Bending over to protect the match from the wind, he lit a cigarette, then cupped his palm to shield the glow. “Face the wall,” he said to Chomak.

“What did you say?”

“Face the wall.”

Chomak turned slowly and faced the wall. The approaching train was moving slowly because of the snowstorm. “It’s not right,” Chomak said. “For a Jew thief. Some little sneak from the gutter. Not right.”

“Why would you do a thing like that?” de Milja said. “Were you in trouble?”

De Milja could see that Chomak’s legs were trembling, and he thought he might collapse. He looked at the operative and their eyes met for a moment as the train came closer. The sound of the wheels thundered in the tunnel as it passed overhead, Chomak bounced off the wall, then sagged back against it, his hand groping for a hold on the smooth surface. Very slowly, he slid down to his knees, then toppled over on his side. The operative straddled him and fired once into his temple.

January 1940. The French planes did not come. Perhaps, people thought, they are not going to come. Not ever. In the streets of Paris, the Communist party and its supporters marched and chanted for peace, for dignity, for an end to war. Especially this unjust war against Germany—Russia’s ally. On the Maginot Line, quartered in a schoolhouse near Strasbourg, Private Jean-Paul Sartre of the artillery’s meteorological intelligence service sent balloons aloft, reported on the speed and direction of the wind to gunners who never fired a shot, and wrote in his journal that “
Life
is the transcendent, psychic object constructed by human reality in search of its own foundation.”

In Great Britain, German magnetic mines had taken a considerable toll of merchant shipping, and rationing had been established for butter, sugar, bacon, and ham. Winston Churchill spoke on the radio, and told the nations of Europe that “each one hopes that if he feeds the crocodile enough, the crocodile will eat him last. All of them hope that the storm will pass before their turn comes to be devoured.”

As for the United States, it remained stern and unrelenting in the maintenance of a “moral embargo” it had declared against Germany.

Meanwhile, Warsaw lived in ice. The calendar froze—a winter of ten thousand days was at hand. And as the hope of help from friends slowly waned, it became the time of the prophecies. Sometimes typed, sometimes handwritten, they were everywhere and, whether casually dismissed or secretly believed, were passionately followed. A battlefield of contending specters: rune-casters and biblical kings, the Black Madonna of Czestochowa and Nostradamus, the fire at the center of the earth, the cycles of the moon, the springs of magic water, the Apocrypha—the fourteen known books and the fifteenth, only just now revealed. The day was coming, it couldn’t quite be said exactly when, but blood would flow from stones, the dead would rise from their graves, the lame would walk, the blind would see, and the fucking
shkopy
would get out of Poland.

At a time when national consolation was almost nonexistent, the prophecies helped, strange as some of them were, and the intelligence service of the Polish underground certainly wrote their share. Meanwhile, hiding in their apartments from winter and the Gestapo, the people of Warsaw listened—on pain of death if caught—to the BBC on illicit radios. And they also studied English. That winter in Warsaw, an English grammar couldn’t be had for love or money. Even so, the joke everybody was telling around town went like this: the pessimists are learning German, the optimists are learning English, while the realists, in January of 1940, were said to be learning Russian.

In Room 9, Agata leaned back from the committee table, ran long fingers through her chopped-off hair, blew savage plumes of smoke from her nostrils, and said, “Next. The eastern zone, and the need to do something about the Russians. As of yesterday, a courier reported six more arrests by the NKVD.”

It had been a long meeting, not a good one, with too many problems tabled for future consideration. Colonel Broza did not respond—he stared absently at a map of Poland tacked to the green wall, but there was certainly little comfort for him there.

“The efficiency of the NKVD,” Agata went on, “seems only to increase. They are everywhere, how to say,
inside our lines.
In the professions, the peasantry—there is no social class we can turn to. People in the Russian zone have simply stopped talking to their friends—and I can’t imagine anything that hurts us more than that. The fear is on the streets, in the air. Of our top echelon, political and military, nothing remains; those who are alive are in the Lubianka, and out of contact. From the officer camps in the Katyn forest it’s the same thing: no escapes, no letters, silence. So, since it is Poland’s great privilege to play host to both the NKVD and the Gestapo, it’s time to admit we are not doing all that badly with the Germans, but have not yet learned how to operate against the Russians.”

Broza thought about it for a time. “Why?” he said.

“Why are the Russians better at it?” Agata said.

“Yes.”

“Oh, tradition. A thousand years of espionage, the secret police of Ivan the Terrible—is that what you want to hear?”

Broza’s expression was grim, almost despairing—wasn’t there perhaps a little more to it? No? Maybe?

Agata tapped a pencil eraser against the open page of a notebook. “There is a difference,” she said slowly, “that interests me. Say that it is the difference between nationalism and, ah, what we might call social theory. For the Germans, nationalism is an issue of race, ethnicity. For example, they accept as their own the
Volksdeutsch—
descendents of German colonists, many of whom do not even speak German. But their blood is German blood—these Teutonic philosophers really believe in such things. Cut a vein, listen closely, you can hear the overture to
Lohengrin—
why, that’s a
German
you’ve got there! The Bolsheviks are just the opposite—they recruit the mind, or so they like to pretend. And all the world is invited to join them; you can be a communist any time you like—‘Good heavens! I just realized it’s all in the dictatorship of the working class.’

“Now as a practical matter, that difference serves the purposes of the NKVD very nicely. We all accept that every society has its opportunists—criminals, misfits, unrecognized geniuses, the pathologically disappointed—and when the conqueror comes, that’s the moment to even the score. But, here in western Poland, the only job open is collaborator—you can’t just get up in the morning and decide to be German. On the Soviet side, however, you can experience insight, then conversion, and you’ll be welcomed. Oh, you may have to tattle a little, tell the NKVD whatever you happen to know—and everybody knows
something.
You can invite your former friends to join you in conspiracies, you can inform on your enemies. And what are you then? A traitor? No, a friend of peace and the working class. And, if you turn out to have a bit of a flair for the work, you can be a commissar.”

Agata paused a moment, lit a new cigarette. “And if that’s not bad enough,” she said, shaking out the match, “the NKVD is very shrewd, and never in a hurry. They follow the spirit of resistance like a hidden current running through an ocean: they detain, interrogate, torture, turn a few to work for them, shoot the rest, and start over.”

Colonel Broza nodded slowly. “Tyranny,” he said, “has become a science.” He turned to de Milja. “What do you think we can do, Captain.”

De Milja was in no hurry to answer. “Perhaps, over time, we’ll prove to be stronger than they are. But right now, I would say the important thing for us is to hammer at the links between the Germans and the Russians. For us, in this room, the worst would be if NKVD methods were to spread to the Gestapo.”

“We know they’ve been meeting in Cracow,” Grodewicz said, “but the Russians aren’t sharing much. They cooperate by handing over German communists who fled to Moscow in the thirties, but they don’t talk about methods.”

“That is because,” Agata said, “they are going to fight.”

“Yes. They must, eventually,” Broza said. He thought a moment, then his eyes met de Milja’s. “Take some time and a few people, Captain. See if you can get a sense of when that might be.”

A week later, he left the freezing basement. Life immediately improved, was certainly warmer, better in a number of ways. He moved to a room in the Mokotow district, down a long hallway in the apartment of a former customs official, now a clerk in a factory office and a great friend to the resistance. Since the occupation authority had closed the schools—Poles, as a slave race, needed only to understand simple directions and to count to twenty—the official’s wife taught at a secret school in a church basement while the children attended classes.

That left de Milja alone in the apartment for much of the day. Alone, except for Madame Kuester. Fortyish, probably a little older, a distant cousin of one side of the family or the other, she had met and married a Dutch engineer—Herr Kuester—who had gone off to work on a bridge in Kuala Lumpur in 1938, then vanished. Madame Kuester, childless, had then come to stay with the family. Not quite a servant, not quite an equal, she had worked in fashionable women’s shops before the war, lived quietly in her room, proud of not being a burden to anyone. The title “madame” was a survival of the world of the shops, where she had been, evidently, a bad-tempered and difficult supervisor to a generation of young assistants.

Given the hours of proximity, a love affair seemed inevitable. But the captain resisted. A deep, almost haunted longing for the wife who wasn’t there, a nominal—and sometimes not so nominal—Catholicism, and ZWZ security procedures: everything was against it. Including the attitude of Madame Kuester, haughty and cold, clearly meant to discourage familiarity between two people forced by war into the accidental intimacies of apartment life.

She was, de Milja came to understand, a snob to her very marrow. She set herself above the world, looking down on its unrefined excesses with small, angry eyes set in a great expanse of white brow. Her mouth was mean, down-curved, she wore her coarse hair elaborately pinned up, went about the apartment in gray blouse and long wool skirt—the prewar uniform of some of the better shops—that hung shapeless over a thick, heavy figure, and her walk, hard and definitive, told the world all it needed to know:
you have left me alone, now leave me alone.

But it was cold, always cold.

The February snow hissed against the window, the afternoons were silent, and dark, and endless. Captain de Milja was now subject to increased ZWZ security constraints; stay out of the center of Warsaw, where police patrols were abundant, try not to be on the streets during working hours—use the morning and evening travel periods as cover for getting around the city. He had to hold agent meetings as he probed for German intentions toward the U.S.S.R., but he scheduled them early in the morning and late in the afternoon, always in public places—libraries, railway stations, the thicker the crowd the better he liked it. But for much of the day he was a prisoner in the Mokotow apartment.

Where he discovered that he was keeping track of Madame Kuester by the sound of her presence: the scrape of the match as she lit the stove for midmorning tea, the rhythm of a carpet sweeper rolled relentlessly back and forth, the polite slam of a firmly closed door as she retired to her room for a midday rest, the creak of the bedspring as she lay down to nap.

Every afternoon at about 2:35, that was. She rather believed, he sensed, in the idea of routine, consistency. It was the way
her sort of people—
never defined, yet always with her—chose to live. After lunch she would sit primly in the corner of the sofa, then, after forty-five minutes of reading, rise majestically and disappear into her room. On Sunday, with the family present, everything was different, but six days a week her habit never varied, never changed.

Well, perhaps just once it did. On an otherwise unremarkable day in the middle of the week, she forgot her book. Ha! What absurdly spiteful joy he felt at such a lapse. He was immediately ashamed of himself, but there it lay, open, facedown on the arm of the sofa, protected by the blue paper cover she fussily wrapped her books in. Curious, he had a look. French. Well, of course, he should have known. A French novel, the very thing
her sort of people
would amuse themselves with.

De Milja scanned the page to see what kept Madame so occupied that she hadn’t a thought for the rest of the world. “
. . . dans une position en lequel ses places ombrées étaient, comme on dit, disponibles, mais c’était le sens de la caresse de l’aire sur elles, ces ouvertures, qui faisait battre fort son coeur . . .

What?

In pure astonishment and disbelief he slipped the cover off the novel:
La Belle Dominique.
Written by that well-known and time-honored author, Vaguely Saucy Nom de Plume. The French novel was a French novel! He flipped the pages, and read some more, and flipped the pages, and read some more. It was the sheer contrast of the moment that struck his heart. The dying, ice-bound city, heavy with fear and misery and the exhaustion of daily life, set against these brittle pages of print, where gold passementerie was untied and heavy drapes flowed together, where pale skin flushed rose with excitement, where silk rustled to the floors of moonlit chambers.

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