The Portable Mark Twain (45 page)

Well, pretty soon the whole town was there, squirming and scrouging and pushing and shoving to get at the window and have a look, but people that had the places wouldn't give them up, and folks behind them was saying all the time, “Say, now, you've looked enough, you fellows; 'taint right and 'taint fair, for you to stay thar all the time, and never give nobody a chance; other folks has their rights as well as you.”

There was considerable jawing back, so I slid out, thinking maybe there was going to be trouble. The streets was full, and everybody was excited. Everybody that seen the shooting was telling how it happened, and there was a big crowd packed around each one of these fellows, stretching their necks and listening. One long lanky man, with long hair and a big white fur stove-pipe hat on the back of his head, and a crooked-handled cane, marked out the places on the ground where Boggs stood, and where Sherburn stood, and the people, following him around from one place to t'other and watching everything he done, and bobbing their heads to show they understood, and stooping a little and resting their hands on their thighs to watch him mark the places on the ground with his cane; and then he stood up straight and stiff where Sherburn had stood, frowning and having his hat-brim down over his eyes, and sung out, “Boggs!” and then fetched his cane down slow to a level, and says “Bang!” staggered backwards, says “Bang!” again, and fell down flat on his back. The people that had seen the thing said he done it perfect; said it was just exactly the way it all happened. Then as much as a dozen people got out their bottles and treated him.

Well, by-and-by somebody said Sherburn ought to be lynched. In about a minute everybody was saying it; so away they went, mad and yelling, and snatching down every clothes-line they come to, to do the hanging with.

They swarmed up the street towards Sherburn's house, a-whopping and yelling and raging like Injuns, and everything had to clear the way or get run over and tromped to mush, and it was awful to see. Children was heeling it ahead of the mob, screaming and trying to get out of the way; and every window along the road was full of women's heads, and there was nigger boys in every tree, and bucks and wenches looking over every fence; and as soon as the mob would get nearly to them they would break and skaddle back out of reach. Lots of the women and girls was crying and taking on, scared most to death.

They swarmed up in front of Sherburn's palings as thick as they could jam together, and you couldn't hear yourself think for the noise. It was a little twenty-foot yard. Some sung out “Tear down the fence! tear down the fence!” Then there was a racket of ripping and tearing and smashing, and down she goes, and the front wall of the crowd begins to roll in like a wave.

Just then Sherburn steps out on to the roof of his little front porch, with a double-barrel gun in his hand, and takes his stand, perfectly ca'm and deliberate, not saying a word. The racket stopped, and the wave sucked back.

Sherburn never said a word—just stood there, looking down. The stillness was awful creepy and uncomfortable. Sherburn run his eye slow along the crowd; and wherever it struck, the people tried a little to outgaze him, but they couldn't; they dropped their eyes and looked sneaky. Then pretty soon Sherburn sort of laughed; not the pleasant kind, but the kind that makes you feel like when you are eating bread that's got sand in it.

Then he says, slow and scornful:

“The idea of
you
lynching anybody! It's amusing. The idea of you thinking you had pluck enough to lynch a
man!
Because you're brave enough to tar and feather poor friendless cast-out women that come along here, did that make you think you had grit enough to lay your hands on a
man?
Why, a
man's
safe in the hands of ten thousand of your kind—as long as it's daytime and you're not behind him.

“Do I know you? I know you clear through. I was born and raised in the South, and I've lived in the North; so I know the average all around. The average man's a coward. In the North he lets anybody walk over him that wants to, and goes home and prays for a humble spirit to bear it. In the South one man, all by himself, has stopped a stage full of men, in the day-time, and robbed the lot. Your newspapers call you a brave people so much that you think you
are
braver than any other people—whereas you're just
as
brave, and no braver. Why don't your juries hang murderers? Because they're afraid the man's friends will shoot them in the back, in the dark—and it's just what they
would
do.

“So they always acquit; and then a
man
goes in the night, with a hundred masked cowards at his back, and lynches the rascal. Your mistake is, that you didn't bring a man with you; that's one mistake, and the other is that you didn't come in the dark, and fetch your masks. You brought
part
of a man—Buck Harkness, there—and if you hadn't had him to start you, you'd a taken it out in blowing.

“You didn't want to come. The average man don't like trouble and danger.
You
don't like trouble and danger. But if only
half
a man—like Buck Harkness, there—shouts ‘Lynch him, lynch him!' you're afraid to back down—afraid you'll be found out to be what you are—
cowards
—and so you raise a yell, and hang yourselves onto that half-a-man's coat tail, and come raging up here, swearing what big things you're going to do. The pitifulest thing out is a mob; that's what an army is—a mob; they don't fight with courage that's born in them, but with courage that's borrowed from their mass, and from their officers. But a mob without any
man
at the head of it, is
beneath
pitifulness. Now the thing for
you
to do, is to droop your tails and go home and crawl in a hole. If any real lynching's going to be done, it will be done in the dark, Southern fashion; and when they come they'll bring their masks, and fetch a
man
along. Now
leave
—and take your half-a-man with you”—tossing his gun up across his left arm and cocking it, when he says this.

The crowd washed back sudden, and then broke all apart and went tearing off every which way, and Buck Harkness he heeled it after them, looking tolerable cheap. I could a staid, if I'd a wanted to, but I didn't want to.

I went to the circus, and loafed around the back side till the watchman went by, and then dived in under the tent. I had my twenty-dollar gold piece and some other money, but I reckoned I better save it, because there ain't no telling how soon you are going to need it, away from home and amongst strangers, that way. You can't be too careful. I ain't opposed to spending money on circuses, when there ain't no use in
wasting
it on them.

It was a real bully circus. It was the splendidest sight that ever was, when they all come riding in, two and two, a gentleman and a lady, side by side, the men just in their drawers and under-shirts, and no shoes nor stirrups, and resting their hands on their thighs, easy and comfortable—there must a' been twenty of them—and every lady with a lovely complexion, and perfectly beautiful, and looking just like a gang of real sure-enough queens, and dressed in clothes that cost millions of dollars, and just littered with diamonds. It was a powerful fine sight; I never see anything so lovely. And then one by one they got up and stood, and went a-weaving around the ring so gentle and wavy and graceful, the men looking ever so tall and airy and straight, with their heads bobbing and skimming along, away up there under the tent-roof, and every lady's rose-leafy dress flapping soft and silky around her hips, and she looking like the most loveliest parasol.

And then faster and faster they went, all of them dancing, first one foot stuck out in the air and then the other, the horses leaning more and more, and the ring-master going round and round the centre-pole, cracking his whip and shouting “hi!—hi!” and the clown cracking jokes behind him; and by-and-by all hands dropped the reins, and every lady put her knuckles on her hips and every gentleman folded his arms, and then how the horses did lean over and hump themselves! And so, one after the other they all skipped off into the ring, and made the sweetest bow I ever see, and then scampered out, and everybody clapped their hands and went just about wild.

Well, all through the circus they done the most astonishing things; and all the time that clown carried on so it most killed the people. The ring-master couldn't ever say a word to him but he was back at him quick as a wink with the funniest things a body ever said; and how he ever
could
think of so many of them, and so sudden and so pat, was what I couldn't noway understand. Why, I couldn't a thought of them in a year. And by-and-by a drunk man tried to get into the ring—said he wanted to ride; said he could ride as well as anybody that ever was. They argued and tried to keep him out, but he wouldn't listen, and the whole show came to a standstill. Then the people begun to holler at him and make fun of him, and that made him mad, and he begun to rip and tear; so that stirred up the people, and a lot of men begun to pile down off of the benches and swarm towards the ring, saying, “Knock him down! throw him out!” and one or two women begun to scream. So, then, the ring-master he made a little speech, and said he hoped there wouldn't be no disturbance, and if the man would promise he wouldn't make no more trouble, he would let him ride, if he thought he could stay on the horse. So everybody laughed and said all right, and the man got on. The minute he was on, the horse begun to rip and tear and jump and cavort around, with two circus men hanging onto his bridle trying to hold him, and the drunk man hanging onto his neck, and his heels flying in the air every jump, and the whole crowd of people standing up shouting and laughing till the tears rolled down. And at last, sure enough, all the circus men could do, the horse broke loose, and away he went like the very nation, round and round the ring, with that sot laying down on him and hanging to his neck, with first one leg hanging most to the ground on one side, and then t'other one on t'other side, and the people just crazy. It warn't funny to me, though; I was all of a tremble to see his danger. But pretty soon he struggled up astraddle and grabbed the bridle, a-reeling this way and that; and the next minute he sprung up and dropped the bridle and stood! and the horse agoing like a house afire too. He just stood up there, a-sailing around as easy and comfortable as if he warn't ever drunk in his life—and then he begun to pull off his clothes and sling them. He shed them so thick they kind of clogged up the air, and altogether he shed seventeen suits. And then, there he was, slim and handsome, and dressed the gaudiest and prettiest you ever saw, and he lit into that horse with his whip and made him fairly hum—and finally skipped off, and made his bow and danced off to the dressing-room, and everybody just a-howling with pleasure and astonishment.

Then the ring-master he see how he had been fooled, and he
was
the sickest ring-master you ever see, I reckon. Why, it was one of his own men! He had got up that joke all out of his own head, and never let on to nobody. Well, I felt sheepish enough, to be took in so, but I wouldn't a been in that ring-master's place, not for a thousand dollars. I don't know; there may be bullier circuses than what that one was, but I never struck them yet. Anyways it was plenty good enough for
me;
and wherever I run across it, it can have all of
my
custom, every time.

Well, that night we had
our
show; but there warn't only about twelve people there; just enough to pay expenses. And they laughed all the time, and that made the duke mad; and everybody left, anyway, before the show was over, but one boy which was asleep. So the duke said these Arkansas lunkheads couldn't come up to Shakspeare; what they wanted was low comedy—and may be something ruther worse than low comedy, he reckoned. He said he could size their style. So next morning he got some big sheets of wrapping-paper and some black paint, and drawed off some handbills and stuck them up all over the village. The bills said:

 

AT THE COURT HOUSE!
FOR 3 NIGHTS ONLY!
The World-Renowned Tragedians
DAVID GARRICK THE YOUNGER!
AND
EDMUND KEAN THE ELDER!
Of the London and Continental
Theatres,
In their Thrilling Tragedy of
THE KING'S CAMELOPARD
OR
THE ROYAL NONESUCH!!!
Admission 50 cents.

 

Then at the bottom was the biggest line of all—which said:

 

“There,” says he, “if that line don't fetch them, I dont know Arkansaw!”

Well, all day him and the king was hard at it, rigging up a stage, and a curtain, and a row of candles for footlights; and that night the house was jam full of men in no time. When the place couldn't hold no more, the duke he quit tending door and went around the back way and come onto the stage and stood up before the curtain, and made a little speech, and praised up this tragedy, and said it was the most thrillingest one that ever was; and so he went on a-bragging about the tragedy and about Edmund Kean the Elder, which was to play the main principal part in it; and at last when he'd got everybody's expectations up high enough, he rolled up the curtain, and the next minute the king come a-prancing out on all fours, naked; and he was painted all over, ring-streaked-and-striped, all sorts of colors, as splendid as a rainbow. And—but never mind the rest of his outfit, it was just wild, but it was awful funny. The people most killed themselves laughing; and when the king got done capering, and capered off behind the scenes, they roared and clapped and stormed and haw-hawed till he come back and done it over again; and after that, they made him do it another time. Well, it would a made a cow laugh to see the shines that old idiot cut.