The Portable Mark Twain (8 page)

BOOK: The Portable Mark Twain
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And he had a little small bull pup, that to look at him you'd think he wan't worth a cent, but to set around and look ornery, and lay for a chance to steal something. But as soon as money was up on him, he was a different dog; his under-jaw'd begin to stick out like the fo'castle of a steamboat, and his teeth would uncover, and shine savage like the furnaces. And a dog might tackle him, and bully-rag him, and bite him, and throw him over his shoulder two or three times, and Andrew Jackson—which was the name of the pup—Andrew Jackson would never let on but what
he
was satisfied, and hadn't expected nothing else—and the bets being doubled and doubled on the other side all the time, till the money was all up; and then all of a sudden he would grab that other dog jest by the j'int of his hind leg and freeze to it—not chaw, you understand, but only jest grip and hang on till they throwed up the sponge, if it was a year. Smiley always come out winner on that pup, till he harnessed a dog once that didn't have no hind legs, because they'd been sawed off by a circular saw, and when the thing had gone along far enough, and the money was all up, and he come to make a snatch for his pet holt, he saw in a minute how he'd been imposed on, and how the other dog had him in the door, so to speak, and he 'peared surprised, and then he looked sorter discouraged-like, and didn't try no more to win the fight, and so he got shucked out bad. He give Smiley a look, as much as to say his heart was broke, and it was
his
fault, for putting up a dog that hadn't no hind legs for him to take holt of, which was his main dependence in a fight, and then he limped off a piece and laid down and died. It was a good pup, was that Andrew Jackson, and would have made a name for hisself if he'd lived, for the stuff was in him, and he had genius—I know it, because he hadn't had no opportunities to speak of, and it don't stand to reason that a dog could make such a fight as he could under them circumstances, if he hadn't no talent. It always makes me feel sorry when I think of that last fight of his'n, and the way it turned out.
Well, thish-yer Smiley had rat-tarriers, and chicken cocks, and tom-cats, and all them kind of things, till you couldn't rest, and you couldn't fetch nothing for him to bet on but he'd match you. He ketched a frog one day, and took him home, and said he cal'klated to edercate him; and so he never done nothing for three months but set in his back yard and learn that frog to jump. And you bet you he
did
learn him, too. He'd give him a little punch behind, and the next minute you'd see that frog whirling in the air like a doughnut—see him turn one summerset, or may be a couple, if he got a good start, and come down flat-footed and all right, like a cat. He got him up so in the matter of catching flies, and kept him in practice so constant, that he'd nail a fly every time as far as he could see him. Smiley said all a frog wanted was education, and he could do most any thing—and I believe him. Why, I've seen him set Dan'l Webster down here on this floor—Dan'l Webster was the name of the frog—and sing out, “Flies, Dan'l, flies!” and quicker'n you could wink, he'd spring straight up, and snake a fly off'n the counter there, and flop down on the floor again as solid as a gob of mud, and fall to scratching the side of his head with his hind foot as indifferent as if he hadn't no idea he'd been doin' any more'n any frog might do. You never see a frog so modest and straightfor'ard as he was, for all he was so gifted. And when it come to fair and square jumping on a dead level, he could get over more ground at one straddle than any animal of his breed you ever see. Jumping on a dead level was his strong suit, you understand; and when it come to that, Smiley would ante up money on him as long as he had a red. Smiley was monstrous proud of his frog, and well he might be, for fellers that had traveled and been everywheres, all said he laid over any frog that ever
they
see.
Well, Smiley kept the beast in a little lattice box, and he used to fetch him down town sometimes and lay for a bet. One day a feller—a stranger in the camp, he was—come across him with his box, and says:
“What might it be that you've got in the box?”
And Smiley says, sorter indifferent like, “It might be a parrot, or it might be a canary, may be, but it an't—it's only just a frog.”
And the feller took it, and looked at it careful, and turned it round this way and that, and says, “H'm—so 'tis. Well, what's
he
good for?”
“Well,” Smiley says, easy and careless. “He's good enough for
one
thing, I should judge—he can outjump ary frog in Calaveras county.”
The feller took the box again, and took another long, particular look, and give it back to Smiley, and says, very deliberate, “Well, I don't see no p'ints about that frog that's any better'n any other frog.”
“May be you don't,” Smiley says. “May be you understand frogs, and may be you don't understand 'em; may be you've had experience, and may be you an't only a amature, as it were. Anyways, I've got
my
opinion, and I'll risk forty dollars that he can outjump any frog in Calaveras county.”
And the feller studied a minute, and then says, kinder sad like, “Well, I'm only a stranger here, and I an't got no frog; but if I had a frog, I'd bet you.”
And then Smiley says, “That's all right—that's all right—if you'll hold my box a minute, I'll go and get you a frog.” And so the feller took the box, and put up his forty dollars along with Smiley's, and set down to wait.
So he set there a good while thinking and thinking to hisself, and then he got the frog out and prized his mouth open and took a teaspoon and filled him full of quail shot—filled him pretty near up to his chin—and set him on the floor. Smiley he went to the swamp and slopped around in the mud for a long time, and finally he ketched a frog, and fetched him in, and give him to this feller, and says:
“Now, if you're ready, set him alongside of Dan'l, with his fore-paws just even with Dan'l, and I'll give the word.” Then he says, “One—two—three—jump!” and him and the feller touched up the frogs from behind, and the new frog hopped off, but Dan'l give a heave, and hysted up his shoulders—so—like a Frenchman, but it wan't no use—he couldn't budge; he was planted as solid as an anvil, and he couldn't no more stir than if he was anchored out. Smiley was a good deal surprised, and he was disgusted too, but he didn't have no idea what the matter was, of course.
The feller took the money and started away; and when he was going out at the door, he sorta jerked his thumb over his shoulders—this way—at Dan'l, and says again, very deliberate, “Well,
I
don't see no p'ints about that frog that's any better'n any other frog.”
Smiley he stood scratching his head and looking down at Dan'l a long time, and at last he says, “I do wonder what in the nation that frog throw'd off for—I wonder if there an't something the matter with him—he 'pears to look mighty baggy, somehow.” And he ketched Dan'l by the nap of the neck, and lifted him up and says, “Why, blame my cats, if he don't weigh five pound!” and turned him upside down, and he belched out a double handful of shot. And then he see how it was, and he was the maddest man—he set the frog down and took out after that feller, but he never ketched him. And——
[Here Simon Wheeler heard his name called from the front yard, and got up to see what was wanted.] And turning to me as he moved away, he said: “Just set where you are, stranger, and rest easy—I an't going to be gone a second.”
But, by your leave, I did not think that a continuation of the history of the enterprising vagabond
Jim
Smiley would be likely to afford me much information concerning the Rev.
Leonidas W.
Smiley, and so I started away.
At the door I met the sociable Wheeler returning, and he buttonholed me and recommended:
“Well, thish-yer Smiley had a yaller one-eyed cow that didn't have no tail, only jest a short stump like a bannanner, and——”
“Oh! hang Smiley and his afflicted cow!” I muttered, good-naturedly, and bidding the old gentleman good-day, I departed.
“How I Edited an Agricultural Journal Once”
(1870)
I did not take the temporary editorship of an agricultural paper without misgivings. Neither would a landsman take command of a ship without misgivings. But I was in circumstances that made the salary an object. The regular editor of the paper was going off for a holiday, and I accepted the terms he offered, and took his place.
The sensation of being at work again was luxurious, and I wrought all the week with unflagging pleasure. We went to press, and I waited a day with some solicitude to see whether my effort was going to attract any notice. As I left the office, toward sundown, a group of men and boys at the foot of the stairs dispersed with one impulse, and gave me passage-way, and I heard one of them say: “That's him!” I was naturally pleased by this incident. The next morning I found a similar group at the foot of the stairs, and scattering couples and individuals standing here and there in the street, and over the way, watching me with interest. The group separated and fell back as I approached and I heard a man say; “Look at his eye!” I pretended not to observe the notice I was attracting, but secretly I was pleased with it, and was purposing to write an account of it to my aunt. I went up the short flight of stairs, and heard cheery voices and a ringing laugh as I drew near the door, which I opened, and caught a glimpse of two young, rural-looking men, whose faces blanched and lengthened when they saw me, and then they both plunged through the window, with a great crash. I was surprised.
In about half an hour an old gentleman, with a flowing beard and a fine but rather austere face, entered, and sat down at my invitation. He seemed to have something on his mind. He took off his hat and set it on the floor, and got out of it a red silk handkerchief and a copy of our paper. He put the paper on his lap, and, while he polished his spectacles with his handkerchief, he said:
“Are you the new editor?”
I said I was.
“Have you ever edited an agricultural paper before?”
“No,” I said; “this is my first attempt.”
“Very likely. Have you had any experience in agriculture, practically?”
“No, I believe I have not.”
“Some instinct told me so,” said the old gentleman, putting on his spectacles and looking over them at me with asperity, while he folded his paper into a convenient shape. “I wish to read you what must have made me have that instinct. It was this editorial. Listen, and see if it was you that wrote it:
 
“Turnips should never be pulled—it injures them. It is much better to send a boy up and let him shake the tree.”
 
“Now, what do you think of that?—for I really suppose you wrote it?”
“Think of it? Why, I think it is good. I think it is sense. I have no doubt that, every year, millions and millions of bushels of turnips are spoiled in this township alone by being pulled in a half-ripe condition, when, if they had sent a boy up to shake the tree—”
“Shake your grandmother! Turnips don't grow on trees!”
“Oh, they don't, don't they? Well, who said they did? The language was intended to be figurative, wholly figurative. Anybody, that knows anything, will know that I meant that the boy should shake the vine.”
Then this old person got up and tore his paper all into small shreds, and stamped on them, and broke several things with his cane, and said I did not know as much as a cow; and then went out, and banged the door after him, and, in short, acted in such a way that I fancied he was displeased about something. But, not knowing what the trouble was, I could not be any help to him.
Pretty soon after this a long, cadaverous creature, with lanky locks hanging down to his shoulders and a week's stubble bristling from the hills and valleys of his face, darted within the door, and halted, motionless, with finger on lip, and head and body bent in listening attitude. No sound was heard. Still he listened. No sound. Then he turned the key in the door, and came elaborately tip-toeing toward me, till he was within long reaching distance of me, when he stopped, and, after scanning my face with intense interest for a while, drew a folded copy of our paper from his bosom, and said:
“There—you wrote that. Read it to me, quick! Relieve me—I suffer.”
I read as follows—and as the sentences fell from my lips I could see the relief come—I could see the drawn muscles relax, and the anxiety go out of the face, and rest and peace steal over the features like the merciful moonlight over a desolate landscape:
 
“The guano is a fine bird, but great care is necessary in rearing it. It should not be imported earlier than June nor later than September. In the Winter it should be kept in a warm place, where it can hatch out its young.
“It is evident that we are to have a backward season for grain. Therefore, it will be well for the farmer to begin setting out his corn stalks and planting his buckwheat cakes in July instead of August.
“Concerning the Pumpkin—This berry is a favorite with the natives of the interior of New England, who prefer it to the gooseberry for the making of fruit cake, and who likewise give it the preference over the raspberry for feeding cows, as being more filling and fully as satisfying. The pumpkin is the only esculent of the orange family that will thrive in the North, except the gourd and one or two varieties of the squash. But this custom of planting it in the front yard with the shrubbery is fast going out of vogue, for it is now generally conceded that the pumpkin, as a shade tree, is a failure.
“Now, as the warm weather approaches, and the ganders begin to spawn—”
BOOK: The Portable Mark Twain
4.14Mb size Format: txt, pdf, ePub
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