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Authors: Irving Wallace

The Prize (97 page)

BOOK: The Prize
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‘Is not work itself, creation, solitary accomplishment, the real point?’

 

‘One would suppose so. I remember one of Mr. Maugham’s characters once saying that an artist should let his mother starve, if necessary, rather than turn out potboilers to save her. In short, the artist’s work, his devotion to it, was all that mattered. You know, Professor, that takes terrible strength.’

 

‘For strength, I would substitute something else—an unrealistic sense of divinity—that the Lord gave you, only you, the Golden Plates.’

 

‘I used to feel that.’

 

Stratman nodded. ‘I am sure you did. If you had not, you would not be in Stockholm today. Then, what has happened to you? I am no psychologist, but I can guess. The unrealistic sense of divinity was violated by a horrible accident of reality—your wife’s sudden death—and you have been brought down, and your faith shaken, and you are still in shock. It happens, young man, it happens.’

 

Craig tried to think about this, sort it out and spread it before him, but he was not ready to understand it, and finally he decided to defer analysis for another day. ‘Perhaps you’re right,’ he said, and said no more.

 

Both men had lapsed into silence, puffing their pipes and listening to the remote sounds of Skansen and welcoming the winter sun as it filtered through the openings of the automobile.

 

‘Why did you remain behind?’ Stratman asked suddenly. ‘To keep an old man company?’

 

‘No, not at all.’

 

‘Then what? To speak of yourself?’

 

‘Not that either. Instinctively, I wanted to be near you, because you are close to Emily.’

 

‘Emily, eh?’ But there was no astonishment in the red face. Stratman emptied the bowl of his meerschaum, lifted his bifocals higher on the bridge of his nose, and peered at Craig uncritically, seeming to regard him for the first time not as a fellow laureate but as a human being. ‘So,’ he said, ‘what does Emily have to do with us?’

 

‘She told you that we met last night?’

 

‘She mentioned it. We reviewed the affair together, afterwards—we have often done that after social gatherings—and she told me a little about you—and, as a matter of fact, about some of the other guests, too, ones she had met.’

 

‘I see.’ Craig felt disappointed. He had hoped for more, some affirmation, some special interest. ‘Did she tell you what happened between us?’

 

‘What happened between you?’

 

‘I was drunk, and I offended her.’

 

‘Umm.’ Stratman digested this, perhaps tried to define it. ‘I am sorry to hear that. I could have told you—she is extremely sensitive and withdrawn about men. So—you made her angry?’

 

‘Yes, I did. I’ve been waiting for the moment to apologize. She won’t permit it.’

 

‘That is right. It is her way since childhood.’ He paused. ‘Why is this so important to you, Mr. Craig?’

 

‘I’m attracted to her. I want her good opinion.’

 

‘Then, you have an unenviable task—’

 

‘A hopeless one?’

 

Stratman shrugged. ‘I cannot think for her. I know her better than I know any person on earth. I have a father’s love for her. I raised her. I know her quirks and fancies and most of her reactions. But each day is a new creation of life, and to some minute degree, each person enters that day as a newborn. The brain, the nervous system, the muscles, the glands, the conditioned reflexes, all go through the life of the day responding in set and familiar ways—but then, there occurs one new accident or adventure or confrontation, one exceptional stimulus, and suddenly past performance means nothing—and the person’s brain or nervous system reacts differently, in a way previously unknown. So—how can anyone judge anyone else or speak for them? How can I know what Emily feels about you today?’

 

‘But you have an idea?’

 

‘Of course, I have an idea. I have past performance. After I brought my niece out of Germany, to England and then America, I saw her adhere to one pattern of behaviour, and this has remained remarkably unchanged. She does not trust men. She does without men. If by some voodooism you managed to make her lower her guard last night, and then took advantage of it, I would predict that her distrust would be stronger than ever—of men in general, of you in particular. So—you ask if it is hopeless to win her good opinion once more? As her relative, and a scientist, I would say the odds are against you, Mr. Craig. Certainly, I would not wager on your chances. But still, the imponderables—we have them in physics—a new day with a life cycle of its own, and possibly, somewhere between dawn and dusk, a new Emily. I am sorry, Mr. Craig, but this is the best I can offer. I am sorry to be so ponderous and long-winded. I am German born and raised. You are a product of optimism, a society of optimism, so your own decisions, for yourself, will be fairer than my own. And this, too—you are a spinner of tales, greatly honoured, so no doubt you have perceptions about people much keener than mine. Apply your optimism and your genius.’

 

Craig smiled. The old man was teasing him now, he was sure. He replied in kind. ‘My stories are of the past. I am a stranger to the present, and unarmed.’

 

‘There is no present,’ said Stratman. ‘One minute ago is the past.’ His eyes twinkled behind the thick lenses. ‘You are armed.’ He settled lower in the seat, and crossed his chunky legs. ‘I will have my beauty nap.’

 

Craig pushed himself off the front seat, stood up, and stretched. ‘And I’ll take a walk.’

 

Stratman’s eyelids had already drooped, but now they winked open. ‘Mr. Craig—’

 

Craig moved to the open rear door and leaned in. ‘Yes, Professor?’

 

‘I think you will try to win her good opinion.’

 

Craig said nothing.

 

Stratman sighed tiredly. ‘Should you succeed where others have failed, and make her lower her guard once more, do not disappoint her—or me.’

 

He yawned and closed his eyes, and Craig remained standing, moved but unmoving, reflecting on how Victorian the scene had been and how Herr Professor Stratman, guardian of the sun, and of his brother’s daughter, had momentarily sounded like Edward Barrett, of 50 Wimpole Street, London, guardian of the invalided Elizabeth against the young Browning. Yet the comparison was odious and unfair. Stratman was no jealous tyrant of Wimpole Street, suppressing latent feelings of incest. Stratman was a rutted bachelor, who had come into unexpected fatherhood late, and who was burdened with a responsibility that exceeded normal parental obligation. His first thought was for Emily, and not for himself. All things considered, Craig knew, Stratman had been kind.

 

Craig ambled off, without destination, without curiosity, about the perimeter of Skansen, sometimes halting to watch children play, once stopping for a lemonade. He meandered on and on, letting fantasies slip in and out of mind, occasionally letting himself become absorbed in the new characters who peopled his life, and then Miller’s Dam and the house on Wheaton Road and Lucius Mack, and even Harriet—yes, Harriet in the ground—seemed far away and of another time.

 

Half an hour had elapsed before Craig returned to the limousine. He saw that the others were already in the car, and Mr. Manker was wandering nearby searching for him, and he quickened his step. Once inside, squeezed into the jump seat, he apologized, and could not, for the life of him, explain, in retort to Leah’s question, where he had been and what he had done.

 

Mr. Manker was behind the wheel, and they were on the road again.

 

Craig listened, as Emily behind him reported to her uncle, briefly but brightly, on some of the highlights of the Skansen visit. When she had concluded, she asked her uncle how he had occupied himself.

 

‘Mr. Craig and I had a long, long talk,’ said Stratman.

 

‘About what?’ Emily wanted to know.

 

‘Shop talk,
mein Liebchen
. He advised me how to put plot in my papers, and I advised him how to employ solar energy in his typewriter. After that I napped.’

 

‘How do you feel now?’

 

‘Refreshed and a tourist again. . . . Count Jacobsson, what is your next propaganda to convert us all?’

 

‘The best we have to offer,’ said Jacobsson. ‘Mr. Manker is driving us to the Old Town—specifically, Stortorget—the Great Square—the original site of Stockholm seven centuries ago.’

 

Presently, going the long way around, they crossed the Norrbro bridge, swung past the Royal Palace, slowed before the Storkyrkan Cathedral, which had been built in 1260, proceeded up a narrow, ancient street that opened into the spacious square, and parked before the Bِrssalen, which Mr. Manker identified as the Bourse or Stock Exchange Building.

 

After they had left the car, Mr. Manker guided them around the Stortorget. The square, paved with aged, uneven bricks, was dominated in its centre by a huge round ancient well. Surrounding the landmark, there were public benches, and because the day was mild, the benches were filled with old men reading newspapers and middle-aged lady shoppers resting and gossiping.

 

They strolled along the sides of the square, which were lined with severe stone buildings, four to five stories high, housing commercial shops on the ground floor level and apartments in the floors above. Following Mr. Manker, they visited the hoary alleys and side streets leading into Stortorget. These shadowed streets were twisting and dark, as in medieval times, walled in by antiquated gabled houses that seemed to have been designed by the brothers Grimm.

 

‘Today, almost everyone wishes to live here in the Old Town,’ Mr. Manker was saying. ‘To live here is what you call in America a status symbol—is that right? The exteriors of the apartments are the originals. They cannot be renovated. They are left as they were in the beginning, and are now beaten by weather and chipped and peeling, and that is their charm. However, inside the apartments, I assure you, most of the quarters are spotlessly modern, with all the latest appliances, including oil burners for these winter months.’

 

Slowly, Mr. Manker led them back to the ancient well in Stortorget’s centre. ‘This is a hallowed place,’ he announced, as the party gathered more closely about him, and several Swedes on the benches looked up curiously. ‘This is the very spot of the infamous Stockholm Massacre or Blood Bath. In 1520, a Danish king, who controlled all of Scandinavia, offered amnesty to eighty rebellious Swedish aristocrats, invited them to this square for a celebration, then betrayed them by beheading all eighty.’ Mr. Manker pointed off. ‘Now, there is a more pleasant object for sightseeing.’

 

The members of the party turned to examine, once more, the rococo Stock Exchange Building before which the limousine was parked. ‘That palace was built in 1773,’ said Mr. Manker. ‘On the ground floor is the Exchange, but upstairs are the offices and library of the Swedish Academy, where André Gide and T. S. Eliot and Andrew Craig were voted the Nobel Prize in literature.’

 

Leah took Craig’s arm. ‘Isn’t it exciting, Andrew?’ Craig grimaced at his sister-in-law’s display, and then, worried that his hosts would be offended, he summoned forth a slight smile of pleasure.

 

‘Alfred Nobel is not your only benefactor,’ Mr. Manker told Craig. ‘There is another, and he is King Gustavus III, who came to our throne in 1771 and fifteen years later founded the Swedish Academy. For all of his faults, and they were many, ranging from a disinterest in the poor to a lavish spending on himself, Gustavus III has our high regard because he gave us much of our culture before he was assassinated at a masquerade ball in 1792. He gave us our opera. He gave us works of art from every corner of the world. And finally, to promote literature, he imitated the French by establishing the Swedish Academy. Because he superstitiously favoured the number eighteen, he founded the Academy with eighteen members, taken from Sweden’s most respected authors and scholars. Gustavus III’s number has survived to this day. Eighteen members, Mr. Craig, voted you the Nobel Prize.’

BOOK: The Prize
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