The Reef (9 page)

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Authors: Edith Wharton

Tags: #Literary, #Classics, #General, #Family Life, #Fiction

BOOK: The Reef
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      The one fixed point in his immediate future was that his leave was over and that he must be back at his post in London the next morning. Within twenty-four hours he would again be in a daylight world of recognized activities, himself a busy, responsible, relatively necessary factor in the big whirring social and official machine. That fixed obligation was the fact he could think of with the least discomfort, yet for some unaccountable reason it was the one on which he found it most difficult to fix his thoughts. Whenever he did so, the room jerked him back into the circle of its insistent associations. It was extraordinary with what a microscopic minuteness of loathing he hated it all: the grimy carpet and wallpaper, the black marble mantel- piece, the clock with a gilt allegory under a dusty bell, the high-bolstered brown-counterpaned bed, the framed card of printed rules under the electric light switch, and the door of communication with the next room. He hated the door most of all...

 

      At the outset, he had felt no special sense of responsibility. He was satisfied that he had struck the right note, and convinced of his power of sustaining it. The whole incident had somehow seemed, in spite of its vulgar setting and its inevitable prosaic propinquities, to be enacting itself in some unmapped region outside the pale of the usual. It was not like anything that had ever happened to him before, or in which he had ever pictured himself as likely to be involved; but that, at first, had seemed no argument against his fitness to deal with it.

 

      Perhaps but for the three days' rain he might have got away without a doubt as to his adequacy. The rain had made all the difference. It had thrown the whole picture out of perspective, blotted out the mystery of the remoter planes and the enchantment of the middle distance, and thrust into prominence every commonplace fact of the foreground. It was the kind of situation that was not helped by being thought over; and by the perversity of circumstance he had been forced into the unwilling contemplation of its every aspect...

 

      His cigar had gone out again, and he threw it into the fire and vaguely meditated getting up to find another. But the mere act of leaving his chair seemed to call for a greater exertion of the will than he was capable of, and he leaned his head back with closed eyes and listened to the drumming of the rain.

 

      A different noise aroused him. It was the opening and closing of the door leading from the corridor into the adjoining room. He sat motionless, without opening his eyes; but now another sight forced itself under his lowered lids. It was the precise photographic picture of that other room. Everything in it rose before him and pressed itself upon his vision with the same acuity of distinctness as the objects surrounding him. A step sounded on the floor, and he knew which way the step was directed, what pieces of furniture it had to skirt, where it would probably pause, and what was likely to arrest it. He heard another sound, and recognized it as that of a wet umbrella placed in the black marble jamb of the chimney-piece, against the hearth. He caught the creak of a hinge, and instantly differentiated it as that of the wardrobe against the opposite wall. Then he heard the mouse-like squeal of a reluctant drawer, and knew it was the upper one in the chest of drawers beside the bed: the clatter which followed was caused by the mahogany toilet-glass jumping on its loosened pivots...

 

      The step crossed the floor again. It was strange how much better he knew it than the person to whom it belonged! Now it was drawing near the door of communication between the two rooms. He opened his eyes and looked. The step had ceased and for a moment there was silence. Then he heard a low knock. He made no response, and after an interval he saw that the door handle was being tentatively turned. He closed his eyes once more...

 

      The door opened, and the step was in the room, coming cautiously toward him. He kept his eyes shut, relaxing his body to feign sleep. There was another pause, then a wavering soft advance, the rustle of a dress behind his chair, the warmth of two hands pressed for a moment on his lids. The palms of the hands had the lingering scent of some stuff that he had bought on the Boulevard...He looked up and saw a letter falling over his shoulder to his knee...

 

      "Did I disturb you? I'm so sorry! They gave me this just now when I came in."

 

      The letter, before he could catch it, had slipped between his knees to the floor. It lay there, address upward, at his feet, and while he sat staring down at the strong slender characters on the blue-gray envelope an arm reached out from behind to pick it up.

 

      "Oh, don't--
don't
" broke from him, and he bent over and caught the arm. The face above it was close to his.

 

      "Don't what?"

 

      ----"take the trouble," he stammered.

 

      He dropped the arm and stooped down. His grasp closed over the letter, he fingered its thickness and weight and calculated the number of sheets it must contain.

 

      Suddenly he felt the pressure of the hand on his shoulder, and became aware that the face was still leaning over him, and that in a moment he would have to look up and kiss it...

 

      He bent forward first and threw the unopened letter into the middle of the fire.

 

     

 

     

 

     
Book II

 

 

     
Chapter IX

 

 

     

 

     
T
he light of the October afternoon lay on an old high-roofed house which enclosed in its long expanse of brick and yellowish stone the breadth of a grassy court filled with the shadow and sound of limes.

 

      From the escutcheoned piers at the entrance of the court a level drive, also shaded by limes, extended to a white- barred gate beyond which an equally level avenue of grass, cut through a wood, dwindled to a blue-green blur against a sky banked with still white slopes of cloud.

 

      In the court, half-way between house and drive, a lady stood. She held a parasol above her head, and looked now at the house-front, with its double flight of steps meeting before a glazed door under sculptured trophies, now down the drive toward the grassy cutting through the wood. Her air was less of expectancy than of contemplation: she seemed not so much to be watching for any one, or listening for an approaching sound, as letting the whole aspect of the place sink into her while she held herself open to its influence. Yet it was no less apparent that the scene was not new to her. There was no eagerness of investigation in her survey: she seemed rather to be looking about her with eyes to which, for some intimate inward reason, details long since familiar had suddenly acquired an unwonted freshness.

 

      This was in fact the exact sensation of which Mrs. Leath was conscious as she came forth from the house and descended into the sunlit court. She had come to meet her step-son, who was likely to be returning at that hour from an afternoon's shooting in one of the more distant plantations, and she carried in her hand the letter which had sent her in search of him; but with her first step out of the house all thought of him had been effaced by another series of impressions.

 

      The scene about her was known to satiety. She had seen Givre at all seasons of the year, and for the greater part of every year, since the far-off day of her marriage; the day when, ostensibly driving through its gates at her husband's side, she had actually been carried there on a cloud of iris-winged visions.

 

      The possibilities which the place had then represented were still vividly present to her. The mere phrase "a French chateau" had called up to her youthful fancy a throng of romantic associations, poetic, pictorial and emotional; and the serene face of the old house seated in its park among the poplar-bordered meadows of middle France, had seemed, on her first sight of it, to hold out to her a fate as noble and dignified as its own mien.

 

      Though she could still call up that phase of feeling it had long since passed, and the house had for a time become to her the very symbol of narrowness and monotony. Then, with the passing of years, it had gradually acquired a less inimical character, had become, not again a castle of dreams, evoker of fair images and romantic legend, but the shell of a life slowly adjusted to its dwelling: the place one came back to, the place where one had one's duties, one's habits and one's books, the place one would naturally live in till one died: a dull house, an inconvenient house, of which one knew all the defects, the shabbinesses, the discomforts, but to which one was so used that one could hardly, after so long a time, think one's self away from it without suffering a certain loss of identity.

 

      Now, as it lay before her in the autumn mildness, its mistress was surprised at her own insensibility. She had been trying to see the house through the eyes of an old friend who, the next morning, would be driving up to it for the first time; and in so doing she seemed to be opening her own eyes upon it after a long interval of blindness.

 

      The court was very still, yet full of a latent life: the wheeling and rustling of pigeons about the rectangular yews and across the sunny gravel; the sweep of rooks above the lustrous greyish-purple slates of the roof, and the stir of the tree-tops as they met the breeze which every day, at that hour, came punctually up from the river.

 

      Just such a latent animation glowed in Anna Leath. In every nerve and vein she was conscious of that equipoise of bliss which the fearful human heart scarce dares acknowledge. She was not used to strong or full emotions; but she had always known that she should not be afraid of them. She was not afraid now; but she felt a deep inward stillness.

 

      The immediate effect of the feeling had been to send her forth in quest of her step-son. She wanted to stroll back with him and have a quiet talk before they re-entered the house. It was always easy to talk to him, and at this moment he was the one person to whom she could have spoken without fear of disturbing her inner stillness. She was glad, for all sorts of reasons, that Madame de Chantelle and Effie were still at Ouchy with the governess, and that she and Owen had the house to themselves. And she was glad that even he was not yet in sight. She wanted to be alone a little longer; not to think, but to let the long slow waves of joy break over her one by one.

 

      She walked out of the court and sat down on one of the benches that bordered the drive. From her seat she had a diagonal view of the long house-front and of the domed chapel terminating one of the wings. Beyond a gate in the court-yard wall the flower-garden drew its dark-green squares and raised its statues against the yellowing background of the park. In the borders only a few late pinks and crimsons smouldered, but a peacock strutting in the sun seemed to have gathered into his out-spread fan all the summer glories of the place.

 

      In Mrs. Leath's hand was the letter which had opened her eyes to these things, and a smile rose to her lips at the mere feeling of the paper between her fingers. The thrill it sent through her gave a keener edge to every sense. She felt, saw, breathed the shining world as though a thin impenetrable veil had suddenly been removed from it.

 

      Just such a veil, she now perceived, had always hung between herself and life. It had been like the stage gauze which gives an illusive air of reality to the painted scene behind it, yet proves it, after all, to be no more than a painted scene.

 

      She had been hardly aware, in her girlhood, of differing from others in this respect. In the well-regulated well-fed Summers world the unusual was regarded as either immoral or ill-bred, and people with emotions were not visited. Sometimes, with a sense of groping in a topsy-turvy universe, Anna had wondered why everybody about her seemed to ignore all the passions and sensations which formed the stuff of great poetry and memorable action. In a community composed entirely of people like her parents and her parents' friends she did not see how the magnificent things one read about could ever have happened. She was sure that if anything of the kind had occurred in her immediate circle her mother would have consulted the family clergyman, and her father perhaps even have rung up the police; and her sense of humour compelled her to own that, in the given conditions, these precautions might not have been unjustified.

 

      Little by little the conditions conquered her, and she learned to regard the substance of life as a mere canvas for the embroideries of poet and painter, and its little swept and fenced and tended surface as its actual substance. It was in the visioned region of action and emotion that her fullest hours were spent; but it hardly occurred to her that they might be translated into experience, or connected with anything likely to happen to a young lady living in West Fifty- fifth Street.

 

      She perceived, indeed, that other girls, leading outwardly the same life as herself, and seemingly unaware of her world of hidden beauty, were yet possessed of some vital secret which escaped her. There seemed to be a kind of freemasonry between them; they were wider awake than she, more alert, and surer of their wants if not of their opinions. She supposed they were "cleverer", and accepted her inferiority good-humouredly, half aware, within herself, of a reserve of unused power which the others gave no sign of possessing.

 

      This partly consoled her for missing so much of what made their "good time"; but the resulting sense of exclusion, of being somehow laughingly but firmly debarred from a share of their privileges, threw her back on herself and deepened the reserve which made envious mothers cite her as a model of ladylike repression. Love, she told herself, would one day release her from this spell of unreality. She was persuaded that the sublime passion was the key to the enigma; but it was difficult to relate her conception of love to the forms it wore in her experience. Two or three of the girls she had envied for their superior acquaintance with the arts of life had contracted, in the course of time, what were variously described as "romantic" or "foolish" marriages; one even made a runaway match, and languished for a while under a cloud of social reprobation. Here, then, was passion in action, romance converted to reality; yet the heroines of these exploits returned from them untransfigured, and their husbands were as dull as ever when one had to sit next to them at dinner.

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