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Authors: Roger Zelazny

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* * *

Is young Donnerjack somehow the result of a mating between a human male and a virtual woman? If so, how? It is true that the entire human genetic code has been sequenced, but how could its virtual representation serve for fertilization? Whatever—for now—is this the key to the ability he develops, while hanging out with Aions in Virtù? He finds out that he can pass physically through the interface RT and VR, manifesting anywhere within the network, traveling its strange unimaginable realms, merging with 3
rd
stage forms when the desire arises. For he does these things into young manhood, never during all this time setting eyes on a real human; he only knows their “ghosts” whenever they visit VR.

* * *

Plots: a virtual religion has just recently arisen, certain pleasure parlors serving as gateways to places of worship of the gods of Virtù. It is treated by the media as just another on-line cult, its deities associated to RT gentilities. One proceeds through a flame-like field, reclines in an aesculaparian, rises and makes one’s way through Elysian fields to the sites of the services where the visitors simply recline. (Physically, in RT, it could be a dormitory, its true functions masked by VR constructs and their subsequent sensations VR-mediated.)

And a strange new disease has also arisen with a variety of symptoms, some of these hallucinatory, including psychotic episodes, others involving high blood pressure, syncope, cardiac arrhythmias, death by ventricular fibrillation or massive heart failure. Dr. Lydia Hazzard, a pathologist of the CDC, has been assigned to investigate this. She knows that, oddly, many of the victims are reported to fall into the category of “mud eaters,” people who for no apparent reason indulge an appetite for clay.

* * *

Death discovers someone rummaging in Dark Fields, making off with strange bits and pieces which had come to rest there. It’s an interesting place, with ways of converting visitors into clientele. Brave individuals, whoever/whatever they were. Death studies the area a long while, then begins his own gathering, assembling the pieces into something rare and strange.

* * *

A short, stereotypical detective, Dale Drum, shot in the course of an investigation, listed as DOA at a S.F. non-public hospital, recovers suddenly, strange gaps in his memories, odd additions. He’d been investigating the Net gods religion and had attended a type of secret ceremony with some others. His client is Istara Valdes, owner of the busiest brothel in San Francisco, and ostensibly concerned that orgiastic rites might detract from her business.

He meets the CDC doctor, Lydia, on the way to autopsy one of her own case studies. (She’s a friend of Mary Drake, the doctor attending his case.) He continues then talking about the reason Lydia’s alone. Tells her that he might be able to help with her investigation if she’ll help with his. He makes a date with her and slips away, anxious to avoid the police investigating his murder.

She was planning to see her daughter Cath that eve, and her daughter’s reporter boyfriend (of whom she doesn’t approve). He works for a sort of Rolling Stone-type mag. Later, in a lounge, she chides Drum for having left the hospital against medical advice, though he seems in fine shape now. She tells him about her investigation and the bit about the clay-eating. He admits to having picked up the habit himself, several months earlier, and he’d since become aware of its prevalence among Netgod worshippers. She is intrigued by this and wants to attend a service with him. This is done, and an attempt (in VR) is made on their lives. Donnerjack, who’s been watching the development of this cult with some curiosity, revives them, though they must flee along separate routes though VR, having various harrowing and provocative experiences along their ways. Donnerjack finds himself drawn to _______________ (the daughter)

All safely recovered and returned to RT (save for Donnerjack) the pursuit continues in what has been thought to be the safety of RT. Other things are learned, also. A very thorough autopsy reveals the presence of what might be a small, strange chip in the vicinity of the SA node of the heart in one of the victims of the parlor disease. Other corpses revealed a similar feature of such an excrescence, oddly positioned at an anterior point which generates an electrical impulse? It is not recognized as a chip, though—only a strange silicon tumor.

Donnerjack, hastens, suddenly lonely, talking to ghosts, realizes he wants to see ________ again, and decides for the first time to go looking for somebody in RT. Later, in the company of Lydia, he realizes that the thing is a chip, and they attempt to analyze its functions.

It is, it turns out, grown from a VR matrix of a gene-tailored virus installed in selected worshippers, on piercing through the farm-like families. Completing its growth perfectly, it will permit the gods of Virtù to take broadest control of these RT bodies temporarily or permanently, thus manifesting in a realm hitherto beyond their reach—“returning,” as they consider it, to the world from which they had been exiled, in terms of their own mythology.

Other characters get involved: Lydia’s boss, Dr. Morris Marten, a government investigator, George Carroll, an old colleague of Prof Donnerjack, Dr. Samuel Ellerby, and a preacher irked at the new religion—Axel Satus.

The chase/investigation goes on in RT. Revolutions ensue. Heavy action in Virtù, also.

A Word from Zelazny

Zelazny wasn’t pleased with how contemporary cyberpunk novels like William Gibson’s
Neuromancer
and its many imitators treated virtual reality. He planned to rework the concept in the “non-cyberpunk”
Donnerjack
trilogy. Author William Sanders said, “Roger Zelazny often spoke of the need to rescue the virtual reality concept from the rather scabby literary neighborhood it had come to inhabit. VR, he would say, was (at least potentially) the most wonderful of all human creations; it ought to be more than just a technological background for stories about alienated youth versus vicious megacorporations.”
[1]
Unfortunately, only hints remain of Zelazny’s vision for the trilogy.

Notes

Dated 9/20/91, this handwritten manuscript in the Syracuse University Archives is Zelazny’s original outline for his trilogy (
Donnerjack, of Virtù
;
The Gods of Virtù
; and
Virtù, Virtù
). He started
Donnerjack, of Virtù
the following year, completing about a third before his death.
Psychoshop
and
Lord Demon
distracted him from working continuously on
Donnerjack
. Jane Lindskold completed it and published it as
Donnerjack
; its storyline encompassed the trilogy’s scope.

This rough outline lacks the polished language of a typical Zelazny story, and his illegible handwriting makes it impossible to determine the exact word he intended in every case. This treatment is included here to demonstrate his original vision of the trilogy and how it differs from the final novel.

The blank underscore comes from the manuscript, indicating that Zelazny had not yet determined a final name for Dr. Lydia Hazzard’s daughter.

Nymphs
are nature spirits, beautiful maidens inhabiting rivers, woods, or other locations; it also means a beautiful young woman.
Satyrs
are lustful, drunken woodland gods resembling men with a goat’s or horse’s ears, hind limbs and tails.
Bacchus
and
Dionysus
are names for the wine god, who loosens inhibitions and inspires musical and poetic creativity.
Ahriman
or Angra Mainyu is the spirit of darkness, chief adversary of supreme deity Ahura Mazda in the Iranian religion Zoroastrianism. Ahriman features prominently in the outline “The Ahriman Factor” that became the collaborative novel
The Mask of Loki
.
Dante’s Inferno
is the first book of Dante Alighieri’s
Divine Comedy
; it describes Dante’s descent through the nine circles of Hell.

EFT
means electronic funds transfer.
Tarzan
was created by Edgar Rice Burroughs in part to demonstrate the effect that environment (growing up in a jungle uncorrupted by human influence) can have on a man’s character. The concept mirrored philosopher Jean Jacques Rousseau’s vision of the
natural man
or Noble Savage: A man uncorrupted by civilization was nobler than his “civilized” contemporaries. Would John D’Arcy Donnerjack, Junior, uncorrupted by the real world, have a more moral character?

Aesculapius
is the Roman god of medicine and healing;
aesculapian
means physician. Zelazny’s neologism
aesculaparian
seems to imply a medical bed within virtual reality, similar to beds in sickbay on the starship
Enterprise
. In classical mythology, the
Elysian Fields
is where the blessed go after death.
Mud eating
and eating other non-food substances (chalk, clay, dried paint, ice, etc.) is pica; it can occur with mental illness, malnutrition, and pregnancy.
DOA
means Dead on Arrival. The S
A node
or sinoatrial node is the heart’s pacemaker, a specialized muscle area that undergoes timed electrical depolarizations.

This is the first page of the original handwritten outline for Donnerjack of Virtù. It may serve to explain the uncertainty about certain words and the occasional confusing sentence.

From the
Roger Zelazny Papers; Special Collections Research Center, Syracuse University Library.

  1. Sanders, William.
    New York Review o/Science Fiction #116
    , 1998, pp. 11-12.
CELEBRATIONS
A Zelazny Timeline
Born May 13 in Euclid, Ohio
1937

Attends Noble School in Euclid

1943
1949

Attends Shore Junior High

1952

Attends Euclid Senior High

Tales creative writing classes

1953

Writes dozens of stories but fails to sell any

Co-edits fanzine
Thurban I

“Conditional Benefit, Part 1” published in August/September

1954

Eucuyo
(Senior High literary annual) publishes two stories and one poem in Spring

First professional story payment in October—
Literary Cavalcade
publishes “Mr. Fuller’s Revolt”

Editor-in-Chief of school newspaper
The Survey
(senior year)

1955

Eucuyo
publishes another story and poem in Spring

Attends Western Reserve University in Cleveland

Majors in psychology
1956

Begins to learn fencing

Switches to English major in junior year

1957
Finley Foster Poetry Prize for “Southern Cross”
Begins life-long study of judo, karate, and other martial arts
1958
“The Outward Sign” and “Man Without a Shadow” publised in April in
Skyline

Captains épée squad in senior year

Graduates with a BA in English

Gratuate course work at Columbia University in Elizabethan and Jacobean drama

1959

Finley Foster Poetry Prize for “Decade Plus One of Roses”

“Decade Plus One of Roses” and “Tryptych” publised in April in
Skyline

1960

Frequents Greenwich Village scene; meets and later becomes engages to folksinger Hedy West

Chisel in the Sky
poetry manuscript doesn’t win Yale Younger Poets Prize (abandons poetry for prose)

Master’s thesis rejected

Join’s Ohio National Guard—six month tour of duty in Texas

Revised Master’s thesis accepted in fall
1961

Engagement to Hedy West broken off

Writes “A Rose for Ecclesiastes” in October but shelves it

Employment with Social Security Administration in Cleveland in February

Graduates from Columbia with MA in English and Comparative Literature in May

1962

Writes short stories during evenings and weekends

Sells “Passion Play” in March, published in August’s
Amazing

Sends “A Rose for Ecclesiastes” to
F&SF

1963

Writes “The Doors of His Face, the Lamps of His Mouth,” “The Furies,” “The Graveyard Heart”

16 stories published this year, including “A Rose for Ecclesiastes” in November
F&SF

First Hugo nomination for “A Rose for Ecclesiastes”
Egnages to Sharon Steberl

Serious motor vehicle accident on September 27—Steberl hospitalized six weeks, marriage postponed

Father (Jospeh) dies unexpectedly on November 25—writes a trio of stories in one day (“Divine Madness,” “Comes Now the Power,” and “But Not the Herald”)

Marries Steberl on December 5

1964

Writes “He Who Shapes”

“The Graveyard Heart” published in March

Finishes first novel
…And Call Me Conrad
[aka
This Immortal
]]

Deals with rapidly deteriorating marriage

Seperates from Steberl in the summer and moves to Baltimore

1965

“He Who Shapes” published in January/Feburary

“The Doors of His Face, the Lamps of His Mouth” published in March

Conceives
Lord of Light
in May and devotes a year to writing it

“The Furies” published in June

Writes
The Dream Master
, “For a Breath I Tarry,” “This Moment of the Storm,” and “The Keys to December”

Wins two Nebulas (“He Who Shapes” and “The Doors of His Face, the Lamps of His Mouth”); Nebula finalist (“Devil Car”)

Divorces Sharon Steberl on June 27

Marries Judith Alene Callahan on August 20

Wins Hugo for
…And Call Me Conrad
; Hugo finalist (“The Doors of His Face, the Lamps of His Mouth”)

1966

“For a Breath I Tarry” published in March

Finishes writing
Lord of Light
in March

Begins writing
Creatures of Light and Darkness

“This Moment of the Storm” published in June

First novel
This Immortal
published in July

“The Keys to December” published in August

The Dream Master
published in October

Nebula finalist (“This Moment of the Storm”)

Nova Award in June

Elected Secretary-Treasurer of SFWA in June

Selected to edit
Nebula Award Stories Three
in July

Hugo finalists (“For a Breath I Tarry,” “This Moment of the Storm,” and “Comes Now the Power”)

1967

Finishes
Nine Princes in Amber
in first week of February but shelves it

Writes part of
The Guns of Avalon
Writes “Damnation Alley”

Finishes
Creatures of Light and Darkness
but shelves it

Four for Tomorrow
[collection] published in March

Lord of Light
published in August

Nebula finalists (
Lord of Light
, “This Mortal Mountain,” “The Keys to December”)

Begins collaborating with Philip K. Dick on
Deus Irae
in the spring

Resigns as Secretary-Treasurer of SFWA in June

Hugo Award for
Lord of Light
Hugo finalist (“Damnation Alley”)

1968

Writes
Isle of the Dead
and
Damnation Alley

Samuel R. Delany brings
Creatures of Light and Darkness
(in April) and
Nine Princes in Amber
(in July) to the attention of Doubleday Editor Marc Haefele

Abandons
The Guns of Avalon
in September

Nebula Award Stories Three
[anthology] published in November

Resigns job May 1 to write full-time

Writes
To Die in Italbar
in May, Doubleday declines to publish it

Writes first tale of nameless detective, “The Eve of RUMOKO”

Writes “Come to Me Not in Winter’s White” with Harlan Ellison

Intermittent work on
Deus Irae

Finishes
Jack of Shadows
in December

1969

Isle of the Dead
published in January

Creatures of Light and Darkness
published in July

Damnation Alley
published in October

Nebula finalist (
Isle of the Dead
)

Begins writing
Today We Choose Faces
and
Apostates Gold
(aka
The Dead Man’s Brother
)

Resumes writing
The Guns of Avalon

1970

Nine Princes in Amber
published in April

Intermittent work on
Deus Irae

Finishes
The Dead Man’s Brother
in June

Finishes
The Guns of Avalon
in November

Son Devin Joseph born December 26

1971

The Doors of His Face, the Lamps of His Mouth and Other Stories
[collection] published in May

Jack of Shadows
published in August

Finishes
Today We Choose Faces
in March

Completes revisions of
To Die in Italbar
, adding Francis Sandow, in May

Writes “‘Kjwalll’kje’k’koothaïlll’kje’k,” in June

Begins writing
Doorways in the Sand

Intermittent work on
Deus Irae

Wins Prix Apollo for
Isle of the Dead

Hugo finalist (
Jack of Shadows
)

1972

The Guns of Avalon
published in August

Writes “The Engine at Heartspring’s Center”

Intermittent work on
Deus Irae

Finishes
Doorways in the Sand
on May 24

Begins
Sign of the Unicorn

The Dead Man’s Brother
shelved after multiple rejections in May

1973

Today We Choose Faces
published in April

To Die in Italbar
published in May

Worldcon Guest of Honor at Discon II

1974

Finishes
Sign of the Unicorn
in June

Writes “Home Is the Hangman”

Poems
[poetry] published in September

Moves to Santa Fe, NM in January

Nebula and Jupiter finalist (“The Engine at Heartspring’s Center”)

1975

Sign of the Unicorn
published in February

Finishes
Deus Irae
in the spring

Writes
The Hand of Oberon
(finished by fall) and
Bridge of Ashes

Works on
Roadmarks
and
The Courts of Chaos

Work begins on
The Illustrated Roger Zelazny

Nebula Award for “Home Is the Hangman” Nebula finalist (
Doorways in the Sand
)

American Library Association names
Doorways in the Sand
one of the Best Books for Young Adults

Seuin Award for
This Immortal

Hugo Award for “Home Is the Hangman”
Hugo finalist (
Doorways in the Sand
)

Son Jonathan Trent born November 28

1976

Doorways in the Sand
published in March

The Hand of Oberon
and
My Name Is Legion
[collection] published in April

Bridge of Ashes
, and
Deus Irae
published in July

Finishes
The Courts of Chaos

Works on
Roadmarks

1977
Movie
Damnation Alley
released October 21

Finishes
Roadmarks

Finishes “The Last Defender of Camelot”

Guest of Honor at Eastercon in Melbourne, Australia

1978

The
Illustrated Roger Zelazny
[collection] published in February

The
Courts of Chaos
published in August

Meets Ed Greenwood and spontaneously writes a portion of “A Secret ofAmber” in March

Conceives
A Night in the Lonesome October
in May

Writes
Changeling

Early work on
Eye of Cat

Resurrects Dilvish with “A City Divided”

Daughter Shannon Alene born September 1

1979

The Chronicles of Amber volumes 1 and 2
[omnibus] published in January from SFBC

The Bells of Shoredan
[chapbook] published in May

Roadmarks
published in October

Writes
The Changing Land
(finished in March) and
Madwand

Writes “Unicorn Variation” during Alaskan cruise in late May/June

Continues work on
Eye of Cat

Incorporates as The Amber Corporation on July 31

Balrog Award for “The Last Defender of Camelot”

1980

When Pussywillows Last in the Catyard Bloomed
[poetry] published in February

For a Breath I Tarry
and
The Last Defender of Camelot
[chapbook] published in May

Changeling
published in June

The Last Defender of Camelot
[collection] published in December

Summer-long visit to Ireland

Writes
Coils
with Fred Saberhagen

Writes three film treatments, one later becomes
Dreamscape

1981

The Changing Land
published in April

The Last Defender of Camelot
[limited edition] and
Madwand
[limited] published in July

A Rhapsody in Amber
[chapbook] published in September

To Spin Is Miracle Cat
[poetry] published in Octobet

Finishes
Eye of Cat

Hugo Award for “Unicorn Variation”

1982

Coils
published in May

Eye of Cat
published in October

Dilvish, the Damned
[collection] published in November

1983
Unicorn Variations
[collection] published in October

Seuin Award for “Unicorn Variation”

Unicorn Variations
wins Locus Award, Balrog Award, and Daicon Award

1984

Begins writing
Trumps of Doom

Writes “24 Views of Mt. Fuji, by Hokusai”

Judy Zelazny graduates in law from University of New Mexico

Finishes
Blood of Amber
in November

1985

Writes “Permafrost”

Begins work on
Roger Zelazny’s Alien Speedway

Trumps of Doom
published in May

Nebula finalist (“24 Views of Mt. Fuji, by Hokusai”)

Locus Award for
Trumps of Doom

Hugo Award for “24 Views of Mt. Fuji, by Hokusai”

1986

Writes
Sign of Chaos
and
A Dark Traveling

Contributes second portion of “A Secret of Amber”

Blood of Amber
published in September

Interviewed for
Roger Zelazny’s Visual Guide to Castle Amber

Nebula finalist for “Permafrost”

Hugo Award for “Permafrost”

1987

A Dark Traveling
published in April

Sign of Chaos
published in September

Roger Zelazny’s Alien Speedway: Clypsis
published in October

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