Authors: Margaret Atwood
This idea is paralyzing. In its grip Charis stands stock-still in the middle of the lobby. But she can’t turn back now. She closes her eyes and visualizes her altar, with the gloves and the earth and the Bible, calling upon its powers; then she opens them and waits for an omen. In one corner of the lobby there’s a grandfather clock. It’s almost noon. Charis watches until both hands of the clock are aligned,
pointing straight up. Then she gets onto the elevator. With every floor she passes, her heart beats harder.
On the fourteenth floor, really the thirteenth, she stands outside 1409. A reddish grey light oozes out through the crack under the door, pushing her backwards with palpable force. She puts her palm against the wood of the door, which vibrates in silent menace. It’s like a train going by at a distance, or a slow explosion far away. Zenia must be in there.
Charis knocks.
After a moment – during which she can feel Zenia’s eye on her, through the glass peephole – Zenia opens the door. She’s wearing one of the hotel bathrobes, and has her hair wrapped in a towel. She must have been taking a shower. Even with the terry-cloth turban on her head she is shorter than Charis remembers. This is a relief.
“I was wondering when you’d get here,” she says.
“You were?” says Charis. “How did you know?”
“Larry told me you were on your way,” says Zenia. “Come in.” Her voice is flat, her face is weary. Charis is surprised at how old she looks. Maybe it’s because she isn’t wearing any makeup. If Charis didn’t know better by now than to leap to such conclusions, she would think Zenia is ill.
The room is a mess.
“Just a minute,” says Tony. “Go over that part again. You were there at noon and the room was a mess?”
“She was always messy when she lived with me, that time, on the Island,” says Charis. “She never helped with the dishes or anything.”
“But when I was there earlier, everything was really neat,” says Tony. “The bed was made. Everything.”
“Well, it wasn’t,” says Charis. “There were pillows on the floor, the bed was a wreck. Dirty coffee cups, potato chips, clothes lying around. There was broken glass on the coffee table, the rug too. It was like there’d been a party all night.”
“You sure it was the same room?” says Tony. “Maybe she lost her temper and smashed a few glasses.”
“She must have gone back to bed,” says Roz. “After you left.”
They all consider that. Charis goes on:
The room is a mess. The flowered drapes are pulled half shut, as if they’ve been closed recently against the light. Zenia steps over the items strewn on the floor, sits down on the sofa, and picks up a cigarette from the dozen or so that are scattered around in the broken glass on the coffee table. “I know I shouldn’t smoke,” she murmurs, as if to herself, “but it hardly matters, now. Sit down, Charis. I’m glad you’ve come.”
Charis sits down in the armchair. This is not the charged confrontation she’s been imagining. Zenia isn’t trying to evade her; if anything, she seems mildly pleased that Charis is here. Charis reminds herself that what she needs is to find out about Billy, where he is, whether he’s alive or dead. But it’s hard to concentrate on Billy; she can scarcely remember what Billy used to look like, whereas Zenia is sitting right here in the room. It’s so strange to see her in the flesh, at last.
Now she’s smiling wanly. “You were so good to me,” she says. “I’ve always meant to apologize for going away like that, without saying goodbye. It was very thoughtless of me. But I was too dependent on you, I was letting you try to cure me instead of putting the energy into it myself. I just needed to get off somewhere, be alone so I could focus. It was – well, I got a sort of message, you know?”
Charis is amazed. Maybe she’s been misjudging Zenia, all these years. Or maybe Zenia has changed. People can change, they can
choose, they can transform themselves. It’s a deep belief of hers. She isn’t sure what to think.
“You didn’t really have cancer,” she says finally. She doesn’t intend it as an accusation. Only she needs to be sure.
“No,” says Zenia. “Not exactly. I
was
sick, though. It was a spiritual illness. And I’m sick now.” She pauses, but when Charis doesn’t ask, she says, “That’s why I’m back here – for the health care system. I couldn’t afford treatment anywhere else. They’ve told me I’m dying. They’ve given me six months.”
“Oh, that’s too bad,” says Charis. She’s looking at Zenia’s edges, to see what colour her light is, but she’s not getting a reading. “Is it cancer?”
“I don’t know if I should tell you,” says Zenia.
“It’s okay,” says Charis, because what if Zenia is telling the truth, this time? What if she really is dying? She does have a greyish tinge, around the eyes. The least Charis can do is listen.
“Well, actually, I’ve got
AIDS
,” says Zenia and sighs. “It’s really stupid. I had a bad habit, a few years back. I got it off a dirty needle.”
Charis gasps. This is terrible! What about Larry, then? Will he get
AIDS
, too?
Roz! Roz! Come quickly!
But what could Roz do?
“I wouldn’t mind spending a little time, somewhere peaceful,” says Zenia. “Just to get my head in order, before, you know. Some place like the Island.”
Charis feels the familiar tug, the old temptation. Maybe there’s no hope for Zenia’s body, but the body isn’t the only factor. She could have Zenia over to stay with her, the way she did before. She could help her to move towards the transition, she could put light around her, they could meditate together.…
“Or maybe I’ll just check myself out,” says Zenia softly. “Pills or something. I’m doomed anyway. I mean, why wait around?”
In Charis’s throat the familiar sentiments bubble up.
Oh no, you must try, you must try for the positive
.… She opens her mouth to issue
the invitation,
Yes, come
, but something stops her. It’s the look Zenia is giving her: an intent look, head on one side. A bird eyeing a worm.
“Why did you pretend to me, about the cancer?” she says.
Zenia laughs. She sits up briskly. She must know that she’s lost, she must know that Charis won’t believe her, about having
AIDS
. “Okay,” she says. “We might as well get this over. Let’s just say I wanted you to let me into your house, and it seemed the quickest way.”
“That was mean,” says Charis. “I believed you! I was very concerned about you! I tried to save you!”
“Yes,” says Zenia cheerfully. “But don’t worry, I suffered too. If I’d had to drink one more glass of that foul cabbage juice it would’ve finished me off. You know what I did when I hit the mainland? First chance I got, I went out and had a big plate of fries and a nice raw juicy steak. I would’ve inhaled it, I was so starved for red meat!”
“But you really were sick, with something,” Charis says hopefully. Auras don’t lie, and Zenia’s was diseased. Also, she doesn’t want to think that every single one of those vegetables went to waste.
“There’s a trick you ought to know about,” says Zenia. “Just cut out all the vitamin C from your diet and you get the early symptoms of scurvy. Nobody’s expecting scurvy, not in the twentieth century, so they don’t spot it.”
“But I fed you lots of vitamin C!” says Charis.
“Try sticking your finger down your throat,” says Zenia. “Works wonders.”
“But why?” says Charis helplessly. “Why did you?” She feels so defrauded – defrauded of her own goodness, her own willingness to be of service. Such a fool.
“Because of Billy, naturally,” Zenia says. “Nothing personal, you were merely the means. I wanted to get close to him.”
“Because you were in love with him?” says Charis. At least that would be understandable, at least there would be something positive
about it, because love is a positive force. She can understand being in love with Billy.
Zenia laughs. “You are such a dipstick romantic,” she says. “By your age you ought to know better. No, I was not in
love
with Billy, though the sex was fun.”
“Fun?” says Charis. In her experience, sex was never fun. It was either nothing, or it was painful; or it was overwhelming, it put you at risk; which is why she’s avoided it all these years. But
not fun
.
“Yeah, it may come as a surprise,” says Zenia, “that some people think it’s fun. Not you, I realize that. From what Billy said, you wouldn’t know fun if you fell over it. He was so hungry for a little good sex that he jumped me almost as soon as I walked into that pathetic shack of yours. What do you think we were doing when you were over on the mainland teaching that tedious yoga class? Or when you were downstairs cooking our breakfasts, or outside feeding those brain-damaged hens?”
Charis knows she must not cry. Zenia may have been
sex
, but Charis was
love
, for Billy. “Billy loved me,” she says uncertainly.
Zenia smiles. Her energy level is up now, her body’s humming like a broken toaster. “Billy didn’t love you,” she says. “Wake up! You were a free meal-ticket! He was eating off you even though he had money of his own; he was peddling hash, but I guess that one went right past you. He thought you were a cow, if you must know. He thought you were so stupid you’d give birth to an idiot. He thought you were a stunned cunt, to be exact.”
“Billy would never say a thing like that,” says Charis. She feels as if a net of hot sharp wires is being pulled tight around her, the hairline burns cutting into her skin.
“He thought having sex with you was like porking a turnip,” Zenia goes on relentlessly. “Now listen to me, Charis. This is for your own good. I know you, and I can guess how you’ve been spending
your time. Dressing up in hair shirts. Playing hermits. Mooning around after Billy. He’s just an excuse for you; he lets you avoid your life. Give him up. Forget about him.”
“I can’t forget about him,” says Charis in a tiny voice. How can she just sit here and let Zenia tear Billy to shreds? The memory of Billy. If that goes, what does she have left of all that time? Nothing. A void.
“Read my lips, he wasn’t worth it,” says Zenia. She sounds exasperated. “You know what I was really there for? To turn him around. And, believe me, he was easy to turn.”
“Turn?” says Charis. She can hardly concentrate; she feels as if she’s being slapped in the face, on one side of the face and then the other.
Turn the other cheek
. But how often?
“Turn, as in turncoat,” says Zenia, explaining as if to a child. “Billy turned informer. He went back to the States and ratted on all his incendiary-minded little friends, the ones who were still there.”
“I don’t believe you,” says Charis.
“I don’t care whether you believe me or not,” says Zenia. “It’s true, all the same. He traded his pals in to get himself off the hook and make a bit of cash. They paid him off with a new identity and a sordid little job as a third-rate spy. He wasn’t very good at it, though. Last time I ran into him, in Baltimore or somewhere, he was pretty disillusioned. A broken-down acid-head and whining drunk, and bald as well.”
“You did that to him,” Charis whispers. “You ruined him.” Golden Billy.
“Bullshit,” says Zenia. “That’s what
he
said, but I hardly twisted his arm! I just told him the choices. Billy’s choice was either that, or something quite a lot worse. In the real world most people choose to save their own skins. It’s something you can count on, nine times out of ten.”
“You were with the Mounties,” says Charis. This is the hardest
thing to believe – it’s so incongruous. Zenia on the side of law and order.
“Not quite,” says Zenia. “I’ve always been a free agent. Billy was just a sort of opportunity I saw. Those sanctimonious liberal help-a-dodger groups were infiltrated up to their armpits, and I had connections, so I got a peek at the files. I remembered you from McClung Hall – they had a file on you, too, you know, though I told them why waste the paper, not to mention the taxpayers’ hard-earned money, it was like having a file on a jar of jelly – and I was counting on it that you’d remember me. It wasn’t hard to get myself a black eye and turn up in your yoga class. Hell, you did the rest! Now, if you don’t mind, I have to get dressed, I’ve got things to do. Billy lives in Washington, by the way. If you want to stage a joyful reunion with him and his long-lost daughter, I’d be happy to give you his address.”
“I don’t think so,” says Charis. Her legs are shaking; she’s afraid, for a minute, to stand up. Billy lies shattered in her head.
Wipe the tape
, she tells herself, but the tape won’t wipe. She realizes that she has no weapons, no weapons that will work against Zenia. All Charis has on her side is a wish to be good, and goodness is an absence, it’s the absence of evil; whereas Zenia has the real story.
Zenia shrugs. “Up to you,” she says. “If I were you, I’d scratch him right off my list.”
“I don’t think I can,” says Charis.
“Suit yourself,” says Zenia. She stands up and walks to the closet and starts checking through her dresses.
There is one more thing Charis wants to know, and she summons all of her strength to ask it. “Why did you kill my chickens?” she says. “They weren’t hurting anyone.”
“I did not kill your fucking chickens,” says Zenia, turning around. She sounds amused. “Billy killed them. He enjoyed doing it, too. Tiptoed out before dawn when you were still in dreamland, and slit their throats with the bread knife. Said it was doing them a favour,
the way you kept them in that filthy hen slum of yours. But the truth is, he hated them. Not only that, he had a good laugh, thinking about you going into the henhouse and finding them. Sort of like a practical joke. He got a kick out of that.”
Inside Charis, something breaks. Rage takes her over. She wants to squeeze Zenia, squeeze her and squeeze her by the neck until Charis’s life, her own life that she has imagined, all of the good things about her life that Zenia has drunk, come welling out like water from a sponge. The violence of her own reaction dismays her but she’s lost control. She feels her body filled and surrounded with a white-hot light; wings of flame shoot out from her.
Then she is over behind the flowered drapes, near the door to the balcony, outside her own body, watching. The body stands there. Someone else is in charge of it now. It’s Karen. Charis can see her, a dark core, a shadow, with long raggedy hair, grown big now, grown huge. She’s been waiting all the time, all these years, for a moment like this, a moment when she could get back into Charis’s body and use it to murder. She moves Charis’s hands towards Zenia, her hands that flicker with a blue light; she is irresistibly strong, she rushes at Zenia like a silent wind, she pushes her backwards, right through the balcony door, and broken glass scatters like ice. Zenia is purple and red and flashing like jewels but she is no match for shadowy Karen. She lifts Zenia up – Zenia is light, she’s hollow, she’s riddled with disease and rotten, she’s insubstantial as paper – and throws her over the balcony railing; she watches her flutter down, down from the tower, and hit the edge of the fountain, and burst like an old squash. Hidden behind the flowered drapes, Charis calls plaintively:
No! No!
Not bloodshed, not the dogs eating the pieces in the courtyard, she doesn’t want that. Does she?