The Rock 'N Roll Detective's Greatest Hits - a Spike Berenger Anthology (3 page)

For Spike Berenger was a Private Investigator. A PI, a detective, a gumshoe, a private eye, a troubleshooter—whatever you wanted to call it. Sometimes he was a damned fool, too, but luckily that was a rare occurrence.

The overhead intercom clicked on and Danny Lewis asked, “Are you
done
playing that Prog shit in there?”

Berenger laughed. “It’s a helluva lot more interesting than the garbage
you
listen to, Remix.”

“I resent that remark. You know Rage Against the Machine could whip Yes’ ass anytime, anywhere.”

“We’re not talking about a street brawl, Danny, we’re talking about making music,” Berenger said.

“Yeah, right. Tryin’ to make sense out of them Yes lyrics is enough to make
me
wanna start a fight. Are you comin’ to work today?”

“I’m here, ain’t I?”

“You in
there
, sweatin’ like a motherfucker.
We
are in
here
waitin’ on your sorry ass.”

“What, you need me to give you something to do? Don’t you have that list of tasks I gave you at the beginning of the week?”

“I done all that, Spike! We’re in here twiddlin’ our thumbs!”

“All right, I’ll be in after my shower.”

“Oh, well thank God for
that
. We wouldn’t want you to come in
before
you shower.”

“Turn off the intercom, Remix.”

“Yes, sir.”

It’s too bad Rap Metal played such a huge part in Danny’s musical vocabulary, although Berenger respected that the kid was occasionally into jazz artists like John Coltrane and Miles Davis. Rap, Rap Metal, and Death Metal were not high on Berenger’s list of favorite types of music. Call him a dinosaur. He enjoyed the “classic” rock of the sixties and seventies the most. Especially Prog Rock, a style of music that was frowned upon by music critics but enjoyed by a devoted legion of fans.

Berenger went through the door that separated the studio from the inner hallway, skirted past his private office, and down to the bathroom. It was a fabulous setup on the second floor of the brownstone that was the headquarters for Rockin’ Security Inc. The ground floor contained Rudy’s office, the conference room, and other administrative offices that were primarily used to store junk. The second floor, where Berenger hung out the most, held his office, Suzanne’s office, and the studio/gym. Berenger liked to spend off-hours in the studio playing the myriad of instruments they kept on hand. Sometimes he’d roll some tape for the fun of it, especially when Charlie Potts came over and they hit a nice vibe together. The top floor was reserved for operations—the computer equipment and Danny’s hideaway was up there, along with Tommy Briggs’ office. Rudy had let Berenger have a lot of say when the building was purchased and gutted so that it could be re-designed from the inside out. Located on E. 68
^th
Street between Third and Second Avenues, the brownstone had needed a major overhaul anyway. Rudy had sunk most of his own money into the remodeling but they had made it back within four years. Rockin’ Security was the number one security business in the world of rock music. With branches in LA and London, the firm had a database of security personnel that could be called in for a single gig or a major tour at a moment’s notice. Bodyguard service was a specialty as well. Not many people knew about the private investigation operation, which belonged exclusively to Berenger, and he was happy about that. If he had to work undercover it was best that the rock ‘n’ roll world thought of him as an expensive bodyguard rather than a PI. All in all, the partnership of Rudy Bishop and Spike Berenger worked like a dream. As long as Rudy handled the money and the dealings with Uncle Sam and let Berenger handle operations, it was the best job he could hope for. Except perhaps being a major rock star, but that prospect went out with the bath water at least two decades ago.

Berenger stripped and looked at himself in the mirror. He frowned at his bulky physique. No matter how hard he worked at it, he’d never get rid of that extra twenty-five pounds that had attached themselves to him in his forties and never let go. “Heavy set,” was how he’d characterize himself if he had to provide a description. Still, there was very little fat on his body. Most of the bulk was pure muscle. His daughter Pam once told him he looked like a wrestler. That was probably too true.

He was a rather hirsute guy as well. The long salt-and-pepper hair he had worn in a ponytail since coming out of the army reached to the middle of his back. His facial hair was slightly darker but the gray and white patches complimented his blue eyes. The carpet of thick curly chest hair was nearly all white, oddly enough. Berenger wondered why that would be the first area to grow completely middle-aged.

All in all, he was a good-looking man. At least the women he dated told him so. Of course, it had been months since he’d dated anyone, but who was counting? For a fifty-year-old, middle-aged, twenty-five pound overweight private investigator he could be a winning beau.

Berenger tried to exude sexual intensity into the mirror but ended up laughing at the absurdity of the idea. He quickly turned on the shower and got inside the stall. As the hot water washed away the sweat he thought back to the birthday party that had taken place in the studio. It hadn’t been a particularly happy occasion for him. He wanted to turn fifty about as much as a cat wants to lose its eighth life. Berenger wasn’t much of a believer in birthday parties but his staff had insisted on celebrating. They had invited his ex-wife and kids, too, and that was a little weird. Berenger loved Michael and Pam, both of them pushing the tail ends of their teens, and he still had a warm fondness for Linda, the woman he had married rather abruptly in 1984. Michael and Pam were born minutes apart in 1985 but by 1987 the marriage was kaput. Berenger just wasn’t the go-to-work-and-then-come-home kind of husband. There were too many pulls on his life and he had to satisfy each one. Apparently he hadn’t satisfied Linda’s. He had to hand it to her for not remarrying, even though she had changed her name back to Steinman.

Turning fifty was similar to turning forty, although Berenger had to admit it wasn’t as bad. This time he merely went on a three-day binge of Southern Comfort and marijuana, out from which he had decided to climb that very morning and come to work. Ten years ago he had disappeared for nearly two weeks.

That one was a hangover for the books.

D
ressed and refreshed, Berenger was preparing to leave his private quarters and join the rest of his staff when his phone buzzed. It was Rudy, calling from the ground floor office.

“Yeah?” Berenger answered.

“Get down here,” Rudy said. “We have a client.”

“You don’t say?”

“I do say.”

“Who is it?”

“Does the name Gina Tipton mean anything to you? She’s in my outer office as we speak.”

Gina Tipton
!

“Flame’s first wife?” Berenger blurted, unable to mask his amazement.

“Yeah, Flame’s first wife!” Rudy answered with enthusiasm. He obviously thought there was money to be made.

Peter Flame had been the number one topic in the music news for the past two weeks. Ever since his apparent suicide after the New York performance of his American tour, the tributes and testaments to the rock star’s life had been flooding the airwaves. Not since the death of John Lennon had the world been so mournful over a musician.

“She’s here with her lawyer,” Rudy added.

Berenger asked, “Has something happened I don’t know about?”

“Haven’t you heard the news? The police arrested Flame’s son for murder.”

“What?”

“Yeah. Can you believe that?”

“Which son?”

“Adrian.”

“I thought Flame hung himself. It was a suicide.”

“That’s what they thought at first. Now they’re saying it was murder. Last night they picked up Adrian Duncan and booked him.”

Berenger was surprised. “Well, hell, I didn’t hear that. I didn’t turn on the news today. In fact, I haven’t heard any news for the past three days.”

“So get down here.”

“I’m on my way.”

Berenger had been a fan of Flame’s and had known him personally. Berenger remembered meeting him in 1979. At that time Berenger was the tour manager for Grendel, a Prog Rock act that had been pretty big in the early seventies but was on its last legs by then. Flame was mates with Grendel’s front man and guitarist and as a favor he hired the band to support his solo tour of Europe. Berenger got to know Flame as well as anyone that summer. Later, when Flame’s Heat was back together, Berenger ran into Flame again on several occasions associated with the music business. Berenger thought Flame was a decent guy. Hell, the man was a legend, right up there with the greats. Berenger was shocked to hear of Flame’s death and couldn’t understand why he would have done it. He knew that Flame had converted to a fundamentalist religious cult at the turn of the century and that seemed to make the star appear very happy. Why would the guy kill himself? Could Flame have been despondent over the lack of success of his religious material? Berenger didn’t care much for the new stuff—he preferred Flame’s Heat material to anything else in the rocker’s career.

Still, the man was a legend. The superstar’s famous “David” stance, the one patterned after Michelangelo’s statue, was an indelible image in the annals of rock ‘n’ roll. Striking the pose was always a clue that he was about to launch into the last song of a concert. Even in recent years, Flame still had the physique for it. For a fifty-five year old rock star, he had looked damned good. Tall and lean and with his angelic shoulder-length blond hair showing no signs of graying, Flame was still a groupie’s dream.

Until now. Murder? That would certainly explain some things. Berenger had wondered if there was more to the situation than initially reported. The police had interviewed everyone associated with Flame and by all accounts the pop star was “very depressed” that night after the concert. His longtime driver had taken Flame home after the show, dropped him off around midnight, and departed. It was Kenny Franklin, Flame’s production and tour manager, who found the corpse. Berenger knew Franklin, too, and he was a real straight shooter.

Well, if it was truly murder that brought down one of the world’s biggest stars, then the week was going to shape up to be a lot more interesting than Berenger had first expected.

Berenger went down the stairs to the first floor and knocked on Rudy’s office.

“Come in,” Rudy called.

Upon entering, Berenger saw Rudy behind his desk. Seated in front of him were two people—a man in a suit, obviously the lawyer, and Gina Tipton. She turned and looked at him with those fabulous green eyes of hers and he was reminded of just how good-looking a woman she was.

“Well hi there, Spike,” she said. “Long time no see, sweetheart.”

R
udy Bishop blinked. “You two know each other?” he asked.

“Sure,” Berenger said. He smiled and held out his hand. “How ya doin’, Gina?”

Gina ignored his hand. Instead she stood, leaned over the back of the chair and threw her arms around his neck. “You big bear, I love you! How are
you
?”

Berenger kissed her cheek and gave her a squeeze in return. “I’m doing okay. You look great.”

“Yeah?” She let him go and said, “I don’t believe you. After what happened last night and this morning I probably look like shit. I sure feel like it.”

“I just heard about it, Gina.”

“Come on in and sit down, Spike,” Rudy said. He gestured to the other man, who stood and shook Berenger’s hand. “This is Derek Patterson, the attorney working for Gina and Adrian.”

The men exchanged pleasantries and then Spike sat in one of the empty chairs. Gina felt compelled to explain the familiarity to Patterson and Rudy. “Spike and I met, what, early eighties?”

“Seventy-nine, actually,” Berenger said. “Grendel supported Flame in Europe and I was their tour manager at the time.”

“That’s right! I knew it was on a tour. We had some good times, didn’t we?”

She had aged a little but she was still gorgeous and had managed to keep her figure. Blonde, with deep green eyes, Gina Tipton had been a flower child in the sixties, a rock star’s wife and a mother of a rock star’s son in the early seventies, and a party girl in the eighties. From what Berenger had heard, in the nineties she went into the business world and started selling real estate. Today she looked that part, wearing a tasteful gray suit that reminded him of Kim Novak’s wardrobe in Hitchcock’s
Vertigo
. Gina had cut her hair shorter and now wore it layered, just covering her ears and the back of her neck. Thin bangs hung about an inch on her forehead.