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Authors: Karen Harper

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9.
      
Is it “better to have loved and lost, than never to have loved at all”?
Lala loses much in this story, but is she better for having known, loved, and helped those who have died?

 
10.
      
Would you become a British royal of these eras (or Russian royalty) if you had the choice? (And for the Russians, if you didn't know the revolution was coming?) Or would you like to be part of the British royal family today? What are the pros and cons of such a life?

 
11.
      
Charlotte Bill and other nurses and nannies like her were some of the first “career women” who gave up their own romantic and domestic futures for their duty. Are they caught between the past and the future during this early “suffragette” movement? Are they to be admired or pitied?

 
12.
      
There has recently been much worldwide upheaval over big-game hunting and the overhunting of species in general. How do you feel about the massive number of game birds killed by the upper class of this era? Why do you think this sport was such a passion?

 
13.
      
As dreadful as World War I was for the British (and others), did any good social movements come from so many men being lost? How so?

 
14.
      
Those of us who have enjoyed such BBC series as
Upstairs, Downstairs
or
Downton Abbey
have had a peek into understanding England's servant class at this time. Were there both joys and sorrows, triumphs as well as tragedies in this lifestyle?

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Also by Karen Harper

HISTORICAL NOVELS

T
he
Q
ueen's
G
overness

T
he
I
rish
P
rinces •
M
istress
S
hakespeare

The First Princess of Wales • The Last Boleyn

THE QUEEN ELIZABETH I MYSTERY SERIES

T
he
H
ooded
H
awke •
T
he
F
atal
F
ashione

T
he
F
yre
M
irror •
T
he
Q
ueene's
C
hristmas

T
he
T
horne
M
aze •
T
he
Q
ueene's
C
ure

The Twylight Tower • The T
idal Poole • The Poyson Garden

SUSPENSE

B
roken
B
onds •
F
orbidden
G
round •
S
hattered
S
ecrets

U
pon a
W
inter's
N
ight •
D
ark
C
rossings

F
inding
M
ercy •
R
eturn to
G
race

F
all from
P
ride •
D
own
R
iver

D
eep
D
own •
T
he
H
iding
P
lace

B
elow the
S
urface •
I
nferno

H
urricane •
D
ark
A
ngel

D
ark
H
arvest •
D
ark
R
oad
H
ome

T
he
F
alls •
T
he
S
tone
F
orest

S
haker
R
un •
D
own to the
B
one

T
he
B
aby
F
arm •
E
mpty
C
radle •
B
lack
O
rchid

Credits

Cover design by Mumtaz Mustafa

Cover photographs: © Lee Avison / Arcangel Images (woman); © T.M.O.Buildings / Alamy Stock Photo (cottage); © Shutterstock (background)

Copyright

This book is a work of fiction. References to real people, events, establishments, organizations, or locales are intended only to provide a sense of authenticity, and are used fictitiously. All other characters, and all incidents and dialogue, are drawn from the author's imagination and are not to be construed as real.

THE ROYAL NANNY.
Copyright © 2016 by Karen Harper. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.

FIRST EDITION

ISBN 978-0-06-242063-3

EPub Edition JUNE 2016 ISBN 9780062420640

16  17  18  19  20    
OV
/
RRD
    10  9  8  7  6  5  4  3  2  1

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BOOK: The Royal Nanny
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