The Saltmarsh Murders (18 page)

“No hope that it was either Burt or the negro,” I said to Daphne that same evening. I didn't mention her uncle to her, of course.

“What's collusion?” asked Daphne, suddenly. I didn't explain, of course. I don't care to discuss with Daphne the vocabulary of the divorce courts; but the question gave my own idea more weight, so I hastened to the Manor House immediately after tea, to lay my argument before Mrs. Bradley. She scoffed, of course. I had thought she might. What motive would Burt and Yorke have had, she wanted to know, for making up a tale? When did I think the books had been landed, if not before they set upon the vicar and impounded him?

“Burt might be the father of the child,” I said, “and want it kept a secret from Cora.”

“You mean that Burt is the murderer?” said Mrs. Bradley, “and that Yorke knows it?”

“There's no reason against it, except the ridiculous
alibi supplied by Yorke,” I exclaimed. “And you must realise as well as I do that Burt's morals would allow of anything—adultery, seduction, murder—anything. A man who translates that kind of filth into the English language——”

I found myself almost hysterical upon the subject of Burt's morals.

“I am glad that you enjoyed the book,” said Mrs. Bradley, calmly. “Of course,” she added, before I could say anything, “as you say, Yorke could have been the murderer, except for this ridiculous alibi supplied by Burt. And Yorke's morals, for the reason that he is not even a white man——!”

She began to cackle, softly at first and then louder, until she was screeching with hideous merriment. I felt very uncomfortable. Sometimes I could not rid myself of the terrible suspicion that the woman was as mad as a hatter, madder than a March hare, and almost as mad as Mrs. Gatty; and of a second terrible suspicion that sometimes she might be laughing at me.

“However,” she said at last, reassuringly, “I dare say we shall manage to get Candy off. I'm sure I hope so. I hate these hangings. They are barbarous anachronisms, are they not?”

“It isn't a case of getting Candy off,” I declared with a certain amount of vehemence. “It is a case of proving his innocence to the hilt.”

“Ah, that's another matter,” said Mrs. Bradley, calmly. “do you understand the Einstein theory of relativity, dear child?”

I hastened to assure that I did not. I also attempted to convey the impression that I didn't want to.

“Ah, well,” she said, “if your mind were capable of grasping that theory, there might be some possibility of proving Candy's innocence.”

A frightful thought struck me. Not, of course, for the first time.

“I say,” I said. “In spite of all you've said, you do believe that Candy
is
innocent, don't you?”

Mrs. Bradley sighed.

“If only I could prove who fathered the baby!” she said. “If only I could prove it.”

“I suppose you believe poor Bob Candy was guilty of that, too!” I said, hotly. The old woman gazed gravely at me.

“Why, no. I thought we were agreed that in that case there would have been no murder,” she said.

“You mean they would have married, and that would have been that,” I replied, grasping the salient point in the social ethics of the village.

“Exactly,” said Mrs. Bradley. But her answer, for some reason, did not satisfy me. Somewhere in our conversation, I felt sure, some vital point had been left untouched on. I racked my brains, but I could think of nothing. At last, more to continue the conversation than for any other reason, I said lamely:

“Funny where the baby can have gone. Do you think the father, whoever he is, can have it in his keeping?”

“Yes and no,” said Mrs. Bradley. She grinned. “The villagers thought it was at the vicarage, didn't they?” she said. She nodded, slowly, rhythmically and continuously, like those absurd mechanical dolls they use for advertising purposes.

“The prosecution will probably accuse Candy of
murdering both mother and child,” she said. “I hope they will, anyway.”

I spent the night in trying to work things out, but couldn't manage it, of course. Also, I could not get my mind off Burt. He was just the sort of loose-living, foul-tongued man to have illegitimate children, and commit murders, and get drunk, and fake alibis, and engage in criminal conspiracies with his serving-man, I thought. My mind passed on to Lowry and Mrs. Lowry. Unfortunate that they should have been out just when the murder was committed at their place. Well, fortunate in a way, for them, of course. Suddenly I stiffened. My feet curled with excitement. What of Lowry? What of that gross and hairless man? What of the pig, as Mrs. Gatty had called him? Why had he given Meg Tosstick shelter, food and care? Why had he promised her a job as soon as she was well enough to take it? The thing was crystal-clear. He was the father of Meg Tosstick's child! Then why, I asked myself, rising on my elbow in the bed to ask the question, why had he killed the girl? Pat came the answer. He was afraid she would betray him to her lover. He feared Bob Candy's vengeance. And Bob, the dupe, the wronged, the innocent—Bob was being held on the capital charge, while this arch-egg, hairless, gross, bestial and poisonous, got away with two murders, those of the poor deluded girl and her innocent new-born child!

I remember grinding my teeth. I suppose I lay down and slept after that. In the morning, as I ate my breakfast, and allowed the usual early-morning, eight forty-five-edition of Coutts v. Coutts to go in at one ear and out at the other, I made up my mind to go myself
to Lowry and confront him with the truth. One thing only prevented my carrying out this resolve. One person, rather. Mrs. Bradley. I was afraid of the old lady. I admit it, frankly. The idea of doing anything in the case without her full approbation and consent became repugnant to me. After breakfast, on pretence (a subterfuge which I had been obliged to shelter behind some half-dozen times before to cloak my frequent visits to the Manor House) of visiting the sick, who were, of course, much better off without me, I went to lay my new suspicions before Mrs. Bradley. She immediately damped my ardour.

“I'm sorry for your sake, dear child,” she said, “but I took the liberty immediately I heard that the murder had been committed, of checking Lowry's alibi by making discreet but very searching enquiries round the village, and it seems that not one minute of the day was he alone, or even in the sole company of Mrs. Lowry. I learn that he collected a large party of friends and treated them to all the fun of the fair. Part of the time he was seen minding the cocoanut shy, or watching your fortune-telling tent, Noel, my dear child, wittily inviting all and sundry to enter. He danced with sixteen maids and matrons, including Cora McCanley, and it was nearly twelve o'clock when he returned to the Mornington Arms. His alibi is hole-proof, foolproof, and destruction-proof. And, of course,” said Mrs. Bradley, at the end of this unusually energetic outburst, “there is no reason to suspect that so perfect an alibi conceals more than it reveals, dear child. I believe the landlord of the Mornington Arms is a very popular man. He certainly is a very good-humoured one.”

I grinned. “Yes, I can't see that we can do much with Lowry, after all,” I said. “He couldn't have committed the murder by proxy, could he?”

I smiled weakly at my own joke, and then suddenly stiffened. The word proxy always leads me to think about Queen Mary Tudor, and from Queen Mary Tudor it is an easy transition to Mrs. Coutts.

“What about Mrs. Coutts?” I said, excitedly. “Motive enough there, and heaps of opportunity! Look here! After dusk she began her usual snooping about the park in search of courting couples, so you can jolly well bet that nobody spotted her or can swear definitely to her having been at any particular place at any particular moment. She can take cover like a Red Indian! What was to prevent her slinking off to the inn, murdering the poor girl while the barmen and Mabel Thingummy were busy serving in the pub, and going home to the vicarage and raising that hue and cry! Why, hang it all!” I exclaimed, getting all hectic, “That hue and cry might only have been a blind! She may have waited and waited for the evening of the fête to afford her the opportunity for the murder! How's that?”

“Very creditable indeed,” said Mrs. Bradley. “I see Bob Candy being carried shoulder-high out of the court! Oh,” she broke off, “it's not Bob I'm worrying about. I firmly believe that we can get him off. Ferdinand will eat the prosecution. The police arrested the lad too soon.”

“How do you mean—you are not worried about Bob?” I asked. “Do you mean that something else is worrying you?”

“Yes,” replied Mrs. Bradley. “The second murder—the murder that nobody has mentioned, the murder without a corpse—is worrying me to death, because I don't know what to do about it.”

“Whatever can you mean?” I gasped.

“The murder of Cora McCanley,” replied the little old woman astoundingly.

“But she isn't murdered,” I said. “She's on tour witha show called—called——”

“
Home Birds”
said Mrs. Bradley. “But she isn't, you know. That's just my trouble. But I can't get hold of any definite information.”

“She had a telegram,” I said. “She went off suddenly. Caught the 3.30 train or something. That's all definite enough, I should think.”

“Yes,” said Mrs. Bradley, mechanically, as though her thoughts were far away. “Who told you about the train?” she asked, waking up a bit.

“Burt,” I replied. “He told us both. Oh, no, he didn't mention the train! Still, it's the only possible train of the day, isn't it? I say,” I went on, rather aghast, of course, “that row she had with Burt!” I had just remembered it.

“Yes,” said Mrs. Bradley She did not speak mechanically this time. “That row she had with Burt, dear child, is both interesting and important. And so are all the other rows she had with Burt.”

“What other rows?” I asked.

“About money matters,” Mrs. Bradley replied.

“I thought that was just one long continuous row,” I said.

O
ur village hall, just before the commencement of one of our annual concerts, is as good a place as I know for the exchange of confidences. I had been up to see Burt about Cora. After what Mrs. Bradley had suggested, I was resolved upon making a few guarded enquiries. He gave me beer and answered my questions with what I could only regard as suspicious readiness. I made the village concert the excuse for introducing the subject. As a matter of fact, I pretended not to know that Cora McCanley was to be absent for any length of time from the Bungalow, and represented myself as an agent from Mrs. Coutts with the request that Cora would do us a song and dance item if she returned from her tour in time. Of course, had Burt known Mrs. C. as I do, he would never have swallowed this. Anything less like Cora McCanley's idea of a song and dance show than the average item in the average village concert in Saltmarsh can scarcely be imagined. Mrs. Coutts exercises a rigid censorship over the concert programme and would be about as agreeable to the Folies Bergère taking part as to anyone of Cora's reputation doing so. Burt, however, was not wise to this, and he answered, quite civilly, that Cora was off to God-knows-where in some bleeding high-kicking revue, and would only
return when the boss bunked with the gross takings. His expressions, of course, not mine.

“Oh,” I said, affecting to be considerably dashed. “Then you don't think she will be back by to-morrow week?”

“I don't know anything about it. I haven't even the faintest idea where she is. I don't even know the name of the people who are running the show, and, except that she is supposed to be touring the North-Eastern counties with the soul-destroying, hick and hayseed, damnation stuff, I couldn't put a finger on Cora for the next few weeks for any money you offered me.”

I went away, a sadder, and, of course, a wiser man. Horrible suspicions nestled like adders in my mind.

“And when she does come back,” said Burt, as he saw me off the premises, “she'll get what's coming to her. That's how.”

“What do you mean?” I asked. He explained. Cora was “going gay “as I believe the saying is. A man, and so on. His remarks were expressive, but not edifying. A bit of a brute, I should say. And yet, of course, if he really thought she was coming back, he couldn't possibly have murdered her. And yet, again, if he wished to disprove any wild rumours of her death—I went straight to Mrs. Bradley and confided to her my doubts and fears. For or against Burt, so to speak. She shook her head.

She said, “Please don't say anything to him about my suspicions of Cora McCanley's death. I don't want the poor boy going round with a hatchet.”

“Poor boy!” I snorted. At least it was intended for
a snort. They are not easy words to snort, of course. “Do you know he used to beat her?”

“Well, I don't suppose she minded that,” said Mrs. Bradley, noting it down. As Daphne had said practically the same thing, I couldn't very well call the old woman a fool. Besides, she did not give me the opportunity to do so, for she continued, almost without a pause, but with her frightful grin:

“Sadist plus masochist equals happy marriage.” I blinked, and very slowly translated the idiom into reasonable English.

“Oh, cave-man stuff? “I said.

“I beg your pardon?” said Mrs. Bradley. She cackled. I am prepared to wager that, if there was any cave-man stuff in either of
her
marriages, it was on the distaff side, so to speak.

“Let it pass,” I said, quoting from my favourite author. “But about poor Cora McCanley. We ought to inform the police.”

“I have done so,” replied Mrs. Bradley. “I informed them while you were up at the Bungalow this afternoon.”

“What did they say?”

“They said,” replied Mrs. Bradley, “that they would make enquiries. They thought——” she emphasised the word very slightly, “that I was suffering from murder-phobia.”