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Authors: Mark Chadbourn

Tags: #Fantasy, #Historical

The Scar-Crow Men (6 page)

BOOK: The Scar-Crow Men
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How was he supposed to open the doors when he couldn’t get near them? His master seemed to take perverse delight in giving him impossible tasks.

Nathaniel yelled for calm until his throat was raw, but the shouts and curses drowned his voice. Red-faced men sputtered or roared, eyes swelling with fear, the women caught up with the furious flow. Pressed against the wall near him, one woman in a corn-coloured dress grew white, her eyes fluttering shut.

A youth with a tuft of brown hair, one of Henslowe’s stagehands, juddered to a halt behind Nathaniel.

‘Help me!’ Nathaniel urged, throwing himself into the press of bodies. Dragging one man back, he shouldered two others to the side, ignoring their furious protests. Battered and buffeted, Will Swyfte’s assistant fought until there was space for the stagehand to join him. They each grasped an arm of the unconscious woman and hauled her along the wall and out on to the stairs.

Once he had seen the woman still breathed, Nat shouted, ‘We must open the doors or there will be deaths aplenty.’

‘I have the key, but there is no room to use it,’ the stagehand yelled in reply, glancing back towards the crush.

Nat gripped his shoulders and demanded, ‘There are more ways out of here? A stage door?’

‘Beyond that.’ The youth waved a hand at the heaving crowd.

Nathaniel grew anxious at the pounding of feet above his head. The audience in the upper galleries was surging towards the crush. An idea struck him. ‘The windows?’

‘You will break your neck if you attempt to climb from that height.’ The stagehand hunched over the prostrate woman, fanning her with his hands.

‘Nothing valuable, then.’ Nat snatched the key from the youth and drove himself back up the stairs, squeezing past the first trickle of what would soon become a deluge.

Dragging himself into the corridor that circled the perimeter of the first gallery, Nathaniel put his head down and kept close to the wall. Small, diamond-pane windows glittered along the Rose’s fourteen sides, the only source of natural light in the theatre’s gloomy interior beyond the central well above the stage and yard. Pressing his face against the glass, he peered out across the darkening landscape. It was a drop of about thirty feet to the chalk and stone path that circled the theatre. Horses grazed on the surrounding grassy common land, and beyond the remnants of the old rose garden that gave the theatre its name was a small orchard sprawling towards the grey, slow-moving river. The young assistant saw he was on the wrong side of the building to where he needed to be.

Fighting his way around the first-floor gallery, he found the going became easier as the flow of audience members slowed. At the third window, he glimpsed the silhouettes of the stews, inns and rough houses of Bankside. Candles were being lit in the windows. Near to the theatre was an old, thatched, timber-framed cottage that Henslowe had established as a brothel for his players and guests.

Nathaniel wondered if he could leap the gulf to the roof, decided it was madness, and continued to the front of the theatre where he found the window above the entrance. He threw it open. The cool late spring air swept in, laced with woodsmoke from the house fires and the stink of rotting refuse.

Below was a small thatched porch over the entrance, flimsy and easy to miss. The spiralling cries of distress carved through his doubts. He climbed into the window space. With a whispered prayer, he allowed himself one glance down to mark his course, then he gripped the window frame and dropped.

The small porch shattered, showering straw and shards of wood around the theatre’s entrance. Nathaniel slammed into the chalk and stone walkway. Winded and seeing stars, he shook the fog from his head.
No broken bones
. The porch had slowed his descent just enough.

An unfamiliar woman loomed over him. Her hair was flame-red and she wore a bodice and skirt of black taffeta and gold. When he looked into her green eyes, Nathaniel felt he was a mouse before a cat, but she was sophisticated, definitely not one of the Bankside whores.

‘Let me help,’ she said with a hint of an Irish accent. She offered her hand.

As Nathaniel limped to his feet, he was enveloped by the sweet scent of her perfume. ‘Who are you?’ he asked.

‘A friend.’ The Irish woman took the key from his hand.

‘I am always wary of friends who announce themselves as such.’ The clamour on the other side of the door almost drowned Nathaniel’s words.

‘You are right to be cautious, for terrible deeds are planned this night.’ The stranger’s green eyes flashed towards him as she slipped the key into the hole.

‘What do you know?’ Nat asked, concerned.

‘That before this night is out, the Rose Theatre will be the scene of a murder.’ The woman turned the key. ‘And that the victim will be England’s greatest spy, Will Swyfte.’

CHAPTER SIX

WILL WAS SLAMMED AGAINST THE PLASTER WALL OF THE WALKWAY
outside the tiring house before he even realized he was no longer alone. His head throbbed from the impact, jarring the last vestiges of his thoughts of Jenny. Before he could recover, strong hands grasped his shoulders and thrust him into the dressing room. He fell, sprawling across the hard mortar floor. Shattered bottles drove shards of glass into his flesh and drenched him in wine.

Ignoring the pain, he rolled on to his haunches, whirling towards the doorway. Looming out of the darkened walkway was a crimson face with black-ringed eyes and horns. It took only a moment for Will to see it was a mask, not the devil returned to destroy him but a man, as tall as Will and wrapped in a black woollen cloak. To his back, he had affixed the angel wings that had been suspended in the storage rooms. Silver glinted in the light of the single candle on the floor in one corner. The spy saw it was a blade gripped in his opponent’s right hand, not a cut-throat’s knife but one lovingly crafted for ritual purposes, with a slight curve to the tip, and a cleft for cutting ligaments. Black symbols had been inscribed into the steel.

The attacker lunged like a raven falling on a dead rabbit, thrusting the knife towards Will’s neck. Still shaky from his vision, he sluggishly pulled aside. The blade missed him by a finger’s-width, gouging a furrow in the wall plaster.

Will lashed out at his attacker’s groin. When the masked man danced away, the spy found a moment to leap to his feet.

‘You are confused,’ Will mocked. ‘A devil or an angel?’ He couldn’t see any sign of the masked man’s true identity, or guess the purpose of the attack.

From the yard in front of the stage came relieved chatter and the hearty laughter that is heard only after the release of fear. The audience was creeping back inside. The theatre manager loudly directed the throng to their positions, promising wonders to come.

Lunging forward, the knife-wielding foe drove Will back against the wall, and with a strength as demonic as his appearance, crushed the breath out of him. Gradually, the attacker increased the pressure. Fire burned in Will’s chest.

‘Will? Are you here?’ Nathaniel’s voice echoed along the walkway.

Distracted, the devil-masked attacker flinched. Will head-butted his opponent, smashing the mask from the top edge to just above the painted, grimacing mouth. As the man threw himself back, clutching at his crumbling disguise, Will glimpsed wild eyes filled with fury. He lashed out, trying to knock the mask away. It slid off further, revealing a hint of a familiar face, but before Will could fathom the man’s identity, he stumbled back, dragging the mask into place.

‘Will!’ Nathaniel’s concerned voice rang out closer.

‘Show yourself. I would know what name to carve upon your gravestone,’ Will growled, drawing his rapier.

Closing the rift in his mask with his left hand, the murderous foe bolted from the room.

Will pursued the man into the walkway, ignoring Nathaniel’s surprised cry. The angel wings shimmered in the half-light, creating the illusion that the devil-masked man was flying just above the mortar floor.

Ahead, excited chatter filled the passage. A group of five players in garish make-up and wigs hurried back to their rooms from the front of the stage, eager to return to their performance. The masked attacker darted in front of them into a corridor to his left. Barely noticing his drawn rapier, the players swarmed around Will. Roughly, the agent thrust them to one side. Turning left, he was confronted by a large door hanging open.

Will raced out into a small area of hard-packed chalk where the wagons were unloaded. The sweet-apple scent of horse dung filled the air.

Night had fallen, hiding whatever path the devil-masked man had taken from the Rose. In the distance, the lights of Bankside gleamed. Clouds obscured the moon, and the wind took away any sound of disappearing feet.

A breathless Nathaniel arrived at Will’s side. ‘Thank God you are alive,’ he gasped. The young man was flushed and his clothes were dishevelled from fighting his way through the milling crowd.

‘I was caught up in the business of devils and angels, Nat,’ Will responded, trying to make light. His heart ached with memories of Jenny, close enough to touch yet as far away as ever. His thoughts spun with the echoes of his vision, tinged with dread by the still-clear sight of the living scarecrow.

‘You were the intended victim this night.’ Nathaniel stepped in front of Will, his expression grave.

‘How so?’ Will asked.

Before his assistant could reply, a breathless Carpenter and Launceston raced out of the theatre door. The spy could see in the scarred man’s face that something was very wrong. ‘What is it?’ Will demanded.

Unsure how to reply, Carpenter’s gaze flickered to his emotionless companion for support. ‘Word has just reached us from Deptford,’ he stuttered. ‘A body has been found. Murdered.’

A silent scream of despair tore through Will’s head. He knew what was to come an instant before Carpenter spoke again.

‘Christopher Marlowe is dead.’

CHAPTER SEVEN

‘THEY’RE KILLING ALL THE DOGS. WON’T BE A HOUND LEFT IN ALL
London soon,’ Henry Cressy muttered, flicking his whip to urge the death-cart horse into Candlewick Street. On the seat beside Cressy, Thomas Bailey tied his scarf tighter around his young, pockmarked face. In the summer heat, the first load of the day reeked even worse than usual after the bodies had been left in their houses overnight.

‘The Lord Mayor says the hounds disperse the plague,’ Thomas said. ‘Though in the Cross-Keys, they are now taking bets on which will die out first – men or curs.’

‘God punishes us for our indiscretions, but he will never see his creations gone.’ The carter, broad-shouldered and round of belly, still stank of the beer he had been drinking all night. After a moment’s drunken reflection, he added thoughtfully, ‘Although the plague’s pace has not slowed. Indeed, it grows faster. Entire streets are now empty around the Tower.’

‘I heard tell they are running out of men to watch the houses to make sure the poor, sickened souls do not leave, and now they are hiring boys and women. And the aldermen have called for yet another death-cart to ply this grisly trade.’

‘As long as I get my eight pennies a day, and my free beer, I care little.’ Cressy hunched forward, gripping the reins in his chubby fingers as he peered along the quiet street. The carters and merchants had found other routes to take them away from the vicinity of the plague pits.

To his right, Thomas eyed the constant, sinuous movement in the early morning shadows next to the walls of the timber-framed houses. Rats everywhere, filling the space that the tradesmen had vacated. The vermin had never had so much food to feast upon.

The wheels rattled across the ruts as Cressy guided the creaking cart towards the plot among the row of houses. It had once been a garden, but now the youth could see only brown earth. A black cloud of cawing crows enveloped the site, rising to the blue sky in a thunder of wings when the cart came to a halt. Tails lashing, the sleek rats scurried around the edge of the yawning pit.

‘Nearly full now,’ Cressy grunted, heaving his large frame from the seat. ‘The Lord Mayor’s men will need to find another plot to dig, if they can. Not much left in this here city.’

Even through his scarf, Thomas choked at the stench. His eyes watering, he levered himself from the cart while the older man ambled to the edge of the pit. A moment later, Cressy’s strangled cry rang out. At first, the youth thought the carter had tumbled into the grave, but with a hand clutched to his mouth, the fat man was staggering backwards, his gaze fixed on the dark hole.

Thomas ran past the stumbling man, slowing as he neared the pit.

What horrors has he seen?

Peering into the stinking grave, the youth thought his heart would stop. The shroud-wrapped bodies had moved. Blackened faces stared up at him, the stained linen torn away from the heads. Thomas remembered laying the corpses flat, but now they were in a jumble, some leaning against the muddy walls of the pit as if they had tried to climb out, others upended or sprawling in seeping piles.

Were the dead angry at their plight? Could they no longer rest in peace?

The youth crossed himself and whispered, ‘In God’s name, what monstrous thing has happened here?’

CHAPTER EIGHT

A SHAFT OF SUNLIGHT BLAZED THROUGH THE DIAMOND-PANE
window on to the blanket-covered body. Around the head, the rough woollen shroud was stained brown, and more blood had spattered the dry rushes on the floor. A thick-set man in a shabby doublet tore bunches of fresh-picked rosemary, thyme and mint in a futile attempt to disguise the foul smells, but the corpse of Christopher Marlowe had lain in that cramped, hot room for a day and a half.

Will could not take his eyes off the dirty blanket, that simple, pathetic image telling him everything he feared about Marlowe’s life and his own future. He felt the loss more acutely than he would ever have imagined.

It was mid-morning on 1 June. Standing at the back of the chamber, which contained only a bed, a bench and a trestle, the spy eyed the sixteen men of the inquest jury crowding around him. They pressed scented kerchiefs to their noses, intermittently coughing and gagging, their eyes watering. Will identified the two Deptford bakers, George Halfpenny and Henry Dabyns, florid and sweating, and Robert Miller, who kept Brook Mill on the road between Deptford and Greenwich, a serious, ascetic man. Others were unknown to him, gentlemen and yeomen, mostly local, landholders and wharf owners.

BOOK: The Scar-Crow Men
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