The Scatter Here Is Too Great

BOOK: The Scatter Here Is Too Great
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D
EDICATION

F
OR
A
MMA
, Z
AIN
, A
MNA

FOR YOUR PRAYERS
,
LOVE AND SUPPORT
:

I
OWE YOU EVERYTHING

E
PIGRAPH

We are continually living a solution to problems that reflection cannot hope to solve.

—V
AN DEN
B
ERG

Bashō told Rensetsu to avoid sensational materials.

If the horror of the world were the truth of the world, he said, there would be no one to say it and no one to say it to.

I think he recommended describing the slightly frenzied swarming of insects near a waterfall.

—R
OBERT
H
ASS
,

“W
INGED AND
A
CID
D
ARK

C
ONTENTS

Dedication

Epigraph

A Writer in the City

Blackboards

Sukhansaz

After That, We Are Ignorant

To Live

Lying Low

A Writer in the City

The Truants

Sadeq

Turning to Stones

Good Days

The World Doesn't End

A Writer in the City

Things and Reasons

Acknowledgments

About the Author

Copyright

About the Publisher

T
HE
S
CATTER
H
ERE
I
S
T
OO
G
REAT

E
ver seen a bullet-smashed windscreen? The hole at the center throws a sharp clean web around itself and becomes crowded with tiny crystals. That's the metaphor for my world, this city: broken, beautiful, and born of tremendous violence.

One way to give you this account is to “name the streets and number the dead.” Another is to give you this scatter I have gathered: to make sense of things, go beyond appearances, read the crystal design on the broken screen.

My mind is a stiff skein of voices. I will yank out the threads and find the edges.

Listen.

A Writer in the City
Blackboards

 

 

 

I
have protruding teeth and because of this everyone at school called me parrot, parrot. One day I beat up this one boy who called me parrot, parrot even though I did not say anything to him. He had short brown hair. I caught him by his hair and then I beat him. But I did not know I said bad words to him and his father and his sister too. This happens when I am angry. One of the other boys later told me I used the sister-word to abuse that boy-with-brown-hair, his father, and his sister. He said that I said
bhenchod
to him. It is not a word I would say. Not to his father. But everyone says that I said this word. Everyone cannot lie.

My teacher called Baba to school. Baba did not believe that I knew the words my teacher said I used when abusing her and the boy. She said I abused her when she was trying to pull me away from the boy. I had pulled him down with his hair and climbed on his chest and slapped his face many times. In return, he scratched my face with his nails. I remember all this but not the swearing.

At first, Baba doubted the teacher, but when other people also told him that they heard me abusing, he was angry and stopped talking to me. I said sorry, sorry to him so many times, but he would not say anything or even look at me. Then I became angry and started to cry. And I shouted at him as well. My sister and mother were very scared when I was shouting at Baba. My mother was eating when I was shouting; she stopped chewing her food and just kept looking at me. I saw her looking but I only knew I was angry and I was crying. I did not know what I was saying. Amma beat me with the big steel spoon for getting angry at Baba. Also because I shouted at him. She had bought this spoon from the bazaar two days back and it was dipped in the curry bowl. When Amma hit me, it was hot and I could smell the curry on my hand all night. But I was already crying so her beating did not do anything to me. There were red marks on my arms later. But I am strong. After that everyone became quiet. I was sitting alone on the sofa. My mother took my sister in a corner and told her to make me eat food because I had not eaten. They thought I did not know what they talked about in the corner. But I know. My sister came with the food. She fed me food with her hands, and she told me that I should say sorry to Baba.

I apologized but nothing really happened. He kept quiet. He said to Amma, “I do not know where he learned this language. He is so small.”

Baba had two jobs. He worked in an office and he wrote little books of stories. He said he wrote them for kids like me. I told him I was not a little kid. He read me all his stories. They were in little eight-anna books and they were all about brave people who fought bad people.

Very few people at school fight. But that is because no one calls them parrot, parrot. Soon I left that school. Not only because of fights but because Amma said it had a bad environment. Then Baba started to teach me. He taught me everything in stories. He showed how all numbers were animals and you have to watch them do things and say what has happened to them at the end of the story:
plus
means animals gather together.
Minus
means they leave each other. Multiply and divide happen when there are different types of animals. It's easy: 4 x 2 means there are 4, 4 animals of 2 kinds, like 4 sheep and 4 cows, and together they are 8. And divide happens when you have to find out how many groups are there of each one of them.

At school I had problems learning spellings and tables. Baba taught me about the blackboard we have in our minds, and we can use it to draw in our heads with colored chalks. I used to close my eyes and draw on the blackboard. And whenever I wanted to remember spellings, I copied them from the blackboard. After that I did not find it difficult to remember things. I even drew things on the blackboard when I went to sleep at night.

I taught Baba to draw on the blackboard also. When he came back from the office, I took off his glasses, sat on his stomach, and then we closed our eyes. Initially, Baba drew only sceneries: one house and one sun and six hills. But then I explained to him that we had a big board, and we could draw
anything
, with any color. So then we drew Pakistan's flag. I drew small flags, I liked them. Baba said his flags were large. While drawing I would sometimes forget what I was drawing and listen to the chalk's sounds—
tak-takka-tak-tak
and
sss
-
hisssss
. But I did not tell Baba this. I knew he would not understand. I just told him to make things: fish, grass, stars (they were the easiest), a big-size sun. I would always make three suns: one sun for the morning, one for the evening, and one for the night. Whatever scenery I made, I had a sun there. I liked the sun. Sun contains light in it. I liked the bulb as well. Lightbulbs are suns. Small suns. But I like the big sun that no one can turn off. Sometimes, I would just tell Baba to fill his blackboard with light. We did this with yellow chalk. Then one day, just like that, Baba and I started drawing cars and big houses, with big terraces. We chose different colors for rooms and cars. And then, when we finished drawing, we would tell each other what our cars looked like, what the shape of the windows was, what all we could see outside, what color the floors in the house were. I always told Baba about my drawing first because if he told me his I would forget mine.

After I finished my homework, Baba told me stories from storybooks he brought from his office. My favorite story was a story Baba wrote himself. It was about a brave little blue fish who was a boy like me and who lived in a pond and goes to the big river and meets other big fish and helps them. It is a story about being brave and always saying the truth. After reading the stories, Baba smoked his special tobacco, which made hot white smoke, and then with the smoke and his fingers made animals in the stories—little ducks, sparrows, eels, snakes, other fish. It sometimes made him cough a lot and Amma said it was bad for him and I should not make Baba do things that were bad for him.

I also left school because we had become poor. Baba lost his job at the office where they printed children storybooks. My father wrote some of those storybooks, like the story of the blue fish. And the new job was not good. The old uncle Baba worked for was shot while walking out of a bank. Two people on a motorcycle tried to snatch his money. When he refused, they shot him. After that, uncle's brother took over the business. But he did not like Baba because Baba always spoke the truth.

One night I heard Baba saying to Amma, “I don't think they are happy with me. I had a fight today as well. No, they did not say anything. I just don't like to fight the family I have worked for all my life. His brother and his family have been our guardians for the past eight years. But if they want to change their ways, I don't know how I will get along.” Amma was quiet. Everyone was sleeping. They were talking in the dark in low voices. My sister was sleeping, but I was awake. Baba and Amma talked every night like this. Baba said little and then Amma said little. And then they would turn quiet. And then they would say little, little things again and again. And then everyone would go to sleep.

On the day I shouted at Baba, he was completely quiet that night. Amma said, “He is so small. He will learn.” Then she went silent for some time. I thought they were asleep. She spoke again, “Someone must have taught him at school.” I heard her hand rubbing Baba's chest. “You must not worry so much about him. He is so small.” Usually they laughed lightly when they talked about me. They would just laugh lightly. But that day Baba was not saying anything to Amma. Just like he was not saying anything to me. I heard him breathe. He said, “I think we will have to take him out of school. I don't think I will have this job for too long.”

I felt Baba was drawing a night on his blackboard; a night with a lot of rain and the wet lights of cars, but no sun.

Before we were poor, we used to go out to some nice place to eat every week. I liked that place along the sea where I had spicy barbecue chicken. My chicken piece was so spicy that I used to get tears. But then we became poor. But Amma tells me I should not say we are poor. After all, we have enough to eat and drink, and have a place to sleep and we are better than millions. So one day when I started crying, Baba told me, “Don't cry, don't cry. Let us go to the sea on the bus.” I had not been on the bus before, so I was happy and wanted to go with Baba. Baba says that it is one and the same sea everywhere around the world, but he also says there are only very few cities that have the sea. Karachi has a sea.

Amma made me wear my nice dress-pants and put a lot of powder on me so that I would not get skin rash from the heat.

The bus did not stop. It moved and we had to sit in it while it was moving. Baba lifted me onto the bus, the conductor pulled me in, and then running, Baba also got onto the bus. The conductor was the last one to get in. It was dangerous. My heartbeat grew fast. At such times I do not feel good. Our doctor-uncle has told me not to play too hard, and not to fight. Because then I become ill for long. And because old uncle is not here, Baba will have to pay the doctor's fee. Old uncle always used to pay our doctor's bill.

Baba paid the conductor, who had all the money in his hands. I asked Baba, “Why doesn't the conductor keep the money in his pockets?” Baba said because there is too much of it and someone might steal it from his pocket. But why don't people steal from his hands? Baba said because he is always watching his hands. When you don't want your things to be stolen, you must always watch them. We were sitting at the back of the bus, and Baba was looking out of the window. The bus seats were red and looked dirty. I did not touch them but I was sitting on them. There were designs on the roof with glitter on them. I closed my eyes, opened my blackboard, and made those same designs in one of the rooms in my house. The big eagle, white horse with wings, lots of green hills, a big light pink rose in the middle of the green hills, and shining gold, red, ruby red colors surrounding them. It is difficult to make shiny things on blackboards, but I had a trick. I threw water on the chalk to make it shiny. The floor of the bus was dirty. It had greaselike things all over it. You should not draw dirty things on the blackboard.

BOOK: The Scatter Here Is Too Great
6.16Mb size Format: txt, pdf, ePub
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