The Shark Mutiny (33 page)

And so, as the first waves of Chinese troops splashed ashore 17 miles to the northeast, Taipei continued to function, both citizens and visitors alike, with no option but to await the inevitable arrival of the conquering hordes from the mainland. There was no escape, and life moved precariously forward for all of them.

Five days later, on Saturday morning, June 2, the National Palace Museum was busier than usual. It was
somewhere interesting to go for the new prisoners of the city, and the tourist buses were full, wending their way across the Keelung River, up through the northern suburbs to the Waishunghsi neighborhood at the foot of the Yangming Mountains.

The museum is probably the most imposing building on Taiwan. It is set in elaborate parkland, with tree-lined gardens. The sweeping, extravagant approach leads to a massive flight of wide stone steps, like those at the Capitol building in Washington.

At the top of this giant stairway stands an unmistakable Chinese palace, built in traditional style with white walls and green tiled roofs. Curiously there is never much sign of security in the outer grounds, save for the occasional uniformed guard, and today there was absolutely nothing. The military garrison two miles down the road was almost deserted since three-quarters of its entire force had been swept south along with most of the northern Taiwanese Army.

By 1:30
P.M.
there was a line of six buses creeping up to the disembarking area. Five of them carried a normal passenger load of men, women and children, husbands, wives, schoolteachers and tour guides. The sixth bus, a regular number 213, fourth in the line, was transporting only men, 50 of them, each dressed in light civilian clothes. Forty-two of the seats were occupied by bored-looking men reading newspapers. But the eight passengers in the rear of the bus were sitting on ammunition cases in front of the back bench seat, upon which rested the big machine guns and boxes of hand grenades that might very well be required in the next 20 minutes, depending on the level of resistance.

The bus driver, a lean, hard-eyed Chinese agent, had spent all morning rounding up his passengers, collecting them from a series of safe houses in the Sungshan District, where they had been lying low since the first parachute drops of the Special Forces five days previously.

These were the elite of the Chinese Army, supremely
trained Oriental SAS men, and now they were poised to strike, each man armed only with a concealed machine pistol or a folding submachine gun, as bus number 213 crept slowly up to the base of the wide stairway to the palace.

It stopped, leaving its engine running, and the doors slid swiftly open. Forty-two men stepped slowly out into the rain, gathering in groups of six, separating on various levels of the steps. Slowly, without urgency, they made their way to the top and walked through the huge doors into a somewhat grim, drab and unspectacular interior main hall, in almost shocking contrast to the grandeur of the exterior. On either side of the hall was a towering wing, filled with spectacular treasures, and the groups of Special Forces, unsuspected, unrecognized, moved up to the ticket office and paid their entrance fee of $80 new Taiwan dollars, which is around U.S. $2.50.

In their original groups of six, they dispersed among the crowds into various great rooms, to the left and to the right, and to the upper floor. No one made a move, until the final group moved up to the counter and requested six tickets, handing over an NT $500 bill. On it was painted a tiny machine gun, and the young Lieutenant who offered it told the cashier, “Right now, Lee, GO!”

Lee, who had been in place on behalf of the PLAN Intelligence Service for the past five years, swung out of his booth and walked swiftly across the hall to the information desk and disappeared into a door marked E
MERGENCY
E
XIT
O
NLY
.

Still no one betrayed anything. Until, two minutes later, every light in the building went out. Great pictures were no longer illuminated, the glass cases full of treasure went suddenly dull beneath the limited natural light still filtering in through the windows of this dull June day. The National Palace was without electric power, and deep beneath the stone-and-marble floors Major Chiang Lee flew along the underground corridor, a flashlight in his left hand and a hand grenade in his right. He
reached the giant automatic generator with just 25 seconds left before it kicked in, and he ripped out the pin and hurled the grenade straight at the big 600-gallon gas tank to the right of the main machinery.

He dove back around the corner of the massively reinforced concrete walls and flung himself to the ground. Four seconds later the thunderous explosion and contained fire ensured that not only was the National Museum without power; it was also going to stay precisely that way for the foreseeable future.

Every secure door both inside the museum itself, inside the labyrinth of underground tunnels and inside the echoing vaults that held the treasures of five thousand years was suddenly useless. If they were open, they would stay open. If they were closed, they would open up easily enough without the power locking devices. Major Chiang Lee, after hundreds of hours of study, a million deceptions and the patience of a Buddha, had done his work.

And now he moved back through the dark passage toward the area where the elevator from the main floor emerged. In the fire-control doorway, right opposite, he retrieved his Kalashnikov machine gun. And he walked back up the emergency stairs into the wide foyer where there were now scenes of some disquiet, though nothing resembling panic. The building had been constructed to such a heavy-duty standard, the rumble of the explosion, 100 yards away deep below ground, had scarcely been detected.

Major Lee fired a short burst from his machine gun, into the information desk, by way of attracting attention. Then he blasted a volley at the six high-security cameras, which he knew would operate for several hours on emergency batteries. Then he ordered everyone to stand back against the walls. He seemed a small, insignificant-looking figure to be issuing such a command, but suddenly he was joined by two groups of six men all leveling smaller, but just as deadly, weapons.

The Taiwanese guards, indoctrinated for years as to the Jihad seriousness of their responsibilities, immediately moved as a trained unit of four men, racing into position behind two huge stone pillars, and opening fire at the aggressors in the lobby. But they were not in time. At the first sign of movement, Admiral Zhang’s commandos hit the ground, returning fire toward the pillars. No one hit anyone, but right behind the museum guards there was a team of six Chinese Special Forces, now with their weapons drawn, and, firing from the rear, they cut down the security men in five seconds flat.

And now nine uniformed guards from the upper floors, pistols drawn, raced down the wide interior stairs. And this was like the Saint Valentine’s Day massacre. Women screamed as the Chinese Special Forces, crouching beneath the benches along the walls, opened up with a sustained burst of fire that left no survivors—just nine bodies sprawled on the wide staircase, blood trickling down the gray stone steps.

Up on the overlooking balcony, a further troop of museum guards had seen the appalling situation and retreated into the main exhibition rooms, slamming shut the massive wooden doors and locking them by hand with their six-inch-long master keys. They used mobile phones, desperately trying to raise the military in the nearby garrison. The Taipei Police were on the line swiftly and assured them of assistance within 10 minutes. Down in the tunnels the underground guards, and those who protected the doors into the vaults, gathered in the dark, 23 of them, heavily armed and massively confused.

By now there were several dozen tourists trying to open the outside doors, and Major Chiang Lee and his men began to herd the crowd inside the foyer toward the main entrance, which was guarded by Special Forces. Each visitor to the museum was searched. All mobile phones were confiscated. The double doors were opened just a couple of feet, and each visitor was dispatched out
into the crowd with instructions to leave the area immediately.

By now it was obvious the National Palace Museum had been captured, at least temporarily, by a small squadron of Chinese Special Forces. Lines of tourists returned to the waiting buses, and the eight men remaining in number 213 were now outside their bus brandishing Kalashnikovs and ordering the drivers away.

Inside the main foyer another gun battle broke out when guards from the tunnels broke through the emergency exit and began shouting orders to the crowd. Unaware of the gravity of the situation, they never had a prayer when the Special Forces gunned them down at close quarters. Six of them died instantly, the rest retreated back down to the dark tunnels, which was going to pose a substantial problem for the Chinese.

Ricocheting bullets had already injured four American tourists, one of them a very young boy, age around eight. The four-man medical unit that was integrated into the attacking force was attending the wounded, using their own supplies, and as they worked, the large crowd was slowly exiting the building and moving down to the buses.

At this point, the Chinese moved to secure the museum. Two bigger machine guns, plus ammunition, were brought up to the foyer from the waiting buses. All outside doors were locked by hand, and a dozen sentries were posted. The remaining 28 attackers split into three groups of six, and one of 10, the main assault force that would storm the exhibition rooms where there were still armed security guards.

They hit the one on the upper left first, blasting the door open with machine-gun fire and then spraying the room with 50 rounds, calling for total surrender. A stray bullet shattered a glass case and smacked straight through an early-seventeenth-century Qing Dynasty helmet used by a long-dead emperor for reviewing troops. The bullet cracked open the head of one of the three dec
orative dragons, split a large ruby in half and probably did about a million dollars worth of damage.

But the helmet survived, and it fared better than a black pottery wine jar, fashioned in the shape of a silkworm cocoon, and dating back to around 300
B.C.
This shattered on impact with another Kalashnikov bullet, and joined the remnants of a priceless foot-high, jade Kuei tablet from the early Shang Kingdom, more than 1,000 years before Christ.

A line of bullet holes also decorated the upper reaches of one of China’s most valuable paintings,
A Literary Gathering
, a massive work exquisitely done in ink on silk for the Emperor Hui-tsung of the eleventh-century northern Sung Dynasty. It still hung, high on the east wall, and might ultimately be restored.

The four cowering guards plainly realized that if the Chinese Special Forces were prepared to inflict millions of dollars’ worth of damage on the contents of these rooms, their own lives were not worth four cents. And they came forward, unarmed with their hands high, and as they did so they heard the thunder of the second machine gun as it obliterated the lock on the door that guarded the room across the wide stone corridor on the upper right.

Again the Chinese Special Forces came in low and hard, the machine gun ripping bullets into the room, from a floor-level position. The two central glass cases were blown apart, glass from the tallest one flying everywhere. But the principal casualty was a large carved ivory Dragon Boat from the Qing Dynasty, again early seventeenth century, perfectly created, right down to the eight oars, the 16 pennants, and the deck canopy, all set in a gold-painted lacquer box. The Russian-made bullets hit it broadside on, reducing it to shards of split white ivory: a destruction of history sufficient to reduce any curator of any museum to unashamed tears.

Two paintings, set high on the west wall, above a colossal stone table, also were raked with machine-gun
fire. The large one to the left was priceless, a sixteenth-century work by one of the four masters of the Ming Dynasty, Ch’iu Ying. Entitled
Late Return from Spring Outing
, it was a world-acclaimed picture, ink and color on silk, executed by one of the greatest artists of the Emperor’s Imperial Painting Academy. The bullets had ripped right across it in two lines, and it would never be restored.

The slightly smaller picture to the left, however, was in ruins, and its demise would be mourned by art historians for years to come. It was a rare and magnificent work by Chao Kan, the tenth-century painter from Nanking, and its title evokes the elegant quality of the landscape:
Early Snow on the River
. It was a masterpiece by a great master who had trained at the Academy of Art of the southern T’ang court. He had used just ink and light color on silk, outlawing any trace of worldliness, as his fisherman worked the icy river, with a small band of travelers wending their way wearily along the windswept bank. Twenty million modern greenbacks would not have bought one half of it.

Two of the security guards, sheltering under the stone table, were hit and killed; the others begged for mercy and were permitted to surrender. And they trooped outside to join their colleagues with their faces to the wall, hands high above their heads, under the scrutiny of the Chinese raiders.

Room by room, the Special Forces took the museum, the staff was taken prisoner, the last tourists ejected from the building and the machine guns placed strategically on front and rear balconies.

At 1445, the sound of helicopters could be heard, out over the surrounding park. The Special Forces commander, in conference with Major Chiang Lee, knew they must be Taiwanese reinforcements, because the signal had not yet been sent back to the beachhead at Chinsan that the museum was secure.

Instantly they ordered all prisoners out onto the steps
with instructions to clear the area, and they radioed Bus 213 to open fire at will on the incoming helicopters. Crammed with special police and the remnants of the Army still in the area, the choppers came clattering in over the trees, and immediately flew into a hail of bullets, from the high front balcony and the area to the rear of the bus.