The Sicilian (29 page)

The second Mafia chief, riding a black horse with scarlet plumes above its ears, was Don Arzana of the town of Piani dei Greci. He was a calm, deliberate man who believed that there were always two sides in a quarrel and had refused to kill Silvio Ferra for political purposes, had indeed forestalled that man’s fate for years. He was distressed by Ferra’s murder but had been powerless to intervene, since Don Croce and the other Mafia chiefs insisted that the time had come to make an example in his area. His rule had been tempered with mercy and kindness, and he was the most loved of the six tyrants. But now as he rode his horse in front of the assembled multitude his face was stern, all his inner doubts erased.

The third man on horseback was Don Piddu of Caltanissetta and his steed’s bridle was garlanded with flowers. He was known to be susceptible to flattery and vain of his appearance, jealous of power and murderous to the aspirations of young men. At a village festival, a young peasant gallant had stricken the local women dumb with admiration because he wore bells on his ankles when he danced, wore a shirt and trousers made of green silk, tailored in Palermo, and sang as he played a guitar manufactured in Madrid. Don Piddu had been incensed with the adulation shown this rural Valentino, furious that the women did not admire a real man like himself rather than this simpering, effeminate youth. Who danced no more after that fateful day but was found on the road to his farm, his body riddled with bullets.

The fourth Mafia chief was Don Marcuzzi of the town of Villamura, who was known to be an ascetic and had his own chapel in his home like the old nobility. Don Marcuzzi, despite this one affectation, lived very simply, and was personally a poor man since he refused to profit by his power. But he enjoyed that power enormously; he was tireless in his endeavors to help his fellow Sicilians but he was also a true believer in the old ways of the Friends of the Friends. He had become a legend when he executed his favorite nephew for committing an
infamita
, the breaking of the law of
omerta
, giving information to the police against a rival Mafia faction.

The fifth man on horseback was Don Buccilla of Partinico, who had come to see Hector Adonis in behalf of his nephew on the long-ago, fateful day when Turi Guiliano became an outlaw. Now, five years later, he was heavier by forty pounds. He still wore his opera peasant clothes despite the fact that he had become enormously wealthy in those five years. His ferocity was benign, but he could not abide dishonesty and executed thieves with the same righteousness as those eighteenth-century English High Justices proclaiming the death penalty on child pickpockets.

The sixth man was Guido Quintana, who, though nominally of Montelepre, had made his reputation by taking over the bloody battleground of the town of Corleone. He had been forced to do this because Montelepre was directly under the protection of Guiliano. But in Corleone, Guido Quintana had found what his murderous heart yearned for. He had settled four family feuds by the simple expedient of wiping out opponents to his decisions. He had murdered Silvio Ferra and other union organizers. He was perhaps the only Mafia chief who was hated more than he was respected.

These were the six men who, by their reputations and the respect and enormous amount of fear they could generate, barred the lands of Prince Ollorto to the poor peasants of Sicily.

Two jeeps full of armed men sped down the Montelepre-Palermo road and turned off on the path that led to the estate wall. All but two of the men were masked with wool coverings that had slits cut open over the eyes. The two unmasked men were Turi Guiliano and Aspanu Pisciotta. The masked men included Corporal Canio Silvestro, Passatempo and Terranova. Andolini, also masked, covered the road from Palermo. As the jeeps pulled up about fifty feet from the Mafia horsemen, additional men pushed through the crowd of peasants. They too were masked. They had been picnicking in the grove of olive trees. When the two jeeps appeared they had opened food baskets and taken out their weapons and their masks. They spread out into a long half circle and covered the horsemen with their rifles. All told, there were about fifty of them. Turi Guiliano jumped out of his jeep and checked to see that everyone was in place. He watched the six riders going back and forth. He knew they had seen him, and he knew the crowd, too, had recognized him. The smoky Sicilian afternoon sun tinged the green landscape with red. Guiliano wondered how these thousands of tough peasants could be so intimidated that they let six men keep the bread out of the mouths of their children.

Aspanu Pisciotta was waiting like an impatient viper beside him. Only Aspanu had refused to wear a mask; all the others had feared a vendetta from the families of the six Mafia chiefs and from the Friends of the Friends. Now Guiliano and Pisciotta would bear the brunt of the vendetta.

They both wore the gold buckles engraved with the lion and the eagle. Guiliano had only a heavy pistol in a holster hanging from his belt. He also wore the emerald ring he had taken from the Duchess years ago. Pisciotta carried a machine pistol cradled in his arms. His face was pale from his lung disease and excitement; he was impatient with Guiliano for taking so long. But Guiliano was carefully watching the scene to make sure his orders had been carried out. His men had formed the half circle to leave an escape route for the Mafia chiefs should they decide to ride away. If they ran they would lose “respect” and a great deal of their influence; the peasants would no longer fear them. But he saw Don Siano turn his mottled gray horse and the others follow him to parade again before the wall. They would not run.

From one of the towers of his ancient palace, Prince Ollorto watched the scene through the telescope he used to chart the stars. He could see Turi Guiliano’s face clearly and in detail—the oval eyes, the clean planes of his face, the generous mouth now pressed tight; and he knew that the strength in his face was the strength of virtue, and thought it was a pity that virtue was not a more merciful asset. For it was terrible indeed when it was pure, as the Prince knew this to be pure. He was ashamed of his own role. He knew his fellow Sicilians so well, and now he would be responsible for what was about to happen. The six great men he had bound with money would fight for him, they would not run. They had intimidated the great multitude who were before his wall. But now Guiliano was standing before them like an avenging angel. Already it seemed to the Prince that the sun was darkening.

Guiliano strode to the path the six men rode. They were squat heavy men on horseback and they kept their mounts to a slow steady walk. From time to time they would feed their horses off a huge pile of oats heaped against the jagged white stone wall. This was so the horses would defecate continuously and leave a constant insulting trail of manure; then they would continue their slow ride.

Turi Guiliano placed himself very close to their path, Pisciotta a step behind. The six men on horseback did not look his way or stop. Their faces were inscrutable. Though they all wore
lupare
over their shoulders, they did not attempt to unsling them. Guiliano waited. The men rode past him three more times. Guiliano stepped back. He said quietly to Pisciotta, “Bring them down from their horses and present them to me.” Then he crossed the path and leaned against the white stone wall of the estate.

Leaning against the wall he knew that he had crossed a fatal line, that what he was doing this day would decide his fate. But he felt no hesitation, no uneasiness, only a cold rage against the world. He knew that behind these six men loomed the enormous figure of Don Croce, and that it was the Don who was his final enemy. And he felt anger against this very multitude of people he was helping. Why were they so docile, so fearful? If only he could arm and lead them he could forge a new Sicily. But then he felt a wave of pity for these poorly clad, nearly starved peasants, and he raised his arm in a salute to encourage them. The crowd remained silent. For a moment he thought of Silvio Ferra, who might have roused them.

Now Pisciotta took command of the stage. He was wearing his cream-colored sweater with the dragons rampant woven darkly in the woolen material. His sleek dark head, narrow as a knife edge, was etched in the blood-red Sicilian sunlight. He turned that head like a blade toward the six obelisks riding their horses and watched them for a long moment with his deadly viper’s gaze. Don Siano’s mount defecated at his feet as the six men rode past.

Pisciotta stepped back one pace. He nodded toward Terranova, Passatempo and Silvestro, who ran to the fifty armed masked men forming the covering arc. The men spread out further to close off the escape route that had been left open. The Mafia chiefs continued riding proudly as if they noticed nothing, though they had of course observed and understood everything. But they had won the first round of their battle. Now it was for Guiliano to decide whether to take the last and most dangerous step.

Pisciotta moved into the path of Don Siano’s horse and raised his hand imperiously to that gray fearful face. But Don Siano did not stop. When the horse tried to shy away the rider pulled his head tight, and they would have ridden over Pisciotta had he not stepped aside and, with a savage grin, bowed low to the Don as he passed by. Then Pisciotta stepped directly behind the horse and rider, sighted his machine pistol on the gray hindquarters of the horse and pulled the trigger.

The fragrant, flowered air was filled with ropy entrails, a vast shower of blood and a thousand golden flecks of manure. The hail of bullets swept the horse’s legs beneath him and he fell straight down. Don Siano’s body was trapped by the fallen body until four of Guiliano’s men pulled him out and bound his arms behind his back. The horse was still alive and Pisciotta stepped forward and mercifully fired a spray of bullets into the animal’s head.

A low moan of terror and exultation rose from the crowd. Guiliano remained leaning against the wall, his heavy pistol still in its holster. He stood with his arms folded as if he, too, were wondering what Aspanu Pisciotta would do next.

The remaining five Mafia chiefs continued their parade. Their mounts had reared up at the sound of gunfire, but the riders quickly brought them under control. They rode as slowly as before. Again Pisciotta stepped onto the path. Again he raised his hand. The lead rider, Don Buccilla, stopped. The others behind him reined their horses still.

Pisciotta called to them, “Your families will need your horses in the days to come. I promise to send them. Now dismount and pay your respects to Guiliano.” His voice rang loud and clear to the ears of the multitude.

There was a long silence and then the five men dismounted. They stood there proudly gazing at the crowd, their eyes fierce and insolent. The long arc of Guiliano’s men broke as twenty of them came close, guns ready. Carefully and gently they bound the arms of the five men behind their backs. Then they led all six chiefs to Guiliano.

Guiliano regarded these six men without expression. Quintana had humiliated him once, had even tried to assassinate him, but now the situation was reversed. Quintana’s face had not changed over these five years—it had the same wolfish look—but at this moment the eyes seemed vacant and wandering behind the Mafioso mask of defiance.

Don Siano stared at Guiliano with contempt on his gray face. Buccilla seemed a little astonished, as if he were surprised by so much ill feeling in an affair that did not really concern him. The other Dons looked him coldly in the eye as ultimate men of respect must do. Guiliano knew them all by reputation; as a child he had feared some of these men, especially Don Siano. Now he had humiliated them before all Sicily and they would never forgive him. They would be deadly enemies forever. He knew what he must do, but he knew also that they were beloved husbands and fathers, that their children would weep for them. They gazed past him proudly, giving no signs of fear. Their message was clear. Let Guiliano do what he had to do, if he had the belly for it. Don Siano spat at Guiliano’s feet.

Guiliano looked at them in the face, each separately. “Kneel and make your peace with God,” he said. None of the men moved.

Guiliano turned and walked away from them. The six Mafia chiefs stood outlined against the white stone wall. Guiliano reached his line of men, then turned. He said in a loud clear voice that could be heard by the crowd, “I execute you in the name of God and Sicily,” then touched Pisciotta on the shoulder.

At that moment Don Marcuzzi started to kneel but Pisciotta had already opened fire. Passatempo and Terranova and the Corporal, still masked, also fired. The six bound bodies were flung up against the wall by the storm of machine-gun bullets. The jagged white stones were splattered with red-purple gouts of blood and pellets of flesh torn from the galvanized bodies. They seemed to be dancing from strings as they were flung back again and again by the continuing hail of bullets.

High in the tower of his palace, Prince Ollorto turned away from the telescope. So he did not see what happened next.

Guiliano stepped forward and advanced to the wall. He drew the heavy pistol from his belt and slowly and ceremoniously shot each of the fallen Mafia chiefs through the head.

There was a great hoarse roar from the watching crowd and, in seconds, thousands were streaming through the gates of Prince Ollorto’s estate. Guiliano watched them. He noticed that none of the crowd came near him.

CHAPTER 22

T
HAT
E
ASTER MORNING
of 1949 was glorious. The whole island was carpeted with flowers, and Palermo balconies held huge tubs of wildly rioting colors; the cracks in the sidewalk grew red- and blue- and white-petaled flowers, and so, even, did the sides of old churches. The streets of Palermo were thronged with citizens going to the nine o’clock High Mass at Palermo’s great cathedral where the Cardinal himself would serve Communion. Countrymen from the nearby villages had come in to attend, and in their black mourning suits, with their wives and children, they greeted everyone they passed with the traditional Easter morning salute of the peasant, “Christ is risen.” Turi Guiliano responded with the equally traditional, “Blessed be His name.”

Guiliano and his men had infiltrated Palermo the night before. They were dressed in the sober country black of the peasants, but their suit jackets were loose and bulky, for beneath they wore their machine pistols. Guiliano was familiar with the streets of Palermo; in his six years as a bandit he had often sneaked into the city to direct the kidnapping of a wealthy noble or to dine at a famous restaurant and to leave his challenging note under the plate.

Guiliano was never in danger on these visits. He always walked the streets with Corporal Canio Silvestro by his side. Another two men would walk twenty paces ahead of him, four more would walk on the other side of the street, another two men would walk twenty paces behind. And another two-man team still further back. If Guiliano were stopped by the
carabinieri
to show his identification papers, they were an easy target for these men who were prepared to shoot without mercy. When he entered a restaurant, the dining rooms would be crowded with his bodyguards at other tables.

This morning, Guiliano had brought fifty men into the city. They included Aspanu Pisciotta, the Corporal, and Terranova; Passatempo and Stefan Andolini had been left behind. When Guiliano and Pisciotta entered the cathedral, forty of his men entered with them; the other ten men with the Corporal and Terranova were with the escape vehicles in the rear of the building.

The Cardinal was conducting the Mass, and in his white and golden vestments, the great crucifix hanging from his neck, and with his melodious voice, he created an awesome aura of inviolable sanctity. The cathedral was filled with great statues of Christ and the Virgin Mary. Guiliano dipped his fingers into the holy water basin decorated with reliefs of the Passion of Christ. When he knelt he saw the vast domed ceiling and along the walls the banks of rose-colored candles that served as votive lights to the statues of saints.

Guiliano’s men dispersed themselves along the walls close to the altar. The seats were filled by the vast multitude of worshippers, the countrymen in black, the townspeople in vivid Easter finery. Guiliano found himself standing by the famous statue of the Virgin and the Apostles, and he was caught by its beauty for one brief moment.

The chanting of the priests and altar boys, the murmured responses to the multitude of worshippers, the perfume of exotic subtropical flowers on the altar, the devoutness of these supplicants had their effect on Guiliano. The last time he had attended Mass was the Easter morning five years before when Frisella, the barber, had betrayed him. On this Easter morning he felt a sense of loss and of dread. How many times had he said to doomed enemies, “I execute you in the name of God and Sicily,” and waited for them to murmur the prayers he heard now. For a moment he wished he could make them all rise, as Christ had risen, to lift them out of the eternal darkness he had hurled them into. And now on this Easter morning he might have to send a Cardinal of the Church to join them. This Cardinal had broken his promise, had lied to and betrayed him, and become his enemy. It did not matter how beautifully he chanted in this vast cathedral. Would it be impertinent to tell the Cardinal to make his peace with God? Would not a Cardinal always be in a state of grace? Would he be humble enough to confess his betrayal of Guiliano?

The Mass was coming to its conclusion; the worshippers were going to the altar rail to receive Holy Communion. Some of Guiliano’s men along the walls were kneeling to receive. They had confessed to Abbot Manfredi at his monastery the day before and were pure, since they would not have to commit their crime until after this ceremony.

The multitude of worshippers, happy with the Easter rising of Christ, cheerful for the washing out of their sins, exited the cathedral and filled the piazza going on to the avenue. The Cardinal went behind the altar and his acolyte pressed upon his brow the conical mitre of an Archbishop. With this headdress the Cardinal seemed a foot taller, the elaborate gold scrolls on the front of the miter gleamed over his rugged Sicilian face; the impression was one of power rather than holiness. Accompanied by a flock of priests, he started on his traditional steps of prayer at each of the four chapels of the cathedral.

The first chapel held the tomb of King Roger I, the second chapel that of the Emperor Frederick II, the third held the tomb of Henry IV, the last chapel held the ashes of Constanzia, the wife of Frederick II. These tombs were of white marble inlaid with beautiful mosaics. There was another separate chapel, the silver shrine, holding a thousand-pound statue of Saint Rosalie, the patron saint of Palermo, which the citizens of the city carried through the streets on her holy day. In this shrine were the remains of all the archbishops of Palermo, and it would be here that the Cardinal himself would be buried when he died. It was his first stop, and when he knelt to pray, it was here that Guiliano and his men surrounded him and his retinue. Other of Guiliano’s men sealed off all the exits to the shrine so no alarm could be given.

The Cardinal rose to his feet to confront them. But then he saw Pisciotta. He remembered that face. But not as it was now. Now it was the face of the devil come for his soul, to roast his flesh in hell. Guiliano said, “Your Eminence, you are my prisoner. If you do what I say you will not be harmed. You will spend Easter in the mountains as my guest and I promise that you will dine as well there as in your palace.”

The Cardinal said angrily, “You dare to bring armed men into this house of God?”

Guiliano laughed; all his feeling of awe had vanished in the delight of what he was about to do. “I dare more,” he said. “I dare to reproach you for breaking your holy word. You promised a pardon for me and my men and you did not keep that promise. Now you and the Church will pay.”

The Cardinal shook his head. “I will not move from this holy place,” he said. “Kill me if you dare and you will be infamous all over the world.”

“I have that honor already,” Guiliano said. “Now if you do not do what I command, I will have to be more forceful. I will slaughter all your priests here, then bind and gag you. If you come with me quietly, no harm will be done to anyone and you will be back in your cathedral within the week.”

The Cardinal crossed himself and walked toward the door of the shrine indicated by Guiliano. This door led to the back of the cathedral where other members of Guiliano’s band had already commandeered the Cardinal’s official limousine and chauffeur. The huge black car was decorated with bouquets of Easter flowers and flew the pennants of the church at each side of the radiator grille. Guiliano’s men had also commandeered the cars of other dignitaries. Guiliano guided the Cardinal into his limousine and sat beside him. Two of his men also seated themselves in the rear of the car, and Aspanu Pisciotta got into the front seat beside the chauffeur. Then the procession of cars wound its way through the city, through the patrols of
carabinieri
who saluted them. At Guiliano’s orders, the Cardinal waved back in benediction. On a deserted stretch of road the Cardinal was made to leave the car. Another band of Guiliano’s men were waiting for them with a litter to carry the Cardinal. Leaving the vehicles and chauffeurs behind them, they all disappeared into a sea of flowers and the mountains.

Guiliano was as good as his word; deep in the caves of the Cammarata Mountains the Cardinal ate as good a meal as could be had in the palace. The awed bandits, respectful of his spiritual authority, asked for his blessing as they served each dish.

The newspapers of Italy went wild with indignation, while the people of Sicily were filled with two emotions: horror at the sacrilege committed and unholy glee at the shaming of the
carabinieri
. Riding over this was their enormous pride in Guiliano, that a Sicilian had defeated Rome; Guiliano was now the ultimate “man of respect.”

What, everyone wondered, did Guiliano want in return for the Cardinal? The answer was simple: an enormous ransom.

The Holy Church, which after all was charged with the safe-keeping of souls, did not stoop to the niggardly bargaining of nobles and rich merchants. It paid the ransom of one hundred million lire immediately. But Guiliano had one more motive.

He said to the Cardinal, “I’m a peasant, not instructed in the ways of heaven. But I have never broken my word. And you, a Cardinal of the Catholic Church, with all your holy garments and crosses of Jesus, lied to me like a heathen Moor. Your sacred office alone will not save your life.”

The Cardinal felt his knees weaken.

Guiliano continued. “But you are fortunate. I have another purpose for you.” He then made the Cardinal read his Testament.

Now that he knew his life was to be spared, the Cardinal, trained to expect the chastisement of God himself, was more interested in the documents of the Testament than in the reproaches of Guiliano. When he saw the letter he had written to Pisciotta, the Cardinal crossed himself with a holy fury.

Guiliano said, “My dear Cardinal. Take the knowledge of this document back to the Church and Minister Trezza. You have seen the proof of my ability to destroy the Christian Democratic government. My death will be your great misfortune. The Testament will be in a safe place that you cannot reach. If any of them doubts me, tell them to ask Don Croce how I deal with my enemies.”

It was a week after the Cardinal’s kidnapping that La Venera left Guiliano.

For three years he had crept through the tunnel into her house. In her bed, he reveled in the comforts of her solid body, the warmth and shelter. She had never complained, never asked for more than his pleasure.

But tonight was different. After they made love, she told him she was moving away to relatives who lived in Florence. “My heart is too weak,” she told him. “I can’t bear the danger that is your life. I dream of you being shot down before my eyes. The
carabinieri
killed my husband as if he were some animal, in front of his house. They kept firing until his body was a bundle of bloody rags. I dream of it happening to you.” She pulled his head down to her breast. “Listen,” she said, “listen to my heart.”

And he listened. And was moved to pity and love by the pounding erratic beat. The bare skin beneath her heavy breast was salty with the sweat of her inner terror. She was weeping, and he stroked her thick black hair.

“You’ve never been afraid before,” Guiliano said. “Nothing is changed.”

La Venera shook her head violently. “Turi, you’ve become too reckless. You have made enemies, powerful enemies. Your friends fear for you. Your mother goes pale with every knock on the door. You can’t escape forever.”

Guiliano said, “But I haven’t changed.”

La Venera began to weep again. “Ah, Turi, yes you have changed. You are so quick to kill now. I don’t say you’re cruel; you are careless with death.”

Guiliano sighed. He saw how frightened she was and it filled him with a sorrow he could not quite understand. “Then you must go,” he said. “I’ll give you enough money so that you can live in Florence. Someday this all will be over. There will be no more killing. I have my plans. I will not be a bandit forever. My mother will sleep at night and we will all be together again.”

He could see that she did not believe him.

In the morning before he left, they made love again, all hot passion, their bodies plunging against each other wildly for the last time.