The Skull Mantra (48 page)

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Authors: Eliot Pattison

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An ancient priest, the same who had gone out into the snow to die the year before, had first visited it in 1931, when the Thirteenth Dalai Lama was still in residence and again two years later when the salt-dried body of the old ruler was interred in a solid silver chorten in the Red Palace of the Potala. It had been the Thirteenth who warned on his deathbed that soon all Tibetans would be enslaved and would have to endure endless days of suffering. Later the same
priest had been fortunate enough to be assigned to the library of the Potala. It contained the original plans of the Great Fifth Dalai Lama, who had started construction of the Potala in 1645 and asked that his death be concealed so that it would not interfere with the work. The old yak had described the plans in detail to his awed, shivering audience at the 404th. Richly worked walls of stone, cedar, and teak joined by hand without a single nail created a thousand rooms over thirteen floors that once held the hundredfold shrines. Only in the third retelling of the tale had Shan understood that the reference was not merely figurative. The Great Fifth's palace for Buddha contained a hundred times a hundred shrines, ten thousand altars, and on them sat two hundred thousand statues of deities. As he gazed on the huge walls Shan remembered the monk telling them they had been built for eternity. Maybe he was right—later Shan had learned that the exterior walls, in some places thirty feet thick, had been strengthened for the ages by pouring molten copper inside them.

Much later, in the Tibetan year of the Earth Mouse, 1949, Choje had visited the same library. Seven thousand volumes of scripture he had seen there, most of them one-of-a-kind manuscripts dating back centuries. Some, he explained in a childlike tone of awe, had been written on palm leaves brought from India a thousand years earlier. In a special collection of illuminated manuscripts, which Choje spent ten months studying, there were two thousand volumes in which the lines of scripture were written in alternating inks made of powdered gold, silver, copper, turquoise, coral, and conch shell. For the Red Guards who invaded the Potala during the Cultural Revolution, nothing had symbolized the Four Olds better than these manuscripts. They had made a public display of destroying the volumes on the temple grounds, ripping many into pieces which were sent for use in Red Guard latrines.

Rebecca Fowler's hand on his arm brought Shan back. ‘Tyler should go instead,” she repeated.

“Piece of cake,” Kincaid agreed with a gleam of mischief. “Been to the Ministry of Ag before. They'll probably recognize me. Kowtow to the big American investor.”

Shan nodded reluctantly, then stood and handed Fowler
the canvas bag he had brought with him. “Give this to your friend Jansen.”

“What is it?”

“From the cave. One of the gold skulls. I asked for it as evidence.”

Kincaid looked at him uncertainly.

“I didn't say for evidence of what,” Shan continued.

Kincaid's eyes widened. “Son of a bitch,” he said with a grin. “Son of a bitch.” He accepted the bag eagerly and glanced inside.

Shan pulled out an envelope. “These are the résumés of Director Hu's geologic exploration staff. I thought it might be of interest.”

“Résumés?” Kincaid asked.

“Hu has eight staff members assigned to find new mineral deposits. Six of them were transferred last year by Wen Li at the request of Hu.”

“But Wen is Religious Affairs.”

Shan nodded. “The six have no geology training. They are archaeologists and anthropologists.”

Kincaid stared at the envelope in confusion, then comprehension lit his eyes. “Shit! His mineral exploration—it's all about looting. He's not looking for mines,” Tyler exclaimed to Fowler, “he's looking for caves! Shrine caves. Wait till Jansen sees this!” With a huge grin he grabbed Shan's hand and shook it, hard. “Be careful, man,” he said awkwardly, glancing up at Fowler's amused face and turning back to Shan. “Really. I mean it.”

The American paused and solemnly reached into his shirt to pull out a white cloth that had been hidden there. It was a silk
khata
scarf, a prayer scarf, that the American had been wearing around his neck. “Here,” Kincaid said. “It's my good luck charm. Keeps me alive when I climb.”

“I can't,” Shan said uncomfortably. “This is not for—”

“Please,” Kincaid persisted. “I want you to have it. For protection. I don't want you getting caught. You're one of us.”

Shan accepted the
khata
with a blush of embarrassment, then joined the flow of pedestrians, praying the faded army coat he had brought from Lhadrung would persuade any onlooker
that he was nothing but a straggling soldier who had hitched a ride.

But as he rounded the corner toward the center of the city, the Sublime Fortress was there again. Lokesh had been there, too, Shan remembered, first as a young student who, by excelling at his exams, won the honor of scraping the candle grease from Potala altars. The memories of that first visit, spent in the darkness of the lower floors, had been almost entirely aural. Lokesh related that he had constantly heard the tingle of
tsingha
cymbals but never in a month's stay had he been able to locate its source among the maze of rooms. There had been the high-pitched
jaling
horns blown at the opening of special rituals and the melodious
vajre
bells rung to call monks to the services that seemed to begin every few minutes somewhere in the complex. Finally there had been the twelve-foot-long
dungchen
horns, so deep they were like a groan of the earth, and so resonant that Lokesh insisted that their echoes rolled about the lower floors for hours after being blown.

As Shan approached the museum the hairs on the back of his neck stood, the skin tingled. He made two slow circuits around the building, lingering in a throng watching a chess game on the first circuit, moving to a bus stop queue after the second. It was a very small Tibetan man who was following him, wearing a blue worker's jacket and carrying a cabbage. His long, limber arms and sharp restless eyes belied his slow, feeble carriage. Shan tested the tail by rapidly walking down the street three blocks, then sitting on a bench. The man followed on the opposite side, lingering at a vegetable stall while Shan pretended to read a newspaper gleaned from a trash can. Shan watched until he was certain the stalker was alone. Public Security operated tails with teams of at least three.

Chiding himself for not considering that Jansen's office could be watched, he found a public washroom where he removed his coat. Outside, he climbed aboard a bus and got out at the first stop. He switched to a second bus, watching with his ears around his eyes, as a Beijing instructor had once described, meaning watching with every sense, sensing the rhythm of the crowd so he could see where the rhythm
broke, watching the way every pedestrian watched the others. It was the ones who ignored the others who were the ones to fear.

After six blocks he emerged back into the sunlight and began walking not toward the street of the museum but parallel to the street, still testing the pavement.

Suddenly there was a loud crack behind him, as though from a pistol. Shan spun about and froze. There, not ten feet away from him amidst the throng of Chinese shoppers and rush of bicycles, was a ragged, unkempt Tibetan with a filthy leather apron over a felt coat. His hands were thrust into the straps of wooden clogs, which he was now clapping together over his head. Someone beside Shan, a plump Chinese woman carrying a jar of yogurt, hissed an expletive at the man.
“Latseng!”
she added. Garbage.

But the Tibetan seemed unaware of anyone on the busy street as he left the curb. He brought the clogs down in one liquid motion and stretched himself full-length on the pavement, his arms extended in front of him. With a murmured mantra he pulled himself forward, moved back to his knees, stood, and clapped the clogs in front of him twice before clapping them over his head and repeating the process. Traditionally, Shan remembered, pilgrims did three five-mile circuits around the Potala. But he also recalled that the government had obliterated most of the pilgrims' circuit, known as the Lingkhor, constructing apartment buildings and shops squarely to block the route after monks had invited Tibetans to protest their Chinese government by creating an endless chain of pilgrims around the circuit.

Emotion overtaking him again, Shan stared helplessly at the Tibetan, who gazed fixedly ahead. Trinle had laughed heartily about the route being blocked. “The government will never be able to see what the pilgrim sees,” he had said with absolute conviction. He had repeated the phrase for Shan like a mantra again and again with his huge smile until, not knowing why, Shan had laughed, too.

An angry shout rose from the street. A youth on a motorcycle was yelling for the pilgrim to get out of his path. A car pulled up behind the man and began honking its horn. The pilgrim was entering an intersection, oblivious to the
traffic light. A truck approaching down the cross street added its horn to the chorus.

Pilgrims were sometimes run over by vehicles. Shan had heard guards at the 404th joke about such roadkills. The pilgrim kept moving. But there was something new in the man's eyes. He was aware of the vehicles now. He was afraid, but he would not stop.

Shan looked back to the crowd. Was someone there? No. But did he still have the rhythm of the crowd? No. He took a long look at the Sublime Fortress and stepped into the street.

He moved past the angry drivers, still pounding their horns, to stand beside the solitary pilgrim. With tiny steps he escorted the Tibetan as the man struggled through the intersection. Up on his knees. Up to his feet. Arms in front. Clap the clogs. Arms overhead. Clap the clogs. Arms down. Stop. Kneel. Drop to his belly. Extend the arms. Recite the mantra to the Buddha of Compassion. Retract the arms. Up on his knees.

People were shouting louder, infuriated at Shan now. But he did not hear their words. He watched the pilgrim with great satisfaction, and in the pilgrim saw Choje, and Trinle, and all the old yaks. An odd thought flashed through his mind. Perhaps this was the most important thing he had done in three years. Choje might have suggested that everything that happened before was so Shan could be there in that moment to protect the pilgrim.

They reached the curb and the safety of the sidewalk. Without breaking stride or diverting his eyes, the pilgrim spoke in an emotional, uncertain voice.
“Tujaychay,”
he whispered to Shan. Thank you.

Shan watched the pilgrim move on another thirty feet before the world crept back over him. He glanced up and realized he had no hope of regaining the rhythm of the crowd. Twenty faces were watching him now, most of them resentful. There was no time left to watch and elude. He moved straight to the museum.

He entered along with a tour group, then moved in the cover of the crowds through the exhibits, willing himself not to linger at the exquisite displays of skull drums, ceremonial
jade swords, altar statues, rich
thangka
paintings, crested hats, and prayer wheels. He paused only once, in front of a display of rare rosaries. There in the center was one of pink coral beads carved like tiny pinecones, with lapis marker beads. He stared at it sadly, then wrote down the collection inventory number and moved on.

Suddenly he was at the exhibit of costumes for demon protectors. There was Yama, the Lord of the Dead, Yaruantaka, Slayer of Death, Mahakala, Supreme Protector of the Faith, Lhamo, Goddess Protector of Lhasa. And in the last case, Tamdin the Horse-Headed.

The magnificent costume was there, its face a savage bulging mask of red lacquered wood, four fangs in its mouth, a ring of skulls at its neck, a tiny, ferocious, green horse head rising above its golden hair. Shan shivered as he studied it, his hand clamped on the
gau
around his neck that now contained the Tamdin summoning spell. The arms of the demon lay beside the mask, ending in two grotesque clawed hands, identical to the smashed one found at the American mine.

It was small comfort to confirm that the hand was indeed that of Tamdin, for the costume in the museum was intact, and in Lhasa, not in Lhadrung. There was a second costume but if it did not belong to the museum Shan had no way to trace it, no way to link it to Jao's killers.

He stared at the exhibit in deep thought, waited for the room to empty, and opened a door. A janitor's closet. He began to shut it, then paused and pulled out the broom and a bucket. He moved slowly through the building, sweeping as he watched the interior doors. Suddenly, and with a wrench of his gut, he saw someone new, a Chinese with bullet-hole eyes trying quite futilely to look interested in the exhibits. The man surveyed the room, not noticing Shan, then gave a snort of impatience and moved with a military gait into the adjoining hall. Shan stayed in the shadows and watched, to his horror, as the man conferred with two others, a young woman and a man dressed as tourists. They left the room at a trot and Shan stepped inside the first door that was not locked.

He was in a short corridor that opened into a large office
chamber divided into cubicles. Most of the desks were empty. On a bench in the hall was a white technician's coat. Abandoning the bucket and broom, he put on the coat, then picked up a clipboard and pencil from the first desk.

“I lost my way,” he said to the woman at the first occupied desk. “The inventory.”

“Inventory?”

“Exhibits. Artifacts in storage.”

“It's usually the same,” she said in a superior tone.

“The same?”

“You know. Two of each piece. One on display, one in storage. In the basement. Parallel collection, the curator calls it. Makes cleaning and examination easier. One upstairs. One downstairs, arranged by their inventory number sequence.”

“Of course,” Shan said, with renewed hope. “I meant the organization charts. The location of artifacts.”

“In notebooks. On the library table.”

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