The Slaying of the Shrew (28 page)

"La!"
Dubois said. "Enough,
monsieur.
It was a minor misunderstanding, nothing more. I assure you, the matter is entirely forgotten. You have clearly had a very trying night, what with discovering the body of that most unfortunate young gentleman."

"Indeed," said Smythe, "that maze seems to be bad luck for anyone who goes there, if you ask me. From now on, I intend to avoid it at all costs! The last thing I would wish was to be run through in there!"

"It would seem that it was, indeed, a most unlucky place for
Monsieur
Holland," said Dubois. "A man would be wise to avoid any place where such unfortunate things happened. It was a terrible thing, terrible. Poor Sir Roger. I must go and express my condolences.
Bonsoir."

"Hmm," said Shakespeare, as they watched him walk away. "For a moment there, he was positively threatening."

"Bluff and bluster, nothing more," Smythe said, with a grimace.

'You think so? Well, I am not so sure. He did seem to take umbrage quite readily when I tweaked him. The way he looked at me and placed his hand upon his sword, I almost thought that he was going to run me through."

Smythe snorted. "If that fop ever ran through anything more substantial than an hors d'oeuvre, I shall eat my hat. It takes no bravery to play the bravo when your opponent is unarmed. 'Twas the superiority of his class that he was counting on to intimidate you, not his skill with a sword, you may be sure."

"You are unquestionably the expert when it comes to judging blades," said Shakespeare, "but that sword of his looked like a quality piece of work to me."

"Would you expect someone in his position to purchase something second rate?" asked Smythe. He shrugged. "I could not give it a close inspection, of course, but it seemed quite the showy piece, all bejeweled flash and dazzle. To my mind, 'tis not the sort of weapon a serious swordsman would wear."

"So you do not see him as the killer, then?"

"He hardly seems the lethal sort, Will."

"Then that leaves us with Braithwaite."

"I suppose it does," said Smythe.

Shakespeare shook his head. " 'Tis only that he seems so
unlike
a killer. He seems so… amiable."

"Where is it writ that a murderer cannot be amiable?"

"Would that villainy were clearly written on the countenance," said Shakespeare, sourly. " ‘Twould make our task ever so much simpler."

"You like the fellow."

"I suppose I do. He is not without his charm. He has wit and is the sort that grows upon you."

"The sort that makes for the most dangerous kind of cozener and scoundrel," Smythe said. "The sort who may smile and smile and yet still be a villain."

"Well put. You argue well and soundly. I can say but little in the way of dispute."

"I find I do not share your favorable opinion of him," Smythe replied, dryly. "He strikes me as a cocky sort, like the roaring boys who often cause mischief at the theatre. He swaggers when he walks and I suppose he thinks himself a young Apollo. Where
is
Braithwaite, anyway? I have not seen him."

"I do not know," Shakespeare responded. "I have not seen him since we all left the tomb."

"And what of Camden?"

"I have not seen him, either."

"Well, let us hope for his sake that Blanche does not next choose to favor him with her attentions," Smythe said. "That could bode ill for his chances of living to a ripe old age."

"Two of our original suspects left," Shakespeare said. "One of whom Sir William vouches for, at least in terms of being who he says he is, the other still an unknown quantity. And both seem unaccounted for as of this time. Do you want to see if we can find them?"

"Aye," Smythe replied. "Let us see how they respond to the news of Holland's murder. And let us also see if either of them have any witnesses who can vouch for where they were when Holland died."

They decided to make a quick tour of the lower floor, but saw no sign of either Braithwaite or Camden, which suggested that either both had retired to their rooms for the night and had heard nothing of Holland's murder or else had gone out to the fairgrounds, as had many of the guests—in which case, they would undoubtedly soon learn what had transpired as word spread.

Rather alarmingly, many of the guests had obtained torches and gone out to the garden to visit the maze, presumably to see if they could find the spot where the murder had taken place. Smythe thought it quite macabre, imagining them wandering about in there, looking down at the ground and holding their torches low to see if they could spy any traces of spilled blood, but Shakespeare did not find it at all surprising or unusual.

"We are bloodthirsty creatures, Tuck," he said, as they walked down the great hall of the mansion, past portraits of Godfrey Middleton's ancestors and illustrious figures from England's history, including, of course, the queen. It would not do at all for her to visit at some point and not see a portrait of herself in a place of honor in the great hall. "We think of ourselves as being a civilized people, and yet, in truth, we are still little more than savages. We all flock to a good hanging or a drawing and quartering, and the more the unfortunate victim screams and blubbers, the more we seem to like it."

"I thought you said before that such sights were meant to horrify and caution us," Smythe replied.

"Oh, indeed they are," said Shakespeare. "But even so, there is some savage part of us that hearkens back to those ancient times when we painted our bums blue and smashed one another's heads in with stone axes, and 'tis that part which finds the horror curiously stimulating. We discover that it thrills the blood and invigorates the humors. If we should see a carriage wrecked up by the roadside as we ride by, what do we do? Why, we slow down to a walk, thus the better to observe the carnage. And if we happen by when two men are fighting in the street, pummeling each other into bloody pulp, why then we stop and watch, we pick a favorite and cheer him on, perhaps even lay wagers. Our own mortality is sport to us and we play it with a vengeance. Thus, the ground upon which a murder victim falls becomes a sort of playing field."

"I must say, you see things in a curious way sometimes," said Smythe, looking around the long hall as they went.

" 'Tis because I observe people," replied Shakespeare, "and people are often very curious."

As they walked, Smythe noticed their surroundings. They had the great hall almost entirely to themselves. There were a few guests promenading up and down, talking amongst themselves, and every few moments a servant would hustle by with an annoyed expression, because of the lateness of the hour. Night had turned into day at the Middleton estate, and while some of the guests were sleeping, most were still up, though by now they had moved out to the torch-lit fairgrounds to gather round the stalls or at the campfires and discuss the day's events. The festival had taken a dark turn and no one wanted to miss out on hearing any gossip or miss seeing anything else that might occur.

Smythe had not been to many rich people's homes. This was only the second one he'd seen. He had been honored to have been invited to Sir William's handsome and sprawling estate, Green Oaks, on several occasions and he could tell that Godfrey Middleton had taken pains to see that Middleton Manor did not suffer greatly by comparison.

As at Green Oaks, the great hall of Middleton Manor was built with a long gallery, and the walls were panelled with imported woods. The ceilings were an intricate pattern of shallow plaster ribs in geometrical forms, ornamented with arabesques and figures of birds and fishes and beasts, as well as flowers and scrollworks of vines. The staircases were ornate, with solid oak block steps and landings with massive hand rails and newel posts that were all elaborately carved and ornamented with small statues. No expense was spared anywhere in the construction of this house.

Likewise, the decorations in the hall were all expensive and ornate. Several gleaming and enamelled suits of armor stood about, every one of them apparently brand new and doubtless never worn, and there were various weapons hanging on the walls in display arrangements, among them broadswords, rapiers, maces and halbreds, battle axes and, Smythe especially noted, several crossbows with pouches full of bolts.

There were large, richly woven tapestries, with not a painted cloth among them, and of course, large, gilt-framed ancestral portraits and paintings of historical personages. It was these which had caught Smythe's eye as they walked. There was something curious about them, somehow, something which had troubled him vaguely, and for a while he could not quite put his finger on it, but abruptly, it occurred to him exactly what it was.

"Speaking of observing people, have you noticed anything strange about these portraits?" Smythe asked.

"Strange?" Shakespeare frowned. He had not been paying attention to them. "The portraits? How so?"

"Well… have you not noticed that there are no signs of age on any of them?" Smythe paused and approached one of the paintings, examining it more closely. He stretched out a finger and gently touched the canvas. "The canvas is still quite taut, stretched tight as a drum, and the colors are all so fresh and vivid, they look as if they have scarcely had the time to dry. Most of these portraits have only been painted fairly recently, unless I miss my guess."

Shakespeare shrugged. "And so what of it? The house is still relatively new, is it not? 'Tis no more than a few years old. So Middleton had commissioned a few score portraits to hang upon his walls. I suppose he could have purchased older paintings, but then why not commission new ones? After all, he can certainly afford them."

"Oh, I do not dispute that," Smythe replied. " 'Twas not my point, Will. Middleton is very rich, I grant you that. ‘Tis just that I was thinking… if most of these paintings are supposed to be portraits of his ancestors, then do you not find it curious that they were only painted recently?"

"Perhaps he merely had some older portraits copied," Shakespeare said.

"But why would anyone do that?" persisted Smythe. "A portrait of an ancestor becomes more valued and more meaningful with age. It conveys a sense of history, of lineage. Making copies of old portraits so that new ones could be hung would be rather like opening a cask of fine, aged wine and spilling it all out, only to refill it with juice from newly ripened grapes. It simply makes no sense."

"No… I suppose not," said Shakespeare, with a puzzled look. "I had not considered it that way. In truth, I had not considered it at all. I was, in fact, considering the murders that took place at this house, not the paintings that are hung within it."

"Well, I am not sure why it struck my notice, only that it did," said Smythe. "Does it not make you wonder how genuine the likenesses may be?"

"What are you going
on
about?" asked Shakespeare, frowning. "We have two murders we must solve! What
is
all this about the blasted paintings? What have they to do with anything?"

"I am not certain," Smythe replied. "Perhaps nothing at all." He shook his head. "I cannot say why I notice such things, only that I do, you see. You observe people closely, I suppose because you write about them and thus need to understand them better. I simply observe
things,
perhaps because I have been taught to make them well. I notice if a sword is crafted well or if 'tis simply flashy, ornamented to no purpose save to disguise the fact that the blade is not made very well. The blade the Frenchman carries, for example, seems to be a fairly good one from what little I could see of it, and young Holland carried a simple, albeit first-class duelist's rapier. What was more, he knew how to use it. If we were to make inquiries, I would wager we would find that he had studied with a fencing master."

"Well, whoever killed him must have studied harder," Shakespeare said, wryly.

"Precisely," Smythe replied. "You may jest, but I could tell from the cadence of the strokes that both combatants knew what they were about. That it went so quickly also tells me that the killer was either very lucky or else he was a first-rate swordsman. Holland had skill, yet despite that, he never stood a chance. For my money, our man is the very devil with a blade."

"All the more reason we should avoid making his close acquaintance," Shakespeare said.

"I thought you just said that you wanted to solve these murders," Smythe replied.

"I do, insofar as 'tis an exercise intended as a challenge to the mind, only I would prefer to do so at a safe distance. I find it interesting to puzzle out a killer's motives and attempt to deduce who he might be, but when it comes to chasing him about with swords and things, I find that my enthusiasm wanes."

Smythe stopped. "Well, we have now made a complete circuit of the hall and all the lower rooms," he said. "If Braithwaite and Camden are not outside on the fairgrounds, they must be upstairs, asleep."

"Perhaps we should follow their example," Shakespeare said.

"What, and miss all the excitement? I should think that scarcely anyone will sleep this night."

"I would make a liar of you in an instant."

"Oh, come on, Will! You have spent many a night at The Toad and Badger, carousing until dawn. Are you going to start yawning on me now?"

"The very mention of it tempts me."

"Well, fine then. Go sleep, if you must. I shall carry on alone."

"And catch a dagger or an arrow in your back without me there to watch it for you? I should never sleep a wink again. Your ghost would haunt me, I am certain."

"Aye, my shade would stand over your bed each night, all horrible and bloody, and would wail piteously until dawn. 'Willlllllllll … Willlllllllll… 'twas all your fault! 'Twas all your fault!' "

"You know, I do believe that you would do just that, to spite me."

"I would."

"You, sir, are a bounder and a scoundrel."

"And you, sir, are a lily-livered goose."

A muffled high-pitched giggle stopped them as they went past the library. The door stood slightly ajar. Shakespeare glanced at Smythe. "Surely, you do not suppose… ?"