The Sleepwalkers (48 page)

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Authors: Hermann Broch

BOOK: The Sleepwalkers
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Then he took a tram to the prison. Again it was a scorching day, again he found himself sitting in the visiting-room—had he ever left it? for everything had remained as it was, and nothing seemed to lie between that visit and this—again Martin entered with the warder, again Esch felt that agonizing feeling of emptiness in his head, again it was incomprehensible to him why he should be sitting in this official chamber, incomprehensible although it was happening for a definite end and after long premeditation. Fortunately he could feel the cigarettes in his pocket which he would take care this time to hand over to Martin, so that at least the visit might wipe off his former omission. But that was a pretext, yes a pretext, thought Esch, and then: a man’s legs must work if his head won’t. Everything exasperated him, and as they sat all three at the table again, this time it was Martin’s ironically friendly air that exasperated him particularly—it reminded him of something that he did not want to admit to himself.

“So, back from your rest cure, August? You’re looking first-rate, too. Have you run up against all your friends?”

Esch was not lying when he replied: “I’ve run up against nobody.”

“Aha! So you weren’t at Badenweiler after all?”

Esch could not answer.

“Esch, have you been playing the fool?”

Esch still remained silent, and Martin became serious: “If you’ve been up to any mischief I’m finished with you.”

Esch said: “Things are too queer. What mischief could I be up to?”

Martin replied: “Have you a good conscience? Something isn’t as it should be!”

“I have a good conscience.”

Martin still regarded him searchingly, and Esch could not but think of the day when Martin had followed him in the street as though to strike him from behind with his crutch. But Martin was now quite friendly again and asked: “And what are you doing here in Mannheim still?”

“Lohberg is going to marry Erna Korn.”

“Lohberg … oh, I remember now, the tobacconist fellow. And you’re staying on because of that?” Martin’s eyes had become suspicious again.

“I’m leaving to-day in any case … to-morrow at latest.”

“And what’s to happen to you after that?”

Esch wished he were somewhere else. He said: “I’m thinking of going to America.”

Martin’s aged boy’s face smiled: “Well, well, you’ve wanted to do that for a long time … or have you some particular reason for wanting to leave the country now?”

No, Esch replied; he simply fancied that there were good prospects over there at present.

“Well, Esch, I hope I’ll see you again before you leave. Better to be going because you have prospects than because you’re running away from something … but if it shouldn’t be so, you won’t see my face again, Esch!” That sounded almost like a threat, and silence once more sank on the three men sitting at the ink-spotted table in the hot, airless room. Esch got up and said that he must hurry if he was still to catch the train that day, and as Martin once more regarded him questioningly and suspiciously, he pushed the cigarettes into Martin’s hand, while the uniformed warder behaved as though he did not see anything, or maybe he had not really seen anything. Then Martin was led away.

On the way back to the town Martin’s threat rang in Esch’s ears, and perhaps indeed it had already come true, for all at once he could no longer picture Martin to himself, neither his hobbling walk, nor his smile, nor even that the cripple would ever enter the restaurant again. Martin had become strange to him. Esch marched on with long, awkward strides as though he had to increase as quickly as possible the distance between him and the prison, the distance between him and all that lay behind him. No, that man would never run after him again, so as to strike him from behind with his crutch; no man could really run after another, nor could the other send him away, for each was condemned to go his own lonely path, a stranger to all companionship: what mattered was to free oneself from the coil of the past, so that one might not suffer. One had simply to walk fast enough. Martin’s threat had had singularly little effect, as if it were a clumsy work-a-day copy of a higher reality with which one had been already familiar for a long time. And if one left Martin behind, if one so to speak sacrificed him, that too was merely a work-a-day version of a higher sacrifice; but it was necessary if the past was to be finally destroyed. True, the streets of Mannheim were still familiar, yet he was making his way into a strange land, into freedom;
he walked as on a higher plane, and when next day he arrived at Cologne he would no longer feel abashed before the city and the scenes it presented, he would find them submissive and humble, submissively ready for transformation. Esch made a disdainful gesture with his swinging hands, and even achieved an ironical grimace.

He was so deeply sunk in thought that he passed Korn’s door without noticing it; only when he was on the top floor did he realize that he must descend one flight again. And when Fräulein Erna opened the door he started back. He had forgotten her, and there she was looking at him now through the slit of the partly opened door, showing her yellowish teeth and making her demands upon him. It was the demon of the past itself barring the gate of longing, the grimacing mask of the work-a-day world, more invulnerable and mocking than ever, demanding that one should for ever descend anew into the coils of dead-and-gone things. And here a good conscience could not avail him, here it could not avail him that at any moment he was at liberty to leave this place for Cologne or America,—for a breathspace it seemed to him that Martin had caught him up after all, and as though it were Martin’s vengeance that was pushing him down, down to Erna. But Fräulein Erna seemed to know that there was no escape for him, for like Martin she smiled all-knowingly and as in secret intelligence of a still obscure obligation binding him to her world, an obligation that was inescapable and threatening and yet of supreme importance. He gazed searchingly into Fräulein Erna’s face; it was the face of a withered Antichrist and gave no answer. “When is Lohberg coming?” Esch asked the question abruptly and as though in the vague hope that the answer would solve his problem; and when Fräulein Erna slyly hinted that she had intentionally refrained from inviting her fiancé, it was undoubtedly a flattering mark of preference, and yet it made him furious. Without regarding her offended looks he ran from the house to invite Lohberg for a visit that evening.

And indeed Esch felt comforted when he found the fool, so deeply comforted that he at once begged for his company and purchased all sorts of eatables and even two bouquets, one of which he stuck in Lohberg’s hand. Small wonder that at the sight of them Fräulein Erna should clasp her hands and cry: “Why, here’s two real cavaliers!” Esch replied proudly: “A farewell celebration,” and while she was setting out the table he sat with his friend Lohberg on the sofa and sang:
Must I then, must I then, leave my native Town
, which won
him disapproving and melancholy glances from Fräulein Erna. Yes, perhaps it was really a farewell celebration, a celebration of release from this work-a-day community, and he would have liked to forbid her to lay a place for Ilona. For Ilona too must be released by now and already at the goal. And this wish was so strong that in all seriousness Esch hoped that Ilona would stay away, stay away for ever. And incidentally he felt a little elated at the thought of Korn’s disappointment.

Well, Korn really gave signs of being disappointed; though to be sure his disappointment expressed itself in coarse abuse of that Hungarian female, and in rabid impatience for immediate nourishment. Meanwhile he moved his broad bulk with astonishing agility through the room; addressed himself to the liqueur bottles, then to the table from which with his blunt fingers he lifted a few slices of sausage, and when Erna refused to allow this he turned upon Lohberg and with upraised hands shooed him from the sofa, which he claimed for himself by prescriptive right. The noise which the man Korn raised while doing this was extraordinary, his body and voice filled the room more and more, filled it from wall to wall; all that was earthly and fleshly in Korn’s ravenously hungry being swelled beyond the confines of the room, threatening mightily to fill the whole world, and with it the unalterable past swelled up, crushing everything else out and stifling all hope; the uplifted and luminous stage darkened, and perhaps indeed it no longer existed. “Well, Lohberg, where’s your kingdom of redemption now?” shouted Esch, as though he were seeking to deafen his own terrors, shouted it in fury, because neither Lohberg nor anybody else was capable of giving an answer to the question: why must Ilona descend into contact with the earthly and the dead? Korn sat there on his broad hindquarters and ordered brutally: “Bring in the food!” “No!” shouted Esch, “not till Ilona comes!” For though he was almost afraid of seeing Ilona again, everything was at hazard now, and suddenly Esch was full of impatience for Ilona to appear—as it were to be the touchstone of truth.

Ilona entered. She scarcely noticed the company, simply obeyed the signal of the silently chewing Korn and sat down beside him on the sofa, and in obedience to his equally silent command slung her soft arm languidly round his neck. But for the rest all that she saw was the good things on the table. Erna, who observed all this, said: “If I were you, Ilona, I would keep my hands off Balthasar while I was eating, at least.” True, she was merely talking in the air, for Ilona obviously still did not
understand a word of German, indeed must not understand it, just as she must not know of the sacrifices that had been made for her. Ignorant of their speech, she could hardly be regarded any longer as a guest at the table of the flesh-bound, but rather as a mere visitor to the prison of the work-a-day world, or as a voluntary captive. And Erna, who to-night seemed to know many things, made no further mention of earthly matters, and it was like an admission of a more subtle understanding when she lifted the bouquet from the table and held it under Ilona’s nose: “There, smell that, Ilona,” she said, and Ilona replied: “Yes, thank you,” and it rang as from a distance which the munching Korn would never reach, rang as from a higher plane ready to receive her if only one did not grow weary in sacrifice. Esch felt light-hearted. Everyone must fulfil his dream, whether it be evil or holy, and then he will partake of freedom. And great pity as it was that the ninny should get Erna, and little as Ilona would ever guess that now the final line had been drawn under an account, it was a settlement and a turning-point, a testimony and the act of a new consciousness when Esch got up, drank to the company, and having briefly and heartily congratulated the betrothed couple, proposed a toast to their health, so that everybody, with the exception of Ilona for whose sake it was really done, looked quite dumbfounded. But as it expressed their secret wishes, their next emotion was gratitude, and Lohberg with moist eyes shook Esch’s hand again and again. Then at Esch’s request the happy couple gave each other the betrothal kiss.

Nevertheless what had been done did not yet appear to him final, and when the party was breaking up, and Korn had already retired with Ilona, and Fräulein Erna was preparing to put on her hat so as to keep Esch company in escorting her newly betrothed to his home, then Esch objected; no, he did not regard it as seemly that he, a bachelor, should spend the night in the house of Lohberg’s fiancée, he would be very happy to seek a lodging for the night in Herr Lohberg’s house or to exchange rooms with him; they should think it over again, for after their betrothal they must have a great many things to talk about; and thereupon he pushed the two of them into Erna’s room and betook himself to his own.

In this way ended the first day of his release, and the first night of unaccustomed and unpleasant renunciation broke in.

The sleepless man who with moistened finger-tip has quenched the quiet candle beside his bed, and in the now cooler room awaits the coolness
of sleep, with every beat of his heart approaches death without knowing it; for strangely as the cool room has expanded round him, just as stiflingly hot and hurried has time grown within his head, so stifling that beginning and end, birth and death, past and future, crumble to dust in the unique and isolated present, filling it to the brim, indeed almost bursting it.

Esch had considered for a moment whether Lohberg might not after all decide to go home and want his company. But with an ironical grimace he concluded that he might safely go to bed, and still grinning he began to take off his clothes. By the light of the candle he read again Mother Hentjen’s letter; the copious items of news about the restaurant were boring; on the other hand there was one passage which pleased him: “And do not forget, dear August, that you are my only love in all the world and will always be, and that I cannot live without you, and would not rest in the cold grave without you, dear August.” Yes, that pleased him, and now on Mother Hentjen’s account too he was glad that he had sent Lohberg in to Erna. Then he moistened his finger-tip, put out the candle, and stretched himself on the bed.

A sleepless night begins with banal thoughts, somewhat as a juggler displays at first banal and easy feats of skill, before proceeding to the more difficult and thrilling ones. In the darkness Esch could not help grinning still at the thought of Lohberg slipping under the blankets to the coyly tittering Erna, and he was glad that he had no need to be jealous of the ninny. In truth his desire for Erna had now completely gone, but that was all to the good and as it should be. And in reality he only dwelt on the happenings in the other room to demonstrate how indifferent they left him, how indifferent it was to him that Erna was now caressing with her hands the meagre body of the idiot, and suffering such a misbegotten monstrosity beside her, and how totally indifferent what impressions, what phallic images—he employed a different term—she carried in her memory. So easy was it for him to picture all this that it seemed without importance, and besides with that pure Joseph one was not even certain that things would take such a course. Life would be an easy business if things of that kind left him just as indifferent in Mother Hentjen’s case,—but the mere impact of the thought was so painful that he started violently, not entirely unlike Mother Hentjen at certain moments. He would gladly have sought refuge with Erna for himself and his thoughts, had not something barred the way, something invisible, of which he only knew that it was the threatening and inescapable presence of that afternoon. So he
turned his thoughts to Ilona; all that was needed to establish order there was that the hurtling knives should be erased from her memory. As a preliminary rehearsal, so to speak, for more difficult feats, he tried to think of her, but he was unsuccessful. Yet when at last he managed to picture to himself, with rage and loathing, that at that moment she was languidly and submissively enduring the presence of Korn, that dead lump of flesh, regardless of herself, just as she had stood smiling in the midst of the daggers, waiting for one of them to strike her to the heart—oh, then he suddenly saw the end of his task; for it was self-murder that she was committing in such a curiously complicated and feminine fashion, self-murder that dragged her down into contact with earthly things. That was what she must be rescued from! His task was defined, but it had become a new task! Indeed, if it were not for that threatening something barring the way, he would simply dismiss Ilona from his mind, walk over to Erna’s room, seize Lohberg by the collar, and curtly order him to take himself off. After that one would be able to sleep quietly and dreamlessly.

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