The Solitary House (193 page)

We had been out nearly three hours, when the carriage again passed through the gates of Limmeridge House.

On our way back, I had let the ladies settle for themselves the first point of view which they were to sketch, under my instructions, on the afternoon of the next day. When they withdrew to dress for dinner, and when I was alone again in my little sitting-room, my spirits seemed to leave me on a sudden. I felt ill at ease and dissatisfied with myself, I hardly knew why. Perhaps I was now conscious, for the first time, of having enjoyed our drive too much in the character of a guest, and too little in the character of a drawing-master. Perhaps that strange sense of something wanting, either in Miss Fairlie or in myself, which had perplexed me when I was first introduced to her, haunted me still. Anyhow, it was a relief to my spirits when the dinner-hour called me out of my solitude, and took me back to the society of the ladies of the house.

I was struck, on entering the drawing-room, by the curious contrast, rather in material than in colour, of the dresses which they now wore. While Mrs. Vesey and Miss Halcombe were richly clad (each in the manner most becoming to her age), the first in silver-grey, and the second in that delicate primrose-yellow colour, which matches so
well with a dark complexion and black hair, Miss Fairlie was unpretendingly and almost poorly dressed in plain white muslin. It was spotlessly pure; it was beautifully put on; but still it was the sort of dress which the wife or daughter of a poor man might have worn; and it made the heiress of Limmeridge House, so far as externals went, look less affluent in circumstances than her own governess. At a later period, when I learnt to know more of Miss Fairlie’s character, I discovered that this curious contrast, on the wrong side, was due to her natural delicacy of feeling and natural intensity of aversion to the slightest personal display of her own wealth. Neither Mrs. Vesey nor Miss Halcombe could ever induce her to let the advantage of dress desert the two ladies who were poor, to lean to the side of the one lady who was rich.

When dinner was over, we returned together to the drawing-room. Although Mr. Fairlie (emulating the magnificent condescension of the monarch who had picked up Titian’s brush for him) had instructed his butler to consult my wishes in relation to the wine that I might prefer after dinner, I was resolute enough to resist the temptation of sitting in solitary grandeur among bottles of my own choosing, and sensible enough to ask the ladies’ permission to leave the table with them habitually, on the civilised foreign plan, during the period of my residence at Limmeridge House.

The drawing-room, to which we had now withdrawn for the rest of the evening, was on the ground-floor, and was of the same shape and size as the breakfast-room. Large glass doors at the lower end opened on to a terrace, beautifully ornamented along its whole length with a profusion of flowers. The soft, hazy twilight was just shading leaf and blossom alike into harmony with its own sober hues, as we entered the room; and the sweet evening scent of the
flowers met us with its fragrant welcome through the open glass doors. Good Mrs. Vesey (always the first of the party to sit down) took possession of an arm-chair in a corner, and dozed off comfortably to sleep. At my request, Miss Fairlie placed herself at the piano. As I followed her to a seat near the instrument, I saw Miss Halcombe retire into a recess of one of the side windows, to proceed with the search through her mother’s letters by the last quiet rays of the evening light.

How vividly that peaceful home-picture of the drawing-room comes back to me while I write! From the place where I sat, I could see Miss Halcombe’s graceful figure, half of it in soft light, half in mysterious shadow, bending intently over the letters in her lap; while, nearer to me, the fair profile of the player at the piano was just delicately defined against the faintly deepening background of the inner wall of the room. Outside, on the terrace, the clustering flowers and long grasses and creepers waved so gently in the light evening air, that the sound of their rustling never reached us. The sky was without a cloud; and the dawning mystery of moonlight began to tremble already in the region of the eastern heaven. The sense of peace and seclusion soothed all thought and feeling into a rapt, unearthly repose; and the balmy quiet that deepened ever with the deepening light, seemed to hover over us with a gentler influence still, when there stole upon it from the piano the heavenly tenderness of the music of Mozart. It was an evening of sights and sounds never to forget.

We all sat silent in the places we had chosen—Mrs. Vesey still sleeping, Miss Fairlie still playing, Miss Halcombe still reading—till the light failed us. By this time the moon had stolen round to the terrace, and soft, mysterious rays of light were slanting already across the lower end of the room. The change from the twilight
obscurity was so beautiful, that we banished the lamps, by common consent, when the servant brought them in; and kept the large room unlighted, except by the glimmer of the two candles at the piano.

For half an hour more, the music still went on. After that, the beauty of the moonlight view on the terrace tempted Miss Fairlie out to look at it; and I followed her. When the candles at the piano had been lighted, Miss Halcombe had changed her place, so as to continue her examination of the letters by their assistance. We left her, on a low chair, at one side of the instrument, so absorbed over her reading that she did not seem to notice when we moved.

We had been out on the terrace together, just in front of the glass doors, hardly so long as five minutes, I should think; and Miss Fairlie was, by my advice, just tying her white handkerchief over her head as a precaution against the night air—when I heard Miss Halcombe’s voice—low, eager, and altered from its natural lively tone—pronounce my name.

“Mr. Hartright,” she said, “will you come here for a minute? I want to speak to you.”

I entered the room again immediately. The piano stood about half way down along the inner wall. On the side of the instrument farthest from the terrace, Miss Halcombe was sitting with the letters scattered on her lap, and with one in her hand selected from them, and held close to the candle. On the side nearest to the terrace there stood a low ottoman, on which I took my place. In this position, I was not far from the glass doors; and I could see Miss Fairlie plainly, as she passed and repassed the opening on to the terrace; walking slowly from end to end of it in the full radiance of the moon.

“I want you to listen while I read the concluding passages in this letter,” said Miss Halcombe. “Tell me if you
think they throw any light upon your strange adventure on the road to London. The letter is addressed by my mother to her second husband, Mr. Fairlie; and the date refers to a period of between eleven and twelve years since. At that time, Mr. and Mrs. Fairlie, and my half-sister Laura, had been living for years in this house; and I was away from them, completing my education at a school in Paris.”

She looked and spoke earnestly, and, as I thought, a little uneasily, as well. At the moment when she raised the letter to the candle before beginning to read it, Miss Fairlie passed us on the terrace, looked in for a moment, and, seeing that we were engaged, slowly walked on.

Miss Halcombe began to read, as follows:

“ ‘You will be tired, my dear Philip, of hearing perpetually about my schools and my scholars. Lay the blame, pray, on the dull uniformity of life at Limmeridge, and not on me. Besides, this time, I have something really interesting to tell you about a new scholar
.

“ ‘You know old Mrs. Kempe, at the village shop. Well, after years of ailing, the doctor has at last given her up, and she is dying slowly, day by day. Her only living relation, a sister, arrived last week to take care of her. This sister comes all the way from Hampshire—her name is Mrs. Catherick. Four days ago Mrs. Catherick came here to see me, and brought her only child with her, a sweet little girl about a year older than our darling Laura——’ ”

As the last sentence fell from the reader’s lips, Miss Fairlie passed us on the terrace once more. She was softly singing to herself one of the melodies which she had been playing
earlier in the evening. Miss Halcombe waited till she had passed out of sight again; and then went on with the letter:

“ ‘Mrs. Catherick is a decent, well-behaved, respectable woman; middle aged, and with the remains of having been moderately, only moderately, nice-looking. There is something in her manner and her appearance, however, which I can’t make out. She is reserved about herself to the point of downright secrecy; and there is a look in her face—I can’t describe it—which suggests to me that she has something on her mind. She is altogether what you would call a walking mystery. Her errand at Limmeridge House, however, was simple enough. When she left Hampshire to nurse her sister, Mrs. Kempe, through her last illness, she had been obliged to bring her daughter with her, through having no one at home to take care of the little girl. Mrs. Kempe may die in a week’s time, or may linger on for months; and Mrs. Catherick’s object was to ask me to let her daughter, Anne, have the benefit of attending my school; subject to the condition of her being removed from it to go home again with her mother, after Mrs. Kempe’s death. I consented at once; and when Laura and I went out for our walk, we took the little girl (who is just eleven years old) to the school, that very day.’ ”

Once more, Miss Fairlie’s figure, bright and soft in its snowy muslin dress—her face prettily framed by the white folds of the handkerchief which she had tied under her chin—passed by us in the moonlight. Once more, Miss Halcombe waited till she was out of sight; and then went on:

“ ‘I have taken a violent fancy, Philip, to my new scholar, for a reason which I mean to keep till the last for the sake of surprising you. Her mother having told me as little about the child as she told me of herself, I was left to discover (which I did on the first day when we tried her at lessons) that the poor little thing’s intellect is not developed as it ought to be at her age. Seeing this, I had her up to the house the next day, and privately arranged with the doctor to come and watch her and question her, and tell me what he thought. His opinion is that she will grow out of it. But he says her careful bringing-up at school is a matter of great importance just now, because her unusual slowness in acquiring ideas implies an unusual tenacity in keeping them, when they are once received into her mind. Now, my love, you must not imagine, in your off-hand way, that I have been attaching myself to an idiot. This poor little Anne Catherick is a sweet, affectionate, grateful girl; and says the quaintest, prettiest things (as you shall judge by an instance), in the most oddly sudden, surprised, half-frightened way. Although she is dressed very neatly, her clothes show a sad want of taste in colour and pattern. So I arranged, yesterday, that some of our darling Laura’s old white frocks and white hats should be altered for Anne Catherick; explaining to her that little girls of her complexion looked neater and better in all white than in anything else. She hesitated and seemed puzzled for a minute; then flushed up, and appeared to understand. Her little hand clasped mine, suddenly. She kissed it, Philip; and said (oh, so earnestly!), “I will always wear white as long as I live. It will help me to remember
you, ma’am, and to think that I am pleasing you still, when I go away and see you no more.” This is only one specimen of the quaint things she says so prettily. Poor little soul! She shall have a stock of white frocks, made with good deep tucks, to let out for her as she grows——’ ”

Miss Halcombe paused, and looked at me across the piano.

“Did the forlorn woman whom you met in the high road seem young?” she asked. “Young enough to be two- or three-and-twenty?”

“Yes, Miss Halcombe, as young as that.”

“And she was strangely dressed, from head to foot, all in white?”

“All in white.”

While the answer was passing my lips, Miss Fairlie glided into view on the terrace, for the third time. Instead of proceeding on her walk, she stopped, with her back turned towards us; and, leaning on the balustrade of the terrace, looked down into the garden beyond. My eyes fixed upon the white gleam of her muslin gown and headdress in the moonlight, and a sensation, for which I can find no name—a sensation that quickened my pulse, and raised a fluttering at my heart—began to steal over me.

“All in white!” Miss Halcombe repeated. “The most important sentences in the letter, Mr. Hartright, are those at the end, which I will read to you immediately. But I can’t help dwelling a little upon the coincidence of the white costume of the woman you met, and the white frocks which produced that strange answer from my mother’s little scholar. The doctor may have been wrong when he discovered the child’s defects of intellect, and predicted that she would ‘grow out of them.’ She may never have grown out of them; and the old grateful fancy about dressing in
white, which was a serious feeling to the girl, may be a serious feeling to the woman still.”

I said a few words in answer—I hardly know what. All my attention was concentrated on the white gleam of Miss Fairlie’s muslin dress.

“Listen to the last sentences of the letter,” said Miss Halcombe. “I think they will surprise you.”

As she raised the letter to the light of the candle, Miss Fairlie turned from the balustrade, looked doubtfully up and down the terrace, advanced a step towards the glass doors, and then stopped, facing us.

Meanwhile, Miss Halcombe read me the last sentences to which she had referred:

“ ‘And now, my love, seeing that I am at the end of my paper, now for the real reason, the surprising reason, for my fondness for little Anne Catherick. My dear Philip, although she is not half so pretty, she is, nevertheless, by one of those extraordinary caprices of accidental resemblance which one sometimes sees, the living likeness, in her hair, her complexion, the colour of her eyes, and the shape of her face——’ ”