The Solitary House (216 page)

Read The Solitary House Online

Authors: Lynn Shepherd

Tags: #Fiction, #Historical, #Literary, #Mystery & Detective, #Traditional British

BOOK: The Solitary House
7.28Mb size Format: txt, pdf, ePub

I think I must begin by putting down an odd remark, which has suggested itself to me since Laura came back.

When two members of a family, or two intimate friends, are separated, and one goes abroad and one remains at home, the return of the relative or friend who has been travelling, always seems to place the relative or friend who has been staying at home at a painful disadvantage, when the two first meet. The sudden encounter of the new thoughts and new habits eagerly gained in the one case, with the old thoughts and old habits passively preserved in the other, seems, at first, to part the sympathies of the most loving relatives and the fondest friends, and to set a sudden strangeness, unexpected by both and uncontrollable by both, between them on either side. After the first happiness of my meeting with Laura was over, after we had sat down together, hand in hand, to recover breath enough and calmness enough to talk, I felt this strangeness instantly, and I could see that she felt it too. It has partially worn away, now that we have fallen back into most of our old habits; and it will probably disappear before long. But it has certainly had an influence over the first impressions that I have formed of her, now that we are living together again—for which reason only I have thought fit to mention it here.

She has found me unaltered; but I have found her changed.

Changed in person, and, in one respect, changed in character. I cannot absolutely say that she is less beautiful than she used to be: I can only say that she is less beautiful to
me
. Others, who do not look at her with my eyes and my recollections, would probably think her improved. There is more colour, and more decision and roundness of outline in her face than there used to be; and her figure seems more firmly set, and more sure and easy in all its movements than it was in her maiden days. But I miss something when I look at her—something that once belonged to the happy, innocent life of Laura Fairlie, and that I cannot find in
Lady Glyde. There was, in the old times, a freshness, a softness, an ever-varying and yet ever-remaining tenderness of beauty in her face, the charm of which it is not possible to express in words—or, as poor Hartright used often to say, in painting, either. This is gone. I thought I saw the faint reflection of it, for a moment, when she turned pale under the agitation of our sudden meeting, on the evening of her return; but it has never reappeared since. None of her letters had prepared me for a personal change in her. On the contrary, they had led me to expect that her marriage had left her, in appearance at least, quite unaltered. Perhaps, I read her letters wrongly, in the past, and am now reading her face wrongly, in the present? No matter? Whether her beauty has gained, or whether it has lost, in the last six months, the separation, either way, has made her own dear self more precious to me than ever—and that is one good result of her marriage, at any rate!

The second change, the change that I have observed in her character, has not surprised me, because I was prepared for it, in this case, by the tone of her letters. Now that she is at home again, I find her just as unwilling to enter into any details on the subject of her married life, as I had previously found her, all through the time of our separation, when we could only communicate with each other by writing. At the first approach I made to the forbidden topic, she put her hand on my lips, with a look and gesture which touchingly, almost painfully, recalled to my memory the days of her girlhood and the happy bygone time when there were no secrets between us.

“Whenever you and I are together, Marian,” she said, “we shall both be happier and easier with one another, if we accept my married life for what it is, and say and think as little about it as possible. I would tell you everything, darling, about myself,” she went on, nervously buckling
and unbuckling the ribbon round my waist, “if my confidences could only end there. But they could not—they would lead me into confidences about my husband, too; and, now I am married, I think I had better avoid them, for his sake, and for your sake, and for mine. I don’t say that they would distress you, or distress me—I wouldn’t have you think that for the world. But—I want to be so happy, now I have got you back again; and I want you to be so happy too——”

She broke off abruptly, and looked round the room, my own sitting-room, in which we were talking. “Ah!” she cried, clapping her hands with a bright smile of recognition, “another old friend found already! Your bookcase, Marian—your dear-little-shabby-old-satin-wood bookcase—how glad I am you brought it with you from Limmeridge! And your workbox, just as untidy as ever! And the horrid, heavy, man’s umbrella, that you always would walk out with when it rained! And, first and foremost of all, your own dear, dark, clever, gipsy-face, looking at me just as usual! It is so like home again to be here. How can we make it more like home still? I will put my father’s portrait in your room instead of in mine—and I will keep all my little treasures from Limmeridge here—and we will pass hours and hours every day with these four friendly walls round us. Oh, Marian!” she said, suddenly seating herself on a footstool at my knees, and looking up earnestly in my face, “promise you will never marry, and leave me. It is selfish to say so, but you are so much better off as a single woman—unless—unless you are very fond of your husband—but you won’t be very fond of anybody but me, will you?” She stopped again; crossed my hands on my lap; and laid her face on them. “Have you been writing many letters, and receiving many letters, lately?” she asked, in low, suddenly-altered tones. I understood what the question meant; but I thought it my
duty not to encourage her by meeting her half way. “Have you heard from him?” she went on, coaxing me to forgive the more direct appeal on which she now ventured, by kissing my hands, upon which her face still rested. “Is he well and happy, and getting on in his profession? Has he recovered himself—and forgotten
me
?”

She should not have asked those questions. She should have remembered her own resolution, on the morning when Sir Percival held her to her marriage engagement, and when she resigned the book of Hartright’s drawings into my hands for ever. But, ah me! where is the faultless human creature who can persevere in a good resolution, without sometimes failing and falling back? Where is the woman who has ever really torn from her heart the image that has been once fixed in it by a true love? Books tell us that such unearthly creatures have existed—but what does our own experience say in answer to books?

I made no attempt to remonstrate with her: perhaps, because I sincerely appreciated the fearless candour which let me see, what other women in her position might have had reasons for concealing even from their dearest friends—perhaps, because I felt, in my own heart and conscience, that, in her place I should have asked the same questions and had the same thoughts. All I could honestly do was to reply that I had not written to him or heard from him lately, and then to turn the conversation to less dangerous topics.

There had been much to sadden me in our interview—my first confidential interview with her since her return. The change which her marriage has produced in our relations towards each other, by placing a forbidden subject between us, for the first time in our lives; the melancholy conviction of the dearth of all warmth of feeling, of all close sympathy, between her husband and herself, which
her own unwilling words now force on my mind; the distressing discovery that the influence of that ill-fated attachment still remains (no matter how innocently, how harmlessly) rooted as deeply as ever in her heart—all these are disclosures to sadden any woman who loves her as dearly, and feels for her as acutely, as I do. There is only one consolation to set against them—a consolation that ought to comfort me, and that does comfort me. All the graces and gentleness of her character; all the frank affection of her nature; all the sweet, simple, womanly charms which used to make her the darling and the delight of every one who approached her, have come back to me with herself. Of my other impressions I am sometimes a little inclined to doubt. Of this last, best, happiest of all impressions, I grow more and more certain, every hour in the day.

Let me turn, now, from her to her travelling companions. Her husband must engage my attention first. What have I observed in Sir Percival, since his return, to improve my opinion of him?

I can hardly say. Small vexations and annoyances seem to have beset him since he came back; and no man, under those circumstances, is ever presented at his best. He looks, as I think, thinner than he was when he left England. His wearisome cough and his comfortless restlessness have certainly increased. His manner—at least, his manner towards me—is much more abrupt than it used to be. He greeted me, on the evening of his return, with little or nothing of the ceremony and civility of former times—no polite speeches of welcome—no appearance of extraordinary gratification at seeing me—nothing but a short shake of the hand, and a sharp “How-d’ye-do, Miss Halcombe—glad to see you again.” He seemed to accept me as one of the necessary fixtures of Blackwater Park; to be satisfied at
finding me established in my proper place; and then to pass me over altogether.

Most men show something of their dispositions in their own houses, which they have concealed elsewhere; and Sir Percival has already displayed a mania for order and regularity, which is quite a new revelation of him, so far as my previous knowledge of his character is concerned. If I take a book from the library and leave it on the table, he follows me, and puts it back again. If I rise from a chair, and let it remain where I have been sitting, he carefully restores it to its proper place against the wall. He picks up stray flower-blossoms from the carpet, and mutters to himself as discontentedly as if they were hot cinders burning holes in it; and he storms at the servants, if there is a crease in the tablecloth, or a knife missing from its place at the dinner-table, as fiercely as if they had personally insulted him.

I have already referred to the small annoyances which appear to have troubled him since his return. Much of the alteration for the worse which I have noticed in him, may be due to these. I try to persuade myself that it is so, because I am anxious not to be disheartened already about the future. It is certainly trying to any man’s temper to be met by a vexation the moment he sets foot in his own house again, after a long absence; and this annoying circumstance did really happen to Sir Percival in my presence. On the evening of their arrival, the housekeeper followed me into the hall to receive her master and mistress and their guests. The instant he saw her, Sir Percival asked if any one had called lately. The housekeeper mentioned to him, in reply, what she had previously mentioned to me, the visit of the strange gentleman to make inquiries about the time of her master’s return. He asked immediately for the gentleman’s name. No name had been left. The gentleman’s business? No business had been mentioned. What was the
gentleman like? The housekeeper tried to describe him; but failed to distinguish the nameless visitor by any personal peculiarity which her master could recognise. Sir Percival frowned, stamped angrily on the floor, and walked on into the house, taking no notice of anybody. Why he should have been so discomposed by a trifle I cannot say—but he was seriously discomposed, beyond all doubt.

Upon the whole, it will be best, perhaps, if I abstain from forming a decisive opinion of his manners, language, and conduct in his own house, until time has enabled him to shake off the anxieties, whatever they may be, which now evidently trouble his mind in secret. I will turn over to a new page; and my pen shall let Laura’s husband alone for the present.

The two guests—the Count and Countess of Fosco—come next in my catalogue. I will dispose of the Countess first, so as to have done with the woman as soon as possible.

Laura was certainly not chargeable with any exaggeration, in writing me word that I should hardly recognise her aunt again, when we met. Never before have I beheld such a change produced in a woman by her marriage as has been produced in Madame Fosco. As Eleanor Fairlie (aged seven-and-thirty), she was always talking pretentious nonsense, and always worrying the unfortunate men with every small exaction which a vain and foolish woman can impose on long-suffering male humanity. As Madame Fosco (aged three-and-forty), she sits for hours together without saying a word, frozen up in the strangest manner in herself. The hideously ridiculous love-locks which used to hang on either side of her face, are now replaced by stiff little rows of very short curls, of the sort that one sees in old-fashioned wigs. A plain, matronly cap covers her head, and makes her look, for the first time in her life, since I
remember her, like a decent woman. Nobody (putting her husband out of the question, of course) now sees in her, what everybody once saw—I mean the structure of the female skeleton, in the upper regions of the collar-bones and the shoulder-blades. Clad in quiet black or grey gowns, made high round the throat—dresses that she would have laughed at, or screamed at, as the whim of the moment inclined her, in her maiden days—she sits speechless in corners; her dry white hands (so dry that the pores of her skin look chalky) incessantly engaged, either in monotonous embroidery work, or in rolling up endless little cigarettes for the Count’s own particular smoking. On the few occasions, when her cold blue eyes are off her work, they are generally turned on her husband, with the look of mute submissive inquiry which we are all familiar with in the eyes of a faithful dog. The only approach to an inward thaw which I have yet detected under her outer covering of icy constraint, has betrayed itself, once or twice, in the form of a suppressed tigerish jealousy of any woman in the house (the maids included) to whom the Count speaks, or on whom he looks, with anything approaching to special interest or attention. Except in this one particular, she is always, morning, noon, and night, in-doors and out, fair weather or foul, as cold as a statue, and as impenetrable as the stone out of which it is cut. For the common purposes of society the extraordinary change thus produced in her, is, beyond all doubt, a change for the better, seeing that it has transformed her into a civil, silent, unobtrusive woman, who is never in the way. How far she is really reformed or deteriorated in her secret self, is another question. I have once or twice seen sudden changes of expression on her pinched lips, and heard sudden inflexions of tone in her calm voice, which have led me to suspect that her present state of suppression may have sealed up something dangerous
in her nature, which used to evaporate harmlessly in the freedom of her former life. It is quite possible that I may be altogether wrong in this idea. My own impression, however, is, that I am right. Time will show.

Other books

Scrapyard Ship 7: Call to Battle by Mark Wayne McGinnis
Frog Tale by Schultz, JT
The Wilding by Maria McCann
Laura Matthews by The Nomad Harp
Time of My Life by Cecelia Ahern
Give My Love to Rose by Nicole Sturgill
Truth and Bright Water by Thomas King
The Difficulty of Being by Jean Cocteau
Aura by Carlos Fuentes