The Summer of Chasing Mermaids (27 page)

Chapter 36

“World tour! World tour,
Elyse!” My twin sister, Natalie, throws her head back, howls up at the Tobago stars.

It's March. Carnival season. And we're celebrating. We've got every reason to, after all. Dreams like this don't come true very often.

“You crazy, gyal,” I tell her, but I'm giddy too. Rum and adrenaline, the electric buzz of wishes granted. All around us the night shines with promise.

“Tell me it's real,” Natalie says, and I roll my eyes. “It doesn't feel real.”

I grab her arm, pinch it until she shrieks. “It's real, see?”

We're laughing again. Last night we opened in Port of Spain on the main stage for Bella Garcia. She loved us so, the crowd loved us so, and her manager, too.

Everyone loved us so much that when Bella took the crown later, Queen of the Bands, she called us out, introduced us to everyone watching.

Cameras. Videos. Reporters. International tourists.

“Elyse and Natalie d'Abreau,” she said. “Rising stars, mark my words.”

Later in our dressing room, as we slipped out of our matching mermaid gowns, we got the invitation from Bella's assistant. The note was handwritten, black ink on fine, cream-colored stationery, words swimming before our eyes.

So talented.

Potential.

World tour, expenses paid.

Singing with Bella.

Recording at Trinidad's top studio.

Dreams, dreams, dreams, rushing at us at once. We'll finish school in a few months, continue singing, rehearsing, and then, come summer, get on that plane.

Now we laugh again, rehearsing the words we memorized from Bella's note. Alcohol and joy have loosened our tongues, all formality and properness gone.

Natalie howls again, tells me she's a werewolf inside.

“Shut up, gyal,” I say. “You'll call Mami Wata from the deep with that crazy noise.”

“Let her come, then.” She sucks her teeth, leans over the rails. “She got nothin' on us. Hear, Mami Wata?”

I shake my head, but soon I'm howling too.

“First thing I'm gonna do after we drop our album,” she says, like
it's a list, something we should write down, and I reach for our notebook, because I think maybe she's right, we should make a list.

“I'll buy Granna a house in the country,” she says.

I laugh. “Granna already live in the country, what's wrong with you?”

“Another country. She always wanted to visit Grenada, all their spices and chocolate growing. I'll buy her a big house. We can stay with her when we tour.”

“Let's get through school first, okay?” I say, as if I'm the boss. “Before you start with your spices.”

But her spirit is contagious.

Natalie, the quiet one, the gentle soul brought to life by music.

“Allya talk so much nonsense,” Julien, my boyfriend, says. He came with us tonight, out on the boat to celebrate the start of the rest of our lives. He dives into the cooler for another round, comes back out with more punch for each of us. “Don't forget your friends when you get all famous.”

“Nah,” I tell him. “We ain't forgetting. You coming too. You could carry the suitcases.”

Natalie laughs. “For real. You can bodyguard us.”

“To friends,” I say, tipping my cup in toast.

Julien slaps me on the boomsie, and my sister howls again. The three of us clank our cups loud enough to make a shark's teeth rattle.

“Julien,” Natalie says, and my boyfriend smiles at us both. “This party needs some Bella Garcia. Our patron saint.”

I laugh. “Don't let Granna hear you talk like that.”

“Granna be laughing,” she says. To Julien, she says, “You heard us. Hook it up, boy.”

“Already giving me orders,” he says, but he's laughing too.

And then Bella's voice is on the speakers, floating out across the Caribbean Sea.

Instinct, heartbeat, soul flow, Natalie and I stand together. Break into melody and harmony, verse and chorus. In sync we wine our waists, dip our hips.

We know every word, every step, and we sing it like this:

We dance up on it, dance up on it

The floor rise up when it see we comin'

We dance up on it, dance up on it

Beats bom-bom when they see we comin'

We dance up on it, dance up on it

Boys in the house when they see we comin'

We dance up on it, dance up on it

Drop to they knees when they see we comin'

We dance up on it, dance up—

“No! Elyse! Wave!” Julien shouts. A warning, his face suddenly slack and afraid. “Hold on!”

My heart sinks.

Impact.

Natalie slips, screams as the boat shudders beneath us, and though I try to grab the rails, the lines, anything to keep from tumbling out,
it's no use. I feel myself tipping backward, and I brace for the warm, wet dip, try to remember to breathe out my nose so I don't get salt water burn.

But I don't hit the water.

There's only the hollow crack of bone against fiberglass, and for a second I wonder if my sister fell again.

Fear seizes me as I recall the old legends, wonder in a panic about Mami Wata.

All of this happens in a heartbeat. The moment I realize the noise came from my own head, I go numb.

I slip from the deck, into the deep blue sea.

Which is black at the bottom, where the impossible things live.

Been waitin' on you, gyal,
the voice says. Maybe it's Mami Wata, come to claim my soul for the sea. Maybe it's Death, come to claim my soul for himself.

I don't open my eyes, just hold my breath as the warm water presses in, tries to choke me. To break me.

I can't fight. I open my eyes, fall to the bottom where I stare in wonder at all the stars beneath the sea.

Claws are around my neck, sharp and tight. Pulling my hair, tugging, yanking.

Inside, I go black, black, black.

Dim.

And then a bright, sharp pain like nothing I've ever felt.

Knives and blood, blood and knives.

My throat is bathed in warm liquid, and as the light rises around me, I tremble. I'm on the deck again, calm waters, the stars overhead where they belong.

Shivering, I am, body wrecked and ragged.

Something is pulling at me, threatening to take me under again.

I try to speak, try to reach out, but hands tighten on my shoulders, hold me down.

I think I see it—my soul.

Shimmery and pale as it drifts out through the searing hot gash in my throat, floats over the water.

It vanishes.

My sister's face hovers suddenly before me, a dark moon streaked with panic and tears. “Elyse! Fucking breathe, you hear me! You fucking breathe!”

I gasp, choke, my breath a blade that rips through flesh and bone to find me.

“You got her,” a boy says. Julien, his name returns, lands on my tongue. Julien who plays the steel pan. Julien who loves me.

But he can't hear me when I call.

“You got her,” Julien says, again and again and again. “You got her. She all right. She all right. She gonna be all right.” He's shouting into the shortwave radio, something about an ambulance on shore.

I can't be sure, but I think his cheeks are streaked with moonlight.

“Shh, shh, shhhh,” Natalie says, her breath tickling my sticky throat. My sister holds my hands at my sides, though I struggle to pull
away. Her hands are coated in blood. There's something trying to choke me, I'm certain, to carve out my throat. But she tells me I'm okay, that I'm okay, that I must lie still.

This is what my sister says.

But then I don't know if it's really my sister or the sea, or maybe the last sound I'll ever make, and everything goes dark anew.

And then bright. Impossibly, silver-white bright. Sterile-light bright.

A hospital, a doctor with a downturned mouth, pity in his eyes.

“You're lucky to be alive, gyal,” he says. “Lucky to breathe.”

I think I must be having one of those out-of-body experiences. Like I'm in a coma, and my family is all watching over me, waiting for me to wake up.

Julien Natalie Juliette Martine Gabrielle Hazel Dad Granna.

Granna Dad Hazel Gabrielle Martine Juliette Natalie Julien.

I have to be dead, or near dead, because why else would everyone be here? Why else would everyone look so sad?

In and out of my body, hours turn to days to centuries and eons, back to days. On one of them the doctor says this:

“Your sister saved your life.”

He lets that sink in, then continues in the tight, uncomfortable tone reserved for bad news. “You hit your head, slipped underwater. Natalie eventually pulled you out, but she says you weren't ­breathing.”

Natalie is there, her moon face grim. She takes my hand in hers and it's warm, and I think that it's a good sign, because if I were dead, I wouldn't feel warmth.

Would I?

I try to smile to show my relief, but there's tape across my mouth, holding the tubes in place, and it pulls and pinches my skin.

“You were blue, gyal,” Natalie says. “Not even alive. We tried everything—bang on your chest, breathe into your mouth, pray, everything.” She's shaking with upset, words choppy and raw as the sea. “On the radio Julien called for help, and they ask him, is there a first aid kit on the boat? Yes. Then they tell me what to do and I do it, anything to bring you back.” She smears her nose with the back of her hand. “You were . . . you were dead, Elyse.”

She's sobbing, sobbing. I can't understand her. There was blood on her hands that night, I remember. So why isn't she the one in the hospital bed? I want to tell her to slow down, to breathe, to say what she means, but I can't.

The doctor puts a steady hand on my sister's shoulder, quieting her. To me, he says, “Natalie had to perform an emergency ­tracheotomy. When you went under, your larynx contracted. You were drowning.” He wraps a hand around his throat, closes his eyes. “You could not breathe on your own. Natalie had to make a new way for the air.”

With his finger he slices delicately across his neck, makes an invisible gash.

My sister cannot stop trembling.

“I'm so sorry, Elyse,” the doctor says again. “Natalie . . . the procedure . . . it saved your life. But it nicked your vocal cords. Damaged the nerves. Badly.”

There is more jargon, medical terms that I don't understand. In and out of my body, hours turn to days to centuries and eons, back to days. On one of them I ask for paper, for pen.

Granna hands me my notebook, where Natalie and I write all of our songs and dreams and secrets. It's wrinkly and warped, like someone got it wet.

I scrawl quickly, my writing barely legible for the shake in my hand.

Are we postponing the tour? When I'm better, we'll go, right?

Natalie sits on the other side of the bed, her face streaked with tears. “I did this to you,” she says. “Your vocal cords are permanently damaged. There is no cure, baby. No getting better. Not better enough, anyway.”

The rest of her words fall on me one by one, like drops of rain.

“You

   can't

sing

   anymore.

Gyal,

   you

   can't

even

   speak.”

Chapter 37

I suppose I thought
it was a dream at first, whatever called me out of Christian's embrace, luring me to the sea. The kind where you know it's a dream, and you just settle in for the ride and see what your wild subconscious might invent. Flying, perhaps. Or breathing underwater. Or time traveling, back to the past.

But by the time I realized what had happened—that I'd slipped beneath the
Queen of Cups
in the middle of the night, left Christian sleeping soundly in the berth—I was wide awake.

The sea had finally come to make good on its promise.

To claim me.

Not to ruin the story, but if you've come this far, you should know how it happens.

The end begins, as all things must, in the water. Now.

Ropes of black hair twist before my eyes, swaying like reeds.
One by one, red clips loosen from the braids, tiny jeweled starfish that

drip-drip-drop

into the deep.

Midnight stands before me, her body ebony and deep blue, half woman, half moon. Long black hair tipped with moonlight spills down over her breasts and hips, and with one eye open she watches me, imploring.

I nod, and she turns to lead the way, enticing me to follow.

Every step sends knives through my limbs, so tight is my dress, so restrictive. My mouth tastes of blood, my lungs burn with red-hot pain.

But still, I follow.

Finally Midnight turns, one finger pressed to her lips.

Before her a pale soldier appears, dressed in a red coat with golden buttons, loose but well-appointed over bone-white breeches. Tattered bandages hang from his head and limbs; in the water they sway and shift, wrapping around Midnight's ankles.

He wears no skin, only bones. Death.

Death bows his head, hiding from me the sunken black caves of his eyes. Midnight's legs run red with blood.

Behind them a new figure emerges from the darkness.

The mermaid queen. She's been expecting me.

I am Atargatis. I am the First.
Her scarlet lips don't move; I hear her voice inside me. Her eyes shine with yellow flame, the same light emanating—impossibly—from double-ended wands she holds in
each hand. Her breasts are pale and bare, save for a tiny golden crab in the center of each, and at her throat a starfish clings to her skin.
Witch queen of the watery realm.

At my nod, her beauty turns to rot and ruin. I dare not look away, dare not flinch.

“But
I
am Atargatis,” I say. The sound of my own voice is shocking to my ears.

Her laughter drifts like soap bubbles, each landing and bursting against my lips.
Do you not see? For I am you,
she says. From the blackness behind her a serpent slithers forth, coiling around her waist. The snake consumes its tail, vanishing when it reaches the end.
And you are me.

The serpent reappears, encircles her, consumes itself again.

Again. Again.

The yellow flames extinguish.

A flash of silver, and her knife is in my mouth, her fingers cold and slippery between my lips. Blade against my tongue.

I don't fear her. There's peace in knowing it will finally end, that I will exit as I arrived, last breath as my first. Salt water. The sea.

I'm ready.

But as my heartbeat stalls, as my limbs give their final tremble, as all around me turns to darkness, I can't help but wonder. . . .

If the sea had offered me one last chance—if I could've bargained with Death to make this broken wing mine, a soul with all its beautiful imperfections—would I have taken it?

Even after everything I'd lost?

Blackness envelops. . . .

No, child.
Her voice is a painful hiss inside, fingers digging into my jaw.
I've not yet released you from the realm.

At the crush of her hand, ice rushes through my veins, and I open my eyes again.

This is not the first time our paths have crossed,
Atargatis says.
But you had much to learn then.

She regards me for another long moment, then releases my jaw. The knife is still in my mouth, though, sharp and bloody.

Oddly, my final thoughts are not of Christian, but of his brother, Sebastian. Of his words that day on the Vega, just after I'd signed on as first mate.

I read a story about a mermaid who couldn't talk because the sea witch cut out her tongue
. . . .

I'd stuck out my tongue then, shown him it was still intact. But I was wrong. I
did
let the witch cut out my tongue. Not now, with the blade of Atargatis pressed against me. But then.

In March.

In a hospital in Port of Spain.

The accident took my voice—my physical voice—the ability to make sounds emanate from my mouth.

I'd given up the rest all on my own. My
voice
. The inner power that comes from neither sound nor form, but from soul, from truth, from one's deepest self. That's what I'd let the witch cut out.

And ever since, she's been stalking me, haunting my steps and shadows. My dreams. My future.

Now Atargatis's voice is in my head again.
Do not trouble yourself with such things, Elyse. I want only your tongue
.
In exchange, you will be free to love whom you wish, live as you wish.

She slips the blade out from my mouth so that I might answer.

Lips closed tight, I hesitate.

Love requires great sacrifice,
she presses, a warning slithering beneath her cool tone.
You must give something up to get something in return. It is the way of all things, Elyse. Life, death, life again.

I consider her words. My words. My voice.

I think of Christian, our first meeting and our last, our naked ­bodies entwined above.

Love has its own costs, its own sacrifices, yes. But in its true form, love is borne of neither spell nor bargain.

I won't take it through trickery.

“I will give you what you ask,” I tell the sea witch, and my voice is strong and clear, vibrating across my tongue. “But only
because
you ask, and I have come to your domain. It is a gift, as it must be. I'll take nothing in return.”

As you wish,
she says.

I open my mouth against her silver blade. Her cool fingers again hold my chin as the knife does its work, cold and quick. Copper and salt fill my mouth. The pain I'd been expecting, though . . . it doesn't come.

In its place instead I feel a lightness, a freedom.

Atargatis cut out my tongue, with my permission, yet a veil falls from my eyes, my heart suddenly unburdened.

Death, who'd been silent thus far, bows to the queen.

And then he is gone.

At once the ocean warms.

You've asked for neither love nor life in return,
Atargatis says,
but I will freely grant you one thing. An answer, child. If you've a question. Consider it my gift to you.

I nod in thanks. There's so much I wish to know—how long she's lived here, whether she's still looking for her lost shepherd, what other great mysteries dwell in the deepest places of the world. But as the words form on my lips, I sense danger, the trouble that comes from being too greedy for sacred knowledge.

Instead, I ask only, “How is it that you've taken my tongue, yet I can still speak?”

Atargatis raises her arms. Twin serpents—eels, sleek and black—slither from her wrists. I'm not afraid. They circle me, twine around my ankles, and still I don't move.

Before my eyes, the serpents turn to words.

My words.

My scribbled-on-the-wall words, scrawled-in-my-journal words, whispered-into-the-wind words. My summer words. They wrap around me gently, limb to limb, toes to curls. All the poems, the fairy tales I'd told Sebastian, the boat lists I'd made for Christian, all the raw
and heartfelt things I'd written on his body without a single utterance passing my lips.

My dreams. My stories.

My voice.

A warmth pulses behind my scar, a golden-blue glow I can feel more than see, and in an instant the haze lifts. The word-serpents release me, slithering back into Atargatis's sleeves.

From her pocket Atargatis pulls forth a net of stars, scattering them before us. Hundreds, thousands, millions twinkle, lighting a path from the sea to the moon.

You are ready.

With no further wisdom or warning, Atargatis vanishes.

My body convulses with the desire to breath, but I fight it, focusing on the path of stars and the bright white moon overhead. With all the strength left in me, I scissor kick my way to the surface.

Rising.

Rising.

Rising.