THE SUPERNATURAL OMNIBUS (119 page)

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Authors: Montague Summers

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F. Marion Crawford

2 August 1854 - 9 April 1909

Born and raised mostly in Italy, where he spent most of his adult life, Crawford was the son of the American sculptor Thomas Crawford (quite popular in the mid C19). With a cosmopolitan education (in Italy, America, England, and Germany) and extensively traveled (including a stint in India as a newspaper editor), Crawford was the living embodiment, for many, of the late C19 genteel tradition. Extremely popular as a novelist at the turn of the 20th century, Crawford is now little read; it is somewhat ironic that he may now be best known for a few ghost stories, pieces which Crawford wrote largely to help keep his name before the public and/or to make some quick and easy cash. These tales are a miniscule and fairly unrepresentative part of his total literary output, although several of them are solid ghost stories, particularly if you like the sort of "in your face" supernaturalism which Crawford favored. 

Mary E. Wilkins Freeman

31 October 1852 - 13 March 1930

American writer (sometimes known as "Mary E. Wilkins" or "Mary Wilkins"), born on Halloween in 1852. Freeman is often regarded (read "devalued") even today as a New England regionalist, perhaps because so much of her work was staunchly realist in its depiction of life in decaying New England hill towns. Her reputation went into decline for much of the mid-C20, for her "feminine" subjects were often dismissed by critics as simply unimportant in the context of larger world events. More recent scholarship has argued convincingly for the importance of Freeman's work, which often does feature spinster heroines or — especially in some of her more well-known ghost stories — abandoned children (this "forlorn child" theme is widely thought to be Freeman's working out of her own feelings regarding the death, at age seventeen, of her sister). Freeman's ghost stories have only recently begun to attract appreciative critical attention, and there remains considerable opportunity for further investigation of these works, which in their combination of pragmatism and supernaturalism are very much in the tradition, going back to Charles Brockden Brown, of an "Americanized" Gothic. More particularly, these stories are powerfully illustrative of the claim that many female writers of the time used the ghost story as a means of examining, indirectly, many of the social, personal, and economic pressures which often silenced or devalued women and their concerns.

A few of Freeman's ghost stories are still anthologized, perhaps most notably "Luella Miller" and "The Wind in the Rose-Bush."

Max Beerbohm

1872 - 1956

Sir Henry Maximilian Beerbohm, famed British essayist, caricaturist, and novelist who also wrote a few ironic ghostly tales.

Oscar Wilde

16 October 1854 – 30 November 1900

Oscar Fingal O'Flahertie Wills Wilde was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, plays and the circumstances of his imprisonment, followed by his early death.

Wilde's parents were successful Dublin intellectuals. Their son became fluent in French and German early in life. At university Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States of America and Canada on the new "English Renaissance in Art", and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress, and glittering conversation, Wilde had become one of the most well-known personalities of his day.

At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French in Paris but it was refused a licence. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late Victorian London.

At the height of his fame and success, while his masterpiece, The Importance of Being Earnest (1895), was still on stage in London, Wilde had the Marquess of Queensberry, the father of his lover, Lord Alfred Douglas, prosecuted for libel, a charge carrying a penalty of up to two years in prison. The trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with other men. After two more trials he was convicted and imprisoned for two years' hard labour. In prison he wrote De Profundis (written in 1897 & published in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of forty-six.

Arthur Machen

3 March 1863 – 15 December 1947

Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella "The Great God Pan" (1890; 1894) has garnered a reputation as a classic of horror (Stephen King has called it "Maybe the best [horror story] in the English language"). He is also well known for his leading role in creating the legend of the Angels of Mons.

Ambrose Bierce

(1842-1913?)

American editorialist, journalist, short story writer, fabulist, and satirist. Today, he is probably best known for his short story "An Occurrence at Owl Creek Bridge" and his satirical lexicon The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters" and the sardonic view of human nature that informed his work all earned him the nickname "Bitter Bierce".

Despite his reputation as a searing critic, Bierce was known to encourage younger writers, including poet George Sterling and fiction writer W. C. Morrow. Bierce employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events and the theme of war.

In 1913, Bierce traveled to Mexico to gain first-hand experience of the Mexican Revolution. While traveling with rebel troops, he disappeared without a trace.

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