Read The Supremes: A Saga of Motown Dreams, Success, and Betrayal Online
Authors: Mark Ribowsky
Tags: #Supremes (Musical Group), #Women Singers, #History & Criticism, #Soul & R 'N B, #Composers & Musicians, #General, #United States, #Biography & Autobiography, #Pop Vocal, #Music, #Vocal Groups, #Women Singers - United States, #Da Capo Press, #0306818736 9780306818738 0306815869 9780306815867, #Genres & Styles, #Cultural Heritage, #Biography, #Women
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DISCOGRAPHY
ALBUMS
Label and Title-Track Listings Release Highest Catalogue Number Date Chart Position
(R&B)
-------------------------------------------------------------------------------------
1969 (continued)
Tracks: “T.C.B.”/Medley: “Stop! In the Name of Love”–“Come See About Me”–“My World
Is Empty Without You”–“Baby Love”/Medley:
“The Lady Is a Tramp”-“Let’s Get Away from
It All”/“Love Is Here and Now You’re Gone”/
“I’m Gonna Make You Love Me”/“Reflections”/
“My Man”/“Didn’t We”/“It’s All Right with Me”/
“Big Spender”/Falling in Love with Love”/
“Love Child”/“Aquarius”/“Let the Sunshine
In”/“The Impossible Dream”/“Someday We’ll
Be Together”
_______________________________________________________
SINGLES
Label and Title (Writing Credits) Release Highest Catalogue Number Date Chart Position
(R&B)
-------------------------------------------------------------------------------------
THE SUPREMES (1970s)
1970
Motown 1162
“Up the Ladder to the Roof”
2/16
10 (5)
”Bill, When Are You Coming Home”
Motown 1167
“Everybody’s Got the Right to Love”
4/10
21 (11)
“But I Love You More”
Motown 1172
“Stoned Love”
10/15
7 (1)
“Shine on Me”
Motown 1173
“River Deep–Mountain High”
11/5
14 (7)
“Together We Can Make Such Sweet Music”
1971
Motown 1181
“You Gotta Have Love in Your Heart”
5/11
55 (41)
“I’m Glad About It”
Motown 1182
“Nathan Jones”
4/15
16 (8)
“Happy (Is a Bumpy Road)”
Motown 1190
“Touch”
9/7
71
“It’s So Hard for Me to Say Goodbye”
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DISCOGRAPHY
425
SINGLES
Label and Title (Writing Credits) Release Highest Catalogue Number Date Chart Position
(R&B)
-------------------------------------------------------------------------------------
1972
Motown 1195
“Floy Joy”
1/15
16 (5)
“This Is the Story”
Motown 1200
“Automatically Sunshine”
4/11
37 (21)
“Precious Little Things”
Motown 1206
“Your Wonderful, Sweet Sweet Love”
7/11
59 (22)
“The Wisdom of Time”
Motown 1213
“I Guess I’ll Miss the Man”
9/15
85
“Over and Over”
1973
Motown 1225
“Bad Weather”
3/22
87 (74)
“Oh Be My Love”
1975
Motown 1357
“He’s My Man”
6/12
(69)
“Give Out but Don’t Give Up”
Motown 1374
“Where Do I Go from Here”
9/5
(93)
“Give Out but Don’t Give Up”
1976
Motown 1391
“I’m Gonna Let My Heart Do the Walking”
3/16
40 (25)
“Early Morning Love”
Motown 1407
“You’re My Driving Wheel
9/30
85 (50)
“You’re What’s Missing in My Life”
1977
Motown 1415
“Let Yourself Go”
1/25
(83)
“You Are the Heart of Me”
_______________________________________________________
ALBUMS
Label and Title (Writing Credits) Release Highest Catalogue Number Date Chart Position
(R&B)
-------------------------------------------------------------------------------------
1970
Motown 705
Right On
4/26
25 (4)
Motown 717
The Magnificent 7 Supremes & Four Tops
9/1
113
Motown 720
New Ways but Love Stays
10/7
68 (12)
1971
Motown 736
The Return of the Magnificent 7 Supremes 8/10
& Four Tops 154
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DISCOGRAPHY
ALBUMS
Label and Title (Writing Credits) Release Highest Catalogue Number Date Chart Position
(R&B)
-------------------------------------------------------------------------------------
1971
Motown 737
Touch
6/15
85 (6)
Motown 745
Dynamite Supremes & Four Tops
12/3
160 (21)
1972
Motown 746
Promises Kept (unreleased)
Motown 751
Floy Joy
5/17
54 (12)
Motown 756
The Supremes Produced and Arranged
11/8
129 (27)
by Jimmy Webb
1975
Motown 828S1
The Supremes
5/12
152 (25)
1976
Motown 863S1
High Energy
4/1
42 (24)
Motown 873S1
Mary, Scherrie & Susaye
10/10
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Index
ABC Records, 310, 315, 324, 325–326,
“Back in My Arms Again” (song), 214–
327–331, 387
216
Abernathy, Ralph, 327
Baker, LaVern, 25
Abrams, Al, 74, 212
Ball, Lucille, 346
“Ain’t No Mountain High Enough”
Ball, Madeline, 345
(song), 319, 380
Ballard, Billy, 76
Ales, Barney, 74–75, 91, 93, 106, 117,
Ballard, Florence, xiii, 161
139, 140, 153, 154, 163, 328
ABC Records deal, 310, 315, 324,
Allen, Johnnie, 180
325–326, 327–331
Allen, Richard “Pistol,” xvi, 192, 299
absences, 240
All That Glittered
(Tucker), 261, 399
alcohol problem, 224–225, 268, 274–
Alston, Barbara, 157–159, 160
277, 282–283, 394
American Bandstand
(TV show), 59, 148
attempts to replace her, 240–243
American Federation of Musicians, 163
Baun and, 308–312, 350–354, 389,
Anatomy of Pop
(TV show), 234
393–394
Andantes (musical group), 82, 103, 317–
Berry Gordy and, xx–xxi, 69, 89, 224–
318, 337, 355
227, 240–243, 257–261, 276–277,
Anderson, Katherine, 92, 93–94, 95, 96,
279–281, 284–288, 292, 328–329,
106, 118, 126, 135, 149, 249
348, 353, 393
Anna Records, 49–50, 62, 70, 75
choreography and, 199
Ant, Adam, 402
Claudette Robinson on, 64–65
Anthology
(album), 235
death/funeral of, 395–399
Anthony, Lamont, 75.
See also
Dozier, Diana Ross and, xviii, 78–79, 96,
Lamont
141–142, 206, 229–230, 257–261,
Apollo Theater, Motown acts at, 59, 60,
264–265, 266, 277–278, 280–281,
124–127, 219
282, 287, 348, 390–391, 396–398
Ashford, Jack, xvi, 163, 164, 192–194,
efforts to get into Motown, 76
195, 215, 270, 290, 299, 302,
firing from Supremes, 280–281, 284–
406
288, 292–294
Ashford, Nick, 319, 345, 380
Holland-Dozier-Holland and, 3
Ashford, Rosalind, 126–127, 144
house on Buena Vista Drive, 209–210,
Askey, Gil, 202, 213, 219, 220, 271, 292,
390, 395
366, 373, 380
illness, 222–223
Atkins, Cholly, 179–181, 182, 199, 210,
invitation to audition for Gordy, 43–44
213, 219, 257, 329, 363, 392
IRS and, 311, 351, 353
Atkins, Mae, 210, 219, 392, 395
on life as Supreme, 245–246
Atlantic Records, 300–301
life post-Supremes, 306–307, 320–
At the Copa
(album), 239
322, 350, 371–372, 389–395
Babbitt, Bob, 333
life pre-Supremes, 10, 13–17, 36–37,
“Baby Love” (song), 162, 163–165, 177,
108
181, 187, 196, 368
Marvelettes and, 92, 94–96
427
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INDEX
Ballard, Florence
(continued)
on Florence Ballard, 274, 276,
Mary Wilson and, 14, 78, 273, 281,
282–283, 294
283, 286, 347–349, 372, 391,
on Supremes, 255–256, 266, 280,
393–394, 396–398
318, 376
Milt Jenkins and, 236
Berry, Me and Motown
(Liles), 383
Motortown Revue and, 123
Berry Gordy Enterprises, 85
naming Supremes and, 88
B&H Music, 70, 71
Otis Williams and, 40, 119, 211, 223
Billboard
(trade paper), 154, 156–157, persistence in Supremes’ press, 305–306
165, 191, 196, 215, 221, 235, 238,
portrayal in
Dreamgirls
, xviii–xix
239, 243, 253, 327
Primettes and, 29–40, 34, 35–36
Billy Ward and the Dominoes (musical
rape of, 76–80, 95–96
group), 47, 280
relations with Motown after leaving
Birdsong, Cindy, xxi, 283–284, 286–288,
Supremes, 307–313
290–294, 337, 354, 358, 361, 363,
reputation at Motown, 223–224, 228
388, 405
role in Supremes, 91, 158–159, 219,
Diana Ross and, 322–323, 374
230, 271–272, 281, 288–294
kidnapping of, 369–370
Tommy Chapman and, 272–274,
“Motown 25” and, 402
279, 308–310, 314–315, 329–330,
status within Supremes, xvii, 304–305
331, 350, 353, 354, 372, 391, 392,
Bisco, Eddie, 263
394, 395–396
Bit of Liverpool
,
A
(album), 176, 207
vocal qualities, xvi
“Black bubblegum,” 190
See also
Gibson, Ray; Primettes
Black Forum label, 401
(musical group); Supremes
Black press, Supremes and, 211–212
Ballard, Jesse, 14–15, 29
Blaine, Hal, 269
Ballard, Lurlee, 14–15, 29–30, 41, 77,
Bohanon, George, 192
84, 286, 322, 395, 397, 399
Bond, Julian, 352
Ballard, Maxine.
See
Jenkins, Maxine Bowles, Thomas “Beans,” 24, 57,
(Ballard)
111–112, 120, 124
Ballard, Willie, 352
Bradford, Janie, 62, 65–66, 68, 76, 87–
Barrow, Marlene, 240–241, 281, 288,
89, 109, 131, 136, 139, 406
290, 337
Brewster-Douglass Homes, 7–10, 12, 21
Bateman, Robert, 43–44, 53, 54, 63, 67,
Bristol, Johnny, 75, 250, 366–367
68, 69–70, 81, 92, 99, 107–108,
Brokensha, Jack, 192
329
Brooks, Dolores “Lala,” 160–162
Baun, Leonard, 308–312, 350–354, 389,
Brown, Billie Jean, 146, 297
393–394
Brown, Eddie “Bongo,” xvi, 192
BBC, 175
Brown, James, 179, 340
Beach Ball
(film), 179
Brown, Tim, 381
Beard, Annette, 120, 187, 321
Brown, Winnie, 272
Beatles, xv, 113, 131, 143, 166, 175, 177,
Bryant, Bristol, 31, 57, 61
182, 196, 200, 231–232, 239, 300
Buddha Records, 333
Beaty, Harold, 387
Burke, Solomon, 107, 300
Beavers, Jackey, 366
Burkes, Jackie, 80
Benjamin, Benny, xvi, 57, 71, 92, 108,
Burstyn, Sharon, 20
138, 151, 192
“Buttered Popcorn” (song), 91–92, 157
Benjaminson, Peter, 86, 376–377
Benson, Obie, 262, 272
Call Her Miss Ross
(Taraborrelli), 68–69, Berger, Shelly, 242, 250–253, 256, 321,
123, 198, 242, 264, 344, 391, 397
323, 341, 388
Cameo-Parkway label, 148
on Diana Ross, 267, 407–408
Cameron, G. C., 297
on finding replacement for Ross,
Campbell, Choker, 112, 119, 122
361–362
Capitol Records, 318, 319
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INDEX
429
Captured Live on Stage
(box-set), 369
Cream of the Crop
(album), 368
Caravan of Stars, 124, 148–149, 155,
Crewe, Bob, 237, 239
157–162
Crocker, Frankie, 219
Carlo, Tyran, 48
Crossover, Motown and, xx, 5, 181–182,
Carmichael, Stokely, 340, 401
232–235, 300–301
Carroll, Diahann, 170, 182, 232,
Crowd rule, 116
249, 354
Crystals (musical group), 157–159, 160–
Carson, Johnny, 196, 290, 303, 306,
161, 166
326, 372
Casingyettes (musical group), 81, 92
Daily Mirror
,
The
(newspaper), 340
See also
Marvelettes (musical group)
Daily News
(newspaper), 221
Chapman, Lisa, 389
Dancing in the Street: Motown and the
Chapman, Nicole, 395
Cultural Politics of Detroit
(Smith), Chapman, Tommy, 272–274, 279, 309,
233
331, 354, 391, 395–396
Davis, Billy, 75
after Flo’s death, 397, 399–400