The Surprising Power of Liberating Structures: Simple Rules to Unleash A Culture of Innovation (31 page)

BOOK: The Surprising Power of Liberating Structures: Simple Rules to Unleash A Culture of Innovation
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Above: Developing
Wicked Questions
in Madrid

ATTRIBUTION

Liberating Structure developed by Henri Lipmanowicz and Keith McCandless. Inspired by professors Brenda Zimmerman (see
Edgeware
) and Scott Kelso (see
The Complementary Nature
).

Appreciative Interviews (AI)

Discovering and Building on the Root Causes of Success (60 min.)

What is made possible?
In less than one hour, a group of any size can generate the list of conditions that are essential for its success. You can liberate spontaneous momentum and insights for positive change from within the organization as “hidden” success stories are revealed. Positive movement is sparked by the search for what works now and by uncovering the root causes that make success possible. Groups are energized while sharing their success stories instead of the usual depressing talk about problems. Stories from the field offer social proof of local solutions, promising prototypes, and spread innovations while providing data for recognizing success patterns. You can overcome the tendency of organizations to underinvest in social supports that generate success while overemphasizing financial support, time, and technical assistance.

FIVE STRUCTURAL ELEMENTS—MIN SPECS

1. Structuring Invitation


  
Ask, “Please tell a story about a time when you worked on a challenge with others and you are proud of what you accomplished. What is the story and what made the success possible? Pair up preferably with someone you don’t know well.”

2. How Space Is Arranged and Materials Needed

  • Unlimited number of groups
  • Chairs for people to sit in pairs face-to-face; no tables needed.
  • Paper for participants to take notes
  • Flip chart to record the stories and assets/conditions

3. How Participation Is Distributed

  • Everyone is included
  • Everyone has equal time and opportunity to contribute

4. How Groups Are Configured

  • First pairs, then groups of 4.
  • Encourage groups to be diverse

5. Sequence of Steps and Time Allocation

  • Describe the sequence of steps and specify a theme or what kind of story participants are expected to tell. 3 min.
  • In pairs, participants take turns conducting an interview and telling a success story, paying attention to what made the success possible. 7–10 min. each; 15–20 min. total.
  • In groups of 4, each person retells the story of his or her pair partner. Ask participants to listen for patterns in conditions/assets supporting success and to make note of them. 15 min. for groups of 4.
  • Collect insights and patterns for the whole group to see on a flip chart. Summarize if needed. 10-15 min.
  • Ask, “How are we investing in the assets and conditions that foster success?” and “What opportunities do you see to do more?” Use
    1-2-4-All
    to discuss the questions. 10 min.

WHY? PURPOSES

  • Generate constructive energy by starting on a positive note.
  • Capture and spread tacit knowledge about successful field experience.
  • Reveal the path for achieving success for an entire group simultaneously
  • By expecting positive behaviors, you can bring them forth (Pygmalion effect)
  • Spark peer-to-peer learning, mutual respect, and community building.
  • Give permission to explore complex or messy challenges
  • Create a new exciting group narrative, e.g., “how we are making order out of chaos!”
  • Repeating interviews in rapid cycles may point to
    positively deviant
    local innovations

TIPS AND TRAPS

  • Flip malaise and negative themes to “When is it that we have succeeded, even in a modest way?”
  • Start with, “Tell me a story about a time when….”
  • Ask people to give a title to their partner’s story
  • Invite additional paired interviews before building up to patterns
  • Invite
    participants to notice when they form a judgment (about what is right or wrong) or an idea about how they can help, then to “let it go”
  • Make the stories and patterns visible to everyone
  • Learn more from Appreciative Inquiry practitioners at
    http://appreciativeinquiry.case.edu/

RIFFS AND VARIATIONS

  • Graphically record story titles and conditions/assets on a large wall tapestry
  • Write up and publicize a few of the most inspiring stories
  • Draw out stories that help participants make a leap of understanding from a small example of behavior change to a broad change in values or a shift in resource allocation (or both!). Give participants an example.
  • Track how the stories start to fill in and bring life to the group’s vision
  • Groups of eight instead of four are an option
  • Follow with
    Min Specs
    , exploring the must dos and must not dos required for future success

Below: an
Appreciative Interview
under way in Peru

EXAMPLES

  • For bringing customer focus to life with “stories when you had a creative and positive interaction with a customer”
  • For
    revising college courses with “stories when a course or learning experience had a profound influence on your life”
  • For repairing a relationship between a patient and a doctor with “stories when you were able to accept openly responsibility for making a medical error”
  • For building trust and morale in an NGO with “stories when you experienced here in the office the esprit de corps of work in the field. What made that possible?”
  • For looking beyond the launch of a transformation initiative with “stories of first successes in the field that can guide our strategy for the next two years”

ATTRIBUTION

Liberating Structure developed by Henri Lipmanowicz and Keith McCandless. Inspired by and adapted from professor David Cooperrider, Case Western Reserve University, and consultant Dr. Tony Suchman.

COLLATERAL MATERIALS

Above:
Appreciative Interview
wall tapestry illustrating the assets and conditions that support success in the stories

Triz

Stop Counterproductive Activities and Behaviors to Make Space for Innovation (35 min.
)

“Every act of creation is first an act of destruction.” Pablo Picasso

What is made possible?
You can clear space for innovation by helping a group let go of what it knows (but rarely admits) limits its success and by inviting creative destruction.
TRIZ
makes it possible to challenge sacred cows safely and encourages heretical thinking. The question “
What must we
stop doing
to make progress on our deepest purpose?”
induces seriously fun yet very courageous conversations. Since laughter often erupts, issues that are otherwise taboo get a chance to be aired and confronted. With creative destruction come opportunities for renewal as local action and innovation rush in to fill the vacuum. Whoosh!

FIVE STRUCTURAL ELEMENTS—MIN SPECS

1. Structuring Invitation

• In this three-step process, ask: 1. “Make a list of all you can do to make sure that you achieve the worst result imaginable with respect to your top strategy or objective.”

2. “Go down this list item by item and ask yourselves, ‘Is there anything that we are currently doing that in any way, shape, or form resembles this item?’ Be brutally honest to make a second list of all your counterproductive activities/programs/procedures.” 3. “Go through the items on your second list and decide what first steps will help you stop what you know creates undesirable results?”

2. How Space Is Arranged and Materials Needed

  • Unlimited number of small groups of 4 to 7 chairs, with or without small tables
  • Paper for participants to record

3. How Participation Is Distributed

  • Everybody involved in the work is included
  • Everyone has an equal opportunity to contribute

4. How Groups Are Configured

  • Groups with 4 to 7 participants
  • Established teams or mixed groups

5. Sequence of Steps and Time Allocation

  • After introduction, three segments, 10 minutes for each segment
  • Introduce the idea of
    TRIZ
    and identify an unwanted result. If needed, have the groups brainstorm and pick the most unwanted result. 5 min.
  • Each group uses
    1-2-4-All
    to make a first list of all it can do to make sure that it achieves this most unwanted result. 10 min.
  • Each group uses
    1-2-4-All
    to make a second list of all that it is currently doing that resembles items on their first list. 10 min.
  • Each group uses
    1-2-4-All
    to determine for each item on its second list what first steps will help it stop this unwanted activity/program/procedure. 10 min.

WHY? PURPOSES

  • Make it possible to speak the unspeakable and get skeletons out of the closet
  • Make space for innovation
  • Lay the ground for creative destruction by doing the hard work in a fun way
  • TRIZ
    may be used before or in place of visioning sessions
  • Build trust by acting all together to remove barriers

TIPS AND TRAPS

  • Enter into
    TRIZ
    with a spirit of serious fun
  • Don’t accept ideas for doing something new or additional: be sure suggestions are about stopping activities or behaviors, not about starting new things. It is worth the wait.
  • Begin with a VERY unwanted result, quickly confirm your suggestion with the group
  • Check in with groups that are laughing hard or look confused
  • Take time for groups to identify similarities to what they are doing now and explore how this is harmful
  • Include the people that will be involved in stopping the activities that come out and ask, “Who else needs to be included?”
  • Make real decisions about what will be stopped (number your decisions 1,2,3…) in the form of “I will stop” and “we will stop.”
BOOK: The Surprising Power of Liberating Structures: Simple Rules to Unleash A Culture of Innovation
7Mb size Format: txt, pdf, ePub
ads

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