The Sword

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Authors: Gilbert Morris

BOOK: The Sword
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© 2011 by Gilbert Morris

Print ISBN 978-1-60260-908-2

eBook Editions:
Adobe Digital Edition (.epub) 978-1-60742-566-3
Kindle and MobiPocket Edition (.prc) 978-1-60742-567-0

All rights reserved. No part of this publication may be reproduced or transmitted for commercial purposes, except for brief quotations in printed reviews, without written permission of the publisher.

Scripture quotations are taken from the King James Version of the Bible.

This book is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or used fictitiously.
Any similarity to actual people, organizations, and/or events is purely coincidental.

Cover design: Faceout Studio,
www.faceoutstudio.com
Cover photography: Steve Gardner, Pixelworks Studios

Published by Barbour Publishing, Inc., P.O. Box 719, Uhrichsville,
Ohio 44683,
www.barbourbooks.com

Our mission is to publish and distribute inspirational products offering exceptional value and biblical encouragement to the masses.

Printed in the United States of America.

PART ONE: FLORA & JEB 1855—1861

CHAPTER ONE

F
lora Cooke glared at her full-length reflection in the cheval mirror. So far, in the endless preparations for a young lady of good family to ready herself for a ball, she had put on her chemise, knickers, and stockings and then had pulled on the great bell-shaped crinoline. She pushed it to one side, and it swung airily back and forth, never touching her legs. “Ding, dong,” she said whimsically.

The nineteen-year-old girl in the mirror was plain, Flora knew very well. But she was so lively, so quick and intelligent, and of such willing wit that she was well known as a “charmer.” She did have some good physical attributes, too; her chestnut-brown hair was shiny and thick and took a curl very well, and she had that very unusual combination, for brunettes, of having royal-blue eyes. Her brows were perfect arches, and her long, thick lashes were the envy of many women. Her complexion was like the most delicate magnolia blossom. Though she was not conventionally pretty, Flora had always had her share of male admirers.

And another reason for that, Flora knew, was because of her figure. From a skinny, awkward thirteen-year-old with blemishes covering her face, she had bloomed into a delicate, small woman
with a tiny waist and hands and feet, sweetly rounded shoulders, a long graceful neck, and a perfect bosom. She had the classic hourglass figure, while being as dainty as a porcelain figurine.

She was still contemplating her reflection with some satisfaction when her maid, Ruby, came in holding her new ball dress, a peach-colored taffeta confection. The neckline was low, the sleeves off the shoulder, as was fashionable for evening wear, and Ruby had just finished starching and ironing the eight cotton, lace-trimmed ruffles in the wide skirt. Carefully she laid the dress out on Flora’s bed then turned to her, hands on hips. “Miss Flora Cooke, am I standin’ here looking at you with no corset on?” Ruby snapped, her eyes flashing. She was a shapely girl, an ebony black with wide, liquid, dark eyes, only two years older than Flora herself.

“You are,” Flora answered absently. “Mm, the dress looks heavenly, Ruby!” She picked up a ruffle and rubbed it between her fingers, savoring the crisp feel of the thick taffeta and the still-warm stiffness of the cotton ruffle underneath.

“Don’t you be gettin’ around no subject with me,” Ruby sniffed. “Why am I standin’ here looking at you with no corset on? You know you ain’t going to no ball without no corset on like a Christian woman.”

“I am a Christian woman, and I am going to the ball with no corset, and you know I don’t need one, so help me get my dress on,” Flora said. “We need to hurry and do my flowers and my hair. You know it just won’t do for me to be late. Father would probably order a squad up here to drag me downstairs.”

Ruby proceeded to help Flora put on the dress, which was quite a process. The skirt itself was fifteen yards of taffeta and six yards of cotton ruffle. It was heavy, it was stiff, and putting it over Flora’s head practically amounted to throwing a canvas tent over her.

As Flora struggled to find the neck opening and the sleeves, through the crackling of the fabric she could hear Ruby muttering, “They is Christian women with corsets, and they is Christian women with no corsets. … Leastenways she got bloomers on. Mebbe they go next … liken as if Colonel Cooke would allow a
dragoon … ten-foot pole near you. …”

Finally the dress was in place, and Ruby buttoned up the twenty-three buttons in the back. Though of course Ruby would never admit it, Flora did not need a corset to pull in her waist. A man’s hands could span it easily.

Flora carefully spread her skirts so she could sit at the dressing table for Ruby to do her hair. Sitting while wearing a crinoline was tricky. They were cages, in effect, wide cotton petticoats with whalebone or sometimes even very light steel sewn into slowly widening circles. The sewn-in ribs were stiff to hold out the circular shape of the very wide skirts but still thin enough to bend so the wearer could sit down, and they had enough tensile strength to regain their shape when standing. However, when sitting down, if a lady did not learn how to spread her heavy overskirts out—in a graceful manner, of course—to distribute the weight correctly, the entire hoop could simply balloon in a great circle up over her head. At boarding school, Flora and her friends had often played this game, laughing like pure fools at the sight but still fervently learning how to do it correctly so that this abomination would never happen to them, especially, heaven forbid, in public.

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