The sword in the stone (2 page)

But that was the end of the hay-making for them and the beginning of play. The boys were sent home to change their clothes. The old dame who had been their nurse fetched dry jerkins out of a press, and scolded them for catching their deaths, and denounced Sir Ector for keeping on so long. Then they slipped their heads into the laundered shirts, and ran out into the refreshed and sparkling court.

"I vote we take Cully and see if we can get some rabbits in the chase," cried the Wart.

"The rabbits won't be out in this wet," said Kay sarcastically, delighted to have caught him out over natural history.

"Oh, come on," said the Wart. "It'll soon dry."

"I must carry Cully, then."

Kay insisted on carrying the goshawk and flying her, when they went out together. This he had a right to do, not only because he was older than the Wart but also because he was Sir Ector's proper son. The Wart was not a proper son. He did not understand about this, but it made him feel unhappy, because Kay seemed to regard it as making him inferior in some way. Also it was different not having a father and mother, and Kay had taught him that being different was necessarily wrong. Nobody talked to him about it, but he thought about it when he was alone, and was distressed. He did not like people to bring it up, and since the other boy always did bring it up when a question of precedence arose, he had got into the habit of giving in at once before it could be mentioned. Besides, he admired Kay and was a born follower. He was a hero-worshipper.

"Come on, then," cried the Wart, and they scampered off towards the Mews, turning a few cartwheels on the way.

The Mews was one of the most important parts of the castle, next to the stables and the kennels. It was opposite to the solar and faced south. The outside windows had to be small, for reasons of fortification, but the windows which looked inwards to the courtyard were big and sunny. All the windows had close vertical slats nailed down them, but no horizontal ones. There was no glass, but to keep the hawks from draughts there was horn in the small windows. At one end of the Mews there was a little fireplace and a kind of snuggery, like the place in a saddle-room where the grooms sit to clean their tack on wet winter nights after hunting. Here there were a couple of stools, a cauldron, a bench with all sorts of small knives and surgical instruments, and some shelves with pots on them. The pots were labeled Cardamum, Ginger, Barley Sugar, Wrangle, For a Snurt, For the Craye, Vertigo, etc. There were leather skins hanging up, which had been snipped about as pieces were cut out of them for jesses, hoods or leashes. On a neat row of nails there were Indian bells and swivels and silver varvels, each with Ector cut on. A special shelf, and the most beautiful of all, held the hoods: very old cracked rufter hoods which had been made for birds before Kay was born, tiny hoods for the merlins, small hoods for tiercels, splendid new hoods which had been knocked up to pass away the long winter evenings. All the hoods, except the rufters, were made in Sir Ector's colors: white leather with red baize at the sides and a bunch of blue-gray plumes on top, made out of the hackle feathers of herons. On the bench there was a jumble of oddments such as are to be found in every workshop, bits of cord, wire, metal, tools, some bread and cheese which the mice had been at, a leather bottle, some frayed gauntlets for the left hand, nails, bits of sacking, a couple of lures and some rough tallies scratched on the wood. These read: Conays I I I I I I I I, Ham I I I, etc. They were not spelled very well.

Right down the length of the room, with the afternoon sun shining full on them, there ran the screen perches to which the birds were tied. There were two little merlins which had only just been taken up from hacking, an old peregrine who was not much use in this wooded country but who was kept for appearances, a kestrel on which the boys had learned the rudiments of falconry, a spar-hawk which Sir Ector was kind enough to keep for the parson, and, caged off in a special apartment of his own at the far end, there was the tiercel goshawk Cully.

The Mews was neatly kept, with sawdust on the floor to absorb the mutes, and the castings taken up every day. Sir Ector visited the Mews each morning at seven o'clock and the two austringers stood at attention outside the door. If they had forgotten to brush their hair he confined them to barracks. They took no notice.

Kay, put on one of the left-hand gauntlets and called Cully from the perch; but Cully, with all his feathers close-set and malevolent, glared at him with a mad marigold eye and refused to come. So Kay took him up.

"Do you think we ought to fly him?" asked the Wart doubtfully.

"Deep in the moult like this?"

"Of course we can fly him, you ninny, said Kay. "He only wants to be carried a bit, that's all."

So they went out across the hay-field, noting how the carefully raked hay was now sodden again and losing its goodness, into the chase where the trees began to grow, far apart as yet and park-like, but gradually crowding into the forest shade. The conies had hundreds of buries under these trees, so close together that the problem was not to find a rabbit, but to find a rabbit far enough away from its hole.

"Hob says that we mustn't fly Cully till he has roused at least twice," said the Wart.

"Hob doesn't know anything about it," said the other boy. "Nobody can tell whether a hawk is fit to fly except the man who is carrying it."

"Hob is only a villein anyway, " added Kay, and began to undo the leash and swivel from the jesses.

When he felt the trappings being taken off him, so that he was in hunting order, Cully did make some movements as if to rouse. He raised his crest, his shoulder coverts and the soft feathers of his thighs, but at the last moment he thought better or worse of it and subsided without the rattle. This movement of the hawk's made the Wart itch to carry him, so that he yearned to take him away from Kay and set him to rights himself. He felt certain that he could get Cully into a good temper by scratching his feet and softly teasing his breast feathers upwards, if only he were allowed to do it himself, instead of having to plod along behind with the stupid lure; but he knew how annoying it must be for Kay to be continually subjected to advice, and so he held his peace. Just as in modern shooting you must never offer criticism to the man in command, so in hawking it was important that no outside advice be allowed to disturb the judgment of the actual austringer.

"So-ho!" cried Kay, throwing his arm upward to give the hawk a better take-off, and a rabbit was scooting across the close-nibbled turf in front of them, and Cully was in the air. The movement had surprised the Wart, the rabbit and the hawk, all three, and all three hung a moment in surprise. Then the great wings of the aerial assassin began to row the air, but reluctantly and undecided, the rabbit vanished in a hidden hole, and up went the hawk, swooping like a child flung high in a swig, until the wings folded and he was sitting in a tree. Cully looked down at his masters, opened his beak in an angry pant of failure, and remained motionless. The two hearts stood still.

A GOOD while after that, when they had been whistling and luring and following the disturbed and sulky hawk from tree to tree, Kay lost his temper.

"Let him go, then," said Kay. "He's no use anyway."

"Oh, we couldn't leave him," cried the Wart. "What would Hob say?"

"It's my hawk, not Hob's," exclaimed Kay furiously. "What does it matter what Hob says? He is my servant."

"But Hob made Cully. It's all right for us to lose him, for we didn't have to sit up with him three nights and carry him all day and all that. We can't lose Hob's hawk. It would be beastly."

"Serve him right, then. He's a fool and it's a rotten hawk. Who wants a rotten, stupid hawk? You'd better stay yourself, if you're so keen on it. I'm going home."

"I'll stay," said the Wart sadly, "if you'll send Hob when you get back."

Kay began walking off in the wrong direction, raging in his heart because he knew that he had flown the bird when he was not properly in yarak, and the Wart had to shout after him the right way. Then he sat down under the tree and looked up at Cully like a cat watching a sparrow, but with his heart beating fast.

It was all right for or Kay, who was not really keen on hawking except in so far as it was the proper occupation for a boy in his station of life, but the Wart had some of the falconer's feelings and knew that a lost hawk was the greatest possible calamity. He knew that Hob had worked on Cully for fourteen hours a day, over a period of months, in order to teach him his trade, and that his work had been like Jacob's struggle with the angel. When Cully was lost a part of Hob was lost too. The Wart did not dare to face the look of reproach which would be in Hob's eye, after all that he had tried to teach them.

What was he to do? He had better sit still, leaving the lure on the ground, so that Cully could settle down and come in his own time. But Cully had no intention of doing this. He had been given a generous crop the night before, so that he was not hungry: the hot day had put him in a bad temper: the waving and whistling of the boys below him, and their pursuit of him from tree to tree, had disturbed his never very powerful brains. Now he did not quite know what he wanted to do, but it was not what anybody else wanted. He thought perhaps it would be nice to kill something, just from spite.

A long time after that, the Wart was on the verge of the true forest, and Cully inside it. In a series of infuriating removes they had come nearer and nearer, till they were further from the castle than the Wart had ever been, and now they had reached it quite.

Wart would not have been frightened of a forest nowadays, but the great jungle of old England was a different thing. It was not only that there were wild boars in it, whose sounders would at this season be furiously rooting about, nor that one of the surviving wolves might be slinking behind any tree, with pale eyes and slavering chops. The mad and wicked animals were not the only inhabitants of the crowded gloom. When men themselves became mad and wicked they took refuge there, outlaws cunning and bloody as the gore-crow, and as persecuted. The Wart thought particularly of a man named Wat, whose name the cottagers used to frighten their children with. He had once lived in Sir Ector's village and the Wart could remember him. He squinted, had no nose, and was weak in his wits. The children threw stones at him. One day he turned on the children and caught one and made a snarly noise and bit off his nose too. Then he ran away into the forest. They threw stones at the child with no nose, now, but Wat was supposed to be in the forest still, running on all fours and dressed in skins.

There were magicians in the forest also in those days, as well as strange animals not known to modern works of natural history. There were regular bands of outlaws, not like Wat, who lived together and wore green and shot with arrows which never missed. There were even a few dragons, though they were rather small ones, which lived under stones and could hiss like a kettle.

Added to this, there was the fact that it was getting dark. The forest was trackless and nobody in the village knew what was on the other side. The evening hush had fallen, and all the high trees stood looking at the Wart without a sound.

He felt that it would be safer to go home, while he still knew where he was; but he had a stout heart, and did not want to give in. He understood that once Cully had slept in freedom for a whole night he would be wild again and irreclaimable. Cully was a passager. But if the poor Wart could only mark him to roost, and if Bob would only arrive then with a dark lantern, they might still take him that night by climbing the tree, while he was sleepy and muddled with the light. He could see more or less where the hawk had perched, about a hundred yards within the thick trees, because the home-going rooks of evening were mobbing that place.

Wart made a mark on one of the trees outside the forest, hoping that it might help him to find his way back, and then began to fight his way into the undergrowth as best he might. He heard by the rooks that Cully had immediately moved further off.

The night fell still as the small boy struggled with the brambles; but he went on doggedly, listening with all his ears, and Cully's evasions became sleepier and shorter until at last, before the utter darkness fell, he could see the hunched shoulders in a tree above him against the sky. Wart sat down under the tree, so as not to disturb the bird any further as it went to sleep, and Cully, standing on one leg, ignored his existence.