The Tale of Despereaux (14 page)

Reader, this is the very plan that Roscuro presented to Mig when he first met her. It was, of course, a ridiculous plan.

No one would ever, not for one blind minute, mistake Mig for the princess or the princess for Mig. But Miggery Sow, as I pointed out to you before, was not the sharpest knife in the drawer. And, reader, too, she wanted so desperately to become a princess. She wanted, oh, how she wanted. And it was because of this terrible wanting that she was able to believe in Roscuro’s plan with every ounce of her heart.

The rat’s real plan was, in a way, more simple and more terrible. He intended to take the princess to the deepest, darkest part of the dungeon. He intended to have Mig put chains on the princess’s hands and her feet, and he intended to keep the glittering, glowing, laughing princess there in the dark.

Forever.

SHE WAS ASLEEP and dreaming of her mother, the queen, who was holding out a spoon to her and saying, “Taste this, my sweet Pea, taste this, my darling, and tell me what you think.”

The princess leaned forward and sipped some soup from the spoon her mother held out to her.

“Oh, Mama,” she said, “it’s wonderful. It’s the best soup I have ever eaten.”

“Yes,” said the queen. “It is wonderful, isn’t it?”

“May I have some more?” said the Pea.

“I gave you a small taste so that you would not forget,” said her mother. “I gave you a small taste so that you would remember.”

“I want more.”

But as soon as the princess said this, her mother was gone. She disappeared and the bowl and the soupspoon disappeared along with her.

“Lost things,” said the Pea, “more lost things.” And then she heard her name. She turned, happy, thinking that her mother had come back. But the voice was not her mother’s. The voice belonged to somebody else and it was coming from someplace far away and it was telling her to wake up, wake up.

The Pea opened her eyes and saw Miggery Sow standing over her bed, a knife in one hand and a candle in the other.

“Mig?” she said.

“Gor,” said Mig softly.

“Say it,” commanded Roscuro.

Mig closed her eyes and shouted her piece. “If you does not want to get hurt, Princess, you must come with me.”

“Whatever for?” said the princess in an annoyed tone. As I have noted before, the princess was not a person who was used to being told what to do. “What are you talking about?”

Mig opened her eyes and shouted, “You got to come with me so after we take some lessons, you some long lessons and me some short ones, together way down in the deep downs, I can be you and you can be me.”

“No!” shouted Roscuro from Mig’s pocket. “No! No! You are doing it wrong.”

“Who said that?”

“Your Highness,” said Roscuro. And he crawled out of Mig’s pocket and made his way up to her shoulder and situated himself there, laying his tail across her neck to balance himself. “Your Highness,” he said again. And he raised the spoon slowly off his head and smiled, displaying his mouthful of truly hideous teeth. “I think it would be best if you do as Miggery Sow suggests. She is, as you can quite clearly see, in possession of a knife, a large knife. And she will, if pushed, use it.”

“This is ridiculous,” the princess said. “You can’t threaten me. I’m a princess.”

“We,” said Roscuro, “are all too aware of the fact of what you are. A knife, however, cares nothing for the fact that you are royalty. And you will bleed, I assume, just like any other human.”

The Pea looked at Mig. Mig smiled. The knife glinted in the light of the candle. “Mig?” she said, her voice shaking the tiniest bit.

“I really do not think,” said Roscuro, “that Mig would need much persuasion to use that knife, Princess. She is a dangerous individual, easily led.”

“But we are friends,” said the Pea, “aren’t we, Mig?”

“Eh?” said Mig.

“Trust me,” said Roscuro. “You are not friends. And I think it would be best if you addressed all your communications to me, Princess. I am the one in charge here. Look at me.”

The Pea looked right directly at the rat and at the spoon on his head. Her heart skipped one beat and then two.

“Do you know me, Princess?”

“No,” she said, lowering her head, “I don’t know you.”

But, reader, she did know him. He was the rat who had fallen in her mother’s soup. And he was wearing her dead mother’s spoon on his head! The princess kept her head down. She concentrated on containing the rage that was leaping up inside of her.

“Look again, Princess. Or can you not bear to look? Does it pain your royal sensibilities to let your eyes rest on a
rat
?”

“I don’t know you,” she said, “and I’m not afraid to look at you.” The Pea raised her head slowly. Her eyes were defiant. She stared at the rat.

“Very well,” said Roscuro, “have it your way. You do not know me. Nonetheless, you must do as I say, as my friend here has a knife. So get out of bed, Princess. We are going on a little journey. I would like it if you dressed in your loveliest gown, the one that you were wearing at a banquet not so long ago.”

“And put on your crown,” said Mig. “Put that on your princess head.”

“Yes,” said Roscuro. “Please, Princess, do not forget your crown.”

The Pea, still staring at Roscuro, pushed the covers back and got out of bed.

“Move quickly,” said Roscuro. “We must take our little journey while it is still dark and while the rest of the castle sleeps on — ignorant, oh so ignorant, I am afraid, of your fate.”

The princess took a gown from her closet.

“Yes,” said Roscuro to himself, “that is the one. The very one. Look at how it sparkles in the light. Lovely.”

“I will need someone to do my buttons,” said the princess as she stepped into the dress. “Mig, you must help me.”

“Little princess,” said Roscuro, “do you think that you can outsmart a rat? Our dear Miggery Sow will not lay down her knife. Not even for a moment. Will you, Miggery Sow? Because that might ruin your chances of becoming a princess, isn’t that right?”

“Gor,” said Mig, “that’s right.”

And so while Mig held the knife pointed in the direction of the princess, the Pea sat and let the rat crawl over her back, doing her buttons up for her, one by one.

The princess held very still. The only movement she allowed herself was this: She licked her lips, over and over again, because she thought that she could taste there the sweet saltiness of the soup that her mother had fed her in her dream.

“I have not forgotten, Mama,” she whispered. “I have not forgotten you. I have not forgotten soup.”

THE STRANGE THREESOME made their way down the golden stairs of the castle. The princess and Mig walked side by side and Roscuro hid himself again in the pocket of Mig’s apron and Mig pointed the sharp tip of the knife at the princess’s back and together they went down, down, down.

The princess was led to her fate as around her, everyone slept. The king slept in his giant bed with his crown on his head and his hands crossed on his chest, dreaming that his wife, the queen, was a bird with green and gold feathers who called his name,
Phillip, Phillip, Phillip,
without ceasing.

Cook slept in a too-small bed off the kitchen, dreaming of a recipe for soup that she could not find. “Where did I put that?” she mumbled in her sleep. “Where did that recipe go? It was for the queen’s favorite soup. I must find it.”

And not far from Cook, in the pantry, atop a bag of flour, slept the mouse Despereaux, dreaming, as you know, reader, of knights in shining armor, of darkness, and of light.

And in the whole of the darkened, sleeping castle, there was only the light of the candle in the hand of Miggery Sow. The candle shone on the princess’s dress and made it sparkle, and the princess walked tall in the light and tried not to be afraid.

In this story, reader, we have talked about the heart of the mouse and the heart of the rat and the heart of the serving girl Miggery Sow, but we have not talked about the heart of the princess. Like most hearts, it was complicated, shaded with dark and dappled with light. The dark things in the princess’s heart were these: a very small, very hot, burning coal of hatred for the rat who was responsible for her mother’s death. And the other darkness was a tremendous sorrow, a deep sadness that her mother was dead and that the princess could, now, only talk to her in her dreams.

And what of the light in the princess’s heart? Reader, I am pleased to tell you that the Pea was a kind person, and perhaps more important, she was empathetic. Do you know what it means to be empathetic?

I will tell you: It means that when you are being forcibly taken to a dungeon, when you have a large knife pointed at your back, when you are trying to be brave, you are able, still, to think for a moment of the person who is holding that knife.

You are able to think: “Oh, poor Mig, she wants to be a princess so badly and she thinks that this is the way. Poor, poor Mig. What must it be like to want something that desperately?”

That, reader, is empathy.

And now you have a small map of the princess’s heart (hatred, sorrow, kindness, empathy), the heart that she carried inside her as she went down the golden stairs and through the kitchen and, finally, just as the sky outside the castle began to lighten, down into the dark of the dungeon with the rat and the serving girl.

THE SUN ROSE AND SHED LIGHT on what Roscuro and Miggery Sow had done.

And finally, Despereaux awoke. But, alas, he awoke too late.

“I haven’t see her,” Louise was shouting, “and I tell you, I wash my hands of her. If she’s missing, I say good riddance! Good riddance to bad rubbish.”

Despereaux sat up. He looked behind him. Oh, his tail! Gone! Given over to the knife and where the tail should be . . . nothing but a bloody stub.

“And more foul play. Gregory dead!” shouted Cook. “Poor old man, that rope of his broken by who knows what and him lost in the dark and frightened to death because of it. It’s too much.”

“Oh no,” whispered Despereaux. “Oh no, Gregory is dead.” The mouse got to his feet and began the long climb down from the shelf. Once he was on the floor, he stuck his head around the door of the pantry and saw Cook standing in the center of the kitchen, wringing her fat hands. Beside her stood a tall woman jangling a ring of keys.