The Three Weissmanns of Westport (10 page)

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Authors: Cathleen Schine

Tags: #Westport (Conn.), #Contemporary Women, #Single women, #Family Life, #Modern & contemporary fiction (post c 1945), #General, #Literary, #General & Literary Fiction, #Fiction - General, #Sisters, #Mothers and daughters, #Fiction, #Domestic fiction, #Westport (N.Y.), #Love stories

BOOK: The Three Weissmanns of Westport
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Here was another house, not as old, quite hideous really, Palladian style, was that what you'd call it with those awful columns? Yes, but what a view it must have. And its bit of beach curved out in such a way that she might just be able to land there. She really would have to try. The current was being extremely uncooperative. And it had started to rain. She lifted her face to the stinging drops. It was sublime, the cold wind and rain, the physical exhaustion. If she had time, she was sure she could search her soul quite successfully now. She rested her paddle for a moment, breathing in the wild air and the wetness. The kayak swayed and slapped in the dark water between agile, aggressive whitecaps. This is magnificent, she thought, but even as the words came into her head, the sentiment was pushed aside by a realization that it would not be at all magnificent to end up dumped in the water of Long Island Sound or rushing past Rhode Island, which seemed to be her two alternatives, and she began to paddle rather frantically toward the spit of land belonging to the ugly Palladian house. It was tantalizingly close. She was almost there. She was there. But the waves were larger now. They were actually crashing against the beach, against the rocks that jutted out into the water. Not as grand as the waves on Cape Cod, of course, not even close, but quite big enough to keep her from paddling ashore.

And, as it turned out, quite big enough to capsize her. She felt the kayak rolling, felt the smack of the cold water, saw the gray of the sky swivel into the gray of the sea, felt the water lock above her, felt her legs thrashing to free themselves from the red kayak. Her body twisted, her face plunged down into darkness, her arms flailed, she kicked and scratched at the eerie silence. Her feet were caught and useless, her hands farther and farther away, clawing water, her lungs empty, bursting with emptiness.

And then, suddenly, astonishingly, Miranda felt solid human warmth. She felt strong arms reaching around her, pulling her out of the boat, out of the choking water, onto the heavy wet sand, strong arms lifting her up and holding her close.

Miranda sputtered. Miranda opened her eyes. Miranda smiled.

Her rescuer's hair was dripping wet, his long, dark eyelashes sparkling with drops of water. He was as pale as the morning sky, his high, pronounced cheekbones washed with the blush of youthful exertion. She felt his chest heaving.
Oh Lord
, she thought with fervor that bordered on delirium,
I am saved, I am saved
! She imagined herself waving her arms in the air like a congregant at a revival meeting and, amused at the thought of a God with the imagination to drop her into the embrace of an Adonis, Miranda relaxed, enthusiastically, into the young hero's arms.

An hour later, they pulled up into the dirt driveway beside the cottage, which looked even more decrepit than usual in the rain, dripping and homely as an abandoned cabbage. Betty heard the soggy crunch of the wheels in the drive. She went to the window, where with a flutter of expectation she saw a pretty white MINI Cooper. In the passenger seat was the radiant face of her younger daughter. On the roof, strapped by bungee cords, was the bright red kayak. Something had happened!

Betty ran to the door in time to see a handsome young man dashing through the rain toward the house beside her daughter, both of them in pants embroidered with sea creatures--blue whales on his yellow pants, pink lobsters on her ill-fitting brick red pants--and matching pastel green cotton sweaters. When did Miranda buy such odd clothes? She imagined the two of them spotting each other somewhere, kindred spirits, and starting up a conversation about their shared hobby of Extreme Wasp Attire. What a handsome boy he was.

"This is Kit," Miranda said when they had run into the house and shaken the rain off like two big colorful dogs. "I almost drowned in that thing." She pointed to the kayak on top of the little car. "Kit pulled me out of the water. And took me to his aunt's boathouse. He's visiting her and staying in the boathouse. It's adorable. He was fishing, and he happened to see me go under . . ." She opened her eyes as wide as they would go, threw her arms out in one of her characteristic dramatic gestures, and said, breathlessly, "Kit Maybank saved my life!"

"Isn't that nice," Betty heard herself say as she realized that the silly clothes belonged to the handsome boy. It began to dawn on her, in a dull sickening rush, that not only had Something Happened but it had been something of a threatening, dangerous nature. The blood began pounding in her ears, and she could no longer hear what Miranda was prattling on about. All she could understand was that Miranda had been in danger and now Miranda was safe. She was vaguely aware of her arms around her daughter, of holding Miranda in a tight embrace, of Miranda's wet, cold cheeks beneath her lips. She understood, next, that she was hugging Kit, the handsome boy with tiny whales on his pants. She realized, after she had done it, that she had already run to the linen closet upstairs for towels, that she had put the kettle on, that she had poured brandy into an orange juice glass, slopping some on the floor, all the while listening to the pounding in her ears and feeling she was far away, as if she were invisible and weighed nothing at all. Once before she had been invisible and weightless and meaningless in this way, when the girls were very young and had disappeared at Bonwit Teller. Betty had turned around and around, as if the next time she turned they would spin back into view. It was Joseph who found them, both staring at miniature blown-glass animals--giraffes and dachshunds, a rooster and a pig within a pig, all in swirling unnatural colors--lined up in a glass case. Betty found herself now on the floor with a paper towel dabbing at the spilled brandy. She thought of Joseph and the whiskey glass she had thrown at him. But Joseph at that moment did not matter. Only one thing mattered. Her daughter had been in danger, and now she was safe.

When she got home and heard what had happened and saw her sister, now in a nightgown, huddled on the couch under a cotton blanket, Annie was tempted to deliver a lecture. She had, after all, warned Miranda not to take the kayak out until she had taken lessons, and just last night she had pointed out that the Sound had been unusually rough lately. "Small craft warnings," she had said. "And your craft is minute." But looking at Miranda now, so fragile and vulnerable in her flowered nightgown and striped socks, Annie could not bear to say a word that might hurt her. Instead, she sat beside her on the sofa and put her arms out. Miranda came to her and snuggled in like a little girl.

Annie said, "It all sounds very dramatic." She kissed Miranda on the forehead. Did it feel warm? She laid her cheek against Miranda's forehead. "You have a fever."

"You don't catch cold from being in the cold," said Miranda irritably. "They proved that."

"You still have a fever."

Betty began to bustle in earnest now, throwing another blanket over Miranda and attempting to spoon chicken soup into her mouth. "I read that they did an experiment in Scotland with students. They put their feet in buckets of cold water and exposed them to germs."

"What happened?" Annie asked.

"Well, I really can't remember. But it sounds so unpleasant. I've never liked Scotland. Here," she said, putting a thermometer in Miranda's mouth.

"You just gave me soup." Miranda tried to hand the thermometer back to her mother. "My temperature will be 110 after soup."

"All the more reason," Betty said firmly. And she replaced the thermometer in her daughter's mouth, where it belonged.

When Cousin Lou came by on his customary evening walk, something prescribed by his doctor for his heart which he converted into a promenade from neighbor to neighbor to chat and invite them to his house for various meals, he discovered Betty fussing over a feverish but contented patient while Annie washed the dishes.

"She was rescued by a young fisherman," Betty said.

Annie, listening from the kitchen, just able to hear her mother over the running water, smiled to herself. Betty made the young man sound like a Scandinavian in a cable knit sweater crashing about in the Barents Sea.

"By my friend Roberts? Ah ha! I saw him out with his fishing gear this morning. I knew he had eyes for you, Miranda. And now he is your hero. Although I don't think I would call him young."

"Eyes for me?" Miranda said. "He was practically mute when I sat beside him at dinner, if that's who you mean."

"Mute, but not
blind
to your charms," Cousin Lou said.

"Well, whatever his disabilities, poor man, it wasn't him, anyway," Betty said. "It was a young man who spoke very nicely and didn't even need glasses, unless he wears contacts, which is possible, you never know. His name was Kit Maybank, isn't that right, Miranda? A pretty name. Maybank. Like a pile of dirt in spring."

Miranda, the thermometer again in her mouth, nodded.

"Maybank." Lou sniffed. "Hoity-toity goity and moity." He wore his Mrs. H. expression, and Miranda steeled herself for a
chechtling
parable, but he just patted Miranda affectionately on the head and said, "Well, well, never mind. Oh, poor unsuspecting Roberts. Forgotten so soon for young Maybank."

"Oh, for heaven's sake, Cousin Lou," Miranda mumbled, the thermometer wiggling absurdly. "Roberts is old enough to be my father."

"At least someone is," Betty said. "Now that Josie has dropped the ball."

Miranda went to bed feverish and flushed, her hair flat against her head, her eyes swollen with fatigue. The next morning, however, she emerged from the bathroom brisk and freshly showered, looking and feeling like herself--her pre-
Oprah
self. When Kit Maybank came up the dirt path to the ramshackle cottage, he was not prepared for the radiant woman who met him on the sunporch. He remembered a gasping, pale, wet, older woman from the day before, not this vibrant being with the mocking smile and deep, avid eyes.

After pushing the screen door open, Miranda looked down from her vantage point atop the concrete steps. There was the Adonis, a hank of his dark silky hair falling across his forehead. And there beside him, his little hand clutching the larger hand, was an identical tiny Adonis, a boy of two or three, she guessed. They both smiled at her. Then the child put his hand in his mouth. Miranda watched, fascinated, as his fist twisted until it disappeared completely into the little mouth and the child blinked contentedly.

Kit had returned out of an agreeable feeling of importance and friendly condescension toward the lady he had rescued. But now, facing this surprisingly attractive woman who had darted out the door and given him a long, assured, assessing look, he was, for a moment, as mute as Roberts. Then she looked at Henry, his little boy. He saw the quizzical expression, the swipe of her hand in front of her face, as if wiping away an unexpected drizzle of rain.

"Henry," he said. "This is my son, Henry."

The child, removing his hand from his mouth, said, "Henry" in a slurred child voice.

"Henry, this is . . ." He forgot her name, then quickly, but not quite quickly enough, remembered. ". . . Miranda."

She gave a short, sardonic laugh, from deep in her chest, peering down at them from the cracked concrete pedestal. "How do you do, Henry?" She came down from the steps.

"Henry," the child said again, throwing a quick glance at his father, as if confirming the fact.

"Mini-me," Miranda said. Henry was wearing a petite version of his father's outfit: miniature khaki pants, Top-Siders that might have been made for a doll, a madras belt the size of a dog collar, and a postage-stamp-size pink oxford shirt.

Kit handed Miranda the enormous bouquet of wildflowers he had picked from the meadow behind his aunt's house.

"You're awfully dry today," he said.

"I try not to drown more than once a week."

Miranda invited them in. She arranged the flowers in a vase and placed it on the sunporch. "I love wildflowers," she said. "But I should be the one bringing flowers. And burnt offerings." She put her hands on her hips and tapped her foot, staring at the little boy, who had one small arm wrapped around his father's calf. "Cookies," she said.

She left them, and Kit watched her go, trying to ignore her tight, quick, sexy walk. When she returned, she was carrying a plate of cookies in one hand and the pants and sweater he'd lent her the day before in the other.

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