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Eternity in a Box

Accounts of the Thirteen Club, an idea surely due for a revival, can be found in abundance in the
Brooklyn Daily Eagle
in the late 1890s; this particular celebration is described in articles that ran on February 6 and 14, 1898.

For more on the fate of phrenology and Orson Fowler, see the histories cited in "The Talking Heads" chapter; the growing disenchantment of both Foote Senior and Junior with it can be found in speeches reported by the
Brooklyn Daily Eagle
for May 11 and 23, 1896. Phrenology really was something of an intellectual tragedy. In retrospect, its basic set of propositions was surprisingly accurate: that different cognitive functions are localized to specific parts of the brain; that the brain has a plasticity that allows it to develop or atrophy at any age, but disproportionately and critically so in one's youth; and that cognition itself is a physical phenomenon. These are now the most fundamental assumptions of neurology. The observation of localized brain function underlies
MRI
scan research; neural plasticity is the raison detre of Head Start, special education, and stroke therapies alike; and the chemical basis of cognition has built a multibillion-dollar industry of antidepressants to pull you up, antipsychotics to hold you down, and sedatives to knock you sideways. Phrenology's error was believing these effects could be observed at the level of gross anatomy. Without a serious commitment to scientific methodology, this error grew until phrenology truly became the sham its opponents always said it was.

One of the only newspaper accounts of the 1905 ceremony with Thomas Paine's brain is in the
New York Times
for October 15, 1905. A number of details about Thomas Paine's memorial can also be found in the
News Letter
of the Thomas Paine National Historical Association, and the commemorative booklet
Rededication
of the Paine Monument
(1909).
Rededication
contains the 1905 ceremony's speeches by Foote and other locals, some of whom were rather less eloquent than others; one Minuteman reenactor began his remarks with "I find myself somewhat in the position of an old darkey down in Virginia . . ."

Photographs of the preserved cottage, as well as a timeline of the Paine monument, can be found in the
Souvenir Program: Thomas Paine Centennial Celebration
(1909) and the
Memorial
Celebration of the Hundredth Anniversary of the Death of Thomas
Paine
(1909); both were published by E. B. Foote Jr. and the Thomas Paine National Historical Association, and can be found at the New York Public Library. Accounts of the cottage's near-destruction are in
Leslie's Illustrated Weekly
for January 2, 1908, and the
New York Times
for May 31, 1908, as well as the TPHA booklet
Thomas Paine and New Rochelle,
NY
(1951) and the Huguenot and Historical Association of New Rochelle's booklet
Thomas Paine Cottage and Grounds
(1931).

Aside from Paine's body, his grave itself became something of a missing relic. In September 1909,
South Place Magazine
ran 'Thomas Paine's Gravestone," which traces a large fragment of the shattered headstone with Cobbett to Liverpool. A reminiscence by William Lowes Rushton, son of the 1820s Liverpool radical Edward Rushton, includes this interesting detail about what else was in Cobbett's luggage: "I understand the gravestone was broken into fragments soon after it was laid down, and long before Cobbett visited America. I do not know how this fragment came into Cobbett's possession, but according to my remembrance of what my father said on the subject, Cobbett brought it to Liverpool with Tom Paine's bones, which he had disinterred, and gave it to my father. This fragment I remember seeing in my father's library when I was a child, and it is now in my possession."

In addition to the sources mentioned in the "Personal Effects" chapter, information on Moncure Conway's final days in Paris can be found in Edward Walker's
A
Sketch and An Appreciation
of
Moncure Daniel Conway, Freethinker and Humanitarian
(1908) and John Robertson's
The Life Pilgrimage of Moncure Daniel
Conway
(1914). But perhaps the most charming eulogy on the man came right after his death from his old friend Thomas Wentworth Higginson, who by now was famous as Emily Dickinson's "preceptor." Recalling trips to the theater with Conway, he wrote: "He always chose seats by preference in the very highest gallery, where rough men sat with their hats on, eating sandwiches, among their wives and daughters, and affording, as he always maintained, the best source of appreciation for good acting."

An account of the death and burial of E. B. Foote Sr. can be found in
In Memory of Edward Bliss Foote, M.D.
(1907), a compilation of addresses and newspaper clippings related to his funeral. For E. B. Foote Jr.'s final days, see the posthumous collection
Edward Bond Foote: Biographical Notes and Appreciatives
(1913). One anecdote involves the senior Foote's seventieth birthday, when the old doctor was given a wonderful present by Junior—a collection of fifty newfangled phonograph wax cylinders, each bearing birthday messages from across the country. He set one into his phonograph and out crackled the voice of his old friend Elizabeth Cady Stanton—a
very
old friend, as she was now eighty-four—and the doctor listened appreciatively as her voice spun from the revolving cylinder:

I am glad to tell you that there is no old age but old age of the heart,
and if you wish to preserve what health and youth you still have,
I
will give you three directions: First, sleep all you possibly can. Next, do
not worry; whatever you can prevent that's wrong, do so; what you
can not, accept. One more: Interest yourself crackle, crackle, crackle
in some great question of reform.

And indeed he did—they all did.

Acknowledgments

WITHOUT THE LOVE and support of my wife Jennifer, my first reader and editor in all matters, this book could not have been written. For rather like Tom Paine's bones, it has had some unexpected travels and surprises—namely, the birth of our son Bramwell and our family's move from Oregon to Iowa. Those readers of my work about my son Morgan will understand how in watching my two sons grow, history becomes meaningful to me: they remind me of why it is that I write.

Were it not for the immense help of Marc Thomas, this book would have taken me many years longer to write. Thanks are due as well to Michelle Tessler and Colin Dickerman for shepherding it through to publication. There were innumerable libraries and antiquarians essential to the creation of this book, but particular thanks are due to the library at Columbia University and to the Guildford Museum. A tip of the hat, too, to the scholars who were so generous with their knowledge when I contacted them—David A. Wilson, Madeleine Stern, Michael Sappol, and Janet Brodi—and to Olivia Lo and Josephine McNeil for humoring my unaccountable need to see a gravestone sitting in a dog-filled garage.

I am indebted to my fellow authors at the Friday-afternoon Scrabble game here in Iowa City for their tea, ginger cookies, and sympathy while I went through several sleepless months finishing the book, and . . . okay,
okay,
I'll take my turn now.

Finally, my great appreciation indeed to the many efforts over the years by the staff of the Thomas Paine National Historical Association, from E. B. Foote and Moncure Conway on up to Brian McCartin. New members are always welcome at their Web site:

www.thomaspaine.org

A NOTE ON THE AUTHOR

Paul Collins is the author of
Banvard's Folly, Sixpence
House,
and
Not Even Wrong:
A
Father's Journey into the
Lost History of Autism.
He edits the Collins Library for McSweeney's Books, and his work has appeared in
New Scientist
and the
Village Voice.
He lives in Iowa City.

BY THE SAME AUTHOR

Banvard's Follly: Thirteen Tales of People Who Didn't Change the World
Sixpence House: Lost in a Town of Books
Not Even Wrong: A
Father's Journey into the Lost History of Autism

First published in Great Britain 2006

Copyright © 2005 by Paul Collins

This electronic edition published 2010 by Bloomsbury Publishing Plc

"My Favourite Things" copyright © 1959 by Richard Rogers and Oscar Hammerstein II. Copyright renewed. Williamson Music owner of publication and allied rights throughout the world. International copyright secured. All rights reserved. Used by permission.

The right of Paul Collins to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988

All rights reserved. You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

Bloomsbury Publishing Plc, 36 Soho Square, London W1D 3QY

A CIP catalogue record for this book is available from the British Library

ISBN 978 1 4088 2063 6

www.bloomsbury.com/paulcollins

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