The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (189 page)

BOOK: The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics)
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By means of the higher vibrations, a terrific explosion could be caused in destroying one or two molecules and reducing them to their ultimate electrons. But the milder vibrations caused a more slow and incomplete explosion, in which the atom-formation was partially destroyed. This latter process was the one that had been used as a preliminary to the transformation of the world. Smaller mechanisms of a kind similar to those in the silver globe were in common use among the invaders, and all their air-vehicles, industrial machinery and various other appliances were run with power derived from the explosion of atoms by amplified cosmic rays. By watching the actual employment of these mechanisms, human scientists learned how the machinery in the derelict sphere had been operated. Also, the changing colors of the satellites were explained, for it was perceived that the generation of the various rays was accompanied by the production of an aura of color about the transmitting mechanism. As Lapham had surmised, yellow was the tone of destruction, blue the tint of mineral evolution, and red the hue of vegetable growth.

 

The invisibility of the two first spheres for a long period, was like wise explained, when it was learned that the Venusians could use at will, in connection with the other vibrations, a vibration that neutralized these customary colors. Probably, through motives of natural cau tion, they had wished to remain invisible, till observation had convinced them that nothing was to be feared from the world they were attacking.

 

Now, with the knowledge acquired from their monstrous foes, human inventors were able to create similar machinery for destroying atoms and for re-constructing them in any desired pattern. Enormous planes were built and were fitted with this machinery, and a war of titanic destruction soon began. The Venusian territories of Australia were attacked by a fleet of four hundred planes, which succeeded in annihilating several of the metal spheres, as well as two cities of the enemy, and turned many hundred miles of vapor-covered land into a seething chaos of primeval dust. The invaders were totally unprepared, for evidently they had despised their human enemies and had not thought it worth while to watch their movemcnts and activitics at any time. Befoe they could rally, the planes had passed on to the shores of Asia, and had inflicted much damage in the Mesopotamian terrain.

 

At the present time, after twenty years of a warfare more stupendous than anything in human history, a fair amount of territory has been regained, in spite of terrible reprisals on the part of the Venusians. But the issue is still in doubt, and may not be decided for hundreds of years to come. The invaders are well-entrenched, and if re-enforcement should ever arrive from Venus, the tide may turn against humanity. The real hope lies in their limited number, and in the fact that they are not thriving physically in their new environment and are slowly becoming sterile as well as subject to a multitude of maladies, due, doubtless, to the incomplete conversion of the earth and its atmosphere and the tendency of tellurian atom-structures to re-establish themselves, even apart from the re-integration carried on by scientists. On the other hand, the vitiation of our seas and air by the introduction of deadly gases is not favorable to human life, and the powers of medical science are not yet able to cope fully with the unusual problems offered.

 

Roger Lapham, whose clear, logical brain and prophetic insight have always been a source of inspiration to his fellows, has died lately and is mourned by all. But his spirit still prevails; and even if humanity should lose in the long and catastrophic warfare with an alien foe, the tale of mortal existence and toil and suffering will not have been told in vain.

 

THE MONSTER OF THE PROPHECY

 

A dismal, fog-dank afternoon was turning into a murky twilight when Theophilus Alvor paused on Brooklyn Bridge to peer down at the dim river with a shudder of sinister surmise. He was wondering how it would feel to cast himself into the chill, turbid waters, and whether he could summon up the necessary courage for an act which, he persuaded himself, was now becoming inevitable as well as laudable. He felt that he was too weary, sick and disheartened to go on with the evil dream of existence.

 

From any human standpoint, there was doubtless abundant reason for Alvor's depression. Young, and full of unquenched visions and desires, he had come to Brooklyn from an up-stage village three months before, hoping to find a publisher for his writings; but his old-fashioned classic verses, in spite (or because) of their high imaginative fire, had been unanimously rejected both by magazines and book-firms. Though Alvor had lived frugally and had chosen lodgings so humble as almost to constitute the proverbial poetic garret, the small sun of his savings was now exhausted. He was not only quite penniless, but his clothes were so worn as to be no longer presentable in editorial offices, and the soles of his shoes were becoming rapidly nonexistent from the tramping he had done. He had not eaten for days, and his last meal, like the several preceding ones, had been at the expense of his soft-hearted Irish landlady.

 

For more reasons than one, Alvor would have preferred another death than that of drowning. The foul and icy waters were not inviting from an esthetic viewpoint; and in spite of all he had heard to the contrary, he did not believe that such a death could be anything but disagreeable and painful. By choice he would have selected a sovereign Oriental opiate, whose insidious slumber would have led through a realm of gorgeous dreams to the gentle night of an ultimate oblivion; or, failing this, a deadly poison of merciful swiftness. But such Lethean media are not readily obtainable by a man with an empty purse.

 

Damning his own lack of forethought in not reserving enough money for such an eventuation, Alvor shuddered on the twilight bridge, and looked at the dismal waters, and then at the no less dismal fog through which the troubled lights of the city had begun to break. And then, through the instinctive habit of a country-bred person who is also imaginative and beauty-seeking, he looked at the heavens above the city to see if any stars were visible. He thought of his recent Ode to Antares, which, unlike his earlier productions, was written in vers libre and had a strong modernistic irony mingled with its planturous lyricism. It had, however, proved as unsalable as the rest of his poems. Now, with a sense of irony far more bitter than that which he had put into his ode, he looked for the ruddy spark of Antares itself, but was unable to find it in the sodden sky. His gaze and his thoughts returned to the river.

 

'There is no need for that, my young friend,' said a voice at his elbow. Alvor was startled not only by the words and by the clairvoyance they betrayed, but also by something that was unanalyzably strange in the tones of the voice that uttered them. The tones were both refined and authoritative; but in them there was a quality which, for lack of more precise words or imagery, he could think of only as metallic and unhuman. While his mind wrestled with swiftborn unseizable fantasies, he turned to look at the stranger who had accosted him.

 

The man was neither uncommonly nor disproportionately tall; and he was modishly dressed, with a long overcoat and top hat. His features were not unusual, from what could be seen of them in the dusk, except for his full-lidded and burning eyes, like those of some nyctalopic animal. But from him there emanated a palpable sense of things that were inconceivably strange and outre and remote — a sense that was more patent, more insistent than any impression of mere form and odor and sound could have been, and which was well-nigh tactual in its intensity.

 

'I repeat,' continued the man, 'that there is no necessity for you to drown yourself in that river. A vastly different fate can be yours, if you choose... In the meanwhile, I shall be honored and delighted if you will accompany me to my house, which is not far away.'

 

In a daze of astonishment preclusive of all analytical thought, or even of any clear cognizance of where he was going or what was happening, Alvor followed the stranger for several blocks in the swirling fog. Hardly knowing how he had come there, he found himself in the library of an old house which must in its time have had considerable pretensions to aristocratic digaity, for the paneling, carpet and furniture were all antique and were both rare and luxurious.

 

The poet was left alone for a few minutes in the library. Then his host reappeared and led him to a dining-room where an excellent meal for two had been brought in from a neighboring restaurant. Alvor, who was faint with inanition, ate with no attempt to conceal his ravening appetite, but noticed that the stranger made scarcely even a pretense of touching his own food. With a manner preoccupied and distrait, the man sat opposite Alvor, giving no more ostensible heed to his guest than the ordinary courtesies of a host required.

 

'We will talk now,' said the stranger, when Alvor had finished. The poet, whose energies and mental faculties had been revived by the food, became bold enough to survey his host with a frank attempt at appraisal. He saw a man of indefinite age, whose lineaments and complexion were Caucasian, but whose nationality he was unable to determine. The eyes had lost something of their weird luminosity beneath the electric light, but nevertheless they were most remarkable, and from them there poured a sense of unearthly knowledge and power and strangeness not to be formulated by human thought or conveyed in human speech. Under his scrutiny, vague, dazzling, intricate unshapable images rose of the dim borders of the poet's mind and fell back into oblivion ere he could envisage them Apparently without rime or reason, some lines of his Ode to Antares returned to him, and he found that he was repeating them over and over beneath his breath:

 

'Star of strange hope, Pharos beyond our desperate mire, Lord of unscalable gulfs, Lamp of unknowable life.'

 

The hopeless, half-satiric yearning for another sphere which he had expressed in this poem, haunted his thoughts with a weird insistence.

 

'Of course, you have no idea who or what I am,' said the stranger, 'though your poetic intuitions are groping darkly toward the secret of my identity. On my part, there is no need for me to ask you anything, since I have already learned all that there is to learn about your life, your personality, and the dismal predicament from which I am now able to offer you a means of escape. Your name is Theophilus Alvor, and you are a poet whose classic style and romantic genius are not likely to win adequate recognition in this age and land. With an inspiration more prophetic than you dream, you have written, among other masterpieces, a quite admirable Ode to Antares.'

 

'How do you know all this?' cried Alvor.

 

'To those who have the sensory apparatus with which to perceive them, thoughts are no less audible than spoken words. I can hear your thoughts, so you will readily understand that there is nothing surprising in my possession of more or less knowledge concerning you.'

 

'But who are you?' exclaimed Alvor. 'I have heard of people who could read the minds of others; but I did not believe that there was any human being who actually possessed such powers.'

 

'I am not a human being,' rejoined the stranger, 'even though I have found it convenient to don the semblance of one for a while just as you or another of your race might wear a masquerade costume. Permit me to introduce myself: my name, as nearly as can be conveyed in the phonetics of your world, is Vizaphmal, and I have come from a planet of the far-off mighty sun that is known to you as Antares. In my own world, I am a scientist, though the more ignorant classes look upon me as a wizard. In the course of profound experiments and researches, I have invented a device which enables me at will to visit other planets, no matter how remote in space. I have sojourned for varying intervals in more than one solar system; and I have found your world and its inhabitants so quaint and curious and monstrous that I have lingered here a little longer than I intended, because of my taste for the bizarre -a taste which is ineradicable, though no doubt reprehensible. It is now time for me to return: urgent duties call me, and I can not tarry. But there are reasons why I should like to take with me to my world a member of your race; and when I saw you on the bridge tonight, it occurred to me that you might be willing to undertake such an adventure. You are, I believe, utterly weary of the sphere in which you find yourself, since a little while ago you were ready to depart from it into the unknown dimension that you call death. I can offer you something much more agreeable and diversified than death, with a scope of sensation, a potentiality of experience beyond anything of which you have had even the faintest intimation in the poetic reveries looked upon as extravagant by your fellows.'

 

Again and again, while listening to this long and singular address, Alvor seemed to catch in the tones of the voice that uttered it a supervening resonance, a vibration of overtones beyond the compass of a mortal throat. Though perfectly clear and correct in all details of enunciation, there was a hint of vowels and consonants not to be found in any terrestrial alphabet. However, the logical part of his mind refused to accept entirely these intimations of the supermundane; and he was now seized by the idea that the man before him was some new type of lunatic.

 

'Your thought is natural enough, considering the limitations of your experience,' observed the stranger calmly. 'However, I can easily convince you of its error by revealing myself to you in my true shape.'

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