The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (7 page)

Instead of the tourist or mountaineer he had expected, he saw two beings who bore not even the remotest appearance to humanity, and, moreover, were obviously unrelated to any species of earth-life. Not only for that first startled moment, but during the entire episode that followed, Sarkis wondered if he had fallen asleep and had been visited by some preposterous dream.

Each of the beings was about four feet high, with a somewhat doubtful division into head and body. Their formation was incredibly flat and two-dimensional; and they seemed to float rather than stand, as if swimming through the air. The upper division, which one accustomed to earthly physical structures would have taken for the head, was much larger than the lower, and more rotund. It resembled the featureless disk of a moonfish, and was fringed with numberless interbranching tendrils or feelers like a floral arabesque.

The lower division suggested a Chinese kite. It was marked with unknown goblin features, same of which may have been eyes, of a peculiarly elongated and oblique sort. It ended in three broad, streamer-like members, subdividing into webby tassels, that trailed on the ground but seemed wholly inadequate for the purpose of legs.

The coloration of these beings baffled Sarkis. He received alternate impressions of opal-shot blackness, elusive greyness and blood-bright violet.

Impossible, beyond belief, they hung before him among the rocks, swaying forward with a dreamy slowness, as if attached to the ground by their tasseled streamers. Their fringes of woven tendrils seemed to float toward him, quivering with restless life, and certain of their eye-like features gradually brightened and drew his gaze with the hypnotic gleaming of crystals.

The feeling of divorce from reality increased upon him; for now he seemed to hear a low, insistent humming, to which he could assign no definite source. It corresponded vaguely with the slow vibration of the fringes in its beat and cadence. He heard it all around him in the air, like a mesh of sound; and yet somehow it was inside his own brain, as if the unused cells were thrilling with a telepathic murmur from worlds unknown to man.

The humming grew louder, it took an a partial coherence and articulation, as if certain sounds were repeated over and over in a long-drawn sequence. Still more articulate it grew, seeming to form a prolonged vocable. Startlingly it dawned upon him that the vocable was intended for the English phrase, "Come with us," and he realized that the beings were trying earnestly to convey an invitation by means of unearthly vocal organs.

Like one who has been mesmerized, without fear or wonder, he gave himself up to the impressions that besieged his senses. On the flat, vacant, moonfish disks, very gradually, dim, intricate lines and masses limned themselves, growing brighter and more distinct till they began to suggest an actual picture.

Sarkis could comprehend little enough of what he saw; but he received an idea of immense distance and alien, distorted perspective. In a blare of exotic light, a sea-like flood of intense color, strange-angled machineries towered, and structures that might have been either buildings or vegetable growths, receded on a ground of baffling dimension and doubtful inclination. Through this baroque scenery, there floated forms that bore a slight and incoherent resemblance to the beings who confronted him: a resemblance like the broken hint of natural shapes maintained in the utmost perversions of cubism. Together with these forms, as if convoyed by them, there moved another figure having an equally remote and dubious likeness to a human being.

Somehow, Sarkis divined that this latter figure was intended for himself. The scene was a picture of some foreign world or dimension which these fantastic creatures invited him to visit! Alike in all its details the tableau was duplicated on the disks.

With curious lucidity and coolness, he pondered the invitiation. Should he accept it? And if he did accept, what would happen? Of course, it was all a dream—and dreams were tricky things, with a habit of vanishing if one tried consciously to fathom their elusive vistas. But —supposing it were not a dream? From what world, then, had these beings emerged, and by what mode of transit were they enabled to visit the earth? Surely they could not have come from any planet of the solar system: their utter strangeness seemed to argue that they were children of another galaxy, or at least of another sun than ours.

The beings appeared to perceive his hesitation. The pictures on their bodies faded, and were slowly replaced by others, as if they sought to woo him with the varied sceneries of their native world. At the same time, the humming noise resumed ; and after awhile, the equivocal monotone began to suggest familiar words, most of which continued to elude Sarkis. He seemed to make out an eerie prolongation of "offer" and "escape," as if these vocables were uttered by some enormous, droning insect.

Then, through the strange hypnotic sound, he heard the crisp laughter of a girl and the gay chattering of human voices. Plainly several people had climbed the mountain and were coming toward him along the slope, though he could not see them as yet.

The dreamy charm was broken, and he felt a shock of actual fear as well as deep startlement when he saw that the unknown visitors were still before him. Those intruding human voices had convinced him that the happening was no dream. He felt the involuntary recoil of the earth-born mind from things that are monstrous and inexplicable.

The voices drew nearer behind the rocks, and he thought that he recognized the tones of one or more of his fellow-campers. Then, as he continued to face the apparitions, he discerned above their grotesquely floating forms the sudden flash of sourceless coppery metals that barred the air, hanging aloft like some mechanical mirage. A maze of slanted rods and curving reticulations seemed to hover and descend about the two beings. An instant later, it was gone, and the visitants had also disappeared!

Sarkis hardly saw the approach of a woman and two men, all membes of the party he had wished to avoid. To a bewilderment like that of some rudely awakened sleeper, was added the eerie consternation of one who thinks that be has met the supernatural.

A week later, Sarkis had returned to his lodgings in San Francisco and had resumed the tedious commercial art which formed his on reliable source of livelihood. This uncongenial work had involved the ruthless smothering of higher ambitions. He had wanted to paint imaginative pictures, had dreamt of fixing in opulent color a fantasy such as Beardsley had caught in ornate line. But such pictures, it seemed, were in small request.

The happening on Spanish Mountain had stirred his imagination profoundly, though lie was still doubtful of its actuality. lie gave him self to endless speculation, and often he cursed the untimely interruption that had caused the visitants to vanish.

It seemed to him that the beings (if they were not mere hallucinatory images) had appeared in answer to his own vague and undirected longings for the supermundane. Like envoys from a foreign universe, they had sought him out, had favored him with their invitation. Their attempt at verbal communication argued a knowledge of English; and it was plain that they could come and go at will, no doubt by means of some occult mechanism.

What did they want with him? he wondered. What would have been his fate if he had accompanied them?

His pictorial bent for the fantastic was deeply stimulated; and more than once, after his daily stint of advertising art was done, he tried to paint the visitants from memory. This he found peculiarly difficult: the images with which he sought to deal were without analogy; and their very hues and proportions baffled his recollection. It was as if an alien spectrum, a trans-Euclidean geometry, had somehow been involved.

One eve, he stood glowering with dissatisfaction before his easel. The picture, he thought, was a silly smudge of over-painted colors which utterly failed to convey the true outlandishness of its theme.

There was no sound or other warning, nothing that could consciously attract his attention. But turning abruptly, he saw behind him the two beings he had met on Spanish Mountain. They swayed slowly in the lamplight between the cluttered table and a somewhat shabby divan, trailing their tasseled members on an old rug whose fading floral designs were splashed with fresh paint.

With the loaded brush in his fingers, Sarkis could only stand and stare, held in the same hypnotic thrall that had swept him beyond fear or wonder on the mountain. Once more he beheld the gradual, somnolent waving or the arabesque feelers; again he heard the dreamy montonous hum that resolved itself into longdrawn vocables, inviting him to go with the visitants. Again, on the moonfish disks, were depicted scenes that would have been the despair of a futurist.

Almost without emotion or thought of any kind, Sarkis gave an audible consent. He hardly knew that he had spoken.

Slowly, as it had begun, the waving motion of the feelers ceased. The consonant humming died, the pictures faded. Then, as before, there came the coppery flash of air-suspended machinery. Broad, oblique rods and concave meshes hovered between ceiling and floor, descended about the alien entities—and about Sarkis himself. Dimly, between the glowing bars, he described the familiar furnishings of his room.

An instant more, and the room vanished like a film of shadow wiped away in light. There was no sense of movement or of transit; but if semed that a foreign sky had opened above, pouring down a deluge of crimson. Redness streamed upon him, it filled his eyes with a fury as of boiling blood, it dripped over him in sullen or burning cascades.

By degrees, he began to distinguish outlines and masses. The bars and meshes were still around him, his strange companions were still beside him. They were weirdly altered now, and they swam in the crimson flood like the goblin fish of some infernal sea. Involuntarily, Sarkis shrank away from them: they were terrifying, monstrous.

He saw now that he was standing on a curiously tesselated floor that curved upward on all sides like the bottom of a huge saucer. High, outward-sloping walls, windowless and roofless, towered all about. The mechanism that surrounded him was also topless, and he perceived tat it was changing. Very slowly, like dying flames, the rods and meshes sank and disappeared in a circle of small sockets that were part of the floor.

A deep vermilion heaven domed the tower, pouring down the thick, heavy light. The material of which the building was composed, whether stone, metal or some unheard-of element, flowed with lusters of liquid ruby and dissolving cinnabar.

Sarkis became aware that the air he breathed, though well-supplied with oxygen, was uncomfortably thick and seemed to choke his lungs. Also, when he tried to move, he found his weight enormously increased, as if by the gravitation of a gigantic planet.

Where he was or how be had gotten there, he could not imagine. He had nursed an artistic longing for the weird, the otherworldly; but he had never dreamed of this utter and delirious alienation from know things. Moreover, he bad not foreseen the shock to human nerves that would ensue an actual transition into another sphere. His sensations of physical discomfort were soon supplemented by a sort of optic torture: the light troubled him, it stimulated his senses cruelly, and yet it stifled and oppressed him at the same time,

A multitude of beings similar to his companions began to enter the topless tower, floating gradually down from the sky or swimming in through low doors. They crowded about him, and he found himself moving toward one of the exits, with their feelers and streamers tugging gently at his limbs. He felt an unreasoning terror at their touch, like a child in the grip of nightmare shadows. Their loud humming awoke in his brain the thought of some hostile horde of abominably droning insects.

Passing through the doorway, he entered a sea of light in which he was unable to discern clearly the features of the landscape. Almost vertically overhead, he saw the blinding blot of a vast sun, The throng of goblin people, increasing momently, bore him down a grassless, barren slope whose bottom was lost in the inundating crimson.

More and more, he felt an inexpressible malaise, a frightful mixture of confusion, irritation and depression to which all his senses contributed. He tried to recall the circumstances of his departure from earth, tried to assure himself that there was some natural explanation of all that had happened. The beings whose invitations he had accepted were, he told himself, friendly and well-meaning, and he would suffer no harm, But such thoughts were powerless to calm his agitated nerves, now subject to the assault of innumerable vibratory forces which the human system had never been meant to sustain.

The torture deepened. His journey down the slope, rendered doubly slow by the dragging gravitational pull and the leisurely drifting of his fantastic entourage, who seemed to obey another and more decelerated tempo of time than man, was literally a descent into hell. Every impression became a source of pain and terror, and he found a lurking menace of evil in all that surrounded him.

At the bottom of the slope, a second roofless bowl-shaped tower loomed from the murk, on the shore of a stagnant sea. To him, at that moment, it was like a shrine of alien diabolism, hateful and menacing and he wanted to scream aloud with a nameless horror when the goblin creatures bore him toward it and urged him through its portals.