The Vampire Lestat (45 page)

No answer from him. Flash of Nicki’s ravaged flat with all its books on the floor. Western civilization in heaps.

“And what better place is there than the center of things, the boulevard and the theater?” Gabrielle asked.

He frowned, his head turning dismissively, but she pressed on.

“Your gift is for leading the coven, and your coven is still there.” He made a soft despairing sound.

“Nicolas is a fledgling,” she said. “He can teach them much about the world outside, but he cannot really lead them. The woman, Eleni, is amazingly clever, but she will make way for you.”

“What is it to me, their games?” he whispered.

“It is a way to exist,” she said. “And that is all that matters to you now.”

“The Theater of the Vampires! I should rather the fire.”

“Think of it,” she said. “There’s a perfection in it you can’t deny. We are illusions of what is mortal, and the stage is an illusion of what is real.”

“It’s an abomination,” he said. “What did Lestat call it? Petty?”

“That was to Nicolas because Nicolas would build fantastical philosophies upon it,” she said. “You must live now without fantastical philosophies, the way you did when you were Marius’s apprentice. Live to learn the age. And Lestat does not believe in the value of evil. But you do believe in it. I know that you do.”

“I am evil,” he said half smiling. He almost laughed. “It’s not a matter of belief, is it? But do you think I could go from the spiritual path I followed for three centuries to voluptuousness and debauchery such as that? We were the saints of evil,” he protested. “I will not be common evil. I will not.”

“Make it uncommon,” she said. She was getting too impatient. “If you are evil, how can voluptuousness and debauchery be your enemies? Don’t the world, the flesh, and the devil conspire equally against man?”

He shook his head, as if to say he did not care.

“You are more concerned with what is spiritual than with evil,” I interjected, watching him closely. “Is that not so?”

“Yes,” he said at once.

“But don’t you see, the color of wine in a crystal glass can be spiritual,” I continued. “The look in a face, the music of a violin. A Paris theater can be infused with the spiritual for all its solidity. There’s nothing in it that hasn’t been shaped by the power of those who possessed spiritual visions of what it could be.”

Something quickened in him, but he pushed it away.

“Seduce the public with voluptuousness,” Gabrielle said. “For God’s sake, and the devil’s, use the power of the theater as you will.”

“Weren’t the paintings of your master spiritual?” I asked. I could feel a warming in myself now at the thought of it. “Can anyone look on the great works of that time and not call them spiritual?”

“I have asked myself that question,” Armand answered, “many times.
Was it spiritual or was it voluptuous? Was the angel painted on the triptych caught in the material, or was the material transformed?”

“No matter what they did to you after, you never doubted the beauty and the value of his work,” I said. “I know you didn’t. And it was the material transformed. It ceased to be paint and it became magic, just as in the kill the blood ceases to be blood and becomes life.”

His eyes misted, but no visions came from him. Whatever road he traveled back in his thoughts, he traveled alone.

“The carnal and the spiritual,” Gabrielle said, “come together in the theater as they do in the paintings. Sensual fiends we are by our very nature. Take this as your key.”

He closed his eyes for a moment as if he would shut us out.

“Go to them and listen to the music that Nicki makes,” she said. “Make art with them in the Theater of the Vampires. You have to pass away from what failed you into what can sustain you. Otherwise—there is no hope.”

I wished she had not said it so abruptly, brought it so to the point.

But he nodded and his lips pressed together in a bitter smile.

“The only thing really important for you,” she said slowly, “is that you go to an extreme.”

He stared at her blankly. He could not possibly understand what she meant by this. And I thought it too brutal a truth to say. But he didn’t resist it. His face became thoughtful and smooth and childlike again.

For a long time he looked at the fire. Then he spoke:

“But why must you go at all?” he asked. “No one is at war with you now. No one is trying to drive you out. Why can’t you build it with me, this little enterprise?”

Did that mean he would do it, go to the others and become part of the theater in the boulevard?

He didn’t contradict me. He was asking again why couldn’t I create the imitation of life, if that was what I wanted to call it, right in the boulevard?

But he was also giving up. He knew I couldn’t endure the sight of the theater, or the sight of Nicolas. I couldn’t even really urge him towards it. Gabrielle had done that. And he knew that it was too late to press us anymore.

Finally Gabrielle said:

“We can’t live among our own kind, Armand.”

And I thought, yes, that is the truest answer of all, and I don’t know why I couldn’t speak it aloud.

“The Devil’s Road is what we want,” she said. “And we are enough for each other now. Maybe years and years into the future, when we’ve
been a thousand places and seen a thousand things, we’ll come back. We’ll talk then together as we have tonight.”

This came as no real shock to him. But it was impossible now to know what he thought.

For a long time we didn’t speak. I don’t know how long we remained quiet together in the room.

I tried not to think of Marius anymore, or of Nicolas either. All sense of danger was gone now, but I was afraid of the parting, of the sadness of it, of the feeling that I had taken from this creature his astonishing story and given him precious little for it in return.

It was Gabrielle who finally broke the quiet. She rose and moved gracefully to the bench beside him.

“Armand,” she said. “We are going. If I have my way we’ll be miles from Paris before midnight tomorrow night.”

He looked at her with calm and acceptance. Impossible to know now what he chose to conceal.

“Even if you do not go to the theater,” she said, “accept the things that we can give you. My son has wealth enough to make an entrance into the world very easy for you.”

“You can take this tower for your lair,” I said. “Use it as long as you wish. Magnus found it safe enough.”

After a moment, he nodded with a grave politeness, but he didn’t say anything.

“Let Lestat give you the gold needed to make you a gentleman,” Gabrielle said. “And all we ask in return is that you leave the coven in peace if you do not choose to lead it.”

He was looking at the fire again, face tranquil, irresistibly beautiful. Then again he nodded in silence. And the nod itself meant no more than that he had heard, not that he would promise anything.

“If you will not go to them,” I said slowly, “then do not hurt them. Do not hurt Nicolas.”

And when I spoke these words, his face changed very subtly. It was almost a smile that crept over his features. And his eyes shifted slowly to me. And I saw the scorn in them.

I looked away but the look had affected me as much as a blow.

“I don’t want him to be harmed,” I said in a tense whisper.

“No. You want him destroyed,” he whispered back. “So that you need never fear or grieve for him anymore.” And the look of scorn sharpened hideously.

Gabrielle intervened.

“Armand,” she said, “he is not dangerous to them. The woman alone
can control him. And he has things to teach all of you about this time if you will listen.”

They looked at each other for some time in silence. And again his face was soft and gentle and beautiful.

And in a strangely decorous manner he took Gabrielle’s hand and held it firmly. Then they stood up together, and he let her hand go, and he drew a little away from her and squared his shoulders. He looked at both of us.

“I’ll go to them,” he said in the softest voice. “And I will take the gold you offer me, and I will seek refuge in this tower. And I will learn from your passionate fledgling whatever he has to teach me. But I reach for these things only because they float on the surface of the darkness in which I am drowning. And I would not descend without some finer understanding. I would not leave eternity to you without . . . without some final battle.”

I studied him. But no thoughts came from him to clarify these words.

“Maybe as the years pass,” he said, “desire will come again to me. I will know appetite again, even passion. Maybe when we meet in another age, these things will not be abstract and fleeting. I’ll speak with a vigor that matches yours, instead of merely reflecting it. And we will ponder matters of immortality and wisdom. We will talk about vengeance or acceptance then. For now it’s enough for me to say that I want to see you again. I want our paths to cross in the future. And for that reason alone, I will do as you ask and not what you want: I will spare your ill-fated Nicolas.”

I gave an audible sigh of relief. Yet his tone was so changed, so strong, that it sounded a deep silent alarm in me. This was the coven master, surely, this quiet and forceful one, the one who would survive, no matter how the orphan in him wept.

But then he smiled slowly and gracefully, and there was something sad and endearing in his face. He became the da Vinci saint again, or more truly the little god from Caravaggio. And it seemed for a moment he couldn’t be anything evil or dangerous. He was too radiant, too full of all that was wise and good.

“Remember my warnings,” he said. “Not my curses.”

Gabrielle and I both nodded.

“And when you have need of me,” he said, “I will be here.”

Then Gabrielle did the totally surprising thing of embracing him and kissing him. And I did the same.

He was pliant and gentle and loving in our arms. And he let us know without words that he was going to the coven, and we could find him there tomorrow night.

The next moment he was gone, and Gabrielle and I were there alone together, as if he’d never been in the room. I could hear no sound anywhere in the tower. Nothing but the wind in the forest beyond.

And when I climbed the steps, I found the gate open and the fields stretching to the woods in unbroken quiet.

I loved him. I knew it, as incomprehensible to me as he was. But I was so glad it was finished. So glad that we could go on. Yet I held to the bars for a long time just looking at the distant woods, and the dim glow far beyond that the city made upon the lowering clouds.

And the grief I felt was not only for the loss of him, it was for Nicki, and for Paris, and for myself.

W
HEN I came back down to the crypt I saw her building up the fire again with the last of the wood. In a slow, weary fashion, she stoked the blaze, and the light was red on her profile and in her eyes.

I sat quietly on the bench watching her, watching the explosion of sparks against the blackened bricks.

“Did he give you what you wanted?” I asked.

“In his own way, yes,” she said. She put the poker aside and sat down opposite, her hair spilling down over her shoulders as she rested her hands beside her on the bench. “I tell you, I don’t care if I never look upon another one of our kind,” she said coldly. “I am done with their legends, their curses, their sorrows. And done with their insufferable humanity, which may be the most astonishing thing they’ve revealed. I’m ready for the world again, Lestat, as I was on the night I died.”

“But Marius—” I said excitedly. “Mother, there are ancient ones—ones who have used immortality in a wholly different way.”

“Are there?” she asked. “Lestat, you’re too generous with your imagination. The story of Marius has the quality of a fairy tale.”

“No, that’s not true.”

“So the orphan demon claims descent not from the filthy peasant devils he resembles,” she said, “but from a lost lord, almost a god. I tell you any dirty-faced village child dreaming at the kitchen fire can tell you tales like that.”

“Mother, he couldn’t have invented Marius,” I said. “I may have a great deal of imagination, but he has almost none. He couldn’t have made up the images. I tell you he saw those things . . . ”

“I hadn’t thought of it exactly that way,” she admitted with a little smile. “But he could well have borrowed Marius from the legends he heard . . . ”

“No,” I said. “There was a Marius and there is a Marius still. And there are others like him. There are Children of the Millennia who have done better than these Children of Darkness with the gifts given them.”

“Lestat, what is important is that
we
do better,” she said. “All I learned from Armand, finally, was that immortals find death seductive and ultimately irresistible, that they fail to conquer death or humanity in their minds. Now I want to take that knowledge and wear it like armor as I move through the world. And luckily, I don’t mean the world of change which these creatures have found so dangerous. I mean the world that for eons has been the same.”

She tossed her hair back as she looked at the fire again. “It’s of snow-covered mountains I dream,” she said softly, “of desert wastes—of impenetrable jungles, or the great north woods of America where they say white men have never been.” Her face warmed just a little as she looked at me. “Think on it,” she said. “There is nowhere that we cannot go. And if the Children of the Millennia do exist, maybe that is where they are—far from the world of men.”

“And how do they live if they are?” I asked. I was picturing my own world and it was full of mortal beings, and the things that mortal beings made. “It’s man we feed on,” I said.

“There are hearts that beat in those forests,” she said dreamily. “There is blood that flows for the one who takes it . . . I can do the things now that you used to do. I could fight those wolves on my own . . . ” Her voice trailed off as she was lost in her thoughts. “The important thing,” she said after a long moment, “is that we can go wherever we wish now, Lestat. We’re free.”

“I was free before,” I said. “I never cared for what Armand had to tell. But Marius—I know that Marius is alive. I feel it. I felt it when Armand told the tale. And Marius knows things—and I don’t mean just about us, or about Those Who Must Be Kept or whatever the old mystery—he knows things about life itself, about how to move through time.”