The War of Art (2 page)

Read The War of Art Online

Authors: Steven Pressfield

Tags: #Arts & Entertainment

BOOK: The War of Art
9.52Mb size Format: txt, pdf, ePub
 
BOOK ONE
___________
 
RESISTANCE
 
Defining the Enemy
 
The enemy is a very good teacher.
—the Dalai Lama
 
RESISTANCE’S GREATEST HITS
 
The following is a list, in no particular order, of those activities that most commonly elicit Resistance:
 
1)
The pursuit of any calling in writing, painting, music, film, dance, or any creative art, however marginal or unconventional.
 
2)
The launching of any entrepreneurial venture or enterprise, for profit or otherwise.
 
3)
Any diet or health regimen.
 
4)
Any program of spiritual advancement.
 
5)
Any activity whose aim is tighter abdominals.
 
6)
Any course or program designed to overcome an unwholesome habit or addiction.
 
7)
Education of every kind.
 
8)
Any act of political, moral, or ethical courage, including the decision to change for the better some unworthy pattern of thought or conduct in ourselves.
 
9)
The undertaking of any enterprise or endeavor whose aim is to help others.
 
10)
Any act that entails commitment of the heart. The decision to get married, to have a child, to weather a rocky patch in a relationship.
 
11)
The taking of any principled stand in the face of adversity.
 
In other words, any act that rejects immediate gratification in favor of long-term growth, health, or integrity. Or, expressed another way, any act that derives from our higher nature instead of our lower. Any of these will elicit Resistance.
 
Now: what are the characteristics of Resistance?
 
RESISTANCE IS INVISIBLE
 
R
esistance cannot be seen, touched, heard, or smelled. But it can be felt. We experience it as an energy field radiating from a work-in-potential. It’s a repelling force. It’s negative. Its aim is to shove us away, distract us, prevent us from doing our work.
 
RESISTANCE IS INTERNAL
 
Resistance seems to come from outside ourselves. We locate it in spouses, jobs, bosses, kids. “Peripheral opponents,” as Pat Riley used to say when he coached the Los Angeles Lakers.
 
Resistance is not a peripheral opponent. Resistance arises from within. It is self-generated and self-perpetuated. Resistance is the enemy within.
 
RESISTANCE IS INSIDIOUS
 
Resistance will tell you anything to keep you from doing your work. It will perjure, fabricate, falsify; seduce, bully, cajole. Resistance is protean. It will assume any form, if that’s what it takes to deceive you. It will reason with you like a lawyer or jam a nine-millimeter in your face like a stickup man. Resistance has no conscience. It will pledge anything to get a deal, then double-cross you as soon as your back is turned. If you take Resistance at its word, you deserve everything you get. Resistance is always lying and always full of shit.
 
RESISTANCE IS IMPLACABLE
 
Resistance is like the Alien or the Terminator or the shark in
Jaws
. It cannot be reasoned with. It understands nothing but power. It is an engine of destruction, programmed from the factory with one object only: to prevent us from doing our work. Resistance is implacable, intractable, indefatigable. Reduce it to a single cell and that cell will continue to attack.
 
This is Resistance’s nature. It’s all it knows.
 
RESISTANCE IS IMPERSONAL
 
Resistance is not out to get you personally. It doesn’t know who you are and doesn’t care. Resistance is a force of nature. It acts objectively.
 
Though it feels malevolent, Resistance in fact operates with the indifference of rain and transits the heavens by the same laws as the stars. When we marshal our forces to combat Resistance, we must remember this.
 
RESISTANCE IS INFALLIBLE
 
Like a magnetized needle floating on a surface of oil, Resistance will unfailingly point to true North—meaning that calling or action it most wants to stop us from doing.
 
We can use this. We can use it as a compass. We can navigate by Resistance, letting it guide us to that calling or action that we must follow before all others.
 
Rule of thumb: The more important a call or action is to our soul’s evolution, the more Resistance we will feel toward pursuing it.
 
RESISTANCE IS UNIVERSAL
 
We’re wrong if we think we’re the only ones struggling with Resistance. Everyone who has a body experiences Resistance.
 
RESISTANCE NEVER SLEEPS
 
Henry Fonda was still throwing up before each stage performance, even when he was seventy-five. In other words, fear doesn’t go away. The warrior and the artist live by the same code of necessity, which dictates that the battle must be fought anew every day.
 
RESISTANCE PLAYS FOR KEEPS
 
Resistance’s goal is not to wound or disable. Resistance aims to kill. Its target is the epicenter of our being: our genius, our soul, the unique and priceless gift we were put on earth to give and that no one else has but us. Resistance means business. When we fight it, we are in a war to the death.
 
RESISTANCE IS FUELED BY FEAR
 
Resistance has no strength of its own. Every ounce of juice it possesses comes from us. We feed it with power by our fear of it. Master that fear and we conquer Resistance.
 
RESISTANCE ONLY OPPOSES
IN ONE DIRECTION
 
Resistance obstructs movement only from a lower sphere to a higher. It kicks in when we seek to pursue a calling in the arts, launch an innovative enterprise, or evolve to a higher station morally, ethically, or spiritually.
 
So if you’re in Calcutta working with the Mother Teresa Foundation and you’re thinking of bolting to launch a career in telemarketing. . . relax. Resistance will give you a free pass.
 
RESISTANCE IS MOST POWERFUL
AT THE FINISH LINE
 
Odysseus almost got home years before his actual homecoming. Ithaca was in sight, close enough that the sailors could see the smoke of their families’ fires on shore. Odysseus was so certain he was safe, he actually lay down for a snooze. It was then that his men, believing there was gold in an ox-hide sack among their commander’s possessions, snatched this prize and cut it open. The bag contained the adverse Winds, which King Aeolus had bottled up for Odysseus when the wanderer had touched earlier at his blessed isle. The winds burst forth now in one mad blow, driving Odysseus’ ships back across every league of ocean they had with such difficulty traversed, making him endure further trials and sufferings before, at last and alone, he reached home for good.
 
The danger is greatest when the finish line is in sight. At this point, Resistance knows we’re about to beat it. It hits the panic button. It marshals one last assault and slams us with everything it’s got.
 
The professional must be alert for this counterattack. Be wary at the end. Don’t open that bag of wind.
 
RESISTANCE RECRUITS ALLIES
 
Resistance by definition is self-sabotage. But there’s a parallel peril that must also be guarded against: sabotage by others.
 
When a writer begins to overcome her Resistance—in other words, when she actually starts to write—she may find that those close to her begin acting strange. They may become moody or sullen, they may get sick; they may accuse the awakening writer of “changing,” of “not being the person she was.” The closer these people are to the awakening writer, the more bizarrely they will act and the more emotion they will put behind their actions.
 
They are trying to sabotage her.
 
The reason is that they are struggling, consciously or unconsciously, against their own Resistance. The awakening writer’s success becomes a reproach to them. If she can beat these demons, why can’t they?
 
Often couples or close friends, even entire families, will enter into tacit compacts whereby each individual pledges (unconsciously) to remain mired in the same slough in which she and all her cronies have become so comfortable. The highest treason a crab can commit
is to make a leap for the rim of the bucket.
 
The awakening artist must be ruthless, not only with herself but with others. Once you make your break, you can’t turn around for your buddy who catches his trouser leg on the barbed wire. The best thing you can do for that friend (and he’d tell you this himself, if he really is your friend) is to get over the wall and keep motating.
 
The best and only thing that one artist can do for another is to serve as an example and an inspiration.
 
Now, let’s consider the next aspect of Resistance: symptoms.
 
RESISTANCE AND PROCRASTINATION
 
Procrastination is the most common manifestation of Resistance because it’s the easiest to rationalize. We don’t tell ourselves, “I’m never going to write my symphony.” Instead we say, “I am going to write my symphony; I’m just going to start tomorrow.”
 
RESISTANCE AND PROCRASTINATION,
PART TWO
 
The most pernicious aspect of procrastination is that it can become a habit. We don’t just put off our lives today; we put them off till our deathbed.
 
Never forget: This very moment, we can change our lives. There never was a moment, and never will be, when we are without the power to alter our destiny. This second, we can turn the tables on Resistance.
 
This second, we can sit down and do our work.
 
RESISTANCE AND SEX
 
Sometimes Resistance takes the form of sex, or an obsessive preoccupation with sex. Why sex? Because sex provides immediate and powerful gratification. When someone sleeps with us, we feel validated and approved of, even loved. Resistance gets a big kick out of that. It knows it has distracted us with a cheap, easy fix and kept us from doing our work.
 
Of course not all sex is a manifestation of Resistance. In my experience, you can tell by the measure of hollowness you feel afterward. The more empty you feel, the more certain you can be that your true motivation was not love or even lust but Resistance.
 
It goes without saying that this principle applies to drugs, shopping, masturbation, TV, gossip, alcohol, and the consumption of all products containing fat, sugar, salt, or chocolate.
 
RESISTANCE AND TROUBLE
 
We get ourselves in trouble because it’s a cheap way to get attention. Trouble is a faux form of fame. It’s easier to get busted in the bedroom with the faculty chairman’s wife than it is to finish that dissertation on the metaphysics of motley in the novellas of Joseph Conrad.
 
Ill health is a form of trouble, as are alcoholism and drug addiction, proneness to accidents, all neurosis including compulsive screwing-up, and such seemingly benign foibles as jealousy, chronic lateness, and the blasting of rap music at 110 dB from your smoked-glass ’95 Supra. Anything that draws attention to ourselves through pain-free or artificial means is a manifestation of Resistance.
 
Cruelty to others is a form of Resistance, as is the willing endurance of cruelty from others.
 
The working artist will not tolerate trouble in her life because she knows trouble prevents her from doing her work. The working artist banishes from her world all sources of trouble. She harnesses the urge for trouble and transforms it in her work.
 
RESISTANCE AND SELF-DRAMATIZATION
 
Creating soap opera in our lives is a symptom of Resistance. Why put in years of work designing a new software interface when you can get just as much attention by bringing home a boyfriend with a prison record?
 
Sometimes entire families participate unconsciously in a culture of self-dramatization. The kids fuel the tanks, the grown-ups arm the phasers, the whole starship lurches from one spine-tingling episode to another. And the crew knows how to keep it going. If the level of drama drops below a certain threshold, someone jumps in to amp it up. Dad gets drunk, Mom gets sick, Janie shows up for church with an Oakland Raiders tattoo. It’s more fun than a movie. And it works: Nobody gets a damn thing done.
 
Sometimes I think of Resistance as a sort of evil twin to Santa Claus, who makes his rounds house-to-house, making sure that everything’s taken care of. When he comes to a house that’s hooked on self-dramatization, his ruddy cheeks glow and he giddy-ups away behind his eight tiny reindeer. He knows there’ll be no work done in that house.
 
RESISTANCE AND SELF-MEDICATION
 
Do you regularly ingest any substance, controlled or otherwise, whose aim is the alleviation of depression, anxiety, etc.? I offer the following experience:
 
I once worked as a writer for a big New York ad agency. Our boss used to tell us: Invent a disease. Come up with the disease, he said, and we can sell the cure.
 
Attention Deficit Disorder, Seasonal Affect Disorder, Social Anxiety Disorder. These aren’t diseases, they’re marketing ploys. Doctors didn’t discover them, copywriters did. Marketing departments did. Drug companies did.
 
Depression and anxiety may be real. But they can also be Resistance.
 
When we drug ourselves to blot out our soul’s call, we are being good Americans and exemplary consumers. We’re doing exactly what TV commercials and pop materialist culture have been brainwashing us to do from birth. Instead of applying self-knowledge, self-discipline, delayed gratification and hard work, we simply consume a product.
 
Many pedestrians have been maimed or killed at the intersection of Resistance and Commerce.

Other books

The Wind-Witch by Susan Dexter
La conciencia de Zeno by Italo Svevo
Rhapsody in Black by Brian Stableford
The Way You Look Tonight by Richard Madeley
Sophie by Guy Burt
Tactical Strike by Kaylea Cross
Cosa Nostra by John Dickie
The Left-Handed God by I. J. Parker